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Academic literature on the topic 'Vampire'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Vampire"

1

Escandell Montiel, Daniel, and Miriam Borham Puyal. "Villains and Vixens: The Representation of Female Vampires in Videogames." Oceánide 12 (February 9, 2020): 85–93. http://dx.doi.org/10.37668/oceanide.v12i.29.

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Vampires populate our culture and have become a recurrent presence in fiction and the media. In all cases the inclusion of the vampire has given voice to “socio-culture issues faced in particular times and places; issues that may otherwise remain repressed” (Dillon and Lundberg 2017, 47). This socio-cultural subtext is complicated when the vampire is female, for she is now doubly othered by her gender. Her monstrosity is seen as twofold: as a vampire and as a transgressive woman. While many studies address female vampires in popular culture, their portrayal in videogames has been recurrently overlooked. Games potentially help shape gender attitudes in thousands of players; therefore, it is particularly relevant to examine the varied representations of these monstrous or othered female figures and to understand how they adhere to or challenge misogynistic readings of women and their bodies. In light of this, and interpreting videogames as a narrative medium, this article provides an analysis of significant vampiric videogames and discusses the female vampire in relation to violence against women and postfeminist agendas, following a narrative rather than ludology approach.

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Schumann, Nancy. "Sleeping with the Vampire." Gothic Studies 23, no. 3 (November 2021): 316–31. http://dx.doi.org/10.3366/gothic.2021.0107.

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Comparing Dracula to contemporary YA literature, including the Blue Bloods and House of Night series, this paper traces a variety of vampiric characteristics that have survived the eras these works have crossed. These include the use of gender, the vampire’s attitude towards their victims, and how these change through the ages, as well as vampiric sexuality. As more vampire literature is written by women, the fanged fiends become very modern young women and the result loses nothing of the danger or sex appeal their nineteenth-century ancestors had. Female voices, both of authors and narrators, constitute an important shift in vampire literature that combines the old femme fatale trope with women’s independence. This paper will document this development and show that as horror brings the vampire to school the genre takes its next step to immortality that is by no means boring, creating complex vampire characters that can be heroines and demons alike.

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Tikhonova, Sophia V. "The Corporeality of the Domestic Vampire in the Context of Soviet Nostalgia." Corpus Mundi 4, no. 1 (July 10, 2023): 29–49. http://dx.doi.org/10.46539/cmj.v4i1.75.

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The article deals with the analysis of the corporeality of Russian vampires, naturalized in the domestic serial cinema at the beginning of the third decade of the 21st century. The vampire was a marginal character in the Russian cultural tradition of the 19th century, combining folkloric traits with stable motifs of the Western Gothic novel. In Soviet culture, he was a total stranger, since he belonged to the subcensorship theme of mysticism and anti-Soviet propaganda. The vampire expansion of the 1990s strengthened the vampire myth as a Westernized project that assimilated poorly and slowly into domestic soil. Only a reinterpretation of the Soviet Union's image as part of Soviet nostalgia led to a flowering of the national vampire theme. This investigation is aimed at assembling the social body of the vampire clan (Vampires of the Middle Zone, 2021, 2022) into a single whole by means of Soviet nostalgia, which requires us to reconsider the contemporary trends in the dynamics of the canonical corporeality of the vampire in Western mass culture and to apply them to the Soviet-oriented model of Russian history. The author demonstrates the peculiarities of the Smolensk vampire's corporeality. It is interpreted as a tool of his adaptation to human society and, at the same time, the formation of his own family sociality. The author concludes that sovietism is a way of distributing the clan's social functions and a strategy of axiological marking of personal relationships.

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Miquel-Baldellou, Marta. "From pathology to invisibility: age identity as a cultural construct in vampire fiction." Revista Alicantina de Estudios Ingleses, no. 27 (November 15, 2014): 125. http://dx.doi.org/10.14198/raei.2014.27.08.

