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Journal articles on the topic 'Uzbek Poets'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Ganiyevna, Karimova Shakhlokhon. "Reative Attitude to The Traditions of Uzbekistan Classical Literature in The Poetry of Vasliy." American Journal of Philological Sciences 5, no. 5 (2025): 129–31. https://doi.org/10.37547/ajps/volume05issue05-34.

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This article provides Uzbek readers with the first information about the poetry of the Uzbek poet Vasliy, who lived and worked in East Turkestan at the beginning of the 20th century. His poems, written under the influence of the work of enlightened poets such as Mukimiy, are analyzed. Most of the poet's poems are in harmony with the lyrical works of poets such as Furqat, Mukimiy, Xislat, and Zavqiy, imbued with nationalist and enlightened ideas. The classification of lyrical poems in the collection "Xinjiang Uzbek Poets" indicates that Vasliy wrote about themes that have been common to poets i

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Erkinov, Aftondil, and Abdumalik Qurbonov. "ALISHER NAVOI AND OTTOMAN TURKISH POETS." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 82–91. http://dx.doi.org/10.26739/2181-1490-2021-1-9.

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In the dynasty of the Ottoman sultans (1299–1922), there was a great interest in the personality and heritage of the poet Alisher Navai (1441-1501). This interest, which arose during the poet’s lifetime, still exists today. The article highlights the imitation and follow-up of Ottoman poets to Navai’s poems. We are talking about the influence of Uzbek classical literature and especially the heritage of the Navai on the literature of the Ottoman dynasty. Ottoman poets imitated Nawai’s Hamsa poems and, as a result, created their own versions of the Nawai poems. They wrote poetry in Ottoman and P

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3

Hazratkuliyon, D. F. "Development of the tradition of “zullisoinayn” in Tajik poetry of modern Uzbekistan." Neophilology 10, no. 3 (2024): 634–43. http://dx.doi.org/10.20310/2587-6953-2024-10-3-634-643.

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INTRODUCTION. In Uzbek literary criticism, the term “zullisoinayn” is used for poetry created in two languages. At one time, Alisher Navoi was a bright example of such creativity. The relevance of the study is due to its connection with the development of this literary tradition in the work of modern Uzbek poets. At present, the poetic technique of “zullisoinayn” of bilingual poets' poems makes a significant contribution to strengthening literary ties and the development of Tajik literature in modern Uzbekistan. The purpose of the study is to identify the significance of the work of Tajik poet

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Boliqulova, Mehribon, and Maftuna Xalova. "THE INTERPRETATION OF LOVE IN THE CREATION OF ZEBO MIRZA." MODERN SCIENCE AND RESEARCH 3, no. 2 (2024): 254–56. https://doi.org/10.5281/zenodo.10645116.

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<em>Uzbek poetry of the period of independence also has its significant place in the gulshan of our literature. Today's poets and poetesses write poetry with a completely new spirit and mood. This article talks about the issues of artistic concept in contemporary Uzbek poetry, the peculiarities of poets and poetesses' poetry, and the reflection of the creator's "I" in poetry. We tried to reveal the essence of the artistic concept based on Zebo Mirza's poems mixed with colorful paints and the best creative examples.</em>

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Jamahmatov, Karomiddin Aynillo oglu. "THE INFLUENCE OF ZULLISANAYN (BILINGUALISM IN WORKS) TRADITIONS IN THE WORK OF HAJI MUHAMMAD SHAHDI." INTERNATIONAL JOURNAL OF ALISHER NAVOI 1, no. 2 (2021): 155–65. http://dx.doi.org/10.26739/2181-1490-2021-2-18.

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One of the great bilingual poets, Haji Muhammad Shahdi, wrote in two languages in the literary environment of Kokand in the early 18th century. In addition to being the owner of the devon in the Persian-Tajik language, he wrote a number of ghazals rich in mystical meanings in the Uzbek language.The article describes the poet's attitude to the work of representatives of Uz-bek classical literature, his creative approach and the epistemological analysis of his poems. In addition, the specific style and meaning of the poet's poems were studied in comparison with the verses of the Qur'an. Samples

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Olimova, Munavvar. "Regarding Huvaido's commentary on Navoi's ghazal." Golden scripts 4, no. 4 (2024): 46–77. https://doi.org/10.52773/tsuull.gold.2024.4/lwle3965.

