Log in

Relevant bibliographies by topics / Variations (Clarinet and harp)

Contents

Journal articles
Dissertations / Theses
Books
Book chapters

Academic literature on the topic 'Variations (Clarinet and harp)'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Variations (Clarinet and harp).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Variations (Clarinet and harp)"

1

Krasnikova, T. N., and M. A. Stepanova. "DEDICATED TO THE ANNIVERSARY." Arts education and science 1, no. 30 (2022): 197–200. http://dx.doi.org/10.36871/hon.202201023.

Full text

Abstract:

The article is devoted to the 65th birthday and 40th anniversary of the creative work of the composer, Honoured Artist of Russia, Laureate of Moscow Prize, Professor Victor Stepanovich Ulyanich. To celebrate this event, a concert was held at the Concert Hall of the Gnesins Russian Academy of Music on November 27, 2021. The concert program included works of a wide genre and stylistic range. In the first part there were compositions for various instrumental ensembles with the harp — the instrument the composer preferred throughout his life. Two symphonies were performed in the second part: the c

APA, Harvard, Vancouver, ISO, and other styles

2

Hojbotă, Zaharia, and Doru Albu. "STRUCTURAL AND INTERPRETIVE APPROACHES IN INTRODUCTION, THEME AND VARIATIONS FOR CLARINET AND ORCHESTRA BY GIOACHINO ROSSINI." Review of Artistic Education 27 (April 1, 2024): 78–87. http://dx.doi.org/10.35218/rae-2024-0009.

Full text

Abstract:

In this study, we aim to decode and highlight one of the most important works in the study of the clarinet, Introduction, Theme, and Variations for Clarinet and Orchestra, by Gioachino Rossini. In this variation-type piece, G. Rossini optimally combines the problems of virtuosity that unfold over the entire range of the clarinet, with his usual cantability, of a perfect lyricism.With its ambitus, large intervals, and passages of virtuosity in various rhythmic formulas, the work falls into the category of great difficulty and represents a challenge for the soloist. Without being modest, if the

APA, Harvard, Vancouver, ISO, and other styles

3

Dewi, Christine, and Rung-Ching Chen. "Combination of Resnet and Spatial Pyramid Pooling for Musical Instrument Identification." Cybernetics and Information Technologies 22, no. 1 (2022): 104–16. http://dx.doi.org/10.2478/cait-2022-0007.

Full text

Abstract:

Abstract Identifying similar objects is one of the most challenging tasks in computer vision image recognition. The following musical instruments will be recognized in this study: French horn, harp, recorder, bassoon, cello, clarinet, erhu, guitar saxophone, trumpet, and violin. Numerous musical instruments are identical in size, form, and sound. Further, our works combine Resnet 50 with Spatial Pyramid Pooling (SPP) to identify musical instruments that are similar to one another. Next, the Resnet 50 and Resnet 50 SPP model evaluation performance includes the Floating-Point Operations (FLOPS),

APA, Harvard, Vancouver, ISO, and other styles

4

Kiraly, Philippa, Robert Basart, George Perle, et al. "The Round Ocean and the Living Air; For Two Flutes, Clarinet, Vibraphone, Harp, and Piano." Notes 44, no. 3 (1988): 595. http://dx.doi.org/10.2307/941562.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Milhiet, PE, F. Vacherot, JP Caruelle, D. Barritault, D. Caruelle, and J. Courty. "Upregulation of the angiogenic factor heparin affin regulatory peptide by progesterone in rat uterus." Journal of Endocrinology 158, no. 3 (1998): 389–99. http://dx.doi.org/10.1677/joe.0.1580389.

Full text

Abstract:

Heparin affin regulatory peptide (HARP), also named pleiotropin, is a secreted polypeptide that belongs to a new family of heparin-binding growth/differentiation factors. In this study, we investigated the expression and distribution of HARP mRNA and protein in rat uterus. Semi-quantitative reverse transcriptase PCR experiments showed variations in HARP mRNA levels throughout the estrous cycle, with a maximum during diestrus, pointing to hormonal regulation of HARP mRNA expression. Uterine expression of HARP mRNA was studied in ovariectomized animals treated with 17 beta-estradiol, progesteron

APA, Harvard, Vancouver, ISO, and other styles

6

Barthet, Mathieu, Philippe Depalle, Richard Kronland-Martinet, and Søølvi Ystad. "Analysis-By-Synthesis of Timbre, Timing, and Dynamics in Expressive Clarinet Performance." Music Perception 28, no. 3 (2011): 265–78. http://dx.doi.org/10.1525/mp.2011.28.3.265.

