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Journal articles on the topic 'V.S. Naipaul'

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Published: 4 June 2021

Last updated: 18 May 2024

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1

Maksimenko, Ekaterina Dmitrievna. "The problems of reader’s experience and the search for style in V. S. Naipaul's essayistic writing." Litera, no. 5 (May 2021): 40–46. http://dx.doi.org/10.25136/2409-8698.2021.5.35357.

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This article conducts a chronological reconstruction of the key milestones of the reading path of V. S. Naipaul, as well as reviews the problems of his reader’s experience and the search for writing style. Emphasis is placed on the creative and personal relationship between V. S. Naipaul and his father S. Naipaul, who was his teacher and mentor, developed his literary taste, aptitude and style of the future Nobel laureate. Their collaboration draws the interest of researchers based on the fact that namely S. Naipaul introduced world literature to his son, affected his choice of books, and helped to understand a different sociocultural context. The author reveals the impact of the Russian writers (Gogol, Tolstoy) and the Spanish picaresque novel (“Lazarillo de Tormes”) upon writing style of V. S. Naipaul; as well as determines the reading preferences of V. S. Naipaul at a mature age. Among the authors who considerably influenced V. S. Naipaul in different periods of his creative path, the author names R. Kipling, D. Defoe, J. R. R. Tolkien, and J. Conrad. The analytical overview of the “writer's library” and his reading preferences allows carrying out a more systematic, consistent, and logical examination of V. S. Naipaul's works. The idea of the circle of authors and writings that considerably influenced the creative personality of V. S. Naipaul gives the key to the analysis of quotations, borrowings, allusions and reminiscences, i.e. the problems of intertextuality in his prose fiction. V. S. Naipaul's essayistic writing has not been published in the Russian language; this article introduces it into the Russian scientific discourse in literary studies.

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2

Mishra, Vijay. "Reading the Tulsa V S Naipaul Archive." Media International Australia 180, no. 1 (July 24, 2021): 32–39. http://dx.doi.org/10.1177/1329878x211010778.

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In 1993, the University of Tulsa purchased the V S Naipaul papers and installed the V S Naipaul Archive, principally a paper archive, a year later. In this essay, which is also a homage to the late Professor Tom O’Regan, I examine the value of archives, a scholar’s use of them and the ‘Freudian impressions’ or latent texts embedded in in them. Although once established an archive can acquire mystical power, in reading it, one has to be conscious of processes of selection and redaction built into the archive. One ‘Freudian impression’ that requires attending to is the role of Naipaul’s first wife Patricia Naipaul in the growth of the writer’s craft. The archival evidence suggests that his best works were written while she was alive.

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3

Haraj, Sahar Abdul-Ameer, and Mujtaba Muhammad Al-Helu. "Diaspora in V. S. Naipaul’s The Enigma of Arrival." Kufa Journal of Arts 1, no. 26 (May 17, 2016): 23–36. http://dx.doi.org/10.36317/kaj/2015/v1.i26.6132.

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One of the most successful writers, who rose to grasp the reins of the concept of diaspora, is V. S. Naipaul, giving it a new and different shape. He is known for his great ability in investigating various types of diasporas successfully. This research aims at studying diaspora in general, its findings, causes, victims, and outcomes. Then, it moves to analyze diaspora in Naipaul' real life. It, finally, analyzes diaspora in Naipaul's The Enigma of Arrival. First, the research strives to make a general perusal of the concept of diaspora. It gives a definition of the concept and its etymology. Next, it investigates the most important features of diaspora in the light of various scholars' theories and viewpoints. Then, it moves to cover different types of diaspora, respectively the Jewish, victim, labor and imperial, inventing, trade, and cultural diasporas. Then, the most significant Naipaulian fingerprints in molding diaspora are investigated. It also reveals the reason behind choosing Naipaul as the case of study. It, moreover, analyzes the traumas of identity loss Naipaul has undergone, due to his successive diasporas. It, additionally, studies Naipaul's struggle in dealing with oblivion and his seeking resort in diaspora for the sake of innovation. In the light of diaspora, this study moves to analyze one of the most significant works of Naipaul, The Enigma of Arrival. Finally, the research adopts the task of summing up the study and the main findings, and giving recommendations and suggestions for further study.