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Khojanazar Huvaydo is one of the famous poets of the 18th century Uzbek literature with his lyrical poems and epics. The creator left a significant literary and spiritual heritage. His lyrical heritage - his divan - has been published. Today, the poet's works are preserved in manuscript and lithographic form in many manuscript collections. One of them is the lithograph "Huvaydoyi Chimyoniy" kept in the Bukhara Museum of Literature and Art. Based on the study of this source, a mukhammas tied to Navoi's ghazal, which was not available among the published divan of the poet, was discovered. In the

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7

Mansurov, Sobir. "Classification Of Poems In The Collection “Gulshani Dilafgor”." American Journal of Social Science and Education Innovations 03, no. 05 (2021): 482–89. http://dx.doi.org/10.37547/tajssei/volume03issue05-85.

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This article classifies some of the poems in the “Gulshani Dilafgor” collection. Most of the poet’s poems are in sync with the lyrical works of poets such as Furqat, Muqimi, Hamza, Khislat, Kami, imbued with the ideas of nationalism and enlightenment. The classification of lyrical poems in the collection of the poet “Gulshani Dilafgor” shows that Dilafgor could not avoid the themes that accompanied the poets in Uzbek classical poetry. He, too, relied on the progressive ideas of his time in continuing the traditions of his predecessors.

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8

Mirqodirova, Zilola Sherzod qizi. "WORK AND STUDY OF ALEKSANDR FAYNBERG." GOLDEN BRAIN 2, no. 1 (2024): 136–39. https://doi.org/10.5281/zenodo.10466255.

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<em>Aleksandr Faynberg is considered to be one of the most acclaimed poets in Uzbekistan. Although his nationality belongs to other nation, he left invaluable piece of his writings about Uzbek culture, custums and life. His all poems were written with all his heart dedicating his life to the advancement of Uzbek poetry. Poet’s early life, achievements and his contributions to our national literature would be further discussed. </em>

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9

Karimova, O`g`iloy, and Ulug`bek Yo`ldoshev. "ALEKSANDR FEINBERG. HIS WORKS AND STUDIES." MODERN SCIENCE AND RESEARCH 3, no. 3 (2024): 542–49. https://doi.org/10.5281/zenodo.10839861.

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<em>Aleksandr Feinberg is considered to be one of the most acclaimed poets in Uzbekistan. Although his nationality belongs to other nations, he left invaluable pieces of his writings about Uzbek culture, customs, and life. His all poems were written with all his heart dedicating his life to the advancement of Uzbek poetry. The poet’s early life, achievements, and contributions to our national literature will be further discussed. </em>

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Mirqodirova, Zilola Sherzod qizi. "WORK AND STUDY OF ALEKSANDR FAYNBERG." GOLDEN BRAIN 2, no. 1 (2024): 144–47. https://doi.org/10.5281/zenodo.10465008.

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<em>Aleksandr Faynberg is considered to be one of the most acclaimed poets in Uzbekistan. Although his nationality belongs to other nation, he left invaluable piece of his writings about Uzbek culture,  custums and life. His all poems were written with all his heart dedicating his life to the advancement of Uzbek poetry. Poet’s early life, achievements and his contributions to our national literature would be further discussed. </em>

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11

YILMAZ, Tuğba. "UZBEKISTAN AND NATIONAL IDENTITY IN THE POEMS OF HURSHID DEVRAN." SOCIAL SCIENCE DEVELOPMENT JOURNAL 7, no. 34 (2022): 67–74. http://dx.doi.org/10.31567/ssd.793.

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Hurshid Devran was born on January 20, 1952 in Samarkand, Uzbekistan. H. Devran; he became one of the leading poets and writers of Uzbek Literature with his works written in epic, poetry, drama, theatre, story and translation. In the works he wrote in the field of poetry, homeland, nation, flag, language, independence, historical figures, poet, poetry, spring, autumn, nature etc. themes are often included. He frequently emphasized the historical, geographical and cultural characteristics of Uzbekistan in order to create national consciousness among the Uzbek people in his works on Uzbek Litera

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12

Muhitdinovna Rakhmonova, Shahnoza. "Poetics Of The Ghazal Genre In Uzbek Poetry Of The Second Half Of The XX Century." Psychology and Education Journal 58, no. 1 (2021): 2423–30. http://dx.doi.org/10.17762/pae.v58i1.1117.

