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Relevant bibliographies by topics / Valletta, Malta. St. John's Church

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Academic literature on the topic 'Valletta, Malta. St. John's Church'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Valletta, Malta. St. John's Church"

1

Dixon, Nicholas. "Queen Adelaide and the Extension of Anglicanism in Malta." Studies in Church History 54 (May 14, 2018): 281–95. http://dx.doi.org/10.1017/stc.2017.15.

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On a visit to Malta in 1838, Queen Adelaide expressed severe disappointment that the British colony did not possess a purpose-built Anglican place of worship. She determined to fund the building of one at her personal expense and within six years the grandiose neoclassical church of St Paul's, Valletta, was completed. This imposing structure occupied an ambiguous position in a colony where the British government was pledged to maintain Roman Catholicism. St Paul's was ostensibly intended for the existing Anglican population in Malta. However, the church was perceived by both evangelicals and Roman Catholics as a potential instrument of propagating Protestantism. In examining the basis for these perceptions, this article suggests that St Paul's was part of a larger effort, driven by high church clergy connected with the Society for Promoting Christian Knowledge (SPCK), to influence the Maltese towards greater sympathy with the Anglican tradition, while avoiding overt proselytizing. The concomitant establishment of the diocese of Gibraltar in 1842 was, it is argued, key to this enterprise. The analysis advanced here has important implications for our understanding of Anglicanism in an imperial context, the contribution of royal patronage to this process and the conflict between religious and governmental imperatives.

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2

"ANTHONY HART writes:." Eighteenth Century Music 12, no. 2 (August 24, 2015): 259–60. http://dx.doi.org/10.1017/s1478570615000160.

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Early-music performances were a rarity in Malta until a few years ago. Slowly, over the years, harpsichords started to appear in concerts and a retired doctor began to build clavichords. During a series of fundraising concerts for the restoration of one of Valletta's oldest churches, a male-voice choir was formed to sing renaissance polyphony. This fervent activity led a local artist, Kenneth Zammit Tabona, to dream of a baroque music festival in the island's capital, Valletta. January 2013 saw the first Valletta International Baroque Festival, with concerts held in several of Valletta's baroque edifices, including the magnificent Manoel Theatre (built in 1731 and one of the oldest working theatres in Europe) and the awe-inspiring St John's Co-Cathedral, the church of the Knights of Malta. The first year was a resounding success and augured well for the future, as was confirmed in the second year of the festival.

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3

Buttigieg, Emanuel, and Franco Davies. "Santiago de Compostela: Aspects of a cult in Malta of the Knights of St John." Memoria y Civilización, June 16, 2021. http://dx.doi.org/10.15581/001.24.017.

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The cult of St James within the Order of St John was evident throughout its stay in Malta in the architectural fabric it left behind, particularly the fortified land-front of the city of Valletta, as well as in other notable buildings, namely the Auberge of Castile, León and Portugal, and its church of St James. While its architectural aspects have withstood the test of time, other social aspects of the cult of Santiago in Malta are evident through the religious art in the Conventual Church of the Order in Valletta, today St John’s co-cathedral, but also through religious rituals held on the island during the stay of the knights. This reflected a local cult which shows hints of being present also before the arrival of the Hospitaller Order to the Maltese shores.

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4

Bernabei, Mauro, Michele Brunetti, Nicola Macchioni, Michela Nocetti, and Michelangelo Micheloni. "Surveying and Dating the Wooden Roof Structure of St Francis of Assisi Church in Valletta, Malta." International Journal of Architectural Heritage, March 4, 2020, 1–9. http://dx.doi.org/10.1080/15583058.2020.1734688.

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Books on the topic "Valletta, Malta. St. John's Church"

1

Cutajar, Dominic. Malta: History and works of art of St. John's Church, Valletta. Valletta, Malta: M.J. Publications, 1989.

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2

Cutajar, Dominic. Malta: History and works of art of St. John's Church, Valletta. Valletta, Malta: M.J. Publications, 1989.

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3

Cutajar, Dominic. Malta: History and works of art of St. John's Church, Valletta. Valletta, Malta: M.J. Publications, 1992.

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4

The Conventual Church of the Knights of Malta: Splendour, history and art of St John's Co-Cathedral, Valletta. Valletta, Malta: Midsea Books, 2010.

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5

Marco, Ciatti, Silla Chiara, and Santa Maria del Carmine (Church : Florence, Italy), eds. Caravaggio al Carmine: Il restauro della Decollazione del Battista di Malta : [Firenze, Santa Maria del Carmine, 31 marzo-31 maggio 1999]. Milano: Skira, 1999.

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6

1963-, Cilia Daniel, ed. St. John's Co-Cathedral: Valletta. Sta Venera, Malta: Heritage Books in association with the St. John's Co-Cathedral Foundation, 2007.

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7

Ciarlo', John. The hidden gem: St. Paul's Shipwreck Collegiate Church, Valletta, Malta. 2nd ed. Valletta: Collegiate Chapter, St. Paul's Shipwreck, 1994.

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8

Buttigieg, Paolo. Tagh̳rif dwar il-Konkatidral taʼ San Ġwann. Malta: Pubblikazzjoni tal-Mużew taʼ San Ġwann, 2000.

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9

Cutajar, Dominic. Malta: Six modern artists : Josef Kalleya, Vincent Apap, Emvin Cremona, Esprit Barthet, Antoine Camilleri, Frank Portelli. Malta: Malta University Services, 1991.

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10

Caravaggio al Carmine: Il restauro della Decollazione del battista di Malta. Milano: Skira, 1999.

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Book chapters on the topic "Valletta, Malta. St. John's Church"

1

Munro, D. "The sublime darker heritage tourism aspects at St John's Co-Cathedral in Valletta, Malta." In Dark tourism and pilgrimage, 85–98. Wallingford: CABI, 2020. http://dx.doi.org/10.1079/9781789241877.0085.

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