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4

Smith, Angela, and Richard Kelly. "V. S. Naipaul." Modern Language Review 86, no. 3 (July 1991): 696. http://dx.doi.org/10.2307/3731045.

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5

Thieme, John, and Fawzia Mustafa. "V. S. Naipaul." Modern Language Review 93, no. 3 (July 1998): 821. http://dx.doi.org/10.2307/3736546.

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6

Dasenbrock, Reed Way, and Richard Kelly. "V. S. Naipaul." World Literature Today 64, no. 2 (1990): 351. http://dx.doi.org/10.2307/40146577.

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7

Naipual, V. S., and Adrian Rowe-Evans. "V. S. Naipaul." Transition, no. 75/76 (1997): 192. http://dx.doi.org/10.2307/2935405.

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8

Henry, Paget. "V. S. Naipaul." CLR James Journal 24, no. 1 (2018): 13–16. http://dx.doi.org/10.5840/clrjames2018241/27.

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9

Jussawalla, Feroza, and Bruce King. "V. S. Naipaul." World Literature Today 69, no. 1 (1995): 213. http://dx.doi.org/10.2307/40151084.

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10

Hamner, Robert D. "Recommended: V. S. Naipaul." English Journal 74, no. 6 (October 1985): 73. http://dx.doi.org/10.2307/816905.

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11

Tsang, Philip. "Negative Cosmopolitanism: The Case of V. S. Naipaul." Twentieth-Century Literature 66, no. 2 (June 1, 2020): 163–84. http://dx.doi.org/10.1215/0041462x-8536143.

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This essay illustrates a “negative cosmopolitanism” in V. S. Naipaul’s work. Both defenders and critics of cosmopolitanism readily identify the concept with the European philosophical tradition. Arguing that European thinkers do not have a patent on cosmopolitanism, I contend that the anomalies, dissonances, and ruptures that define colonial modernity can open up a “negative cosmopolitanism,” which locates the potential for ethical engagement in what seems like the waste products of history. For Naipaul, cosmopolitanism designates not a volitional, character-strengthening endeavor but, rather, a painful process of self-negation. Traversing a world profoundly shaped by colonialism, the writer and his characters are at a loss to make sense of their historical lineage and their place in a rapidly changing landscape. Through a reading of The Loss of El Dorado (1969) and A Bend in the River (1979), I demonstrate that it is finally the failure of connection or solidarity that motivates Naipaul’s attentiveness to the other.

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12

Nixon, Rob, and V. S. Naipaul. "V. S. Naipaul, Postcolonial Mandarin." Transition, no. 52 (1991): 100. http://dx.doi.org/10.2307/2935128.

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13

Bawer, Bruce. "Civilization and V. S. Naipaul." Hudson Review 55, no. 3 (2002): 371. http://dx.doi.org/10.2307/3853335.

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14

Thorpe, Michael, and Feroza Jussawalla. "Conversations with V. S. Naipaul." World Literature Today 71, no. 3 (1997): 640. http://dx.doi.org/10.2307/40152986.

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15

KAYINTU, Ahmet. "V. S. NAİPAUL VE İSLAM." Adiyaman University Journal of Social Sciences, no. 18 (January 1, 2014): 853. http://dx.doi.org/10.14520/adyusbd.854.

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16

Dr. B. Mangalam. "V. S. Naipaul’s Exploration of India: A Reading of Land, People and the Self." Creative Launcher 6, no. 1 (April 30, 2021): 39–53. http://dx.doi.org/10.53032/tcl.2021.6.1.06.

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This paper examines the non-fiction of the novelist, V.S. Naipaul, in particular, his writings on India. The paper argues that Naipaul’s repeated exploration of India, over three decades (1964-1990) can be read as his attempts at exploration of the Self. In his An Area of Darkness, India: A Wounded Civilisation, India: A Million Mutinies Now and in his Collection of Journalistic Essays, Naipaul examines the land of his ancestors, its people, its culture, polity, literature. But the most fascinating part of this journey pertains to his exploration of his own inner self. The paper juxtaposes his critique of India to probe an interesting analysis of the entity of a country, through a geographical, cultural and inner exploration of the writer.