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The article reveals the role of the ghazal genre in the development of poetic form and content in Uzbek poetry in the second half of the twentieth century. The poems of Uzbek poets Habibi, Sabir Abdulla, Chustiy, Charkhiy, Erkin Vahidov, Abdulla Aripov are the basis for the analysis. The main theme of the article is to cover the issues related to the prosody characteristics and content of the simple ghazal, ghazal-i qit’a, ghazali musajja’, ghazali muvashshahi ta’rikh and reversible ghazal metre in the works of these artists. It also discusses ghazal muvashshahi ta’rikh, which are not found in

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13

Rahmonova, Shahnoza. "Poetics of the ghazal genre in uzbek poetry of the second half of the XX century." Uzbekistan: language and culture 3, no. 4 (2021): 90–102. http://dx.doi.org/10.52773/tsuull.uzlc.2021.4/areu3476.

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The article reveals the role of the ghazal genre in the development of poetic form and content in Uzbek poetry in the second half of the twen-tieth century. The poems of Uzbek poets Habibi, Sabir Abdulla, Chustiy, Charkhiy, Erkin Vahidov, Abdulla Aripov are the basis for the analysis. The main theme of the article is to cover the issues related to the prosody cha- racteristics and content of the simple ghazal, ghazal-i qit’a, ghazali musajja’, ghazali muvashshahi ta’rikh and reversible ghazal metre in the works of these artists. It also discusses ghazal muvashshahi ta’rikh, which are not found

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14

Ibragimov, Bekzod Jovliyevich. "Specific Characteristics of Style in Uzbek Jadids Poetry (Example of Poems of Fitrat, Elbek and Botu)." Sarcouncil Journal of Arts Humanities and Social Sciences 4, no. 5 (2025): 11–17. https://doi.org/10.5281/zenodo.15459942.

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The main style of Uzbek poetry until the beginning of the 20th century, until the modern era, was a silent form based on a certain pattern, mainly visual means, word games. By the time of the national renaissance, some changes took place in the form as well as in the style. First of all, it can be observed that the poets looked at literature and poetry as a means of propagating their ideas and tried to convey them in a simple, vernacular language as much as possible. True, in the last years of the Khanate period, enlightened poets wrote many poems in new styles, which are somewhat different fr

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15

Muhammadiyev, Aхadjon. "QO‘QON ADABIY MUHITIGA FUZULIY TA’SIRI: AN’ANA VA YANGILANISH." TAMADDUN NURI JURNALI 3, no. 66 (2025): 314–19. https://doi.org/10.69691/v047dg83.

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In this article written a comprehensive analysis of the importance of literary influence in the Kokand literary environment of the second half of the 19th and early 20th centuries. In particular, the influence of Fuzuli’s work on Muhyi and his contemporary poets is revealed in detail. It is considered on the basis of specific examples that poets such as Hazari, Muqimi and Muhyi find a distinctive reflection of the Fuzuli style in ghazal and mukhammas. At the same time, the place and value of this literary influence in Uzbek poetry in aesthetic and spiritual terms is illuminated. The article al

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16

Muhammadiyev, Aхadjon. "QO‘QON ADABIY MUHITIGA FUZULIY TA’SIRI: AN’ANA VA YANGILANISH." TAMADDUN NURI JURNALI 3, no. 66 (2025): 314–19. https://doi.org/10.69691/3ygs0949.

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In this article written a comprehensive analysis of the importance of literary influence in the Kokand literary environment of the second half of the 19th and early 20th centuries. In particular, the influence of Fuzuli’s work on Muhyi and his contemporary poets is revealed in detail. It is considered on the basis of specific examples that poets such as Hazari, Muqimi and Muhyi find a distinctive reflection of the Fuzuli style in ghazal and mukhammas. At the same time, the place and value of this literary influence in Uzbek poetry in aesthetic and spiritual terms is illuminated. The article al

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17

Kizi, Berdieva Dilnavoz Orif. "THE MOTIF OF LOVE AND SEPARATION IN THE CREATION OF KUTLIBEKA RAHIMBOYEVA." International Journal Of Literature And Languages 4, no. 2 (2024): 12–15. http://dx.doi.org/10.37547/ijll/volume04issue02-03.

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The article reveals the reflection of feelings such as love, fidelity, Wasl-U hajr in world and national literature, as well as the interpretation of these feelings in the work of Qutlibeka Rahimboyeva from the current Uzbek poetry exponents, the art of using artistic means in their expression, and the illumination unlike other female poets, on the example of poetry poems.

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18

Nigora, Kiryigitova. "PHILOSOPHICAL THINKING AND ARTISTIC INTERPRETATION." CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 03, no. 02 (2022): 36–41. http://dx.doi.org/10.37547/philological-crjps-03-02-08.

