Academic literature on the topic 'Vaslav Nijinsky'
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Journal articles on the topic "Vaslav Nijinsky"
Martin, Kathryn. "The Spirit of Vaslav Nijinsky." Journal of Illustration 7, no. 1 (August 1, 2020): 129–45. http://dx.doi.org/10.1386/jill_00028_1.
Full textLaginaf, Masara. "Vaslav Nijinsky (1889–1950)." British Journal of Psychiatry 204, no. 3 (March 2014): 221. http://dx.doi.org/10.1192/bjp.bp.112.123455.
Full textPhillips, Ian. "Vaslav Nijinsky: dancing with madness." Lancet 356, no. 9248 (December 2000): 2201. http://dx.doi.org/10.1016/s0140-6736(05)67282-0.
Full textSommerlad, A. "The Diary of Vaslav Nijinsky." BMJ 345, sep26 3 (September 26, 2012): e6495-e6495. http://dx.doi.org/10.1136/bmj.e6495.
Full textNijinsky, Vaslav, Joan Acocella, and Kyril FitzLyon. "The Diary of Vaslav Nijinsky." Missouri Review 21, no. 3 (1998): 109–34. http://dx.doi.org/10.1353/mis.1998.0012.
Full textArgyrides, Patty. "‘Choreopiscopally’: James Joyce's ‘Nausicaa’ and Vaslav Nijinsky's The Afternoon of a Faun." Modernist Cultures 17, no. 1 (February 2022): 27–53. http://dx.doi.org/10.3366/mod.2022.0358.
Full textCHESSICK, RICHARD D. "Vaslav Nijinsky: A Leap Into Madness." American Journal of Psychiatry 148, no. 12 (December 1991): 1740–41. http://dx.doi.org/10.1176/ajp.148.12.1740.
Full textCrisp, Clement, Joan Acocella, and Kyril Fitzlyon. "The Diary of Vaslav Nijinsky: Unexpurgated Edition." Dance Research: The Journal of the Society for Dance Research 18, no. 1 (2000): 112. http://dx.doi.org/10.2307/1291017.
Full textHorowitz, Katie. "Satyriasis: the pornographic afterlife of Vaslav Nijinsky." Porn Studies 3, no. 1 (December 16, 2015): 3–19. http://dx.doi.org/10.1080/23268743.2015.1108222.
Full textCrisp, Clement. "Joan Acocella (ed.), The Diary of Vaslav Nijinsky." Dance Research 18, no. 1 (April 2000): 112. http://dx.doi.org/10.3366/1291017.
Full textDissertations / Theses on the topic "Vaslav Nijinsky"
Pérez, Wilson Simón. "Modernismos en disputa la emergencia de la danza moderna bajo la tensión : |técnica y naturalismo en Loïe Fuller, Isadora Duncan y Vaslav Nijinsky." Tesis, Universidad de Chile, 2018. http://repositorio.uchile.cl/handle/2250/168356.
Full textEl presente trabajo de tesis busca abordar los tránsitos y tensiones claves del surgimiento del modernismo en danza, bajo la óptica de la tensión tecnológica (entendida como proceso de modernización) y el naturalismo como visión contra-moderna. De esta forma las tensiones que se expresan en el punto de inflexión del cambio de siglo permean la constitución de una nueva forma de entender la disciplina de la danza. La emergencia de la danza moderna está antecedida por una serie de fenómenos que son los que interesa observar y discutir. ¿Cuáles son las condiciones de posibilidad que dan cuenta de la emergencia del modernismo en Danza? Colocando en el centro de la investigación las nociones de técnica, naturalismo, modernismo, y el cómo la obra y pensamiento en Vaslav Nijinsky, Isadora Duncan y LoÏe Fuller pueden dar cuento de ello.
Levine, Sarah. "The Birth of Tragedy out of the Spirit of Dance: Nietzschean Transitions in Nijinsky's Ballets." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/rs_theses/37.
Full textMoulinier, Ann-Gaël. "Journaux intimes de la folie : étude différentielle de l'écriture du sujet dans l'hystérie et la schizophrénie à partir des écrits de Mary Barnes et de Vaslav Nijinski." Phd thesis, Université Rennes 2, 2010. http://tel.archives-ouvertes.fr/tel-00506069.
Full textRoques, Suzanne. "La représentation de l'oeuvre paradigme artistique de l'enseignement de la danse : analyse comparé de quatre chorégraphies du Sacre du Printemps d'Igor Stravinsky : Vaslav Nijinsky(1913), Maurice Béjart(1959), Pina Bausch(1975), Martha Graham(1984)." Nice, 2003. http://www.theses.fr/2003NICE2007.
