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Journal articles on the topic 'Vampirism'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Kelly, Brendan D., Zainab Abood, and David Shanley. "Vampirism and schizophrenia." Irish Journal of Psychological Medicine 16, no. 3 (1999): 114–15. http://dx.doi.org/10.1017/s0790966700005413.

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AbstractA case of schizophrenia with vampiric delusions is described. The relevant classical and contemporary literature is reviewed, both in relation to clinical vampirism and the relationship between vampirism and schizophrenia. In patients with vampiric delusions, the possibility of future vampiric behaviour should be considered, and appropriate treatment initiated.

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2

Pérez-Fernández, Francisco, and Francisco López-Muñoz. "El vampirismo desde la vertiente psicomédica Apuntes histórico-literarios para la reconsideración de una condición psiquiátrica." Mente y Cultura 3, no. 2 (2022): 75–85. http://dx.doi.org/10.17711/myc.2683-3018.2022.009.

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In 1886, the neurologist Richard Von Krafft-Ebing published his bookPsychopathia Sexualis and offered the first explanations about paraphilias such as vampirism. This phenomenon has usually maintained in the margins of clinical research because of its rarity, receiving a literary treatment. Whenever science stopped estimating it as another medical event, it has been observed among psychologists and psychiatrists as a psychosexual bias problem that has never been well understood in mental health terms. Thus, since the end of the 19th century, a review of scientific literature has not found more

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3

Ruiz Reyes, Dionis, Adriel Herrero Díaz, and Ileana Beatriz Quiroga López. "¿Vampirism or porphyria? Clarifying the enigma." AG Salud 1 (December 30, 2023): 61. https://doi.org/10.62486/agsalud202361.

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Introduction: Vampirism is the behavior of a person who acts like a vampire. Vampires are not real beings, but for two centuries there have been countless medical studies carried out to provide a causal and pathogenic response to the phenomenon. The exact disease that causes most of these vampiric alterations is porphyria.Objective: To describe the relationship between the classic signs and symptoms of the porphyric patient and the appearance and lifestyle of the mythical vampire.Method: A literature review was carried out during the period from August 1 to 20, 2023. Articles published in the

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4

Laycock, Joseph. "Real Vampires as an Identity Group: Analyzing Causes and Effects of an Introspective Survey by the Vampire Community." Nova Religio 14, no. 1 (2010): 4–23. http://dx.doi.org/10.1525/nr.2010.14.1.4.

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"Real vampires" believe that they must either consume blood or feed on "subtle" energy in order to maintain their physical, mental, and spiritual health. Recent scholarship has analyzed vampirism as a religious movement or as a cluster of "vampire religions." This article argues that vampirism should be viewed foremost as an identity around which social and religious institutions have formed. This model accounts for the mosaic of religious and cultural orientations held by vampires and acknowledges the vampire community's claims that vampirism is not a choice. It also facilitates a functionali

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Kuznetsova, Ekaterina V. "Vampire Motif in O. Mirtov’s Novel Dead Swell: Gender Aspect." Studia Litterarum 9, no. 1 (2024): 186–205. http://dx.doi.org/10.22455/2500-4247-2024-9-1-186-205.

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The article discusses the reinterpretation in O. Mirtov’s (Olga Negreskul) novel Dead Swell (1909) of the images and plot moves of the novel by English writer Bram Stoker Dracula (1897) and, in general, the vampiric myth peculiar to romantic and neo-Gothic literature. Recognizable clichés associated with the appearance and abilities of vampires manifest themselves at different levels of the novel: at the level of subtext in ambiguous conversations about blood, in the description of the appearance of the characters (red lips, a string of red coral beads around the neck, pallor, haggardness), in

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6

Gallagher, Lindsay`. "Self-Control, Suppression, Abstinence." Veritas: Villanova Research Journal 4, no. 1 (2022): 27–32. https://doi.org/10.61372/vvrj.v4i1.2732.

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The Vampire Diaries, a TV show that aired new episodes from 2009-2017, is one of the most popular 21st-century teen vampire narratives. Over the course of eight seasons, various supernatural creatures and events challenge the characters’ resilience and imagination while they simultaneously navigate contemporary adolescent sexuality and social relations. A recurring theme for the vampires in the series is how and in which cases they suppress either their vampirism or their humanity – and the impact that this suppression can have on their family, friends, and romantic and sexual interests. The V

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Adicaram, D. R. S., E. S. Wijayamunige, and S. C. A. Arambepola. "Vampires! Do they exist? A case of clinical vampirism." Sri Lanka Journal of Psychiatry 12, no. 2 (2021): 38. http://dx.doi.org/10.4038/sljpsyc.v12i2.8299.