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17

Jayaram, N. "Ethnicity, Self-Knowledge and Literary Sensitivity: A Sociological Reading of V. S. Naipaul’s First Four Novels." Sociological Bulletin 71, no. 1 (January 2022): 133–49. http://dx.doi.org/10.1177/00380229211063378.

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Taking a cue from G. S. Ghurye’s Shakespeare on Conscience and Justice (1965) this lecture in his memory explores the role of ethnicity in shaping the self-knowledge and literary sensitivity of V. S. Naipaul. Naipaul’s life traverses three distinct cultures: the Hindu culture brought by his ancestors who came as indentured migrants to Trinidad, the Creole culture of colonial Trinidad and the emerging modern culture of western civilisation. Much of Naipaul’s self-knowledge involved his engagement with these three cultures and his experience of the interplay between colonialism and ethnicity. In his first four novels— Miguel Street, The Mystic Masseur, The Suffrage of Elvira and A House for Mr Biswas—Naipaul describes the life and times of the descendants of Indian immigrants in colonial Trinidad and the making of a girmitiya diaspora there. The lecture delineates the rare sociological insights into this diaspora provided by these novels.

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18

Pan, Chunlin, and Xiaolu Wang. "On V. S. Naipaul’ s Spatial Writing." Comparative Literature: East & West 8, no. 1 (March 2007): 139–42. http://dx.doi.org/10.1080/25723618.2007.12015627.

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19

Waters, Harold A., and Selwyn R. Cudjoe. "V. S. Naipaul: A Materialistic Reading." World Literature Today 63, no. 2 (1989): 356. http://dx.doi.org/10.2307/40144999.

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20

Mann, Harveen Sachdeva. "V. S. Naipaul (review)." MFS Modern Fiction Studies 35, no. 4 (1989): 870–71. http://dx.doi.org/10.1353/mfs.0.1517.

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21

Krishnan, S. "V. S. Naipaul and Historical Derangement." Modern Language Quarterly 73, no. 3 (January 1, 2012): 433–51. http://dx.doi.org/10.1215/00267929-1631469.

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22

Donnell, Alison. "V S Naipaul, a Queer Trinidadian." Wasafiri 28, no. 2 (June 2013): 58–65. http://dx.doi.org/10.1080/02690055.2013.758989.

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23

Hughes, Peter, Bruce King, Judith Levy, and Rob Nixon. "Tropics of Candor: V. S. Naipaul." Contemporary Literature 38, no. 1 (1997): 205. http://dx.doi.org/10.2307/1208859.

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24

Jackson, Elizabeth. "Obituary: V. S. Naipaul, 1932–2018." Journal of Commonwealth Literature 53, no. 4 (December 2018): 729–34. http://dx.doi.org/10.1177/0021989418812509.

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25

Habibullah, Md. "V. S. Naipaul's Travel Anecdotes and Daniel Pipes' Historiography: A New Historicist Reading." Asiatic: IIUM Journal of English Language and Literature 14, no. 2 (December 12, 2020): 74–88. http://dx.doi.org/10.31436/asiatic.v14i2.1934.

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Nobel laureate V. S. Naipaul (1932-2018) describes experiences of his travels from August 1979 to February 1980 to four non-Arab Muslim-majority countries â€“ Iran, Pakistan, Malaysia, and Indonesia â€“ in Among the Believers: An Islamic Journey (1981). After sixteen years, in 1995, he revisitedÂ his impressions in Beyond Belief: Islamic Excursions Among the Converted Peoples (1998). Since then, critics have debated the (in)authenticity of Naipaulâ€™s narratives in these travelogues. This article attempts a new historicist analysis of Naipaulâ€™stravelogues within the historiographical framework of Daniel Pipesâ€™ In the Path of God: Islam and Political Power (1983). It argues that Naipaulâ€™s anecdotes and Pipesâ€™ historiography are complementary in terms of their production in, and impact on, Western culture. Such anecdotal historiography, this article argues, is a reflection of the authorsâ€™ psychological and ideological position within the politico-cultural discourse involving the West and Islam in the post-Iranian Revolution period.

