Relevant bibliographies by topics / Vaishnava temples

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Academic literature on the topic 'Vaishnava temples'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Vaishnava temples"

1

B, Rajeswari, and Deivakkanni X. "Vaishnava Temples in the Scriptures of Thirumangaiyazhwar." International Research Journal of Tamil 4, S-18 (2022): 443–51. http://dx.doi.org/10.34256/irjt224s1861.

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Thiruvillipputtur, Periyazhavar temple’s gopuram is a symbol of Tamil Nadu, a state where Saivism and Vaishnavism flourished. Vaishnava temples chanted by the twelve Aalwars are called Divya Desams and the temples chanted by the Thirumuraigal are called Thirumurai Thalangal. Total there are 108 temples in Divya Desam. Of these there are 46 temples in the Chola country. Tirumangai Alwar sang many songs about such sanctuaries. He is notable among the twelve Alwars. In this article titled "Vaishnava Temples in the Scriptures of Tirumangaiyazhwar", is said about the visit of Thirumangaiyazhwar to
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2

Muthu, Dr S. "Education System in Vaikhanasa Tradition." JOURNAL OF DEVELOPMENT ECONOMICS AND MANAGEMENT RESEARCH STUDIES 09, no. 12 (2022): 16–20. http://dx.doi.org/10.53422/jdms.2022.91203.

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Vishnu began in public temples even before the Christian era. 'Bhitargaon' and the 'Deogarh’ monumental temples in the North are dedicated to Vishnu built during Gupta period in the 4th or 5th Century AD. Many temples have been built in subsequent periods by Kings and Vishnu tradition followers. Daily worship is done to him from the Vedic period. Temple worship took the Vedas as its principles, and was followed in two divisions known as Vaishnava and Saiva. Advaita, Dvaita, Visistadvaita, Idol worship were practiced. Saiva Agamas and Vaishnava Agamas are being followed in almost all the places
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3

S, Jeyashree. "Rama Ravana Battle Scenes in Tamil Temple Sculptures." International Research Journal of Tamil 4, SPL 2 (2022): 349–56. http://dx.doi.org/10.34256/irjt22s253.

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The Ramayana and the Mahabharata are immortal epics that are the treasury of Indian culture. Both epics convey the values and ideals that people need. The Ramayana written in the Northern language by Valmiki is in some way the source for other Indian language Ramayanas. Kambana in Tamil and Konaputharetti in Telugu have composed Kambaramayana and Iranganatha Ramayana respectively. Sculptures can be found in the temples of Tamil Nadu including these three language Ramayanas. Thus, it is possible to realize that literature and art are interrelated. Many of the Alvars in the Vaishnava literary fo
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4

M, Balamurugan, and Amudha K. "Saiva devotees and Pancha Bhoota Temples Worship." International Research Journal of Tamil 4, S-6 (2022): 1–8. http://dx.doi.org/10.34256/irjt22s61.

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Devotional literature helped to spread the vegan and Vaishnava religions during the period when Palki was growing in Tamil literature. Devotional literature considered the Pancha Bhootas to be a form of deity. It is said that the Lord is the Panchaputra. In the Twelve Trimesters the messages that the Lord has the attributes of the five elements of land, water, air, fire, and sky are subtly highlighted. The Saiva devotees went to the Pancha Bhootas site and worshiped the Lord. These temples were the backdrop for the construction of the temples. The gist of this article is that it highlights the
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5

Karmakar, Bikas, and Ila Gupta. "Tracing the Impact of Krishnalila Narratives on Bengal Temple Architecture: A Study of Terracotta Temples of Baranagar." Journal of Heritage Management 3, no. 1 (2018): 49–70. http://dx.doi.org/10.1177/2455929618773274.

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The Krishnalila narratives have an indelible impact on the architectural imaginations and designs of artisans of Bengal from seventeenth to nineteenth century. The article attempts to identify such portrayals on the front facades of the Baranagar temples of eighteenth century in Murshidabad, West Bengal. It explores the specific reasons for their inclusion and the changing nature of narratives and iconography under the varying impact of Krishna cult. It relies on literary sources, on site interviews with the priest, temple caretaker and local people and visual data collected during field visit
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6

முனைவர், ச. ஆனந்தி /. Dr. S. Ananthi. "ஆழ்வார்கள் பாசுரங்களில் திவ்யதேசங்கள் / Divya Desangal in Azhwars Pasurangal". PTJTS 4, № 1 (2024): 1–12. https://doi.org/10.5281/zenodo.10586012.

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<em>In this article, the Vaishnava religion and the life of azhwars are recorded. There are twelve Alvars and they have sung four thousand divine Prabandhams. This article gives a clear idea about the hymns that induce the spiritual spirit. This research is also a study based on the original lines taken from the select songs and does a conducive study to know the Divyadesams portrayed in the spiritual hymns sung by the Alwars. The 108 Divyadeshas are indicated with ample citations. Through this study, it is known that the Alvars have recorded in their sacred scriptures about the Vaishnava holy
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7

Anu, Mrs A., and Mr Dr C. Chellappandian. "The Icon Of Thirumalai Nayak, Hindu Bakthi Revival: A Study." Journal of Media,Culture and Communication, no. 23 (May 20, 2022): 23–25. http://dx.doi.org/10.55529/jmcc23.23.25.