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8

O’Callaghan, Sean. "Vampires Today: The Truth About Modern Vampirism by Joseph Laycock." Alternative Spirituality and Religion Review 1, no. 2 (2010): 186–88. http://dx.doi.org/10.5840/asrr20101216.

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9

Jensen, Hans Mørch, and Henrik Day Poulsen. "Auto-vampirism in schizophrenia." Nordic Journal of Psychiatry 56, no. 1 (2002): 47–48. http://dx.doi.org/10.1080/08039480252803918.

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10

Prins, Herschel. "Vampirism—A Clinical Condition." British Journal of Psychiatry 146, no. 6 (1985): 666–68. http://dx.doi.org/10.1192/bjp.146.6.666.

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The phenomenon of the vampire is ancient, ubiquitous, and fascinating; moreover, it can only be understood adequately within the context of more general blood reliefs and rituals. (See Prins, 1984 for a review). References to vampires and associated phenomena may be found in the world's great literature long before Bram Stoker created his notorious and evil Count (Summers, 1960, 1980). Belief in the vampire's actual physical existence was probably encouraged by the prevalent practice of premature burial during times of plague, by the large numbers of itinerants and beggars that abound at such

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11

Muskovits, Eszter. "The Chthonic Realm of Our Psyche: Mythic and Moral Aspects of Dracula’s Nature." Interlitteraria 16, no. 1 (2011): 308–24. http://dx.doi.org/10.12697/il.2011.16.1.18.

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Myths reflect the collective experience of mankind. Certain things recur in world myths. Carl Gustav Jung, Swiss psychologist, psychiatrist and analyst noticed that his patients’ dreams contained a lot of similar motives without being acquainted with one another. He observed that these motives in dreams are akin to motives appearing in myths, tales and legends. These archaic pictures or symbols which are universally recognized, he entitled archetypes. The distant locations of vampiric entities prove that vampirism is also a universal phenomenon. In the following article I intend to explore the

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Morrissette, Jason J. "Marxferatu: The Vampire Metaphor as a Tool for Teaching Marx's Critique of Capitalism." PS: Political Science & Politics 46, no. 03 (2013): 637–42. http://dx.doi.org/10.1017/s1049096513000607.

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AbstractAlthough today's undergraduates may not have considered the implications of class struggle, they are generally well-versed in the intricacies of vampire lore. This article outlines how the vampire metaphor can serve as a valuable pedagogical tool for introducing students to fundamental concepts in Marxist thought. As opposed to the supernatural vampires featured in Stoker'sDraculaor Meyer'sTwilightsaga, this approach treats capitalism as a form of economic vampirism—with the capitalist taking on the role of the vampire and the worker relegated to its prey. The article further extends t

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Debalina Roychowdhury Banerjee. "Revisiting Vampirism: Myth, Mystery, Science, History." Creative Launcher 7, no. 1 (2022): 22–26. http://dx.doi.org/10.53032/tcl.2022.7.1.04.

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Many legends and myths have survived through ages. They also have strong connection with reality of past and present. History, mythology, science, psychology, fiction all is entwined in such a way that it becomes difficult to segregate them from one another. In fact, all these together bring a new meaning to such a subject. True it is and true it shall be that, almost everything that we can think of is connected to many other things. Vampirism is not an exception to that. Though it has been popularized by fictions more, it also has a bleak history, a dreary reality that comes through psycholog

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Swensen, Andrew. "Vampirism in Gogol's Short Fiction." Slavic and East European Journal 37, no. 4 (1993): 490. http://dx.doi.org/10.2307/308458.

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15

Castel, O., A. Bourry, S. Thévenot, and C. Burucoa. "Bacteria and vampirism in cinema." Médecine et Maladies Infectieuses 43, no. 9 (2013): 363–67. http://dx.doi.org/10.1016/j.medmal.2013.06.014.

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Abate, Michelle Ann. "NosferatUrsula: The Little Mermaid and Vampirism." Journal of Popular Culture 54, no. 1 (2021): 165–84. http://dx.doi.org/10.1111/jpcu.12997.

