Relevant bibliographies by topics / Vase paintings

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Vase paintings'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Vase paintings"

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Bazant, Jan. "Cultural memory and recollections in Athenian vase paintings." Letras Clássicas, no. 8 (November 1, 2004): 11. http://dx.doi.org/10.11606/issn.2358-3150.v0i8p11-26.

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<p><span>In this paper, I deal with the traditional division between myth and reality on ancient Athenian vases. I ask what happened in the late 6th century BC Athens that made classical archaeologists think that vase painters and their customers started to be interested in reality. There is no doubt that in the century or so around 500 BC iconography of Athenian vase underwent a radical change, but my point is that this makeover was misinterpreted. There was a revolution in storytelling, but the entirely new stories with which Athenian vase painters started to amuse their patrons
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Hedreen, G. "““I Let Go My Force Just Touching Her Hair””: Male Sexuality in Athenian Vase-Paintings of Silens and Iambic Poetry." Classical Antiquity 25, no. 2 (2006): 277–325. http://dx.doi.org/10.1525/ca.2006.25.2.277.

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Abstract In Archaic Athenian vase-painting, silens (satyrs) are often sexually aroused, but only sporadically satisfy their desires in a manner acceptable to most Athenian men. Franççois Lissarrague persuasively argued that the sexuality of silens in vase-painting was probably laughable rather than awe-inspiring. What sort of laughter did the vase-paintings elicit? Was it the scornful laughter of a person who felt nothing in common with silens, or the laughter of one made to see something of himself in their behavior? For three reasons, I argue for the latter interpretation. First, some vase-p
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March, Jennifer R. "EURIPIDES' BAKCHAI: A RECONSIDERATION IN THE LIGHT OF VASE-PAINTINGS." Bulletin of the Institute of Classical Studies 36, no. 1 (1989): 33–65. http://dx.doi.org/10.1111/j.2041-5370.1989.tb00561.x.

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Кузнецова, І. О., О. В. Лільчицький та М. О. Привалов. "Специфіка відображення теми спорту в творах античного мистецтва". Art and Design, № 4 (15 лютого 2021): 136–48. http://dx.doi.org/10.30857/2617-0272.2020.4.11.

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Aim of work is to identify sport reflection features in ancient art. The paper uses methods of systematization and updating of analytical information about the peculiarities of the reflection of elements related to sports in the styles of the ancient world. The accumulation, systematization and implementation of information is carried out by studying the specialized professional literature and sites depicting the reflection of elements related to sports in ancient art. The main reflections of sports life in ancient art are identified and characterized. There is a description of ancient art tha
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Olson, Douglas, and Oliver Taplin. "Comic Angels and Other Approaches to Greek Drama through Vase-Paintings." Classical World 88, no. 1 (1994): 64. http://dx.doi.org/10.2307/4351629.

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Taplin, Oliver. "A disguised Pentheus hiding in the British Museum?" Letras Clássicas, no. 8 (November 1, 2004): 27. http://dx.doi.org/10.11606/issn.2358-3150.v0i8p27-35.

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During the last twenty-five years, two opposing trends have dominated over the debate about the relationship between mythological narratives in vase-painting and those in tragedy. On the one hand, there are those who regard the paintings as dependent upon works of literature; on the other hand, there are those who argue that the artistic tradition is fully self-explanatory with no need of any reference to any literature. This paper analyzes some cases, in which the whole phenomenon seems to be more complex, and to be inextricable from the part played both by painted pottery and by the theatre
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Laferrière, Carolyn M. "Dancing with Greek Vases." Greek and Roman Musical Studies 9, no. 1 (2021): 85–114. http://dx.doi.org/10.1163/22129758-12341378.

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Abstract As gods dance, women twirl in choruses, and men leap in kōmos revels on Athenian red-figure vases, their animate bodies must be made to conform to the rounded shape of the vessels. Occasionally, these vases are even included in the images themselves, particularly within the kōmos revel, where the participants incorporate vessels into their dance as props, markers of space, and tools to engage new dance partners. Positioning these scenes within their potential sympotic context, I analyze the vases held by the dancers according to the ancient viewer’s own possible use of these physical
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Marra, Kim, and Barbara Clayton. "Phallocracy and Phallic Caricature: Re-Viewing the Iconography of Greek Comedy." Theatre Survey 34, no. 1 (1993): 5–21. http://dx.doi.org/10.1017/s0040557400009728.