Full text

Abstract:

In a Previous Study, Mechanical and Expressive clarinet performances of Bach's Suite No. II and Mozart's Quintet for Clarinet and Strings were analyzed to determine whether some acoustical correlates of timbre (e.g., spectral centroid), timing (intertone onset interval), and dynamics (root mean square envelope) showed significant differences depending on the expressive intention of the performer. In the present companion study, we investigate the effects of these acoustical parameters on listeners' preferences. An analysis-by-synthesis approach was used to transform previously recorded clarine

APA, Harvard, Vancouver, ISO, and other styles

7

Øigård, Tor Arne, and Hans J. Skaug. "Fitting state–space models to seal populations with scarce data." ICES Journal of Marine Science 72, no. 5 (2014): 1462–69. http://dx.doi.org/10.1093/icesjms/fsu195.

Full text

Abstract:

Abstract We estimate temporal variation in fecundity, the reproduction rate, for Barents Sea and Greenland Sea harp seals using a state–space approach. A stochastic process model for fecundity is integrated with an age-structured population dynamics model and fit to available data for these two harp seal populations. Owing to scarceness of data, it is necessary to “borrow strength” from the Northwest Atlantic harp seal population in form of prior distributions on autocorrelation and variance in fecundity. Comparison is made to a simpler deterministic population dynamics model. The state–space

APA, Harvard, Vancouver, ISO, and other styles

8

Tucker, Strahan, W. Don Bowen, Sara J. Iverson, and Garry B. Stenson. "Intrinsic and extrinsic sources of variation in the diets of harp and hooded seals revealed by fatty acid profiles." Canadian Journal of Zoology 87, no. 2 (2009): 139–51. http://dx.doi.org/10.1139/z08-145.

Full text

Abstract:

Individuals of different age, sex, and morphology are expected to exhibit differences in dietary niches largely owing to sexual dimorphism, ontogenetic niche shifts, and resource polymorphism. Harp ( Pagophilus groenlandicus (Erxleben, 1777)) and hooded ( Cystophora cristata (Erxleben, 1777)) seals are geographically overlapping and highly migratory predators in the North Atlantic Ocean. These species differ in their diving behaviour, with hooded seals diving deeper, longer, and more associated with the continental shelf edge and deep ocean than harp seals. We examined blubber fatty acid (FA)

APA, Harvard, Vancouver, ISO, and other styles

9

Trawick, Eleanor F., and Barbara Kolb. "Millefoglie for Instruments [Oboe, Assisting Oboe (Flute, Optional), B-Flat Clarinet, B-Flat Bass Clarinet (Doubling B-Flat Clarinet, Optional), Trombone, Perc. (2 Players-Vibraphone and Marimba), Harp, Cello] and Computer-Generated Tape (1985, Revised Sept. 1987)." Notes 48, no. 2 (1991): 690. http://dx.doi.org/10.2307/942094.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Geringer, John M., and Michael D. Worthy. "Effects of Tone-Quality Changes on Intonation and Tone-Quality Ratings of High School and College Instrumentalists." Journal of Research in Music Education 47, no. 2 (1999): 135–49. http://dx.doi.org/10.2307/3345719.

Full text

Abstract:

We investigated the effects of variations in tone quality on listeners' perception of both tone quality and intonation. University music and nonmusic major instrumentalists and high school students participating in instrumental ensembles served as listeners ( N = 116). High-quality digital samples of clarinet, trumpet, and trombone tones were used. The original tone quality of each instrument was manipulated to produce experimental stimuli of “bright” and “dark” relative to the unaltered tone quality. Results indicated that the more inexperienced instrumentalists rated stimuli that were relati

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Variations (Clarinet and harp)"

1

Spence, Jacob F. "L'Éternité : cantata for SATB soloists and choir, flute, cor anglais, bass clarinet, alto saxophone, timpani, eight percussionists, piano, harpsichord, celesta, harp, guitar and string orchestra." Thesis, University of Edinburgh, 2008. http://hdl.handle.net/1842/27450.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Baril, Félix Frédéric. "Dérèglement passager de corps hétérogènes : le concept d'organisme musical et la métaphore du virus : étude sur les possibilités de développement organique du matériau musical." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100751.