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A diachronic analysis of the way the literary vampire has been characterised from the Victorian era up to the contemporary period underlines a clear evolution that seems particularly relevant from the perspective of ageing studies. One of the permanent features characterising the fictional vampire from its origins to its current manifestations in literature is precisely the vampire’s disaffection with the effects of ageing in spite of its old chronological age. Nonetheless, even though the vampire’s appearance does not age, the way it has been presented in literature has significantly evolved from a remarkable aged look during the Victorian period in John Polidori’s “The Vampyre: A Tale” (1819), Joseph Sheridan Le Fanu’s Carmilla (1872) or Bram Stoker’s Dracula (1897) to young adulthood in Anne Rice’s An Interview with the Vampire (1976) and Charlaine Harris’ Dead Until Dark (2001), adolescence in Stephenie Meyer’s Twilight (2005-2008), and even childhood in John Ajvide Lindquist’s Let the Right One In (2004), thus underlining a significant process of rejuvenation through time despite the vampire’s apparent disaffection with the effects of ageing. This article shows how the representations of the vampire in literature reflect a shift from the embodiment of pathology to the invisibility, or the denial, of old age and how this, in turn, reflects cultural conceptualisations and perceptions of ageing.

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Delpietro, Horacio A., Roberto G. Russo, Charles E. Rupprecht, and Gabriela L. Delpietro. "Towards Development of an Anti-Vampire Bat Vaccine for Rabies Management: Inoculation of Vampire Bat Saliva Induces Immune-Mediated Resistance." Viruses 13, no. 3 (March 20, 2021): 515. http://dx.doi.org/10.3390/v13030515.

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The common vampire bat (Desmodus rotundus) is a hematophagous species responsible for paralytic rabies and bite damage that affects livestock, humans and wildlife from Mexico to Argentina. Current measures to control vampires, based upon coumarin-derived poisons, are not used extensively due in part to the high cost of application, risks for bats that share roosts with vampires and residual environmental contamination. Observations that vampire bat bites may induce resistance in livestock against vampire bat salivary anticoagulants encourage research into novel vaccine-based alternatives particularly focused upon increasing livestock resistance to vampire salivary components. We evaluated the action of vampire bat saliva-Freund’s incomplete adjuvant administered to sheep with anticoagulant responses induced by repeated vampire bites in a control group and examined characteristics of vampire bat salivary secretion. We observed that injections induced a response against vampire bat salivary anticoagulants stronger than by repeated vampire bat bites. Based upon these preliminary findings, we hypothesize the utility of developing a control technique based on induction of an immunologically mediated resistance against vampire bat anticoagulants and rabies virus via dual delivery of appropriate host and pathogen antigens. Fundamental characteristics of host biology favor alternative strategies than simple culling by poisons for practical, economical, and ecologically relevant management of vampire populations within a One Health context.

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Arciszewska, Katarzyna. "Wampiryczna alternatywa starości w powieści Julii Nabokowej „VIP znaczy wampir”." Slavica Wratislaviensia 163 (March 17, 2017): 301–11. http://dx.doi.org/10.19195/0137-1150.163.26.

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Vampiric alternative of the senescencein the novel of Julia Nabokova VIP znachit vampirThe article Vampiric alternative of the aenescence in the novel of Julia Nabokova “VIP znachit vampir” shows, taking as example the novel VIP Znachit Vampir of the Russian writer Julia Nabokova, the motive of senescence and its rejection realized in vampire context. Nabokova presents the vampirism as opposition to old age. Thevampires are long-living, ever beautiful and healthy creatures, they don’t know illness, weakness, pain and other symptoms of old age. The situation of the vampires and people is in many aspects the same. After all, contemporary society strive to rejection of any results of ageing. However the author of the novel proves that natural process of human life with all life phases is more awaited than ideal vision of life without ageing and death. The writer adds her voice to those researchers who emphasize the fact that elimination of senescence can bring about social neurosis.Вампирическая альтернатива старостив романе Юлии Набоковой VIP значит вампирСтатья Вампирическая альтернатива старости в романе Юлии Набоковой „VIP значит вампир” представляет мотив старости и современный подход к этому мотиву на основе анализа романа современной русской писательницы, которая занимается вампирической темой, так популярной в последние годы так среди литераторов, как и читателей. Набокова рассматривает вампиризм как альтернативу старости, состояние продолжающейся молодости, красоты, жизненной силы, характеризующееся отсутствием болезней, беспомощности и дряхлости. Однако вампиризм в романе российской писательницы показан и с другой точки зрения. Вампирические герои Набоковой ощущают тоску по свойственным человеку чувствам, таким как, например, материнство, которое недоступно вампиру. В итоге герои романа и его автор приходят к выводу, что экзистенциальный процесс со всеми его этапами, не исключая старости и смерти, дает возможность провести жизнь в полном смысле и испытать все ее аспекты, что по мнению многих ученых, спасает от фрустрации и невроза в индивидуальном и социальном контексте.