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The characteristic costume of Greek comic actors has been widely represented iconographically in statuettes and vase paintings from the fifth and fourth centuries B.C. Theatre historians instantly recognize the grotesquely distorted expressions on the masks, the rotund shapes formed by ill-concealed padding, and, most distinctively, the comic phallus. A “dangling leather symbol… red at the tip, swollen,” the comic phallus, of course, represents male genitalia.
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Fara, P. "The Royal Society's portrait of Joseph Banks." Notes and Records of the Royal Society of London 51, no. 2 (1997): 199–210. http://dx.doi.org/10.1098/rsnr.1997.0017.

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The year before he died, although disingenuously insisting that ‘I do not feel as if Vanity was a Prominent trée in my character’, Joseph Banks vituperatively rejected the ‘intended Brittle Compliment’ of a commemorative Sévres vase because he disapproved of its proposed illustrations. Just as Banks policed Enlightenment visions of the lands he had explored and the specimens he had collected, so too he carefully monitored the images of himself that became available for public consumption. Recognizing the propagandizing power of visual representations, during his long reign as President of the
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Lowenstam, Steven. "The Arming of Achilleus on Early Greek Vases." Classical Antiquity 12, no. 2 (1993): 199–218. http://dx.doi.org/10.2307/25010994.

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This article is a critique of Friis Johansen's thesis that twelve Greek vases painted between 570 and 550 B.C. depict a first arming in Phthia. Details that Friis Johansen considered representative of domestic settings are shown to appear in other contexts too. Friis Johansen, who based much of his argument on a plate by Lydos depicting Achilleus, Thetis, Peleus, and Neoptolemos, problematically assumed that all the other early vases portraying Achilleus's arming must represent the same scene in Phthia. The appearance of Neoptolemos on Lydos's plate, however, shows that it is a "heroized genre
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Dissertations / Theses on the topic "Vase paintings"

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Sakka, Louisa. "THE POWER OF MUSIC : A comparative study of literature and vase paintings from Classical Athens." Thesis, Uppsala University, Department of Archaeology and Ancient History, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-120184.

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<p>This paper deals with ancient Greek music, and in particular the relation of people to music during the fifth century BC in Athens. Music is believed to exercise great power over the human character and behavior, and at the same time is a means of emotional communication. For the first time during the fifth century, the power of music leaves the realm of the myths and becomes a subject of philosophical investigation. Two different types of sources are examined in order to study the relation of people to music: on the one hand the literary sources of this period,  and on the other the vase p
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Foukara, Lavinia. "All in the family : the Apollonian triad in Attic art of the sixth and fifth centuries BC." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/15916.

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This dissertation examines the iconographical motif of the Apollonian triad in Attic art of the sixth and fifth centuries BC. Attic vase paintings constitute the chief evidence for this study, but other evidence, such as inscriptions, literary sources, sculptures and coins is considered, as well. My thesis focus on scenes without a clear mythological context, where the triad appears alone or accompanied by other, mostly, divine figures, and on what messages or information these images of the Apollonian triad convey. This study contributes to the ongoing discussion of the iconography and iconol
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Benson, Lisa Virginia. "Hermonax : an early classical vase-painter /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9962504.

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Tosto, Vincent Boele Vincent. "The black-figure pottery signed [Nikosthenesepoiesen]." Amsterdam : A. Pierson Museum, 1999. http://catalogue.bnf.fr/ark:/12148/cb40094984n.

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Martens, Didier. "Une esthétique de la transgression: le vase grec, de la fin de l'époque géométrique au début de l'époque classique." Doctoral thesis, Universite Libre de Bruxelles, 1990. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/213114.

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Xu, Jialin. "Techniques of red-figure vase-painting in late sixth- and early fifth-century Athens." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670015.

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Gerleigner, Georg Simon. "Writing on archaic Athenian pottery : studies on the relationship between images and inscriptions on Greek vases." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610545.

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Hoyt, Sue Allen. "Masters, pupils and multiple images in Greek red-figure vase painting." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1150472109.

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Wachter, Rudolf. "Non-Attic Greek vase inscriptions : a philological study." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670296.

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EGAN, EMILY CATHERINE. "The Stylistic Relationship Between Wall Painting and Vase Painting at the Palace at Knossos During the Neo- and Final Palatial Periods." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1213729817.