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In this article, the reflection of philosophical thinking in Uzbek poetry is analyzed on the example of one of the great Uzbek poets Erkin Vahidov and Abdulla Aripov. It describes the reflection of philosophical thinking in the example of history and today, dreams and aspirations.

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19

Ashurova, Shoira Shodiyevna, and Sarvinoz Ochilovna Ismailova. "CREATIVE LEGACY OF ALISHER NAVAI." ACADEMIC RESEARCH IN MODERN SCIENCE, no. 1 (January 29, 2022): 192–97. https://doi.org/10.5281/zenodo.5918202.

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The pen of the brilliant Uzbek poet, thinker and statesman Alisher Navai owns more than thirty artistic, scientific and journalistic works. Like many other poets of that time, Alisher Navai wrote his works  in two languages. However, the main works of the outstanding poet were written in the Turkic (Old Uzbek) language, and this raised the Uzbek classical literature to an unprecedented height.

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HIKMATULLOYEV, Azizbek. "CHINA IN THE WORKS OF ALISHER NAVOI." Oriental Renaissance: Innovative, educational, natural and social sciences 2, no. 26 (2022): 783–87. https://doi.org/10.5281/zenodo.7352266.

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<em>In the given article the writer mentions about contemporary relationships between China and Uzbekistan and their desire to know more about ancient poets and that is reason why the writer wants to recall to the poems of the great Uzbek poet Alisher Navoi and shows his attitude about Chinese traditions, worldview and literature.</em> <em>The writer gives an example from Khamza of Alisher Navoi that is about Chinese beauty, Great Khan and a man which represents Chinese culture in the Navoi’s poems</em>

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21

Turdieva, K. "Poetical Works A. Aripov in Child Reading." Bulletin of Science and Practice 6, no. 10 (2020): 430–38. http://dx.doi.org/10.33619/2414-2948/59/39.

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Children’s literature is created not only by children’s writers and poets but also by writers and poets writing for adults. In this regard, well-known writers and poets of Uzbekistan played a significant role in enriching the fund of Uzbek children’s literature. And at the forefront of them is the Nation’s Poet, Nation’s Hero of Uzbekistan — Abdulla Aripov. The relevance of this article is studying the spiritual and moral values of the society in A. Aripov’s poetic works for children and adolescents. Purpose of the article: analysis of the philosophical focus of the presentation of the moral v

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22

Ernazarov, Dilmurod Z., and Lutfulla S. Ilkhamdzhanov. "Tatar enlighteners and Gafur Gulyam’s creativity: cultural and literary cooperation." Historical Ethnology 5, no. 3 (2020): 497–506. http://dx.doi.org/10.22378/he.2020-5-3.497-506.

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The article discusses the influence of cultural and literary cooperation between Tatar, Bashkir and Uzbek enlighteners on the development of contemporary Uzbekistan and the country’s creative circles. The paper reveals the role of the outstanding Tatar poet, literary critic, publicist and translator G. Tukay in the formation of the Uzbek poet and publicist Gafur Gulyam’s worldview. The authors conducted a retrospective historical and literary analysis of the Uzbek and Tatar Soviet Socialistic Republic poets and writers.

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23

Tilaymurodova, Mukhlisa, and Ravshan Eshonkulov. "ECHOES OF ELIOT: A STYLISTIC INFLUENCE ON POST-SOVIET UZBEK LITERARY EXPRESSION." JOURNAL OF UNIVERSAL SCIENCE RESEARCH 3, no. 5 (2025): 64–70. https://doi.org/10.5281/zenodo.15391344.

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This paper explores the stylistic influence of Thomas Stearns Eliot’s poetry on post-Soviet Uzbek writers. It analyzes the adoption of Eliot’s poetic techniques, such as ambiguity, allusion, and internal monologue, within the works of selected Uzbek poets and novelists. The study uses comparative stylistic analysis to show that Eliot’s modernist techniques offered a model for Uzbek authors seeking new literary identities in the wake of Soviet censorship. The paper concludes that Eliot’s influence has inspired a stylistic departure from realism toward a more introspectiv

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24

Ziyaviddinova, Mukhlisa. "COMPARATIVE ANALYSIS OG THE POETRY OF BINT ASH-SHATI AND ZULFIYA." Oriental Journal of Philology 05, no. 03 (2025): 87–98. https://doi.org/10.37547/supsci-ojp-05-03-11.