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17

Théodoridès, J. "Origin of the Myth of Vampirism." Journal of the Royal Society of Medicine 91, no. 2 (1998): 114. http://dx.doi.org/10.1177/014107689809100231.

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De La Sierra, L. Rodríguez. "Origin of the Myth of Vampirism." Journal of the Royal Society of Medicine 91, no. 5 (1998): 290. http://dx.doi.org/10.1177/014107689809100522.

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19

Maranda, Eric Laurent, Robert Heifetz, William A. Estes, Jacqueline Cortizo, Shahjahan Shareef, and Joaquin J. Jimenez. "Porphyria and Vampirism—A Myth, Sensationalized." JAMA Dermatology 152, no. 9 (2016): 975. http://dx.doi.org/10.1001/jamadermatol.2015.6066.

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20

Arciszewska, Katarzyna. "Wampiryczna alternatywa starości w powieści Julii Nabokowej „VIP znaczy wampir”." Slavica Wratislaviensia 163 (March 17, 2017): 301–11. http://dx.doi.org/10.19195/0137-1150.163.26.

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Vampiric alternative of the senescencein the novel of Julia Nabokova VIP znachit vampirThe article Vampiric alternative of the aenescence in the novel of Julia Nabokova “VIP znachit vampir” shows, taking as example the novel VIP Znachit Vampir of the Russian writer Julia Nabokova, the motive of senescence and its rejection realized in vampire context. Nabokova presents the vampirism as opposition to old age. Thevampires are long-living, ever beautiful and healthy creatures, they don’t know illness, weakness, pain and other symptoms of old age. The situation of the vampires and people is in man

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Armanda Šundov, Lucijana. "Vampires and Infection in Croatian Literature." Slavica Wratislaviensia 177 (December 30, 2022): 269–84. http://dx.doi.org/10.19195/0137-1150.177.23.

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Vampire characters in Croatian literature are a rare and marginal occurrence within fantastic Gothic literature, and their main task is to undermine the existing social order. Since the late 17th century, vampires were part of folklore writings and archive documents in which they were an explanation for the spread of infectious diseases and unexplainable epidemics, while from Romanticism onwards, they moved to literature in which they became metaphors for familial violence, mental and physical illnesses of individuals and of society as a whole. The author analyses vampire characters and vampir

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22

Ahn, Somi. "Post-Menopausal Vampirism in “Good Lady Ducayne”." NEW STUDIES OF ENGLISH LANGUAGE & LITERATURE 81 (February 28, 2022): 213–32. http://dx.doi.org/10.21087/nsell.2022.02.81.213.

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23

Barber, Paul, and Jan L. Perkowski. "The Darkling: A Treatise on Slavic Vampirism." Slavic and East European Journal 34, no. 4 (1990): 567. http://dx.doi.org/10.2307/308227.

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Halevy, A., Y. Levi, A. Shnaker, and R. Orda. "Auto-Vampirism - An Unusual Cause of Anaemia." Journal of the Royal Society of Medicine 82, no. 10 (1989): 630–31. http://dx.doi.org/10.1177/014107688908201027.

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Andy Brunning, special to C&EN. "Periodic Graphics: Porphyria and the vampirism myth." C&EN Global Enterprise 102, no. 34 (2024): 25. http://dx.doi.org/10.1021/cen-10234-feature4.

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26

Senn, Harry A., and Jan L. Perkowski. "The Darkling: A Treatise on Slavic Vampirism." Journal of American Folklore 104, no. 412 (1991): 214. http://dx.doi.org/10.2307/541238.

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27

Snyder Broussard, Mary. "Dead Collections." Partnership: The Canadian Journal of Library and Information Practice and Research 19, no. 2 (2025): 1–16. https://doi.org/10.21083/partnership.v19i2.8117.

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Isaac Fellman’s Dead Collections: A Novel (2022) portrays a fictional archivist Sol, who experiences chronic illness in the form of vampirism. While he experiences many symptoms including cold skin and reliance on weekly blood transfusions, it is his life-threatening photophobia (aversion to sunlight) that becomes a serious impairment to commuting to and from work. While Sol and his vampirism are clearly works of fiction, the novel accurately depicts working in libraries with a chronic illness. This article compares and connects the fictional story in Dead Collections to the growing body of li

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28

Pasero, Tony. "ENA’S SHINING EYES: NEGOTIATING VAMPIRISM IN NADA BY CARMEN LAFORET." FemCrítica. Revista de estudios literarios y crítica feminista 3, no. 5 (2025): 22–38. https://doi.org/10.64301/fc.v3i5.57.

