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Books on the topic 'Vasari, Giorgio'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Baldini, Umberto. Giorgio Vasari: Pittore. Firenze: Edizioni d'arte Il fiorino, 1994.

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2

Pasini, Pier Giorgio. Giorgio Vasari a Scolca. Rimini: Ramberti arti grafiche, 1998.

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3

Le dimore di Giorgio Vasari. New York: Peter Lang, 2010.

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4

Satkowski, Leon George. Giorgio Vasari: Architect and courtier. Princeton, N.J: Princeton University Press, 1993.

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5

The homes of Giorgio Vasari. New York: P. Lang, 2005.

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6

Enrico, Mattioda, ed. Giorgio Vasari storico e critico. [Firenze]: L.S. Olschki, 2006.

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7

Cheney, Liana. The homes of Giorgio Vasari. Frankfurt am Main: P. Lang, 2006.

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8

Cheney, Liana. Le dimore di Giorgio Vasari. New York: Peter Lang, 2010.

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9

Giorgio Vasari: Art and history. New Haven: Yale University Press, 1995.

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10

Mollé, Roland Le. Giorgio Vasari: L'homme des Médicis. Paris: B. Grasset, 1995.

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11

Pitti, Palazzo, ed. Giorgio Vasari e l'Allegoria della Pazienza. Livorno: Sillabe, 2013.

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12

Giorgio Vasari: Artistic and emblematic manifestations. Washington, DC: New Academia Pub., 2012.

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13

Giorgio Vasari: Luoghi e tempi delle Vite. Milano: Officina libraria, 2013.

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14

Conte, Floriana. Riflettendo su Giorgio Vasari, artista e storico. Arezzo: Accademia Petrarca di lettere, arti e scienze, 2012.

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15

(Sweden), Nationalmuseum, ed. Italian drawings from the collection of Giorgio Vasari. Stockholm: Nationalmuseum, 2001.

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16

Giorgio Vasari (1511-1574) ou L'art de parvenir. Paris: Kimé, 2002.

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17

Giorgio Vasari: Der Erfinder der Renaissance : eine Biographie. München: C.H. Beck, 2011.

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18

Salem, Jean. Giorgio Vasari, 1511-1574, ou, L'art de parvenir. Paris: Éditions Kimé, 2002.

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19

Panichi, Roberto. La tecnica dell'arte negli scritti di Giorgio Vasari. Firenze: Alinea, 1991.

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20

Giorgio, Vasari. La tecnica dell'arte negli scritti di Giorgio Vasari. Firenze: Alinea, 1991.

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21

Giorgio, Vasari. Le opere di Giorgio Vasari in Arezzo e provincia. Milano: Skira, 2011.

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22

Ginzburg Carignani, Silvia, 1962- editor, ed. Giorgio Vasari e il cantiere delle Vite del 1550. Venezia: Marsilio, 2013.

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23

Liletta, Fornasari, ed. Le opere di Giorgio Vasari in Arezzo e provincia. Milano: Skira, 2011.

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24

Giorgio Vasari tra capitale medicea e città del dominio. Firenze: Edifir, 2012.

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25

Caliandro, Stéfania. Le Libro de'disegni de Giorgio Vasari: Un métatexte visuel. Limoges, France: PULIM, Université de Limoges, 1999.

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26

Montijano, Juan. Giorgio Vasari y la formulación de un vocabulario artístico. [Málaga]: Universidad de Málaga, 2002.

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27

Cardisco, Marco. Marco Cardisco, Giorgio Vasari: Pittura, umanesimo religioso, immagini di culto. [Napoli]: Arte'm, 2009.

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28

Alessandro, Cecchi, Baroni Vannucci Alessandra, Fornasari Liletta, and Galleria comunale d'arte moderna e contemporanea (Arezzo, Italy), eds. Giorgio Vasari, disegnatore e pittore: "istudio, diligenza et amorevole fatica". Milano: Skira, 2011.

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29

1511-1574, Vasari Giorgio, ed. Verona e gli artisti veronesi nelle "Vite" di Giorgio Vasari. Milano: LED, Edizioni universitarie di lettere economia diritto, 2012.

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30

Cable, Carole. Giorgio Vasari, architect: A selected bibliography of books and articles. Monticello, Ill: Vance Bibliographies, 1985.

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31

Victims & villains in Vasari's lives. Chapel Hill: University of North Carolina Press, 2008.