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Kamal, Sylvia Yulita. "MYTH OF EUROPEAN VAMPIRES IN JOHN AJVIDE LINDQVIST’S LET THE RIGHT ONE IN." LINGUA LITERA : journal of english linguistics and literature 5, no. 2 (September 22, 2020): 152–67. http://dx.doi.org/10.55345/stba1.v5i2.67.

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ABSTRACT This research aims to analyze the Myth of European Vampires in John Ajvide Lindqvist’s Let The Right One In. There are two kinds of European Vampire myth analyzed in this research. First is the myth of European Vampire characteristics which are reflected by Eli. Second is the myth of human- vampire transformation which is reflected by Virginia. Two problems appear to discuss in this research; the myth of the kinds of vampire characteristics and the myth of human-vampire transformation. The Vampire myth theories from Jay Stevenson Ph. D. and Sebastian Condado de Haza were utilized in this research.There are two concepts used in this research. They are the European Vampire characteristics concept and Human-Vampire transformation concept. A qualitative descriptive method was applied to analyze Eli’s character as a vampire and Virginia’s character as a human-vampire by finding relevant quotations. The result of this research proves the myth about European vampire characteristics by Eli and the myth of human-vampire transformation issues by Virginia. There are two criteria of European vampire characteristics categories indicating Eli as a vampire; general characteristics and physical characteristics.Meanwhile, three steps of the human-vampire transformation myth can explain the suffering of human-vampire that are perceived by Virginia, which are vampire bite, depression, and suicide.

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Lenhardt, Corinna. "Wendigos, Eye Killers, Skinwalkers: The Myth of the American Indian Vampire and American Indian “Vampire” Myths." Text Matters, no. 6 (November 23, 2016): 195–212. http://dx.doi.org/10.1515/texmat-2016-0012.

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We all know vampires. Count Dracula and Nosferatu, maybe Blade and Angel, or Stephenie Meyer’s sparkling beau, Edward Cullen. In fact, the Euro-American vampire myth has long become one of the most reliable and bestselling fun-rides the entertainment industries around the world have to offer. Quite recently, however, a new type of fanged villain has entered the mainstream stage: the American Indian vampire. Fully equipped with war bonnets, buckskin clothes, and sharp teeth, the vampires of recent U.S. film productions, such as Blade, the Series or the Twilight Saga, employ both the Euro-American vampire trope and denigrating discourses of race and savagery. It is also against this backdrop that American Indian authors and filmmakers have set out to renegotiate not only U.S. America’s myth of the racially overdrawn “savage Indian,” but also the vampire trope per se. Drawing on American Indian myths and folklore that previous scholarship has placed into direct relationship to the Anglo-European vampire narrative, and on recent U.S. mainstream commodifications of these myths, my paper traces and contextualizes the two oppositional yet intimately linked narratives of American Indian vampirism ensuing today: the commodified image of the “Indian” vampire and the renegotiated vampire tropes created by American Indian authors and filmmakers.