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As we have seen above, Hinduism was the religion of the Vijayanagar kings, and their cultural mission was to promote it in order to restore it from the devastation it had suffered during Islamic dominion. The majority of the Vijayanagar emperors were Vaishnavites, and the Nayaks were mostly Vaishnavites as well, but there is no evidence that the other Hindu religions were harmed in any way. They built both Saiva and Vaishnava temples, and both were equally well equipped. The Vaishnava schism – Vadakalai and Tenkalai – emerged during this time, culminating in the teachings of Tenkalai Acharya M
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8

Thangamari, Sudalai. "A composition of sculptural figures." MUTHTHARASI – Art Literary Culture Tamil Journal II, no. 1 (2024): 8. https://doi.org/10.5281/zenodo.12758705.

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In our country, the four religions namely Shaivism, Vaishnavism, Buddhism and Jainism are the old religions that have been existing for a long time. All these four sects built temples for Dattam and worshiped Dattam in sculptures and paintings in those temples. There are some notable differences in the morphology of these deities. Those who study sculpture should be aware of those differences.&nbsp;In these four cases, Saivism Vaishnavism has a similar character to Buddhist Jainism. In another sense, Saivism and Vaishnava Buddhism are similar. Saivism and Vainism are the dominant religions in
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9

Thangamari, Sudalai. "A composition of sculptural figures." MUTHTHARASI – Art Literary Culture Tamil Journal II, no. 1 (2024): 8. https://doi.org/10.5281/zenodo.12758721.

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In our country, the four religions namely Shaivism, Vaishnavism, Buddhism and Jainism are the old religions that have been existing for a long time. All these four sects built temples for Dattam and worshiped Dattam in sculptures and paintings in those temples. There are some notable differences in the morphology of these deities. Those who study sculpture should be aware of those differences.&nbsp;In these four cases, Saivism Vaishnavism has a similar character to Buddhist Jainism. In another sense, Saivism and Vaishnava Buddhism are similar. Saivism and Vainism are the dominant religions in
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10

முனைவா், பொ. கோகிலா /. Dr. P. Kokila. "நம்மாழ்வாரின் திருவாய்மொழியில் நெல்லை வட்டாரப் பாண்டிய நாட்டுத் திவ்யதேசங்கள் / The Pandian Country Divya Desams in the Sacred Hymns of Nammazhvar". PTJTS 4, № 1 (2024): 51–57. https://doi.org/10.5281/zenodo.10587024.

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&nbsp; <em>Devotional literature is the reason for the formation and growth of Bhakthi in individual worship and collective worship. Religious thoughts became prominent after the renderings of devotional literature that evinces religious and philosophical thoughts. These literatures appeared during the Pallava period. Among these, Vaishnavism is the religion that holds Tirumala as the primary deity. The Vaishnava devotees were said to be overjoyed by the divine blessings of Tirumal. There are twelve Azhvars and the scriptures written by them are called &ldquo;Nalayira Divya Prabantham&rdquo; (
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Books on the topic "Vaishnava temples"

1

Irājakōpālan̲, Em. 15 Vaishnava temples of Tamilnadu. M. Rajagopalan, 1993.

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2

Ettirājan̲, A. 108 Vaiṇava tivyatēca stala varalār̲u. Śrīvaiṇava Cittānta Nūr̲patippuk Kal̲akam, 1995.

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3

Ghosh, Pika. Gems in the crown of Bengal: The creation of Ratna temples and Gudiya Vaishnava identity. UMI, 1999.

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4

Mangalamurugesan, N. K. Vaiṇavat tiruttalaṅkaḷin̲ varalār̲r̲uk kataikaḷ. Ten̲r̲al Patippakam, 1998.

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5

Ca, Muraḷi Jī. Tamil̲aka Tirumāl talaṅkaḷ. Caturā Patippakam, 1998.

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6

Vēṅkaṭēcan̲, Na. Kalveṭṭukaḷil Tirumāl tiruppatikaḷ. Tirumuṭi Patippakam, 1994.

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7

Gōpīkr̥ṣṇa. Mana ālayamula caritra: Tirumala, Tirupati, Tirucānūru, Tonḍavāḍa, Candragiri, Śrīnivāsamaṅgāpuraṃ, Nārāyaṇavaraṃ, Nāgalāpuraṃ, Suvarṇamukharī, Aruṇānadīlōyalu. Tirumala Tirupati Dēvasthānamulu, 1998.

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8

Perumāḷ, A. Kā. Āti Kēcavap Perumāḷ Ālayam: Tiruvaṭṭār̲u kōvil varalār̲u. Tamil̲in̲i, 2007.

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9

Nākacāmi, Irā. Viṣṇu temples of Kāñcīpuram. D.K. Printworld, 2011.

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10

Jagannathan, Sarojini. Impact of Sri Ramanujacarya on temple worship. Nag Publishers, 1994.

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Book chapters on the topic "Vaishnava temples"

1

Laidlaw, James. "A Theology of Interdiction." In Riches and Renunciation. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198280316.003.0004.

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Abstract In Jain temples, in addition to idols of the Tirthankars and other great Jain saints of the past such as the Guru Devs, there are several other kinds of sacred representations. There are usually a few of the many named gods and goddesses who are devotees and protectors of the Tirthankars, known respectively as yakshas and yakshis (also as shasan devs and shasan devis). Like those of many of the high gods in the Hindu pantheon, these are anthropomorphic statues, sometimes with animal heads and many arms. The goddesses, especially, are popular figures in Jain temples. Today the most com
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2

"Swayed by Love: Dance in the Vaishnava Temple Imagery of Bengal." In Dance Matters. Routledge India, 2012. http://dx.doi.org/10.4324/9780203150450-21.

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