Relevant bibliographies by topics / Vaishnava poetry, Bengali – Kalaṅka

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Academic literature on the topic 'Vaishnava poetry, Bengali – Kalaṅka'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Books on the topic "Vaishnava poetry, Bengali – Kalaṅka"

1

Mānu, Jānā, ed. Balarāma Dāsera padābalī. Kalikātā: Kalikātā Biśvabidyālaẏa, 1988.

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Berā, Mañjulā. Baishñaba padābalīra bhāshāśailī. Kalikātā: Sonāra Tarī, 1999.

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3

Sanyal, Hitesranjan. Bāṅgalā kīrtanera itihāsa. Kalakātā: Seṇṭāra phara Sṭāḍija ina Sośyāla Sāẏenses, Kalakātā-ra pakshe Ke. Pi. Bāgacī ayāṇḍa Kompānī, 1989.

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Śrīśrīprabhujagadvandhusundarera abadāna: Baishṇaba sāhitye o darśane. Murśidābāda: Daẏālabandhu Caṭṭopādhyāẏa, 1999.

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5

Ṭhākkura, Bhaktibinoda. Songs of Bhaktivinoda Thakura. Vrindavan: Rasbihari Lal & Sons, 2004.

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6

Gaṇāi, Amarendra. Baishṇaba padābali: Bhāba o śilpasaundarya. Kalakātā: Bhāshā o Sāhitya, 2009.

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Baishṇaba padābali: Bhāba o śilpasaundarya. Kalakātā: Bhāshā o Sāhitya, 2009.

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8

Baishṇaba-rasa-prakāśa. Kalikātā: Baipatra, 1985.

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9

Caudhurī, Yajñeśvara. Padābalite Nimāi sannyāsa. Kalakātā: Akshara Prakāśanī, 2009.

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Mukhopādhyāẏa, Atulacandra. Gauṛīẏa Baishṇabakābya. Kalikātā: Besṭabukas, 1993.

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Book chapters on the topic "Vaishnava poetry, Bengali – Kalaṅka"

1

Wright, Samuel. "Making Sense of Bhāṣā in Sanskrit." In Text and Tradition in Early Modern North India, 77–98. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199478866.003.0004.

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Abstract:
The movement of material between Sanskrit and the vernacular was by no means unidirectional, as Samuel Wright demonstrates in his analysis of Radhamohan Thakkur’s Mahābhāvānusāriṇī-ṭīkā, a Sanskrit commentary on Bengali devotional poetry. Wright breaks down the techniques employed by Radhamohan in his exegesis of Gaudiya Vaishnava poetry, particularly his use of Sanskrit lexicon in the glossing of Bengali words and his emphasis on the technique of śleṣa (punning). He argues that Radhamohan’s apposition of Sanskrit and the vernacular though such techniques was an attempt not only to show that Sanskrit poetic theory could be used to explain how vernacular poetry ‘works’ (that is, achieves its effects), but also to establish that such vernacular poetry worked as literature, a distinction previously accorded only to Sanskrit.
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