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26

Dr. Pratiksha Pandey. "A Study of Alienation of Migrants in the Select Novels of V. S. Naipaul." Creative Launcher 4, no. 1 (April 30, 2019): 109–16. http://dx.doi.org/10.53032/tcl.2019.4.1.17.

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V. S. Naipaul's fiction as well as non-fiction demonstrates the autobiographical materials plus these overlapping statements work to present a vivid bank account of this author's own enigma of survival and growth together with the affliction as well as condition of the expatriates within the colonial as well as post-colonial era. V. S. Naipaul is the ideal writer who is searching for the origins of his and also surveying India through the distinctive viewpoint of under an outsider, a cosmopolitan Caribbean brand new resident of England, but of Indian beginnings attempting to comprehend out the complexities on the culture of ours. This research considers displacement in Naipaul's The Mimic Men, A House of Mr Biswas, The Mystic Masseur and A Bend in the River as a traumatic experience. This paper analyses all of the pain and sufferings of migrants in four novels. Taking an interdisciplinary approach to the topic of the study, it explores the psychological and historical dimensions of the displacement in the novel, along with its literary representations in terms of identity, culture, survival and stress disorder. In order to complete the theme of present research paper effectively, the main aim is usually to go over the benefits of Diasporic sensibility of Naipaul that cannot be just overlooked in the life of his.

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27

Dasenbrock, Reed Way, and Rob Nixon. "London Calling: V. S. Naipaul, Postcolonial Mandarin." World Literature Today 66, no. 4 (1992): 764. http://dx.doi.org/10.2307/40148785.

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28

Smyer, Richard, Richard Kelly, and Dolly Zulakha Hassan. "A New Look at V. S. Naipaul." Contemporary Literature 33, no. 3 (1992): 573. http://dx.doi.org/10.2307/1208485.

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29

Langran, Phillip. "V . S . Naipaul : A Question of Detachment." Journal of Commonwealth Literature 25, no. 1 (March 1990): 132–41. http://dx.doi.org/10.1177/002198949002500110.

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30

Levy, Judith. "V. S. Naipaul: From Displacement to Hybridity?" South Asian Review 26, no. 1 (November 2005): 211–23. http://dx.doi.org/10.1080/02759527.2005.11932382.

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31

O’Shea-Meddour, Wendy. "Gothic Horror and Muslim Madness in V. S. Naipaul’s Beyond Belief." American Journal of Islamic Social Sciences 21, no. 1 (January 1, 2004): 57–72. http://dx.doi.org/10.35632/ajiss.v21i1.499.

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This article is written in response to the favorable critical reception that V. S. Naipaul’s writings about the Muslim world have received in mainstream western culture. Since the publication of his travel narratives, Among the Believers and Beyond Belief, Naipaul has enjoyed a reputation as an authority on the Muslim world. The critical acclaim that he has received has been accompanied by official recognition, including a knighthood and the Nobel Prize for Literature. However, many critics beyond the periphery of mainstream western culture have voiced concerns about his hatred of Islam. In this article, I offer a revisionist reading of Naipaul’s most recent Islamic travel narrative, Beyond Belief, arguing that Islamophobia has been disturbingly misinterpreted as expertise. Focusing on three main literary themes – nineteenth-century literary conventions, the gothic genre, and neurosis – I expose this bigoted worldview and call for his status to be reconsidered.

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32

O’Shea-Meddour, Wendy. "Gothic Horror and Muslim Madness in V. S. Naipaul’s Beyond Belief." American Journal of Islam and Society 21, no. 1 (January 1, 2004): 57–72. http://dx.doi.org/10.35632/ajis.v21i1.499.

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This article is written in response to the favorable critical reception that V. S. Naipaul’s writings about the Muslim world have received in mainstream western culture. Since the publication of his travel narratives, Among the Believers and Beyond Belief, Naipaul has enjoyed a reputation as an authority on the Muslim world. The critical acclaim that he has received has been accompanied by official recognition, including a knighthood and the Nobel Prize for Literature. However, many critics beyond the periphery of mainstream western culture have voiced concerns about his hatred of Islam. In this article, I offer a revisionist reading of Naipaul’s most recent Islamic travel narrative, Beyond Belief, arguing that Islamophobia has been disturbingly misinterpreted as expertise. Focusing on three main literary themes – nineteenth-century literary conventions, the gothic genre, and neurosis – I expose this bigoted worldview and call for his status to be reconsidered.

