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Books on the topic 'Vaughan, Henry. Vaughan, Henry Vaughan'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Lohr, Martz Louis, ed. Henry Vaughan. Oxford [England]: Oxford University Press, 1995.

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2

Henry Vaughan. Bridgend, Mid Glamorgan, Wales: Seren, 1995.

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3

1621-1695, Vaughan Henry, and Martz Louis Lohr, eds. George Herbert and Henry Vaughan. Oxford: Oxford University Press, 1986.

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4

Henry Vaughan: Poet of revelation. Worthing, West Sussex: Churchman Pub., 1986.

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5

Thomas, Noel Kennedy. Henry Vaughan: Poet of revelation. Worthing, West Sussex: Churchman Pub., 1986.

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6

David, Young. Night thoughts and Henry Vaughan. Columbus: Ohio State University Press, 1994.

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7

White, Anthony G. Henry Vaughan, architect: A selected bibliography. Monticello, Ill: Vance Bibliographies, 1990.

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8

Alan, Rudrum, ed. The complete poems. London: Penguin Books, 1995.

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9

Hewitt, James E. The Apostle Peter, Henry Vaughan, and "Cock-crowing". Emporia, Kan: School of Graduate and Professional Studies of Emporia State University, 1989.

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10

Poetry of contemplation: John Donne, George Herbert, Henry Vaughan, and the modern period. Albany, NY: State University of New York Press, 1990.

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11

The rhetoric of the conscience in Donne, Herbert and Vaughan. Oxford: Oxford University Press, 2008.

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12

Willmott, Richard. Four metaphysical poets: An anthology of poetry by Donne, Herbert, Marvell and Vaughan. Cambridge: Cambridge University Press, 1985.

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13

Philip, West. Henry Vaughan's Silex scintillans: Scripture uses. Oxford: Oxford University Press, 2001.

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14

Phänomenologie mystischer Erfahrung in der religiösen Lyrik Englands im 17. Jahrhundert: Richard Crashaw, John Donne, George Herbert, Thomas Traherne, Herny [i.e. Henry] Vaughan, Ann Collins, Mary Mollineux und Gertrude More : Versuch einer interdisziplinären Hermeneutik erlebnismystischer Texte auf der Grundlage von Erkenntnissen der mystischen Theologie und der Bewusstseinspsychologie. Frankfurt am Main: Lang, 2003.

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15

Spurlin, Helen. Oxcarts through the Cumberland Gap: John Paul Vaught line, descendants of Henry Vaught. Diamond Springs, CA (P.O. Box 1377, Diamond Springs 95619): H. Spurlin, 1993.

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16

Kędra-Kaardela, Anna. The ascent of the soul: A study in the poetic persona of Henry Vaughan's Silex Scintillans. Lublin: Uniwersytet Marie Curie Skłodowskiei, 1992.

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17

Smith, Nigel. Henry Vaughan and Thomas Vaughan. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199560608.013.0022.

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18

Henry Vaughan: Selected poems. London: SPCK, 2004.

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19

Post, Jonathan F. S. Henry Vaughan: The Unfolding Vision. Princeton University Press, 2014.

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20

Post, Jonathan F. S. Henry Vaughan: The Unfolding Vision. Princeton University Press, 2019.

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21

Post, Jonathan F. S. Henry Vaughan: The Unfolding Vision. Princeton University Press, 2014.

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22

Hutchinson, F. E. Henry Vaughan: A Life and Interpretation. Kessinger Publishing, 2005.

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23

Davies, Stevie. Henry Vaughan (Border Lines (Bridgend, Wales).). Seren Books, 1996.

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24

Post, Jonathan F. S. Henry Vaughan: The Unfolding Vision (Princeton Legacy Library). Princeton University Press, 2014.

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25

Durr, Robert A. On the Mystical Poetry of Henry Vaughan. Harvard University Press, 2014.

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26

Cluysenaar, Ann. Henry Vaughan (Golden Age of Spiritual Writing). Society for Promoting Christian Knowledge, 2004.