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This article advances a reading of Carmen Laforet’s 1945 novel Nada through the lens of gothic imagery and vampirism to explore the ways in which the author both significantly contributes to and continues an intertextual literary tradition dating back to the nineteenth century foregrounding the agency and subjectivity of female characters. The allusions and presence of vampirism interwoven throughout the text at once subvert the locus of narrative agency and interrogate traditional notions of heteronormative and patriarchal gender norms in nineteenth- and twentieth-century Spanish society whil

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29

Trbojevic, Danilo. "Slaying the “political vampire”: Aberration as a socio-political construct." Bulletin de l'Institut etnographique 70, no. 2 (2022): 217–44. http://dx.doi.org/10.2298/gei2202217t.

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The concept of vampirism in the tradition of peasant culture is an inversion of social norms by individuals or groups, which the community recognizes as responsible for social problems and crises. ?Vampire? as a social institution has a role in resolving the crisis, but also manifests power of the collective and the desirable model of worldview. However, the experience of field research imposes a perspective that does not perceive the ?vampire? as a rigid institution, but also an adaptable tool of social or political communication. By analyzing two cases (performances) of ?murder of a politica

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Bahna, Vladimír. "Explaining Vampirism: Two Divergent Attractors of Dead Human Concepts." Journal of Cognition and Culture 15, no. 3-4 (2015): 285–98. http://dx.doi.org/10.1163/15685373-12342151.

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This paper explores the cognitive foundations of vampirism beliefs. The occurrence of beliefs of the dead rising from graves and returning to harm the living across many cultures indicates that this concept has features that make it successful in the process of cultural transmission. Comparing ghost- and vampire-like beliefs, it is argued that bodiless agents and animated but dead bodies represent two divergent cognitive attractors concerning concepts of dead humans. The inferential potential of the classic idea of a bodiless ghost is based on intuitions produced by the mental system of Theory

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31

Lenhardt, Corinna. "Wendigos, Eye Killers, Skinwalkers: The Myth of the American Indian Vampire and American Indian “Vampire” Myths." Text Matters, no. 6 (November 23, 2016): 195–212. http://dx.doi.org/10.1515/texmat-2016-0012.

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We all know vampires. Count Dracula and Nosferatu, maybe Blade and Angel, or Stephenie Meyer’s sparkling beau, Edward Cullen. In fact, the Euro-American vampire myth has long become one of the most reliable and bestselling fun-rides the entertainment industries around the world have to offer. Quite recently, however, a new type of fanged villain has entered the mainstream stage: the American Indian vampire. Fully equipped with war bonnets, buckskin clothes, and sharp teeth, the vampires of recent U.S. film productions, such as Blade, the Series or the Twilight Saga, employ both the Euro-Americ

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Kellermeyer, Michael Grant. "“The Subtle Craft of the Devil”: Misogynistic Conspiracy Theories and the Secret Society of Pregnancy Cravings in E. T. A. Hoffmann’s Vampirism." Humanities 12, no. 6 (2023): 143. http://dx.doi.org/10.3390/h12060143.

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This paper analyzes themes of male insecurities and distrust of the exclusive culture of female sexuality and reproduction in E. T. A. Hoffmann’s Vampirism, one of the earliest psychologically sophisticated female vampires in Western literature. The doomed heroine, Aurelia, escapes a life of maternal abuse and sexual trauma by marrying the wealthy Count Hippolytus, but his attraction warps into suspicion when she becomes pregnant and loses her appetite for his food. Worried that losing her virginity has activated promiscuity inherited from her late mother, he begins following her and thinks he

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33

Skarda, Patricia L. "Vampirism and Plagiarism: Byron's Influence and Polidori's Practice." Studies in Romanticism 28, no. 2 (1989): 249. http://dx.doi.org/10.2307/25600775.

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34

Atwater, Cheryl. "Living in Death: The Evolution of Modern Vampirism." Anthropology of Consciousness 11, no. 1-2 (2000): 70–77. http://dx.doi.org/10.1525/ac.2000.11.1-2.70.

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35

Cox, A. M. "Porphyria and vampirism: another myth in the making." Postgraduate Medical Journal 71, no. 841 (1995): 643–44. http://dx.doi.org/10.1136/pgmj.71.841.643-a.