Full textSince its creation in 1913, Igor Stravinsky's Le Sacre du Printemps has inspired many choreographers, keen to express the soul of this powerful piece of music. The rite's metamorphose illustrate Man's deep desires. This precious heritage relates the major historical and aesthetic stages in contemporary dance. Four choreographies have been chosen to explain the genesis of the works in their cultural context. This analysis aims to reveal the representations of otherness by the means of the essential factors of the danced movement. The notions of creation and artistic education involve the construction of pluridisciplinary models upon which dance teaching is based
Benn, Sophie Luhman. "La Methode graphique: Dance, Notation, and Media, 1852-1912." Case Western Reserve University School of Graduate Studies / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=case1623408754116016.
Full textRaffinot, Louis. "L'image du geste dans les psychoses à partir de l'analyse psychanalytique des Cahiers de Vaslav Nijinski." Thesis, Université de Paris (2019-....), 2019. http://www.theses.fr/2019UNIP7044.
Full textThis thesis is organized around a reflection on the psychoanalytic scope of the notion of "gesture". We have envisioned it both through a metapsychological conception and in its clinical scope. The gesture, which we wanted to clearly differentiate from body movements, thus gives rise to a theoretical questioning of its relationship to the body, and to another clinic related to its incidence and usefulness in the clinic of psychoses. In theory, the gesture had to be organized around the problem of the body in order to sketch a conception of its functions and the metapsychological implications of its structure, ultimately allowing the differentiation between the gesture and its eventual manifestation through images — the image of the gesture. We questioned the practical and clinical significance of this conception of the gesture by the psychoanalytic analysis of a delirious text, the Diary of the choreographer-dancer Vaslav Nijinski, but also by the presentation of the case of a schizophrenic patient
Haitzinger, Nicole. "Games: Jeux. Sergei Tcherepnin trifft auf Vaslav Nijinsky: Zur künstlerischen Modellierung des Gegenwartsmenschen." 2017. https://slub.qucosa.de/id/qucosa%3A35588.
Full textBooks on the topic "Vaslav Nijinsky"
Nijinsky, Vaslav. The diary of Vaslav Nijinsky. Urbana: University of Illinois Press, 2006.
Find full textRoss, Acocella Joan, ed. The diary of Vaslav Nijinsky. New York: Farrar, Straus and Giroux, 1999.
Find full textOstwald, Peter F. Vaslav Nijinsky: A leap into madness. London: Robson Books, 2002.
Find full textOstwald, Peter F. Vaslav Nijinsky: A leap into madness. New York, NY: Carol Pub. Group, 1991.
Find full textThe queer afterlife of Vaslav Nijinsky. Stanford, Calif: Stanford University Press, 1997.
Find full textDancing genius: The stardom of Vaslav Nijinsky. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2014.
Find full textBook chapters on the topic "Vaslav Nijinsky"
"Nijinsky, Vaslav Fomich (1889–1950)." In Encyclopedia of Lesbian and Gay Histories and Cultures, 1057–66. Garland Science, 2003. http://dx.doi.org/10.4324/9780203487884-124.
Full textGarafola, Lynn. "Nijinska’s Apprenticeship." In La Nijinska, 1–30. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197603901.003.0001.
Full textBurt, Ramsay. "Alone into the World: Reflections on Solos from 1919 by Vaslav Nijinsky and Mary Wigman." In On Stage Alone, 31–52. University Press of Florida, 2012. http://dx.doi.org/10.5744/florida/9780813040257.003.0003.
Full textFranko, Mark. "The Critical Reception of Serge Lifar (1929–1939)." In The Fascist Turn in the Dance of Serge Lifar, 54–108. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197503324.003.0003.
Full text"Postmoderne Grenzräume und Endräume in der Gegenwartslyrik: Bewegungen ins Dazwischen und 337 ins Nichts in Frank Bidarts The War of Vaslav Nijinsky." In Raum und Bewegung in der Literatur, 355–70. transcript-Verlag, 2009. http://dx.doi.org/10.14361/9783839411360-017.
Full textDietrich, René. "Postmoderne Grenzräume und Endräume in der Gegenwartslyrik: Bewegungen ins Dazwischen und 337 ins Nichts in Frank Bidarts The War of Vaslav Nijinsky." In Raum und Bewegung in der Literatur, 355–70. transcript Verlag, 2009. http://dx.doi.org/10.1515/9783839411360-017.
Full text"Die Ballets Russes und die Tanzavantgarden um 1900: Zur medialen Repräsentation von Anna Pawlowa, Ida Rubinstein und Vaslav Nijinsky im Kontext der Körperästhetik des freien Tanzes." In Europäische Avantgarden um 1900, 279–303. Brill | Fink, 2021. http://dx.doi.org/10.30965/9783846770580_014.
Full textCadar, Ana Carolina. "Dancing Body and Artistic Creation." In Advances in Media, Entertainment, and the Arts, 136–59. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-4261-3.ch007.
Full textAtkinson, Paul, and Michelle Duffy. "The Amplification of Affect: Tension, Intensity and Form in Modern Dance." In Modernism and Affect. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748693252.003.0006.
Full textRuprecht, Lucia. "Prologue." In Gestural Imaginaries, 1–22. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190659370.003.0001.
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