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33

Kaur, Kuljit. "Post-Colonial Review of V. S. Naipaul's Fiction." Indian Journal of Management and Language 3, no. 1 (April 30, 2023): 1–5. http://dx.doi.org/10.54105/ijml.a2052.043123.

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V.S Naipaul is acknowledged as one of the most talented writers dealing with postcolonial themes for his fictions. As a Nobel Prize winner author, he has written a number of fictions such as A House for Mr Biswas (1961), A Bend in the River (1979), Miguel Street (1959), An Area of Darkness (1964), In a Free State (1971), The Mimic Men (1967), India: A Million Mutinies Now (1990) and so on. The article presents a review of his postcolonial fictions with a thorough thematic analysis. Naipaul treats the themes of pessimism, identity crisis, social fragmentation, diaspora and internal struggles of immigrants. He also presents the futility of designing a new Westernised identity by discarding old roots. The political, social and cultural upheavals and its critical impact is also illustrated by the author.

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34

Maksimenko, Ekaterina D. "The non-fictional text Michael X and the Black Power Killings in Trinidad by V. S. Naipaul and the analysis of its influence on the creative work of the author." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 21, no. 2 (May 25, 2021): 219–25. http://dx.doi.org/10.18500/1817-7115-2021-21-2-219-225.

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The article defines the importance of the non-fictional text of V. S. Naipaul Michael X and the Black Power Killings in Trinidad in the creative work of the writer. The article provides the features of a journalistic investigation, the history of its creation and the analysis of its place in the bibliography of V. S. Naipaul. The text is also considered as the key to the evolution of the hero and theme in the author’s creative heritage.

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35

Chaudhary, Ankita. "DIASPORA AND IDENTITY IN NAIPAUL’S WORKS : A SELECT STUDY." SCHOLARLY RESEARCH JOURNAL FOR INTERDISCIPLINARY STUDIES 9, no. 66 (September 1, 2021): 15461–66. http://dx.doi.org/10.21922/srjis.v9i66.6841.

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“Write what you know” - this is the age-old advice said by someone to all the novelists. Surajprasad Naipaul, generally known as V. S. Naipaul, took it more seriously than others. Naipaul’s grandparents migrated from Uttar Pradesh India to Trinidad. His grandfather started working as an indentured laborer in the sugarcane estates there. They faced many problems regarding settlement and adjustment in this new cultural environment. That’s why Naipaul’s works are replete with the themes of diaspora. He applied his uniquely careful prose style to the point where the observer has called him the greatest living writer of English prose. Often known as the world’s writer, Naipaul is both one of the most highly regarded and one of the most controversial of contemporary writers. Much of his work deals with individuals who feel estranged from the societies. The present paper is an effort to analyze his select works based on diaspora and identity. Different characters in his fiction and non-fiction works seem to be in search of their identity in this world. Cultural-clash and hybridity, these twin themes, are also dominant in his works and I have tried to highlight all these diaspora-related issues in this paper.

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36

Matos, Jacinta Maria. "A educação (pós-)imperial de V. S. Naipaul." Revista Crítica de Ciências Sociais, no. 65 (May 1, 2003): 175–85. http://dx.doi.org/10.4000/rccs.1190.

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37

Gerry L'Étang. "Du passage de V. S. Naipaul en Martinique." L'Esprit Créateur 50, no. 2 (2010): 124–34. http://dx.doi.org/10.1353/esp.0.0223.

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38

Bhattacharya, Baidik. "V. S. Naipaul and Fictions of Subaltern Diaspora." South Asian Review 32, no. 3 (December 2011): 27–47. http://dx.doi.org/10.1080/02759527.2011.11932847.

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39

Prasad, Amar Nath. "The Non-fictions of V.S. Naipaul: A Critical Exploration." Creative Saplings 1, no. 8 (2022): 1–11. http://dx.doi.org/10.56062/gtrs.2022.1.8.168.