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36

Herbert, Christopher. "Vampire Religion." Representations 79, no. 1 (2002): 100–121. http://dx.doi.org/10.1525/rep.2002.79.1.100.

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THIS ESSAY HIGHLIGHTS AND SEEKS to trace the conflicted logic of the strong religious motivation exemplified in Bram Stoker's Dracula (1897). First it analyzes the tensions in Stoker's polemic against the primitive other of religion/ superstition, setting that polemic off against those of two late-Victorian anthropologists, William Robertson Smith and James Frazer. For these theorists, the basis of the superstitious mentality lies in the principle of taboo, according to which the divine and the unclean are one and the same and divinity manifests itself in contagious physical transmission. Drac

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Barros, Fernando Monteiro de. "O gótico e a brasilidade em Lúcio Cardoso." Revista do Centro de Estudos Portugueses 28, no. 39 (2008): 113. http://dx.doi.org/10.17851/2359-0076.28.39.113-131.

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<p>Este trabalho desenvolve o percurso intertextual do Gótico literário anglosaxão do século XVIII na escrita do romancista mineiro Lúcio Cardoso (1912- 1968), em seus vários desdobramentos, como a tese do feminino enquanto agente destruidor do patriarcalismo, as marcas do Gótico hollywoodiano, e os traços do vampirismo literário, em suas diversas manifestações. O desejo enquanto clausura e o pastiche intratextual convivem na narrativa cardosiana aqui estudada, que exibe o comparecimento, dialético, tanto da “verdade” da hermenêutica quanto da “mentira” da teatralização.</p> <p&

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Laycock, Joseph P. "Conversion by Infection." International Journal for the Study of New Religions 1, no. 2 (2011): 261–78. http://dx.doi.org/10.1558/ijsnr.v1i2.261.

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The Omega Man (1971), starring Charlton Heston, is a film adaptation of the book I Am Legend by Richard Matheson. Matheson’s novel tells the tale of Robert Neville, the last man left alive after germ warfare has infected humanity with vampirism. The Omega Man differs from the original novel and its other adaptations in several ways: The most notable is that it imbues Heston’s character with obvious Christ-like symbolism. A more significant change went largely unnoticed: instead of vampires, those infected with the plague become part of a militant group called “The Family.” Although The Family

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39

Rawski, Jakub. "„Święta misja profesora Abronsiusa”. Fantazmaty, abiektalność i transgresje w filmie Romana Polańskiego "Nieustraszeni pogromcy wampirów"." Załącznik Kulturoznawczy, no. 10 (December 31, 2023): 215–36. http://dx.doi.org/10.21697/zk.2023.10.11.

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“The Sacred Mission of Professor Abronsius:” Phantasms, The Abject, and Transgression in Roman Polanski’s The Fearless Vampire Killers Roman Polanski’s The Fearless Vampire Killers is usually approached in film and cultural studies from a genological perspective: as a game with the convention and genres, a work that has the features of parody and pastiche, yet complies with the poetics of horror. When interpreting and analyzing the picture, it seems worthwhile to employ phantasmatic criticism drawing on the psychoanalytic theory of culture and consider the issue of the abject and transgressive

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Lindén, Claudia. "Virtue as Adventure and Excess: Intertextuality, Masculinity, and Desire in the Twilight Series." Culture Unbound 5, no. 2 (2013): 213–37. http://dx.doi.org/10.3384/cu.2000.1525.135213.

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The vampire is still primarily a literary figure. The vampires we have seen on TV and cinema in recent years are all based on literary models. The vampire is at the same time a popular cultural icon and a figure that, especially women writers, use to problematize gender, sexuality and power. As a vampire story the Twilight series both produces and problematizes norms in regard to gender, class and ethnici-ty. As the main romantic character in Twilight, Edward Cullen becomes interesting both as a vampire of our time and as a man. In a similar way as in the 19th century novel the terms of relati

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Peirse, Alison. "The impossibility of vision: vampirism, formlessness and horror inVampyr." Studies in European Cinema 5, no. 3 (2009): 161–70. http://dx.doi.org/10.1386/seci.5.3.161_1.

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Subotsky, Fiona. "An 18th-century view of demonomania. 2: Vampirism – introduction." British Journal of Psychiatry 208, no. 3 (2016): 291. http://dx.doi.org/10.1192/bjp.bp.115.163311a.