Full text

Abstract:

Dereglement passager de corps heterogenes is a work for flute (doubling piccolo and alto flute), clarinet (doubling bass clarinet), horn, piano, violin, cello and contrabass which explores the concept of "virus" within a musical form similar to the theme and variations. During its elaboration, I imagined what could metaphorically be the effects of different virus on what I define as "musical organisms". This idea suggested a number of variations that could serve as laboratories to experiment different levels of interaction between the virus and the musical organisms. This thesis consists of th

APA, Harvard, Vancouver, ISO, and other styles

3

Sanders, Raphael P. "Louis Cahuzac's Clarinet Music: an Examination of Selected Works, with Three Recitals and a Solo Performance of Selected Works by Debussy, Reinecke, Bloch, Stravinsky, Mozart and Others." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278517/.

Full text

Abstract:

Louis Cahuzac was one of the most sought-after clarinetists in the first half of the twentieth century. He was also highly respected as a conductor, as a teacher, and as a composer of music for the clarinet. The selections performed and discussed in the lecture depict Cahuzac's use of simple compositional forms and procedures which blend the expressive capability of the clarinet with its technical potential.

APA, Harvard, Vancouver, ISO, and other styles

4

Leffler, Hannah. "A National Idiom Universally Understood: Brazilian Tradition and Personal Evolution in Osvaldo Lacerda's "Variações e Fuga para quinteto de sopros"." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248512/.

Full text

Abstract:

The career of Osvaldo Lacerda (1927-2011) spanned a critical time in the development of Brazilian nationalist music. Though he was an outspoken nationalist composer, he was also influenced by European trends and training. Even within his nationalist compositions, evidence of a shift in style that mirrors the European movements of Modernism and Postmodernism is found in his works. Among his thirty-six chamber works, three are wind quintets, written between 1962 and 1997. Although all three works warrant extended discussion, Variações e Fuga para quinteto de sopros is particularly valuable for s

APA, Harvard, Vancouver, ISO, and other styles

5

HUANG, HAO-HSUAN, and 黃浩軒. "Concerto for Clarinet and String Orchestra with Harp and Percussion." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/27673308742172686744.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Yu-hsin, Huang, and 黃玉馨. "Performing research of Aaron Copland''s concerto for clarinet and string orchestra with harp and piano/ Hunag Yu-Hsin''s clarinet graduate recital." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/24896182867938454380.

Full text

Abstract:

碩士<br>東吳大學<br>音樂學系<br>92<br>Aaron Copland''s clarinet concerto for clarinet and string orchestra with harp and piano is one of these important clarinet pieces on twenty century. This piece contain american folk song, jazzy character,the creative method of Copland and the playing style of Swing King-Benny Goodman. Its bouncing melody, technich cendenza, fast higher notes and complex rhythm are very difficult for one clarinet player. The thesis contains three parts to look into this piece-part one: historical background, part two: musical analysis, part three: performing c

APA, Harvard, Vancouver, ISO, and other styles

7

柯綺君. "The Study and Interpretation of Theme and Variations for Clarinet and Piano by Jean Françaix." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/36623198371701552704.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Chang, Chia-Lin, and 張家菱. "Ruei-Ran Wu : Interpretation and Analysis of Variations on the“ Theme 18 Caresses for Clarinet and Piano ”." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/27353716220648871436.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

TZU-YUN, HUNG, and 洪子雲. "The Analysis and Interpretation of Carl Maria von Weber’s Theme and Variations for Clarinet and Piano, Op. 33." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/93491655528486145533.

Full text

Abstract:

碩士<br>輔仁大學<br>音樂研究所<br>101<br>This dissertation is mainly aiming at discussing the accomplishment on instrumental music of the German composer in the early Romantic Era: Carl Maria von Weber (1786-1826). In 1811, Weber composed several pieces for Heinrich Joseph Baermann (1784-1847), who is the contemporary clarinetist, including the Theme and Variations for Clarinet and Piano, Op.33. Since Weber met Baermann, he grew fond of composing music for clarinet, for its variety of timbre and dramatic expression attracted him deeply. Moreover, he composed clarinet music with the technique he used in o

APA, Harvard, Vancouver, ISO, and other styles

10

Wu, Hsiao-Wei, and 吳筱薇. "A Study on “Theme and Variations for Clarinet and Piano” by Jean Françaix－A Formal Analysis and Performance Suggestions." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/bn3c6p.