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Laycock, Joseph. "Real Vampires as an Identity Group: Analyzing Causes and Effects of an Introspective Survey by the Vampire Community." Nova Religio 14, no. 1 (August 1, 2010): 4–23. http://dx.doi.org/10.1525/nr.2010.14.1.4.

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"Real vampires" believe that they must either consume blood or feed on "subtle" energy in order to maintain their physical, mental, and spiritual health. Recent scholarship has analyzed vampirism as a religious movement or as a cluster of "vampire religions." This article argues that vampirism should be viewed foremost as an identity around which social and religious institutions have formed. This model accounts for the mosaic of religious and cultural orientations held by vampires and acknowledges the vampire community's claims that vampirism is not a choice. It also facilitates a functionalist reading of vampire discourse as validating a new category of person.

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Gonçalves, Marcio A. S., Raymundo J. Sá-Neto, and Tania K. Brazil. "Outbreak of aggressions and transmission of rabies in human beings by vampire bats in northeastern Brazil." Revista da Sociedade Brasileira de Medicina Tropical 35, no. 5 (October 2002): 461–64. http://dx.doi.org/10.1590/s0037-86822002000500006.

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Outbreaks of attacks upon human beings by vampire bats seems to be a common phenomenon in several regions of Latin America, but the occurrence of rabies infection among humans bled by vampires, is relatively low. In the present study, two outbreaks of human rabies transmitted by common vampire bats (Desmodus rotundus) are described from Bahia State, Northeasthern Brazil, in 1991 and 1992. The first was recorded in Aporá where 308 people were bled by vampire bats and three of these die from this zoonosis. The 2nd outbreak occurred in Conde where only five people were bled by vampires, and two deaths by rabies were registered. Our data suggest that rabies transmitted by bats basically depends on the presence of virus in the vampire bat population and not on the number of humans bled by them.

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Dissertations / Theses on the topic "Vampire"

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Chandler, Anthony N. "Vampires incorporated, self-definition in Anne Rice's Vampire chronicles." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0021/MQ37197.pdf.

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Chandler, Anthony N. "Vampires incorporated : self-definition in Anne Rice's Vampire chronicles." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28234.

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This thesis examines the use of orality as a means to self-definition in Anne Rice's Vampire Chronicles. The main contention of this thesis is that within the Vampire Chronicles orality defines the self through incorporation, and that the bodily incorporation of food through a sexual consumption leads the vampire to naturally evolve a sense of who he or she is at any given moment in time. It is in this manner that this article discusses how the body, sexuality, food, and the possession of financial capital define and limit the individual's notion of self.

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Prinz, Kristin Taylor. "Changing the Vampire Tradition: The Vampires of Darren Shan." Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/579332.

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This paper will explore the ways in which the Cirque du Freak series by Darren Shan both follows and deviates from the older vampire tradition that is seen in books such as The Vampyre, Dracula, Varney the Vampire, Carmilla, and Interview the Vampire. It will also look at the way the changes he made to the vampire tradition reflect the deep conflicts in modern western culture, especially the social interactions and relationships most relevant to his teenage readers, such as problems that involve gender roles, family relationships, and finding one's place in society. Finally, this paper will examine the way other modern day young-adult vampire novels reflect conflicts differently than Shan's novels.

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Gianniny, Megan E. ""Other than Dead": Queering Vampires in Buffy the Vampire Slayer, Interview with the Vampire, and The Gilda Stories." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/382.

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This thesis examines three diverse vampire narratives from around the 1990s, arguing that the liminal figure of the vampire, forever in between life and death, is also then well-positioned to queer norms around gender, sexuality, and relationships. This queering, however, manifests differently in each narrative. My analysis looks at each of these three narratives in turn, while also considering how each text’s placement as mainstream or not mainstream affected the manifestation of the vampires’ queering.

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Kemp, Kurt Alan. "Anne Rice's vampire aesthetic : redefining the vampire tradition /." View online, 1994. http://repository.eiu.edu/theses/docs/32211998858840.pdf.