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V. S. Naipaul is an eminent literary figure in the field of modern fiction, non-fiction, and travelogue writing in English literature. He earned a number of literary awards and accolades, including the covetous Nobel Prize and Booker Prize. His non-fiction e.g., An Area of Darkness, India: A Wounded Civilization, The Loss of El Dorado, India: A Million Mutinies Now and Beyond Belief are a realistic portrayal of the various types of religion, culture, customs, and people of India. As an author, the main purpose of V. S. Naipaul is to deliver the truth; because poets are the unacknowledged legislators of mankind. The fact that V. S. Naipaul has presented in his non-fiction is more authentic and realistic than that of his fiction. Nonetheless, it is fictional work that is elaborately explored, discussed, and analyzed in abundance. On the other hand, his non-fiction, by and far, remains aloof. In the last few decades, non-fictions are also taking the ground strongly. Now non-fiction writings are being analyzed, elucidated, and explored based on various theoretical principles of literary criticism. V. S. Naipaul carried the new genre to new heights and achievements. He is of Indian descent and known for his pessimistic works set in developing countries. He visited India several times, like Pearl S. Buck and E. M. Forster. So, his presentation of Indian religion, society, culture, and politics are very realistic. His vision and ideas are very close to the modern thoughts and visions of both the east and the west.

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40

Mann, Harveen Sachdeva. "V. S. Naipaul: A Materialist Reading (review)." MFS Modern Fiction Studies 35, no. 2 (1989): 389–91. http://dx.doi.org/10.1353/mfs.0.0500.

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41

Mustafa, Fawzia. "London Calling: V. S. Naipaul, Postcolonial Mandarin. Rob Nixon." Modern Philology 92, no. 3 (February 1995): 397–99. http://dx.doi.org/10.1086/392262.

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42

Duyck, Rudy. "V. S. Naipaul and John Donne: The Morning After." Journal of Commonwealth Literature 24, no. 1 (March 1989): 155–62. http://dx.doi.org/10.1177/002198948902400112.

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43

Donadio, Rachel. "PROFILE The Irascible Prophet: V. S. Naipaul at Home." South Asian Review 26, no. 1 (November 2005): 12–18. http://dx.doi.org/10.1080/02759527.2005.11932369.

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44

Zapata, Jesús Varela. "Odd Man Out: V. S. Naipaul and Postcolonial Studies." South Asian Review 26, no. 1 (November 2005): 266–83. http://dx.doi.org/10.1080/02759527.2005.11932386.

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45

Mann, Harveen Sachdeva. "V. S. Naipaul and the West Indies (review)." MFS Modern Fiction Studies 36, no. 4 (1990): 590–91. http://dx.doi.org/10.1353/mfs.0.0241.

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46

Krishnan, Sanjay. "Edward Said, Mahmood Mamdani, V. S. Naipaul: Rethinking Postcolonial Studies." MFS Modern Fiction Studies 58, no. 4 (2012): 818–36. http://dx.doi.org/10.1353/mfs.2012.0064.

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47

Thieme, John. "Searching for a centre: The writing of V S Naipaul." Third World Quarterly 9, no. 4 (October 1987): 1352–65. http://dx.doi.org/10.1080/01436598708420029.

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48

Dalleo, Raphael. "Ways of Looking: The Global Vision of V. S. Naipaul." South Asian Review 26, no. 1 (November 2005): 358–74. http://dx.doi.org/10.1080/02759527.2005.11932392.

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49

Nixon, Rob. "London Calling: V. S. Naipaul and the License of Exile." South Atlantic Quarterly 87, no. 1 (January 1, 1988): 1–37. http://dx.doi.org/10.1215/00382876-87-1-1.

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50

Lloyd, Annie, Caroline Millar, and Mizan Rambhoros. "Novel Reviews." Transfers 13, no. 1-2 (June 1, 2023): 178–87. http://dx.doi.org/10.3167/trans.2023.13010213.

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Paul Beatty, The Sellout (New York: Picador, 2015), 304 pp., $17 (paperback). Han Kang, The White Book (Edinburgh: Portobello Books, 2017), £10 (paper- back) V. S. Naipaul, The Enigma of Arrival (London: Penguin Books, 1987), 318 pp., £4.95 (paperback)

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