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Books on the topic 'Vamps'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Collins, Nancy A. Vamps. New York: HarperTeen, 2008.

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Collins, Nancy A. Vamps. New York: HarperCollins, 2009.

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Vamps. New York, NY: DC Comics, 1994.

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4

Hinson, Lorna. Vamps. Round Rock, TX: Torquere Press, 2009.

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5

Sklavounakos, Stathēs. Vamps. Athēna: Hermēs, 2001.

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6

Paglia, Camille. Vamps & tramps. Madrid: Valdemar, 2001.

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7

Ostinato vamps: Poems. Pittsburgh, Pa: University of Pittsburgh Press, 2003.

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8

Sparks, Kerrelyn. Vamps and the city. New York: Avon Books, 2006.

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9

Sparks, Kerrelyn. Vamps and the city. New York: Avon Books, 2006.

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10

Vamps & tramps: New essays. New York: Vintage Books, 1994.

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11

Vamps & tramps: New essays. London: Penguin, 1995.

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12

Vamps and the city. New York: Avon Books, 2006.

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13

Sparks, Kerrelyn. Vamps and the City. New York: HarperCollins, 2009.

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14

Sparks, Kerrelyn. Vamps and the city. New York: Avon Books, 2006.

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15

Paglia, Camille. Vamps & tramps: New essays. Harmondsworth: Viking, 1995.

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16

1924-, Jaguer Edouard, and Joubert Alain, eds. Vamps évaporées: Les gommages d'Akej. Paris: S. Tastet, 1985.

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17

Martin, Paul. Count Snobuta vamps it up. New York: Volo/Hyperion Books for Children, 2004.

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18

Taylor, Tawny. Real Vamps Don't Drink O-Neg. New York: Kensington Publishing Corp., 2008.

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19

Greenberg, Martin Harry, and Charles G. Waugh. Vamps: Blood-chilling tales of lady vampires. 2nd ed. New York: Barnes & Noble, 2007.

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20

Copyright Paperback Collection (Library of Congress), ed. Vamps: An anthology of female vampire stories. New York: DAW Books, 1987.

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21

Vamps: An illustrated history of the female fatale. San Francisco, Calif: Cleis Press, 1997.

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22

Gorna, Robin. Vamps, virgins, and victims: How can women fight AIDS? London: Cassell, 1996.

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23

Gutenberg-Universität, Johannes, Universität Hamburg, and Symposium zur "Schauspielkunst im Film" (3rd : 1999), eds. Ladies, vamps, companions: Schauspielerinnen im Kino : drittes Symposium (1999). St. Augustin: Gardez!, 2000.

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24

Shelle. Heroes, gundas, vamps & good girls: Hindi pulp cover art. Chennai: Blaft Publications, 2009.

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25

Blackman, Cally. 20th century fashion: The 20's & 30's : flappers & vamps. Oxford: Heinemann Library, 1999.

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26

Le temps des vamps: 1915-1965 : cinquante ans de sex-appeal. Paris: L'Harmattan, 1997.

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27

von, Braun Christina, ed. Dämonen, Vamps und Hysterikerinnen: Geschlechter- und Rassenfigurationen in Wissen, Medien und Alltag um 1900. Bielefeld: Transcript, 2011.

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28

Virile, Vamps und wilde Veilchen: Sexualität, Begehren und Erotik in den Zeitschriften homosexueller Frauen im Berlin der 1920er Jahre. Königstein: Helmer, 2004.

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29

Pécora, Juan José. Vamos, vamos. Buenos Aires: Editorial Dunken, 2010.

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30

Terada, Toru. Vamos, vamos ! [Bruxelles]: Dargaud Bénélux, 2005.

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31

Conway, David. Vampi. New York, NY: Anarchy Studios, 2002.

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32

Samson, Savanna. Vamp. New York: Thunder's Mouth Press, 2006.

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33

Levantaos! Vamos! Barcelona: Plaza y Janés, 2004.

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34

Lee, Elaine. Vamps. Titan, 1995.

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35

Collins, Nancy A. Vamps. HarperTeen, 2008.

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36

M, Disch Thomas. Vamps. Denoël, 1994.

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37

Harden, Suzan. Amish, Vamps & Thieves. Angry Sheep Publishing, 2017.

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38

Zoltack, Nicole. When Vamps Bite. CreateSpace Independent Publishing Platform, 2018.

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39

Vamps: Official Book. Quercus NA, 2016.

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40

Shelley, Braxton D. Healing for the Soul. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197566466.001.0001.

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Abstract:

Between the first and last words of a Black gospel song, musical sound acquires spiritual power. During this unfolding, a variety of techniques facilitate musical and physical transformation. The most important of these is a repetitive musical cycle known by names including the run, the drive, the special, and the vamp. Through its combination of reiteration and intensification, the vamp turns song lyrics into something more potent. While many musical traditions use vamps to fill space, or occupy time in preparation for another, more important event, in gospel, vamps are the main event. Why is the vamp so central to the Black gospel tradition? What work—musical, cultural, and spiritual—does the gospel vamp do? And what does the vamp reveal about the transformative power of Black gospel more broadly? This book explores the vamp’s essential place in Black gospel song, arguing that these climactic musical cycles turn worship services into transcendent events. In the following pages, the words and music of Richard Smallwood, a paradigmatic contemporary gospel composer, anchor the book’s investigation of the convergence of sound and belief in the Gospel Imagination. Smallwood’s expansive oeuvre is especially illustrative of the eclecticism and homiletic intention that characterize gospel music. Along the way, this study brings Smallwood’s songs and the ideas that frame them into conversation with many of the tradition’s exemplars: Edwin and Walter Hawkins, Twinkie Clark, Kurt Carr, Margaret Douroux, V. Michael McKay, and Judith McAllister, among others. Focusing on choral forms of gospel song, this book shows how the gospel vamp organizes expressive activity around a moment of transcendence, an instant when the song shifts to a heightened space of musical activity. This sonic escalation fuels traffic between the seen world and another, bringing believers into contact with a host of scenes from scripture, and with the divine, too.

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41

(Editor), Martin H. Greenberg, and Charles G. Waugh (Editor), eds. Vamps: DAW Book #703. DAW Books, Inc., 1987.

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42

Simpson, William, and Elaine Lee. Vamps - The Complete Collection. DC Comics, 2019.

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43

Collier, Ellen Mansoor. Vamps, Villains and Vaudeville. DECODAME PRESS, 2015.

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44

Auga, Ulrike, Claudia Bruns, Dorothea Dornhof, and Gabriele Jähnert, eds. Dämonen, Vamps und Hysterikerinnen. transcript-Verlag, 2011. http://dx.doi.org/10.14361/transcript.9783839415726.

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45

Goth: Vamps and Dandies. Plexus Publishing, 2010.

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46

King, Stephen. Vamps, Las Chupadoras de Sangre. Valdemar, 1998.

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47

Paglia, Camille. Vamps and tramps: New essays. Viking, 1995.

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48

Vamps, Tramps & Beauties: Von Greg Hildebrandt. Virtual Graphics, 2013.

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49

Taylor, Tawny. Real Vamps Don't Drink O-Neg. Kensington, 2007.

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50

Vamps. New York: BP Books, 2004.

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