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This article is dedicated to the work of the renowned Egyptian poet Bint ash-Shati and the equally well-known Uzbek poet Zulfiya. Their poems were examined and analyzed. Both poets extensively used various artistic means of expression in their work, such as isti'ara (metaphor), tashbih (simile), and tazad (antithesis). The creative paths of Bint ash-Shati and Zulfiya have much in common. Both were awarded various accolades and are known beyond the borders of their respective countries.

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qizi, Axmedova Kamola Ziyodulla. "The Renewal of Artistic Poetic Thought In 16th Century Tazkiras: The Works of Mutribiy Samarqandiy And Hasanxoja Nisoriy." International Journal Of Literature And Languages 5, no. 5 (2025): 41–43. https://doi.org/10.37547/ijll/volume05issue05-12.

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The article analyzes the processes of artistic and poetic thought renewal in 16th century Uzbek literature through the lens of tazkiranavism. Using the examples of Mutribiy Samarqandiy and Hasanxoja Nisoriy, the features of complex expression of the poet's image, the clarification of aesthetic criteria, the strengthening of a critical approach, and the appearance of psychological elements in poetic thought are examined. The article also highlights how tazkiras combine aesthetic and social thinking, as well as the poets' active participation in the social processes of their time.

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Oybek, Haytbayev. "STYLISTIC FEATURES OF UZBEK SYNONYMOUS PHRASES IN FICTION." International Journal Of Literature And Languages 4, no. 11 (2024): 18–24. http://dx.doi.org/10.37547/ijll/volume04issue11-05.

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The article is discussed the stylistic features of synonymous phrases in the Uzbek language in fiction. Writers and poets have demonstrated the skillful use of expressive means to increase their imagery and effectiveness in describing heroes.

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27

Gulandam, Kurambaeva. "LITERARY RELATIONSHIPS OF UZBEK AND KARAKALPAK IN THE PERIOD OF INDEPENDENCE." ANGLISTICUM. Journal of the Association-Institute for English Language and American Studies 12, no. 10 (2023): 38. http://dx.doi.org/10.58885/ijllis.v12i10.38kg.

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<div><p>The article talks about the role of literary communication and influence in the development of any literature or in the formation of a certain artist as a poet or writer. G.Gulom, J.Aymurzaev, Mirtemir, I.Yusupov, A.Otepbergenov’s worthy contribution to the development of Uzbek and Karakalpak literary relations is acknowledged. In the field of artistic translation, interaction and literary studies, the works of both literatures are analyzed, their uniqueness, poetic skill of writers in creating national color is revealed. The useful aspects of the articles written by academ

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Akhrorova, Madina Rakhmatovna. "THE ISSUE OF GENDER EQUALITY IN THE WORK OF UZBEK CLASSIC POETS." Philosophy and life 1, Special issue 1 (2022): 33–39. https://doi.org/10.5281/zenodo.6589714.

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Modern sociology is consistently and effectively developing the concept of gender as one of the important foundations for the analysis of sociality and its forms. “Gender is a set of characteristics that are not defined by nature, but are endowed by social phenomena. Moreover, gender is only gender, which is what constitutes gender as a result of its socialization. Gender does not belong to man, but man belongs to sex, and he has power and language. Gender is present, formed, and regenerated in all social processes that affect women and men. During the years of independence, Uzbekistan h

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Aziz, Abidovich Akbarov. "HENRICH HINE'S BALLADWRITING SKILL IS JEWISH ABOUT THE TRANSLATIONS OF THE POEM "LORELEY" INTO UZBEK." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY 3, no. 6 (2023): 1389–403. https://doi.org/10.5281/zenodo.8093016.

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The article talks about the poetic skills of the great German poet Heinrich Heine in creating the ballad "Lorelei". The translations of Uzbek poets such as Mirtemir, Abdulla Sher, Azam Ismail are analyzed.

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Abdualim Qizi, Abdualimova Shalola. "Writer In Memory Of His Contemporaries And In The Eternal Honor." American Journal of Social Science and Education Innovations 03, no. 01 (2021): 344–57. http://dx.doi.org/10.37547/tajssei/volume03issue01-67.

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This article covers the difficult life and career of the great writer, the founder of Uzbek novels Abdullah Qadiri, his experiences, the warm words of contemporary poets and writers about the writer, the author's multifaceted work and other information.

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Botirova, Raikhona Abdurofikovna. "THE IMAGE OF LOVE IN THE WORKS OF ABDULLA ORIPOV AND SHAKESPEARE." Journal of Academic Research and Trends in Educational Sciences 1, no. 5 (2022): 93–99. https://doi.org/10.5281/zenodo.6493665.