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Books on the topic "Vase paintings"

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Comic angels: And other approaches to Greek drama through vase-paintings. Clarendon Press, 1994.

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Taplin, Oliver. Comic angels: And other approaches to Greek drama through vase-paintings. Clarendon Press, 1992.

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Horse, bird & man: The origins of Greek paintings. UMI, 1987.

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A, Amyx Darrell. Studies in Archaic Corinthian vase painting. American School of Classical Studies at Athens, 1996.

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Attische Kelchkratere: Eine Untersuchung zum Zusammenspiel von Gefässform und Bemalung. P. Lang, 1990.

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Amyx, Darrell A. Corinthian vase-painting of the Archaic period. University of California Press, 1988.

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Amyx, Darrell A. Corinthian vase-painting of the Archaic period. University of California Press, 1986.

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Amyx, Darrell A. Corinthian vase-painting of the Archaic period. University of California Press, 1986.

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Amyx, Darrell A. Corinthian vase-painting of the Archaic period. University of California Press, 1988.

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Amyx, Darrell A. Corinthian vase-painting of the Archaic period. University of California Press, 1986.

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Book chapters on the topic "Vase paintings"

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Revermann, Martin. "Situating the Gaze of the Recipient(s): Theatre-Related Vase Paintings and their Contexts of Reception." In Beyond the Fifth Century, edited by Ingo Gildenhard and Martin Revermann. De Gruyter, 2010. http://dx.doi.org/10.1515/9783110223781.69.

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"CATALOGUE 1: VASE PAINTINGS." In Hiera kala. BRILL, 1995. http://dx.doi.org/10.1163/9789004283459_007.

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"A brief survey of methodologies for the interpretation of paintings on Athenian vases." In Composition in Athenian Black-Figure Vase-Painting. Peeters Publishers, 2021. http://dx.doi.org/10.2307/j.ctv1q26xv1.6.

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"Odilon Redon, The Green Vase, ca. 1900." In French Paintings and Pastels, 1600-1945: The Collections of the Nelson-Atkins Museum of Art. The Nelson-Atkins Museum of Art, 2021. http://dx.doi.org/10.37764/78973.5.720.

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"Odilon Redon, Vase of Flowers, ca. 1912." In French Paintings and Pastels, 1600-1945: The Collections of the Nelson-Atkins Museum of Art. The Nelson-Atkins Museum of Art, 2021. http://dx.doi.org/10.37764/78973.5.722.

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Fehr, Burkhard. "Inscribed Mythical Names on Attic Vase-Paintings from 570 to 530 BC:." In Epigraphy of Art. Archaeopress Publishing Ltd, 2016. http://dx.doi.org/10.2307/j.ctvxw3njw.10.

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"Edouard Manet, White Lilacs in a Crystal Vase, ca. 1882." In French Paintings and Pastels, 1600-1945: The Collections of the Nelson-Atkins Museum of Art. The Nelson-Atkins Museum of Art, 2021. http://dx.doi.org/10.37764/78973.5.526.

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Vlachopoulos, Andreas G. "From Vase Painting to Wall Painting:." In Amilla. INSTAP Academic Press (Institute for Aegean Prehistory), 2013. http://dx.doi.org/10.2307/j.ctt5vj90s.13.

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Curbera, Jaime. "An Essay on Satyr Names." In Changing Names. British Academy, 2019. http://dx.doi.org/10.5871/bacad/9780197266540.003.0005.

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The skilful and imaginative vase paintings of satyrs make us forget that they originated in a real spectacle. In this essay, I propose to consider satyr names as the names of actual revellers and mummers, rather than as an invention by the painters or as names of daemons, viz. as fragments of an infinitely richer world. This perspective has wider ramifications than merely shedding light on the society in which these spectacles took place and on the technical language of the Bacchic parade. It can contribute to our understanding of, for example, why in the course of Greek history descriptive names were progressively relegated to nicknames. It highlights the role of metonymy in colloquial Greek and the influence of the parade of satyrs in naming practices. And it helps to explain the sense and meaning of several Greek words and names. Part I deals with some general questions on this phenomenon. Part II discusses the meanings of 40 difficult or remarkable satyr names and deals with more specific questions, such as the use of masks and soot, and coarse names.
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"4. Reperformances and Vase-painting." In Reperforming Greek Tragedy. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110561166-005.