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27

Photographer), Godfrey Harris (Illustrator, ed. Selection of the Poems of Henry Vaughan. Old Bakehouse Publications, 1995.

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28

Works of Henry Vaughan: Introduction and Texts 1646-1652; Texts 1654-1678, Letters, and Medical Marginalia; Commentaries and Bibliography. Oxford University Press, 2018.

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29

Waite, Arthur Edward. Thomas Vaughan and Henry More the Platonist - Pamphlet. Kessinger Publishing, LLC, 2006.

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30

Alan, Rudrum, ed. Essential articles for the study of Henry Vaughan. Hamden, Conn: Archon Books, 1987.

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31

Cefalu, Paul. Discipleship Misunderstanding and Johannine Irony in the Poetry of George Herbert and Henry Vaughan. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808718.003.0007.

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The sixth chapter takes a closer look at the influence of Johannine discipleship misunderstanding (particularly the Johannine rhetoric of dramatic irony) on the poetry of George Herbert and Henry Vaughan. Through close readings of Herbert’s “The Bag,” “The Bunch of Grapes,” and “Love unknown,” as well as Vaughan’s “The Night,” the chapter argues that both poets rely on Johannine-inspired dramatic irony in order to express some of the key features of Johannine devotion, especially a high Christology that glorifies rather than abases Jesus. In most cases, especially in Herbert’s poetry, dramatic irony leads not to instability or paradox but to a clarification and heightened understanding of some of the deepest mysteries of Johannine Christology.
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32

Vaughan, Henry, and H. F. Lyte. The Sacred Poems And Private Ejaculations Of Henry Vaughan. Kessinger Publishing, LLC, 2007.

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33

Vaughan, Henry, and H. F. Lyte. The Sacred Poems And Private Ejaculations Of Henry Vaughan. Kessinger Publishing, LLC, 2006.

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34

Vaughan, Henry. The Works of Henry Vaughan, Vol. 3: Commentaries and Bibliography. Edited by Donald R. Dickson, Alan Rudrum, and Robert Wilcher. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780198815327.book.1.

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35

Vaughan, Henry. The Works of Henry Vaughan, Vol. 1: Introduction and Texts 1642–1652. Edited by Donald R. Dickson, Alan Rudrum, and Robert Wilcher. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780198815303.book.1.

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36

1939-, Singh Brijraj, ed. Five seventeenth-century poets: Donne, Herbert, Crashaw, Marvell, Vaughan. Delhi [India]: Oxford University Press, 1992.

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37

Vaughan, Henry. The Works of Henry Vaughan, Vol. 2: Texts 1654–1678, Letters, and Medical Marginalia. Edited by Donald R. Dickson, Alan Rudrum, and Robert Wilcher. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780198815310.book.1.

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38

Alan, Rudrum, Dickson Donald R, and Nelson Holly Faith 1966-, eds. Of paradise and light: Essays on Henry Vaughan and John Milton in honor of Alan Rudrum. Newark: University of Delaware Press, 2004.

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39

(Editor), Donald R. Dickson, Holly Faith Nelson (Editor), and Alan Rudrum (Editor), eds. Of Paradise and Light: Essays on Henry Vaughan and John Milton in Honor of Alan Rudrum. University of Delaware Press, 2004.

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40

1572-1631, Donne John, and Wilmott Richard, eds. Four metaphysical poets: An anthology of poetry by Donne, Herbert, Marvell, and Vaughan. Cambridge [Cambridgeshire]: Cambridge University Press, 1985.

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41

Wilmott, Richard. Four Metaphysical Poets: An Anthology of Poetry by Donne, Herbert, Marvell, and Vaughan. Cambridge University Press, 1985.

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42

Wilmott, Richard. Four Metaphysical Poets: An Anthology of Poetry by Donne, Herbert, Marvell, and Vaughan. Cambridge University Press, 1985.

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43

Cefalu, Paul. Johannine Dualism, Antinomianism, and Early Modern English Radical Dissent. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808718.003.0006.