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Ruggieri, Maria Cristina. "Le vampire : origines folkloriques et transpositions cinématographiques." Paris 3, 2007. http://www.theses.fr/2007PA030157.

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"L'"existence" du vampire est un leitmotiv récurrent dans des époques et des domaines très éloignés. Ses origines doivent être recherchées en partant de l'anthropologie, puisqu'elles sont étroitement liées aux croyances ancestrales et aux craintes ataviques de l'être humain. Mon étude se propose d'analyser les étapes et les éléments fondamentaux qui ont permis au non-mort d'exister depuis toujours et de s'adapter à chaque circonstance historique, géographique et culturelle. En particulier, en bâtissant un pont entre deux disciplines très éloignées, le folklore et le cinéma, je vise à cerner ce qui reste au cinéma de l'image du vampire archétype, dont les origines plongent dans les domaines de l'anthropologie et du folklore. "
The vampire is a recurring leitmotiv that can be found in differents ages and differents environments. His origins are connected to ancestral beliefs and human fears. The purpose of my study consiste in finding the archetypal vampire in modern vampire cinema

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Nahrung, Jason. "Vampires in the sunburnt country : adapting vampire Gothic to the Australian landscape." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16668/1/Jason_Nahrung_-_Exegesis.pdf.

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I first became enamoured with vampire Gothic after reading Bram Stoker's Dracula in high school, but gradually became dissatisfied with the Australian adaptations of the sub-genre. In looking for examples of Australian vampire Gothic, a survey of more than 50 short stories, 23 novels and five movies made by Australians reveals fewer than half were set in an identifiably Australian setting. Even fewer make use of three key, landscape-related tropes of vampire Gothic - darkness, earth and ruins. Why are so few Australian vampire stories set in Australia? In what ways can the metaphorical elements of vampire Gothic be applied to the Sunburnt Country? This paper seeks to answer these questions by examining examples of Australian vampire narratives, including film. Particular attention is given to Mudrooroo's Master of the Ghost Dreaming series which, more than any other Australian novel, succeeds in manipulating and subverting the tropes of vampire Gothic. The process of adaptation of vampire Gothic to the Australian environment, both natural and man-made, is also a core concern of my own novel, Vampires' Bane, which uses earth, darkness and a modern permutation of ruins to explore its metaphorical intentions. Through examining previous works and through my own creative process, Vampires' Bane, I argue that Australia's growing urbanisation can be juxtaposed against the vampire-hostile natural environment to enhance the tropes of vampire Gothic, and make Australia a suitable home for narratives that explore the ongoing evolution of Count Dracula and his many-faceted descendants.

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Nahrung, Jason. "Vampires in the sunburnt country : adapting vampire Gothic to the Australian landscape." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16668/.

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I first became enamoured with vampire Gothic after reading Bram Stoker's Dracula in high school, but gradually became dissatisfied with the Australian adaptations of the sub-genre. In looking for examples of Australian vampire Gothic, a survey of more than 50 short stories, 23 novels and five movies made by Australians reveals fewer than half were set in an identifiably Australian setting. Even fewer make use of three key, landscape-related tropes of vampire Gothic - darkness, earth and ruins. Why are so few Australian vampire stories set in Australia? In what ways can the metaphorical elements of vampire Gothic be applied to the Sunburnt Country? This paper seeks to answer these questions by examining examples of Australian vampire narratives, including film. Particular attention is given to Mudrooroo's Master of the Ghost Dreaming series which, more than any other Australian novel, succeeds in manipulating and subverting the tropes of vampire Gothic. The process of adaptation of vampire Gothic to the Australian environment, both natural and man-made, is also a core concern of my own novel, Vampires' Bane, which uses earth, darkness and a modern permutation of ruins to explore its metaphorical intentions. Through examining previous works and through my own creative process, Vampires' Bane, I argue that Australia's growing urbanisation can be juxtaposed against the vampire-hostile natural environment to enhance the tropes of vampire Gothic, and make Australia a suitable home for narratives that explore the ongoing evolution of Count Dracula and his many-faceted descendants.

