Relevant bibliographies by topics / Vase-painting, Greek. Vases, Greek. Vases, Etruscan / Dissertations / Theses
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Dissertations / Theses on the topic 'Vase-painting, Greek. Vases, Greek. Vases, Etruscan'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Consult the top 19 dissertations / theses for your research on the topic 'Vase-painting, Greek. Vases, Greek. Vases, Etruscan.'

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1

Sini, Efthalia-Thalia. "Studies in the choice and iconography of everyday scenes on fourth-century Athenian vases." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670241.

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2

Benson, Lisa Virginia. "Hermonax : an early classical vase-painter /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9962504.

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3

Gerleigner, Georg Simon. "Writing on archaic Athenian pottery : studies on the relationship between images and inscriptions on Greek vases." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610545.

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4

Xu, Jialin. "Techniques of red-figure vase-painting in late sixth- and early fifth-century Athens." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670015.

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5

Tosto, Vincent Boele Vincent. "The black-figure pottery signed [Nikosthenesepoiesen]." Amsterdam : A. Pierson Museum, 1999. http://catalogue.bnf.fr/ark:/12148/cb40094984n.

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6

Zardini, Francesca. "The myth of Herakles and Kyknos : a study in Greek vase-painting and literature /." Verona : Fiorini, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9788887082937.

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7

Martens, Didier. "Une esthétique de la transgression: le vase grec, de la fin de l'époque géométrique au début de l'époque classique." Doctoral thesis, Universite Libre de Bruxelles, 1990. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/213114.

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8

Walker, Lauren L. "Boiotian black figure floral ware : a re-analysis of the Southern style with an introduction to floral groups from Halíartos." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85212.

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Black Figure Floral Ware is an understudied style of pottery which was produced in Boiotia and the nearby regions of Euboia and Phokis during the fifth and fourth centuries B.C.E. Floral Style vases are painted with compositions formed predominantly of palmettes and lotuses rendered in black gloss without the incised details which are typically associated with Black Figure pottery. The corpus of Boiotian Floral Ware is divided into two sub-styles: the Northern Style and the Southern Style. The Northern Style is thought to have been produced in the area North and West of the Kopais while
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9

Moodie, Meg R. "Drawing the divide : the nature of Athenian identity as reflected in the depiction of the „other‟ in Attic red-figure vase painting in the fifth century BCE." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80201.

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Thesis (MPhil)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: During the fifth century BCE there were three defining periods in Athenian history that challenged its society: the Persian Wars (490 – 479 BCE); Periclean Athens (mid-fifth century); and the Peloponnesian War (431 – 404 BCE). As the development of identity is a reactionary process, these three periods had a profound effect on the Athenian identity and led to the redefinition of this self-image along the primordialist models. Two premises are combined in this study. Firstly that comparisons to contrary ethnicities are vital to
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10

Toillon, Valérie. "Corps et âme en mouvement. Expression et signification du mouvement dans la peinture de vases en Grèce ancienne (Ve s. av. J.-C.). Ivresse, possession divine et mort." Thesis, Besançon, 2014. http://www.theses.fr/2014BESA1009/document.

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Cette thèse se propose d’étudier l’expression du mouvement dans la peinture grecque ancienne, ici la peinture de vases, source très riche concernant l’univers visuel des Grecs de l’antiquité, et plus particulièrement le lien qui unit les émotions aux mouvements corporels. Les théories anciennes à propos de la représentation figurée sont unanimes : l’objet de la peinture est l’être humain et le peintre, dès les mythes qui relatent la création de la peinture et plus généralement des arts plastiques (sculpture et modelage), se doit de représenter le vivant sous tous ses aspects, extérieur comme i
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11

Söldner, Magdalene. "Bios eudaimon : zur Ikonographie des Menschen in der rotfigurigen Vasenmalerei Unteritaliens : die Bilder aus Lukanien." [Möhnesee] Bibliopolis, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=015671623&linen̲umber=0002&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.

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12

Oulié, Elena. "L'aspective sur la céramique attique du VIIIème siècle av.J.-C au premier quart du VIème siècle avant J.-C." Thesis, Toulouse 2, 2018. http://www.theses.fr/2018TOU20035.

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Dans le cadre du programme de renouvellement des approches en histoire de l’art grec mis en place dans l’équipe de recherche PLH-CRATA, je me suis engagée dans une thèse sur « L’aspective sur la céramique attique du VIIIe siècle av. J.-C. au premier quart du VIe siècle avant J.-C. ».Ce concept, élaboré par les égyptologues, désigne une construction de l’image qui n’est pas régis par le procédé de la perspective. Les différentes techniques de représentation en perspective ont toutes pour buts de représenter la vue d’objets en trois dimensions sur une surface donnée, en tenant compte des effets
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13

Ryan, Adrian John. "Computer aided techniques for the attribution of Attic black-figure vase-paintings using the Princeton painter as a model." Thesis, 2009. http://hdl.handle.net/10413/458.

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14

Olsson, Viveca. "The Lenaia vases revisited : image, ritual and Dionysian women /." 2006. http://www.loc.gov/catdir/toc/fy0712/2006502425.html.

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15

Jordan, Jeanne Aline. "Attic black-figured eye-cups." 1988. http://books.google.com/books?id=h4fWAAAAMAAJ.

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16

Neer, Richard Theodore. "Pampoikilos representation, style, and ideology in Attic red-figure /." 1998. http://books.google.com/books?id=XIzWAAAAMAAJ.

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Thesis (Ph. D.)--University of California, Berkeley, May 1998.<br>"Spring 1998." "UMI Number: 9902178"--Prelim. p. "Printed in 2005 by digital xerographic process on acid free paper"--P. after T.p. Includes bibliographical references (p. 273-295).
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17

Kim, SeungJung. "Concepts of Time and Temporality in the Visual Tradition of Late Archaic and Classical Greece." Thesis, 2014. https://doi.org/10.7916/D8VT1QQJ.

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This dissertation presents, for the first time, a freestanding account of notions of time and temporality as seen in the visual arts of the late Archaic and Classical Greece and contextualizes it within the larger cultural history of time. There is a growing consensus among scholars regarding a societal shift in fifth-century Greek attitudes towards time, from the authority of the past to the uncertainties and the immediacy of the present. This dissertation explores such changing notions of time in the visual tradition in four different ways: firstly through the personification of the key noti
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18

Wolmarans, Kristien. "Beauty and the eye of the beholder : female adornment in the wedding scenes on attic vases." Thesis, 2012. http://hdl.handle.net/10210/8151.

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M.A.<br>During the second half of the fifth-century B.C. there was a sudden proliferation of Attic vases depicting adornment scenes. These scenes showed groups of women making themselves desirable and for the first time women were eroticised within the context of marriage. Some scholars have argued that this sudden abundance reflected a change in the Attic attitude towards women, reflecting their increased social standing. These scholars proposed various hypotheses. It is conjectured that Perikles' Citizenship Law of 451/450 increased the social standing of Athenian daughters. The Peloponnesia
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19

Toillon, Valérie I. "Corps et âme en mouvement. Expression et signification du mouvement dans la peinture de vases en Grèce ancienne (VIe-IVe s. av. J.-C.). Ivresse, possession divine et mort." Thèse, 2014. http://hdl.handle.net/1866/11412.

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