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There are themes in literature that are considered timeless, and so far no poet has been able to pass this up without hesitation. This is the undisputed object of love. There are such poets and writers in Uzbek and world literature that when it comes to love and affection, quotes from these creators are involuntarily repeated on our lips. This article will focus on the embodiment of love in the works of world poets Shakespeare and Abdulla Oripov.

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O‘ktamovna, Otamuratova Muyiba. "The issue of creative mastery in interpreting female psychology (on the example of Z. MIRZO, X. RUSTAMOVA, and G. ASQAROVA'S works)." American Journal of Philological Sciences 5, no. 2 (2025): 95–97. https://doi.org/10.37547/ajps/volume05issue02-27.

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This article examines the issue of creative mastery in interpreting female psychology in contemporary Uzbek poetry through examples from the works of prominent poets Zebo Mirzo, Xosiyat Rustamova, and Guljamol Asqarova. It specifically addresses the artistic and stylistic features unique to these creators' works, highlighting issues of aesthetic ideals and creative individuality in crafting new poetic expressions. The characteristic features of literature in the independence era are analyzed systematically through the poetry of the aforementioned poets.

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Masharipova, Zumrad. "The Use of Proverbs in The Work of Modern Uzbek Poets and Their Role in Poetic Art." International Journal Of Literature And Languages 5, no. 5 (2025): 183–88. https://doi.org/10.37547/ijll/volume05issue05-43.

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This article analyzes the use of proverbs in modern Uzbek literature, in particular, in the work of poets, their artistic and aesthetic load, changes in content and form, and their place in the poetic text. The life experience, exemplary thoughts, and national wisdom embodied in the articles are sometimes used creatively by the poets, sometimes exactly, and sometimes in a revised form. Also, the poetic interpretation of proverbs in accordance with modern social conditions is analyzed.

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Madirimova, Sohiba. "Life path and creative heritage of Sayyid Muhammad Khan son of Toramurad." Golden Scripts 2 (June 10, 2024): 42–59. http://dx.doi.org/10.52773/tsuull.gold.2024.2/zbcx6103.

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The article discusses the poet Turamurod Tura Sayyid Muhamma- dkhon and his lyrical heritage, who lived and created at the end of the 19th century and the beginning of the 20th century. Additionally, it provides in- formation on the life and creativity of the poets based on the works “Sha- jarayi Khorazmshohiy” by Muhammad Yusuf Bayoni, “Haft Shuaro,” and “Tazkirayi Shuaro” by Hasanmurod Laffasiy. The sources are comparati- vely analyzed, and conclusions are drawn in terms of textology and literary source studies. Murodii was a famous Uzbek poet, whose original name was Muro- dillo Yusupov. Hi

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35

Zulayxo, Berdiyeva. "Issues Of Artistic Concept In Contemporary Uzbek Poetry." American Journal of Social Science and Education Innovations 03, no. 08 (2021): 11–14. http://dx.doi.org/10.37547/tajssei/volume03issue08-03.

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This scientific article focuses on the importance of the concept of art in modern Uzbek poetry. This article is about the works of our talented poets Zebo Mirzo and Halima Ahmedova, who are currently working in the field of our literature. The scientific significance of the article is that it focuses on the main ideas and goals of contemporary poetry.

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Nurbayeva, Marvarid. "SPECIFIC FEATURES OF MAVIZA." Current Research Journal of Philological Sciences 5, no. 12 (2024): 36–39. https://doi.org/10.37547/philological-crjps-05-12-08.

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This article aims to reveal the peculiarities of the term maviza, which embodies meanings such as “advice”, “guidance”, “exhortation”. Uzbek, Persian, and Turkish dictionaries were used to cover the term “maviza”. The poets of maviza were mentioned and their works were interpreted artistically.

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YILMAZ, Tuğba. "THEMATIC APPROACH TO AZIM SUYUN’S POEMS." SOCIAL SCIENCE DEVELOPMENT JOURNAL 8, no. 35 (2023): 14–24. http://dx.doi.org/10.31567/ssd.808.