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Catalán-Morseby, Elizabeth. "Vampires in The Twilight Saga : The Reinvention and Humanization of the Vampire Myth." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-6709.

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This paper aims to make a comparison and investigation between three popular vampire fictions, Bram Stoker’s Dracula, Anne Rice’s Interview with the Vampire and Stephanie Meyer’s The Twilight Saga in order to show a development of the vampire. During the investigation it has become clear that the vampire over a decade has become an object that writers continue to reinvent and humanize. Concepts of Self and Other are thus important terms in this paper in the attempt to analyze the reinvention and humanization of the vampire myth. In Stoker’s Dracula, the vampire will be discussed from an Eastern and Western perspective where hence the vampire figures as an Oriental demon that in every way is the opposite from the British Empire. Rice’s novel, Interview of the Vampire shows a seemingly more humanized vampire that is less Evil, whilst Meyer’s The Twilight Saga demonstrates a vampire that is entirely human, however, with “special” abilities.

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Hradec, Patricia. "Vampiros humanizados: análise da obra Interview with the vampire de Anne Rice." Universidade Presbiteriana Mackenzie, 2014. http://tede.mackenzie.br/jspui/handle/tede/2185.

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Made available in DSpace on 2016-03-15T19:45:56Z (GMT). No. of bitstreams: 1 Patricia Hradec.pdf: 733412 bytes, checksum: 650b52ba448ff4625df8880300e658ee (MD5) Previous issue date: 2014-01-31
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This dissertation aims to analyze the novel Interview with the Vampire by Anne Rice, the first of ten books in the Vampire Chronicles". The aim of this research is to demonstrate how the vampires presented by Rice are humanized. It begins with a historical study about vampires, both legendary and literary ones, then there is a study about the life and work of the American writer as well as a survey of the differences between the vampires from Rice and others described in the literature, including the icon of the genre: Dracula, by Bram Stoker. The analysis still continues with some theoretical notes on the fantastic genre, including concepts about Todorov, Ceserani, among others. There is also an analysis of the main characters: the vampire Louis who denies his vampiric nature; the vampire Lestat who also fights against human problems; Claudia, the vampire kid, who does not accept her condition as a woman stuck in a child s body; the vampire Armand, one of the oldest vampires in the world that looks for human peace. There is also an analysis of a human character, a supposed journalist, who listens to the story of mortal and immortal life of the vampire Louis. The analysis also covers the time and space in the narrative and its relationship with the fantastic genre, as well as some differences between the book written in 1976 and the film released in 1994, a big hit, reference for many other vampire movies.
Esta dissertação tem por objetivo analisar o romance Interview with the Vampire de Anne Rice que é o primeiro livro dos dez que constituem suas Crônicas Vampirescas . Pretende-se com esta pesquisa demonstrar como os vampiros apresentados por Rice são humanizados. Inicia-se com um estudo histórico sobre os vampiros, tanto lendários quanto literários, depois há um estudo sobre a vida e obra da escritora norte-americana bem como um levantamento das diferenças entre os vampiros de Rice e outros descritos na literatura, entre os quais o ícone do gênero: Drácula, de Bram Stoker. A análise continua ainda com alguns apontamentos teóricos sobre o gênero fantástico, incluindo conceitos de Todorov, Ceserani, entre outros. Há também uma análise dos principais personagens: o vampiro Louis que renega sua natureza vampírica; o vampiro Lestat que também luta contra problemas humanos; Cláudia, a menina vampira, que não aceita sua condição de mulher presa a um corpo de criança; o vampiro Armand, um dos mais velhos vampiros do mundo que almeja a paz humana. Há ainda a análise de um personagem humano, um suposto jornalista, que ouve toda a história de vida mortal e imortal do vampiro Louis. A análise ainda abrange o tempo e espaço da narrativa e sua relação com o gênero fantástico, bem como algumas diferenças entre o livro escrito em 1976 e o filme, lançado em 1994, um sucesso de bilheteria, referência para muitos filmes sobre vampiros.

