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Books on the topic 'Vanguardia (Barcelona, Spain : 1881)'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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1

Huertas, Josep M. Una història de "La Vanguardia". Angle Editorial, 2006.

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2

Gaziel. Història de "La vanguardia," 1881-1936 i nou articles sobre periodisme. Editorial Empúries, 1994.

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3

aut, Barrera Carlos, ed. " La Vanguardia", del franquismo a la democracia. Editorial Fragua, 2006.

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4

Prada, Pedro de la. Expediente KDO. Ediciones Librería Universitaria de Barcelona, 2014.

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5

Ribera, José Ignacio Castelló. ¿La prensa apuntilló a los toros en Cataluña?: La Vanguardia y El Periódico de Catalunya. Ediciones Carena, 2016.

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6

A, Argenter J., ed. Llenguatge: Articles de La Vanguardia (1999-2002). Institut d'Estudis Catalans, 2006.

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7

Gutiérrez, Elisa Puente. Desconexión, referéndum, intervención y elecciones: Las grandes cabeceras de Barcelona y Madrid ante el dilema catalán de 2017. Fundación Universitaria Española, 2020.

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8

Maria-Teresa, Ocaña, and Museo Picasso, eds. Picasso and Els 4 Gats: The early years in turn-of-the-century Barcelona. Bulfinch Press, 1996.

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9

Picasso, Pablo. Picasso and els 4 Gats: The key to modernity. Museu Picasso, 1995.

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10

Jordi, Falgàs, Lord Carmen Belen, Cleveland Museum of Art, and Metropolitan Museum of Art (New York, N.Y.), eds. Barcelona and modernity: Picasso, Gaudí, Miró, Dalí. Cleveland Museum of Art in association with Yale Univ. Press, New Haven, 2006.

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11

Maria-Teresa, Ocaña, Palazzo Medici Riccardi, Centro mostre di Firenze (Italy), and Museo Picasso, eds. Picasso: La grande grafica, 1904-1971 : Ottanta incisioni dal Museo di Barcelona. Electa, 1986.

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12

Picasso, Pablo. Picasso: La formación de un genio 1890-1904 : dibujos del Museu Picasso de Barcelona. Lunwerg, 1997.

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13

Dalmau, Pol. Press, Politics and National Identity in Catalonia: The Transformation of la Vanguardia, 1881-1931. Sussex Academic Press, 2018.

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14

Dalmau, Pol. Press, Politics and National Identity in Catalonia: The Transformation of la Vanguardia, 1881-1931. Sussex Academic Press, 2017.

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15

Kaplan, Temma. Red City, Blue Period: Social Movements in Picasso's Barcelona. University of California Press, 1993.

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16

Red city, blue period: Social movements in Picasso's Barcelona. University of California Press, 1992.

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17

Barcelona and Modernity. Cleveland Museum of Art, 2006.

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18

Falgas, Jordi, Carmen Bellon Lord, and William H. Robinson. Barcelona and Modernity: Picasso, Gaudi, Miro, Dali. Yale University Press, 2006.

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19

Christoforidis, Michael. Profusion and Parody in Barcelona. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780195384567.003.0005.

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The cosmopolitan northern city of Barcelona played host to Carmen’s Spanish premiere in 1881, starring Célestine Galli-Marié, and although the opera failed to take root at this point, Barcelona’s status as a center of entertainment in a variety of Spanish genres and a keen purveyor of European trends set the stage for Carmen’s return in the late 1880s. This revival led to a proliferation of competing productions in the early 1890s, and a degree of popularity that inspired the composition of a successful parody, the género chico work Carmela (1891), which subverted the local color and melodies
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