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Azim Suyun was born on February 22, 1948 in the village of Nakurt, in the province of Samarkand, Uzbekistan. He is known for his works in the genres of story, drama, epic, poetry and translation in Uzbek Literature. In addition to his; he has many works written about poetry and poet. The poet is one of the important figures of Uzbek Literature in the Soviet and Independence Period. Azim Suyun did not remain indifferent to the problems of the age in which he lived, and dealt with the existing troubles and the events he personally witnessed in his works. At the same time, the poet drew attention

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Komilovna, Khaydarova Dildora. "The Literary Relations In Uzbek And German Poetry." American Journal of Social Science and Education Innovations 02, no. 12 (2020): 294–97. http://dx.doi.org/10.37547/tajssei/volume02issue12-51.

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Our Uzbek classical poetry has a special role in the world literature as its ideological and artistic maturity and the richness of its genres as well. The names of such poets as Alisher Navoi, Firdavsi, Jami, Hafiz, Nizami, Umar Khayyam and Babur who were recognized as great figures, have been rediscovered and continue to have an impact on world poetry. In this regard, many great epics of Oriental literature have been studied and translated into European languages. In this article, I will discuss the literary relations in Uzbek and German poetry.

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YILMAZ, Emra, and Tuğba YILMAZ. "METAPHORICAL TRANSFERS IN THE POEMS OF MAHTUMKULU FIRAKI AND ABDULLA ORIPOV." EUROASIA JOURNAL OF SOCIAL SCIENCES & HUMANITIES 9, no. 2 (2022): 99–111. http://dx.doi.org/10.38064/eurssh.346.

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In the study, some concepts such as heart, voice, word, line, poem, epic, idea in the poems of Turkmen national poet Mahtumkulu Firâkî and Uzbek national poet Abdulla Oripov were analyzed in terms of metaphorical transfers. As it is known, the classical Turkmen literature of Firaki, who lived in the 18th century, Oripov, on the other hand, are two prominent figures of modern Uzbek Literature. In the research, the relationship between language and thought was examined and it was aimed to draw attention to the meanings attributed to the aforementioned concepts and the conceptual thought structur

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Ibrokhimova, Markhabo Ulugbek kizi. "THE MAGIC OF THE WORD IN THE PROCESS OF ARTISTIC TRANSLATION." EURASIAN JOURNAL OF SOCIAL SCIENCES, PHILOSOPHY AND CULTURE 2, no. 3 (2022): 193–96. https://doi.org/10.5281/zenodo.6422516.

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In this article, we will talk about the skills of artistic translation and several successful methods used in the direction of translation. Undoubtedly, the need to translate Uzbek literature, including poetry into Russian, arose for certain historical and social reasons, and Alexander Faynberg was one of the leaders in this field. The wider the range of topics studied in Uzbek literature and its translation, the wider the scope of unexplored topics. During the reading of the article, from the point of view of translation, it is possible to know that the recreation of poetic art in the artisti

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Eshmuhamedova, Maryam. "THE WRITTEN HERITAGE OF SULAYMON BAQIRGANI." CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 04, no. 01 (2023): 46–49. http://dx.doi.org/10.37547/philological-crjps-04-01-10.

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The poets of the Yassavi school have a special place in the history of Uzbek literature, manuscript sources testify to this. Sulayman Baqirgani is the most powerful of the poets in this school. Alisher Navoi mentions Ahmed Yassavi in "Nasaimul-Muhabbat" and mentions him as "Shaykh ul-Mashayikh", "Qiblai prayer of the people of Turkestan". While giving information about his follower Sulayman Baqirgani, he cites an excerpt from his poetry, stressing that "Hakim was the language of wisdom" and that his wisdom was popular among Turks.

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Otamuratova, Muyiba. "RUHIYATGA YONDOSH SHE’RIYAT." TAMADDUN NURI JURNALI 11, no. 62 (2024): 170–73. https://doi.org/10.69691/wpae2v03.

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In this article, the unique features of the works of poets Zebo Mirzo, Khosiyat Rustamova, Guljamol Askarova, who skillfully swing a pen in modern Uzbek poetry, will be highlighted. Also, lines are interpreted as the image of the soul in the works created by these artists.

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Bozorova, Nigora, and Mokhira Saidova. "THE ESSENCE OF SYMBOLIC IMAGES IN THE WORK OF THE UNIQUE POET, SKILLED TRANSLATOR RAUF PARFI." Scientific Reports of Bukhara State University 5, no. 5 (2021): 109–18. http://dx.doi.org/10.52297/2181-1466/2021/5/5/10.