Full text

Abstract:

碩士<br>國立高雄師範大學<br>音樂學系<br>97<br>The French music from the late nineteenth to the early twentieth century was deeply influenced by the style of Wagner. At the same time, it also developed its own national consciousness out of the outbreak of Franco-Prussian War in 1870. This consciousness was one of the main causes for the development of Neoclassicism between the two World Wars. This thesis attempts to delve into Jean Françaix’s Theme and Variations for Clarinet and Piano, a masterpiece produced under the influence of the two abovementioned trends. Jean Françaix’s musical creation combines th

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Variations (Clarinet and harp)"

1

Nixon, Roger. Variations for clarinet and cello. Fallen Leaf Press, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Eberhard, Dennis. Berceuse for clarinet, harp and string orchestra. Margun Music, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Peterson, Wayne. Sextet, flute (alto flute), clarinet (bass clarinet), percussion, harp, violin, and violoncello. Henmar Press, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Josheff, Peter. Pathways: And, Untended variations : for solo clarinet. Fallen Leaf Press, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Harbison, John. Variations for violin, clarinet in A, and piano. Associated Music Publishers, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Baermann, Carl. Divertimento for clarinet and piano. Southern Music Co., 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Rocca, Frank La. Canti d'innocenza: For soprano, B♭ clarinet, vibraphone, and harp. Fallen Leaf Press, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Weiner, Lawrence. Theme and variants: For flute, cello and harp. Southern Music, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Copland, Aaron. Sextet ; Piano variations ; Piano quartet. Elektra Nonesuch, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Baermann, Heinrich. Air varié: Op. 12, no. 2, B♭ clarinet and piano. Southern Music, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Variations (Clarinet and harp)"

1

Kostelanetz, Richard, and Steve Silverstein. "Concerto for Clarinet and String Orchestra with Harp and Piano." In Aaron Copland. Routledge, 2021. http://dx.doi.org/10.4324/9781003061724-62.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Farner, Snorre, Richard Kronland-Martinet, Thierry Voinier, and Sølvi Ystad. "Timbre Variations as an Attribute of Naturalness in Clarinet Play." In Computer Music Modeling and Retrieval. Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11751069_4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

"Variations for a Harp and a Feather." In Field Guide to the Lost Flower of Crete. McGill-Queen's University Press, 2021. http://dx.doi.org/10.1515/9780228007760-071.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Wright, Simon. "A Brazilian In Paris: The Synthesis (1923-1929)." In Villa-Lobos. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780193154766.003.0003.

Full text

Abstract:

Abstract Villa-Lobos’s Nonet is one of the most extraordinary pieces of chamber music ever written. Its scoring, founded on ideas from the Sexteto mistico and the Quarteto simb6lico, pushes the definition of ‘chamber’ to absurd limits: flute/piccolo, oboe, clarinet, saxophone, bassoon, celesta, harp, piano, a large percussion section using 18 instruments and requiring at least two players, and a mixed chorus dividing into, at most, 12 parts. All the disparate strands which lay together in the Canfiies tipicas were, in the Nonet, at last reconciled.

APA, Harvard, Vancouver, ISO, and other styles

5

Romero, Raul R. "Authenticity and Musical Ensembles." In Debating the Past. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195138818.003.0004.

Full text

Abstract:

Abstract The relationship between the assimilation of the clarinet and the saxophone and the impact of modernity in the lives of the people of the Mantaro Valley can be noticed in the many legends about how the saxophone was introduced in the valley. The following story was told to me in 1985 by the widow of Teodoro Rojas Chucas, a well-known musician from the valley. This narrative tells about a North American man who accidentally hit a child with his car. He was carrying a saxophone with its case and wanted to sell it to pay for the damages. Then Teodoro Chucas, who happened to be nearby, bo

APA, Harvard, Vancouver, ISO, and other styles

6

Tarapata-Bilchenko, Lidiya. "MUSICAL DEDICATIONS TO STANISLAV LYUDKEVYCH: DIALOGUE OF PERSONALITIES IN THE SPACE OF CULTURE." In Modern approaches to cultural space and historical knowledge (1st ed.). Primedia eLaunch LLC, 2021. http://dx.doi.org/10.36074/matcsahk.ed-1.05.

Full text

Abstract:

The concept of «musical dedication» as a mean of actualization of the dialogic nature of culture is considered. Musical compositions-dedications to the outstanding Ukrainian composer Stanislav Lyudkevych by the modern Ukrainian composers Valery Kikta, Yevhen Stankovych and Bohdana Filts are interpreted as a dialogue of artists in the space-time of culture. «Romantic Variations on S. Lyudkevych Theme» for harp (1979); «Choral Prelude in Memory of S. Lyudkevych» for male choir on folk texts (1979) by V. Kikta; «Elegy in Memory of S. Lyudkevych» for string orchestra (1979) by E. Stankovych; the v

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!