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Johannine theology exerts a wide influence on a broad group of antinomian writers and mid-seventeenth-century English separatists, including the Familists, Diggers, Quakers, and a range of English mystics and spiritual enthusiasts. This chapter looks closely at the embrace of the most dualistic and eschatological passages of the Fourth Gospel and First Epistle by the English radical tradition. After an outline of the distinctive qualities of this Johannine political theology, the chapter turns to the antinomian influence on two radically different English poets, Richard Crashaw and Henry Vaughan. If Crashaw shows antinomian leanings despite his embrace of Laudian fundamentals, Vaughan emerges as something of an anti-enthusiast in his more politically topical poems of Silex Scintillans.
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44

Ezell, Margaret J. M. Single-Authored Volumes of Verse. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780191849572.003.0005.

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Although the Interregnum has been described as a dark period in the promotion of the arts, an unusual number of single-authored volumes of verse were printed, often by Humphrey Mosley. Among the published poets whose reputations were established before the war were Sir John Suckling, Robert Herrick and Abraham Cowley while new voices include Henry and Thomas Vaughan, several women poets including Margaret Cavendish, Anne Bradstreet, ‘Eliza’, Anna Trapnel, and Elizabeth Major.
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45

Cefalu, Paul. The Flesh Profiteth Nothing. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808718.003.0002.

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The first chapter reviews the early modern interpretive fortunes of the most influential Johannine passages from the patristic through the early modern period: the bread of life discourses from John 6:26–59. Jesus’ designation of himself as the “bread of life” and “living bread” and his remarks on eating his flesh exert a profound influence on conceptions of the Eucharist from Augustine onward, prompting not only Ulrich Zwingli but also Thomas Cranmer and several English theologians to equate “eating” with believing. The burden of this chapter is to reconstruct the neglected influence of the bread of life discourse in the sacramental poems of George Herbert, Henry Vaughan, Richard Crashaw, and Edward Taylor.
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46

Cefalu, Paul. God is Love. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808718.003.0005.

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The fourth chapter describes the extent to which Augustine as well as a broad group of early modern homilists and poets were influenced by the ontological conception of love described in John’s First Epistle: “God is love, and hee that dwelleth in love, dwelleth in God, and God in him” (1 John 4: 16). For John, responsive love expressed toward God is achieved fundamentally through an embrace of Christ’s Word, particularly because God’s love for Christ is expressed eternally for the Son prior to the Incarnation. This chapter addresses the unique ways in which three early modern English poets—George Herbert, Henry Vaughan, and Thomas Traherne—appropriate the Johannine understanding of agape and an ontological conception of God’s love.
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47

Cefalu, Paul. Noli Me Tangere and the Reception of Mary Magdalene in Early Modern England. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808718.003.0003.

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The second chapter assesses the early modern reception of the noli me tangere and hortulanus sequences of John 20. Early modern writers such as Robert Southwell, Gervase Markham, Thomas Walkington, and Nicholas Breton all reconstruct the pedagogical lessons vouchsafed to Mary throughout John 20. Mary is petitioned to recall to herself the words of Christ that she has already heard and to await patiently her post-resurrection reconciliation with Christ as Word of God. Several of these sixteenth- and seventeenth-century accounts of Mary at the tomb show a keen appreciation of the method of discipleship misunderstanding used by John, even emulating that rhetorical approach in their treatments of Magdalene’s misplaced grief. Final sections of the chapter discuss the glorification of Mary in Hans Holbein’s Noli Me Tangere painting as well as in the poetry and prose of Richard Crashaw, Henry Vaughan, and Anna Trapnel.
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48

Brijraj, Singh, ed. Five seventeenth-century poets. Delhi: Oxford Univeristy Press, 1993.

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49

Henry the Fourth: Ordinals (Mathstart Level 1 (Steck-Vaughn)). Steck-Vaughn, 1999.

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50

Lanford, Mary Clayton. A study of Henry Vaughan's devotional works. 1991.

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