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Introduction. The twentieth century is known to have been a period of great change and renewal in world literature. The social, political, and cultural reasons for this have been shown in many scientific works. It should be noted that in the last century, especially in poetry, there have been created rare works that speak of the fate of humanity, human suffering, deep content, deep philosophy. In particular, during this period, philosophical and intellectual lyricism about the eternal problems of the universe and man, life and death, war and peace, the fate of mankind, the essence of life was

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Amonova, Zilola Qodirovna, and Zufnunabegim Rizvonovna Akhrorova. "HUSSEINI'S ARTISTIC SKILL." International journal of word art 5, no. 3 (2022): 93–98. https://doi.org/10.5281/zenodo.6642491.

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Husseini and his creative heritage have a special place in Uzbek classical literature. In particular, the poet's Divan (collected poems) and the work "Risola" are distinguished by their wide range. The poems in the poet's divan are among the poems that show the charm of the Turkish language. In his poems on love, Husseini actively used the arts of talmeh, tazad, tanosub, and repetition to express the relationship between a lover and a lover and interpreted on the basis of dictionaries. Also, two of the poet's poems, inspired by Alisher Navoi's ghazals, written in

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Erkinov, Aftandil. "Poets and the Meaning of Poetry in Contemporary Uzbek Society." Anthropology of the Middle East 3, no. 1 (2008): 1–9. http://dx.doi.org/10.3167/ame.2008.030102.

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Imyaminova, Shukhratkhon, and Sadirjan Yakubov. "Roots of friendship: Uzbek literature and literary criticism in German literature during 1960-1970 years." International journal of linguistics, literature and culture 7, no. 3 (2021): 158–62. http://dx.doi.org/10.21744/ijllc.v7n3.1519.

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Formation and development of literary and cultural contacts, contributed to the domestic and international situation, growing interest in national literatures; acquaintance of the German reader with the life and work of outstanding Uzbek writers and poets, evidence of the sincere sympathy of German scientists, strengthening of international literary relations, assessment of international recognition; Khamza is a talented and multifaceted personality, a well-reasoned assessment of the creativity of Uzbek writers; oppression of the poorest strata of the population, literary theoretical work, fun

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Safarova, Zilola Safarovna. "THE LIFE AND WORK OF WRITERS AND POETS EVACUATED TO UZBEKISTAN (1941-1945)." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY 2, no. 12 (2022): 250–56. https://doi.org/10.5281/zenodo.7490998.

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This article is devoted to the activities of the creative intelligentsia of Uzbekistan during the Second World War. The article also examines the issues of literature and art, the joint work of Uzbek writers and poets with creators evacuated to Uzbekistan from the western territories of the former Soviet Union.

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Obidahon, Holbekovna Fayzullayeva. "THE ISSUE OF ARTISTIC CONDITIONALITY IN CYCLES." American Journal of Advanced Scientific Research (AJASR) 2, no. 9 (2025): 302–9. https://doi.org/10.5281/zenodo.15075318.

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This article studies the issue of artistic conditionality in poetic cyclesusing the example of the poetic cycles of Uzbek poets Tora Sulaymon and AbdullaSher, with special attention paid to the use of means that create artistic conditionalityin the cycles. The artistic features of the cycles are considered to be their imagery,the use of artistic means of depiction, the idea of the cycle poems, and the extent towhich they served the artistic intention of the creator.It is proven that artistic conditionality in poetic works arises in connectionwith the expression of symbolic and figurative image

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M.N., Ernazarova. "THE CONCEPT OF THE MOTHERLAND AND FATHERLAND IN THE WORKS OF RUSSIAN AND UZBEK POETS." American Journal of Philological Sciences 3, no. 12 (2023): 45–50. http://dx.doi.org/10.37547/ajps/volume03issue12-08.

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This article examines the similarities of the image of the Motherland in the works of Russian and Uzbek poets. Such similarities are often observed mainly in works of art and poetry. One of the urgent tasks is to study the basics of their origin, the types of poetic features inherent in each of them, artistic and aesthetic tasks, the expression of nationality in their image.

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Ilkhomovna, Abrueva Mokhigul. "The Poetics of Literary Genres in Uzbek And Korean Classical Literature During the Xvii-Xix Centuries: Scientific Significance." American Journal of Philological Sciences 05, no. 04 (2025): 189–93. https://doi.org/10.37547/ajps/volume05issue04-47.

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This article examines the similarities and differences in the lyrical genres found within Uzbek and Korean classical literature, drawing on an analysis of the lyrical works of poets from both nations. The study explores the poetic features and stylistic characteristics that reflect the socio-political and cultural contexts of these literary traditions.

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