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32

The delight of art: Giorgio Vasari and the traditions of humanist discourse. University Park, Pa: Pennsylvania State University Press, 2009.

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33

Giorgio Vasari's prefaces: Art and theory. New York: Peter Lang Publishing, 2012.

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34

Matracchi, Pietro. Giorgio Vasari e altri autori nella fabbrica di Santa Maria Nuova a Cortona. Cortona [Italy]: Calosci, 1998.

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35

Roggenkamp, Bernd. Die Töchter des "Disegno": Zur Kanonisierung der drei Bildenden Künste durch Giorgio Vasari. Münster: Lit, 1996.

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36

1507-1573, Vignola, and Bassi Elena, eds. Trattati: Con l'aggiunta degli scritti di architettura di Alvise Cornaro, Francesco Giorgi, Claudio Tolomei, Giangiorgio Trissino, Giorgio Vasari. Milano: Il Polifilo, 1985.

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37

Why Mona Lisa smiles and other tales by Vasari. University Park, Pa: Pennsylvania State University Press, 1991.

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38

Giorgio, Vasari. Raccolto fatto dal Cavre. Giorgio Vasari di varii instrumenti per misurare con la vista. Firenze: Giunti, 1996.

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39

Philippe, Morel, ed. Giorgio Vasari: La fabrique de l'allégorie : culture et fonction de la personnification au Cinquecento. Firenze: Leo S. Olschki, 2011.

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40

Vestiti di carta: Le Vite di Giorgio Vasari e lo Schilder-boeck di Karel van Mander. Roma: Bagatto libri, 2004.

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41

Giorgio, Vasari. Las vidas de los más excelentes pintores, escultores y arquitectos, escritas por Giorgio Vasari, pintor aretino: Selección. México, D.F: Universidad Nacional Autónoma de México, 1996.

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42

Paolo Antonio del Bivi e il suo tempo: Un musicista aretino contemporaneo di Giorgio Vasari, Arezzo, 1508-1584. Terranuova Bracciolini (Arezzo): Settore8, 2011.

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43

Sicilia, Galleria regionale della, ed. Giorgio Vasari a Palazzo Abatellis: Percorsi del Rinascimento in Sicilia : catalogo della mostra, Palazzo Abatellis, 30 novembre-31 dicembre 2011. Palermo: Caracol, 2011.

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44

Giulia, Aurigemma Maria, ed. Giorgio Vasari tra parola e immagine: Atti delle giornate di studio Firenze, Palazzo Vecchio, 20 novembre 2010 : Roma, Palazzo Carpegna--Palazzo Firenze, 5 dicembre 2011. Roma: Aracne editrice, 2014.

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45

Terry-Fritsch, Allie. Somaesthetic Experience and the Viewer in Medicean Florence. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463722216.

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Abstract:

Viewers in the Middle Ages and Renaissance were encouraged to forge connections between their physical and affective states when they experienced works of art. They believed that their bodies served a critical function in coming to know and make sense of the world around them, and intimately engaged themselves with works of art and architecture on a daily basis. This book examines how viewers in Medicean Florence were self-consciously cultivated to enhance their sensory appreciation of works of art and creatively self-fashion through somaesthetics. Mobilized as a technology for the production of knowledge with and through their bodies, viewers contributed to the essential meaning of Renaissance art and, in the process, bound themselves to others. By investigating the framework and practice of somaesthetic experience of works by Benozzo Gozzoli, Donatello, Benedetto Buglioni, Giorgio Vasari, and others in fifteenth- and sixteenth century Florence, the book approaches the viewer as a powerful tool that was used by patrons to shape identity and power in the Renaissance.

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46

Vasari, Giorgio. Die Anfänge der Maniera moderna: Giorgio Vasaris Viten : Proemio, Leonardo, Giorgione, Correggio. Hildesheim: G. Olms, 2001.

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47

Bjurström, Per. Renässansteckningar från Florens: Ur Giorgio Vasaris samling. Stockholm: Nationalmuseum, 2001.

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48

Pontormo, Bronzino, Allori: A genealogy of Florentine art. New Haven [Conn.]: Yale University Press, 2001.

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49

Christadler, Maike. Kreativität und Geschlecht: Giorgio Vasaris "Vite" und Sofonisba Anguissolas Selbst-Bilder. Berlin: Reimer, 2000.

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50

Die Renaissance der Architekten: Profession und Souveränität des Baukünstlers in Giorgi Vasaris Viten. Berlin: Gebr. Mann, 2008.

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