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Subotsky, Fiona. "An 18th-century view of demonomania. 2: Vampirism – stories." British Journal of Psychiatry 208, no. 4 (2016): 321. http://dx.doi.org/10.1192/bjp.bp.115.163311b.

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Subotsky, Fiona. "An 18th-century view of demonomania. 2: Vampirism – explanation." British Journal of Psychiatry 208, no. 5 (2016): 452. http://dx.doi.org/10.1192/bjp.bp.115.163311c.

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45

Limpár, Ildikó. "Vampirism as Apocalyptic Hypocrisy in Midnight Mass." Hungarian Journal of English and American Studies 31, no. 1 (2025): 60–83. https://doi.org/10.2478/hjeas/2025/31/1/4.

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Abstract Ever since the vampire figure appeared on the literary scene, it has been examined in the context of Christianity, as this form of the revenant monster calls for interpretations that address questions of the soul as well as the phenomenon of resurrection and eternal (after)life. Parallel with this approach, the vampire body has also become a focused topic in Vampire Studies in the past few decades, especially in relation to the vampire lover in supernatural romances. Netflix’s Midnight Mass (2021) presents a new take on the vampire lore when it combines a special interest in the body

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46

RISTIĆ, ALEKSANDAR. "THE VAMPIRLIJA HILL IN THE VILLAGE OF MIJAJLOVAC (TRSTENIK): A POSSIBLE LOCATION FOR THE BIRTHPLACE OF EUROPEAN ‘VAMPIROLOGY’." ISTRAŽIVANJA, Јournal of Historical Researches, no. 32 (December 3, 2021): 116–32. http://dx.doi.org/10.19090/i.2021.32.116-132.

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Vampires gained worldwide popularity due to the classic novel about the most famous one, Dracula, written by Bram Stoker in 1897. Bram Stoker’s Dracula has very little in common with his inspiration, the fifteenth-century Wallachian ruler Vlad III (1431‒1476), who was a real historical figure. However, some strange events involving the dead seem to have occurred in Southwest of Transylvania a few centuries after the Wallachian prince’s death. In some parts of the Habsburg Kingdom of Serbia (1718‒1739), the local Austrian authorities recorded some cases of ‘vampirism’, which Europe would be int

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Kazğan, Aslı, Sevler Yildiz, Sevda Korkmaz, and Murad Atmaca. "Auto-vampirism in borderline personality disorder: A case report (tur)." Journal of Clinical Psychiatry 24, no. 2 (2021): 265–69. http://dx.doi.org/10.5505/kpd.2020.79095.

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48

Dubreuil, Laurent. "Michael J. Dennison, Vampirism. Literary Tropes of Decadence and Entropy." Labyrinthe, no. 16 (December 1, 2003): 89–90. http://dx.doi.org/10.4000/labyrinthe.318.

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Tannert-Smith, Barbara. "‘Like a Spotlight Was Trained on Me’: Breaking Dawn and the Twilight of Capitalism." International Research in Children's Literature 15, no. 2 (2022): 191–203. http://dx.doi.org/10.3366/ircl.2022.0450.

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This article reads Breaking Dawn by Stephenie Meyer in relation to the emergent 24/7 expectation of postmodern capitalism. The novel’s focus on sleeplessness and illumination, on sparkle and consumerism, points to a contemporaneous engagement with new modalities of twenty-first-century consumption and production. Consequently, the novel’s redefinition of the vampire as posthumanist warrior-consumer is merely the latest iteration of the connection of the otherness of vampirism to the mobility of capital.

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Rawski, Jakub. "Kierunki interpretacji motywu wampira w wybranych tekstach kultury od XIX do XXI wieku (rekonesans)." Studia Litteraria 16, no. 1 (2021): 29–48. http://dx.doi.org/10.4467/20843933st.21.003.13383.

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Abstract:

Artykuł ma na celu przedstawienie przeglądu kierunków interpretacji motywu wampira w kulturze popularnej od XIX do XXI wieku. Skupia się na najważniejszych, najbardziej reprezentatywnych tekstach, które wywarły największy wpływ na ewolucję postaci wampira od romantyzmu do czasów współczesnych, takich jak: Dracula, Miasteczko Salem, Wywiad z wampirem, Zmierzch. Zamierzeniem było ukazanie różnych sposobów odczytywania i analizowania wampiryzmu w zależności od przyjętej metodologii. Niewątpliwie – tytułowe kierunki interpretacji utworów wampirycznych były warunkowane możliwościami egzegetycznymi,

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