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Books on the topic "Vampire"

1

Dundes, Alan. The vampire: A casebook. Madison: University of Wisconsin Press, 1998.

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Bunson, Matthew. The vampire encyclopedia. New York: Crown Trade Paperbacks, 1993.

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Bunson, Matthew. The vampire encyclopedia. New York: Crown Trade Paperbacks, 1993.

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illustrator, Sorrentino Andrea, ed. I, Vampire: Rise of the Vampires. New York: DC Comics, 2013.

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Cusick, Richie Tankersley. Vampire. New York: Archway Paperbacks, 1991.

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Achilli, Justin. Vampire. New York: John Wiley & Sons, Ltd., 2006.

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Wilson, Jacqueline. Vampire. London: Armada, 1988.

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Vampiro Busca Vampiresa/ Vampire Seeks Vampirewoman. Sudamer S.A., 2004.

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Joshi, S. T., ed. Encyclopedia of the Vampire. ABC-CLIO, LLC, 2010. http://dx.doi.org/10.5040/9798216024996.

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An exhaustive work covering the full range of topics relating to vampires, including literature, film and television, and folklore. Encyclopedia of the Vampire: The Living Dead in Myth, Legend, and Popular Culture is a comprehensive encyclopedia relating to all phases of vampirism—in literature, film, and television; in folklore; and in world culture. Although previous encyclopedias have attempted to chart this terrain, no prior work contains the depth of information, the breadth of scope, and the up-to-date coverage of this volume. With contributions from many leading critics of horror and supernatural literature and media, the encyclopedia offers entries on leading authors of vampire literature (Bram Stoker, Anne Rice, Stephenie Meyer), on important individual literary works (Dracula and Interview with the Vampire), on celebrated vampire films (the many different adaptations of Dracula, the Twilight series, Love at First Bite), and on television shows (Buffy the Vampire Slayer and Angel). It also covers other significant topics pertaining to vampires, such as vampires in world folklore, humorous vampire films, and vampire lifestyle.

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Pride, Cardinal. Vampires and Vampire Hunters. Singapore New Reading Technology Pte Ltd, 2022.

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Book chapters on the topic "Vampire"

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Riazanov, Alexandre, and Andrei Voronkov. "Vampire." In Automated Deduction — CADE-16, 292–96. Berlin, Heidelberg: Springer Berlin Heidelberg, 1999. http://dx.doi.org/10.1007/3-540-48660-7_26.

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Payne, Christopher, and Andrew Kjos. "Vampire." In A Beginner’s Guide to Special Makeup Effects, 13–15. New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003093701-4.

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Six, Abigail Lee. "José de la Rosa, Vampiro [Vampire] (2010)." In Spanish Vampire Fiction since 1900, 119–23. New York, NY: Routledge, 2019. | Series: Routledge studies in comparative literature: Routledge, 2019. http://dx.doi.org/10.4324/9780203730683-21.

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Six, Abigail Lee. "Emilia Pardo Bazán, “Vampiro” [Vampire] (1901) 1." In Spanish Vampire Fiction since 1900, 25–32. New York, NY: Routledge, 2019. | Series: Routledge studies in comparative literature: Routledge, 2019. http://dx.doi.org/10.4324/9780203730683-3.

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Riazanov, Alexandre, and Andrei Voronkov. "Vampire 1.1." In Automated Reasoning, 376–80. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/3-540-45744-5_29.

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Wisker, Gina. "Vampire Bites." In Contemporary Women's Gothic Fiction, 157–86. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-30349-3_7.

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Wisker, Gina. "Vampire Kisses." In Contemporary Women's Gothic Fiction, 187–205. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-30349-3_8.

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Burger, Alissa. "The Vampire." In Teaching Stephen King, 11–25. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137483911_2.

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Kennedy, Paul. "Introduction: Capitalist Modernity in Question." In Vampire Capitalism, 1–28. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-55266-2_1.