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Conference papers on the topic "Vase paintings"

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Dimarogonas, Andrew D. "Mechanisms of the Ancient Greek Theater." In ASME 1992 Design Technical Conferences. American Society of Mechanical Engineers, 1992. http://dx.doi.org/10.1115/detc1992-0301.

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Abstract The word Mechanism is a derivative of the Greek word mechane (which meant machine, more precisely, machine element) meaning an assemblage of machines. While it was used for the first time by Homer in the Iliad to describe the political manipulation, it was used with its modern meaning first in Aeschylos times to describe the stage machine used to bring the gods or the heroes of the tragedy on stage, known with the Latin term Deus ex machina. At the same time, the word mechanopoios, meaning the machine maker or engineer, was introduced for the man who designed, built and operated the m
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Li, Yifei, Yang Zhang, and Xin Yuan. "Effects of Inlet Swirl on Pressure Side Film Cooling of Neighboring Vane Surface." In ASME Turbo Expo 2016: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/gt2016-57527.

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The test cascades are based on the profile of General Electric Energy Efficient Engine (GE-E3) with the inlet Mach number of 0.1 and Reynolds number of 1.48×105. The scale ratio of the test vanes is 1.95 and the film cooling effectiveness is tested with Pressure Sensitive Painting (PSP) technology. Nitrogen is used to simulate the coolant which can provide a density ratio near to 1.0. The two adjacent passages are investigated simultaneously by which the film cooling effectiveness can be compared in the same case with pressure side and suction side respectively. The rotating flow is simulated
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Zhang, Yang, and Xin Yuan. "Endwall Film Cooling Using the Staggered Combustor-Turbine Gap Leakage Flow." In ASME Turbo Expo 2014: Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/gt2014-26771.

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A key technology of gas turbine performance improvement was the increase in the turbine inlet temperature, which brought high thermal loads to the Nozzle Guide Vane (NGV) components. Strong pressure gradients in the NGVs and the complex secondary flow field had made thermal protection more challenging. As for the endwall surface near the pressure side gill region, the relatively higher local pressure and cross flow apparently decreased the film-cooling effectiveness. The aim of this investigation was to evaluate a new design, improving the film-cooling performance in a cooling blind area with
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Zhang, Yang, and Xin Yuan. "Turbine Endwall Film Cooling With Pressure Side Radial Holes." In ASME Turbo Expo 2013: Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/gt2013-95273.

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A key technology of gas turbine performance improvement was the increase in the turbine inlet temperature, which brought high thermal loads to the nozzle guide vane (NGV) components. Strong pressure gradients in the NGVs and the complex secondary flow field had made thermal protection more challenging. As for the endwall surface near the side gill pressure region, the relatively higher local pressure and cross flow apparently decreased the film-cooling effectiveness. The aim of this investigation was to evaluate a new design, improving the film-cooling performance in a cooling blind area with
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Zhang, Yang, Yifei Li, and Xin Yuan. "Effects of Inlet Swirl on Suction Side Phantom Cooling." In ASME Turbo Expo 2016: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/gt2016-57553.

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Though the temperature of the coolant injected from the endwall increases after the mixing process in the main flow, the injections moving from the endwall to the airfoil suction side still have the potential of second order cooling. This part of the coolant is called “Phantom cooling” in the paper. This paper is focused on the function of the coolant from fan-shaped holes on endwall surface which brought by passage vortex to the airfoil suction side. The test cascades are based on the profile of General Electric Energy Efficient Engine (GE-E3), with the inlet Mach number of 0.1 and Reynolds n
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Zhang, Yang, and Xin Yuan. "Experimental Investigation of Nonperiodic Endwall Film Cooling in Neighboring Passages With Upstream Rotating Flow." In ASME Turbo Expo 2014: Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/gt2014-26824.

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The distribution of film-cooling holes is considered to be the same between neighbouring high pressure turbine passages in most cascade experiments. Because of the difference in accounts of combustors and vanes, however, the flow fields of neighbouring passages are completely different. The secondary flow, especially the passage vortex, is dominated by the upstream inlet rotating flow whose relative flow direction is the reverse between the neighbouring vane passages. Specific rotating directions introduce new challenges in film-cooling design. The present experiment compares three groups of e
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