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Kennedy, Paul. "The Rise of Vampire Capitalism (and not a slayer in sight)." In Vampire Capitalism, 29–60. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-55266-2_2.

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Conference papers on the topic "Vampire"

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Knight, Melissa. "Abraham Lincoln: Vampire Hunter." In ACM SIGGRAPH 2013 Computer Animation Festival. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2503541.2503545.

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Knight, Melissa. "Abraham Lincoln: vampire hunter." In SIGGRAPH Asia 2013 Computer Animation Festival. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2542398.2542459.

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Kosa, Tracy Ann. "Vampire bats: Trust in Privacy." In 2010 Eighth Annual International Conference on Privacy, Security and Trust (PST). IEEE, 2010. http://dx.doi.org/10.1109/pst.2010.5593227.

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Kotelnikov, Evgenii, Laura Kovács, Giles Reger, and Andrei Voronkov. "The vampire and the FOOL." In CPP 2016: Certified Proofs and Programs. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2854065.2854071.

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Butz, Andreas, Clifford Beshers, and Steven Feiner. "Of Vampire mirrors and privacy lamps." In the 11th annual ACM symposium. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/288392.288598.

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Dragan, Ioan, Konstantin Korovin, Laura Kovacs, and Andrei Voronkov. "Bound Propagation for Arithmetic Reasoning in Vampire." In 2013 15th International Symposium on Symbolic and Numeric Algorithms for Scientific Computing (SYNASC). IEEE, 2013. http://dx.doi.org/10.1109/synasc.2013.30.

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Jagnade, Gayatri A., Saleha I. Saudagar, and Sonika A. Chorey. "Secure VANET from vampire attack using LEACH protocol." In 2016 International conference on Signal Processing, Communication, Power and Embedded System (SCOPES). IEEE, 2016. http://dx.doi.org/10.1109/scopes.2016.7955799.

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Lopez-de-Armentia, Juan, Diego Casado-Mansilla, and Diego Lopez-de-Ipina. "Fighting against Vampire Appliances through Eco-Aware Things." In 2012 Sixth International Conference on Innovative Mobile and Internet Services in Ubiquitous Computing (IMIS). IEEE, 2012. http://dx.doi.org/10.1109/imis.2012.112.

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Sperlich, K., B. Seifert, and H. Stolz. "Ultrashort laser pulse retrieval using single-shot VAMPIRE." In 2014 IEEE Photonics Conference (IPC). IEEE, 2014. http://dx.doi.org/10.1109/ipcon.2014.6995417.

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Klauser, Peter E. "Modeling Friction Wedges: Part I — The State-of-the-Art." In ASME 2004 International Mechanical Engineering Congress and Exposition. ASMEDC, 2004. http://dx.doi.org/10.1115/imece2004-61094.

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Abstract:

The friction wedge is a critical component in the three-piece truck. This paper describes the current approach for modeling friction wedges and compares its implementation in the commercially available NUCARS™ and VAMPIRE® vehicle dynamics codes. NUCARS™ is a software package developed by Transportation Technology Center, Inc., while VAMPIRE® is a package developed by AEA Technology plc. Sample results from both codes are presented based on standalone test cases. Shortcomings of the “state-of-the-art” model are described and directions for future work are proposed.

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Reports on the topic "Vampire"

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Sanchez, Amber. Variation in Female and Male Dialogue in Buffy the Vampire Slayer: A Multi-dimensional Analysis. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7454.

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Aparici, R., D. García-Marín, and N. Díaz-Delgado. Vampires on the Web. The exploitation of youth culture. Revista Latina de Comunicación Social, January 2019. http://dx.doi.org/10.4185/rlcs-2019-1327en.

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Aparici, R., D. García-Marín, and N. Díaz-Delgado. Vampiros en la Red. El robo de la cultura juvenil. Revista Latina de Comunicación Social, January 2019. http://dx.doi.org/10.4185/rlcs-2019-1327.

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