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Journal articles on the topic 'Vaults (Architecture), Gothic'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Fehér, Krisztina. "Tas-de-charge – An Essential Part of Gothic Vault." Periodica Polytechnica Architecture 52, no. 1 (2021): 21–31. http://dx.doi.org/10.3311/ppar.16889.

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Gothic architecture can be viewed from several perspectives, including stylistic aspects, architectural theory, and structural analysis.As Gothic architecture is a skeletal construction, it is essential to achieve an equilibrium with the multiple loads and forces. Medieval master masons' architectural knowledge was firmly based on empirical learning, which stimulated the dynamic development of structural innovations.This paper emphasises and describes a particular type of vault springer, one of the most complicated and sensitive parts of Gothic construction. Known as tas-de-charge, it became e

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Maia Avelino, Ricardo, Antonino Iannuzzo, Tom Van Mele, and Philippe Block. "Parametric Stability Analysis of Groin Vaults." Applied Sciences 11, no. 8 (2021): 3560. http://dx.doi.org/10.3390/app11083560.

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This paper presents a parametric stability study of groin, or cross vaults, a structural element widely used in old masonry construction, particularly in Gothic architecture. The vaults’ stability is measured using the geometric safety factor (GSF), computed by evaluating the structure’s minimum thickness through a thrust network analysis (TNA). This minimum thickness is obtained by formulating and solving a specific constrained nonlinear optimisation problem. The constraints of this optimisation enforce the limit analysis’s admissibility criteria, and the equilibrium is calculated using indep

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Drobiec, Łukasz. "Technical Conditions of Diamond Vaults in Poland." Civil and Environmental Engineering Reports 34, no. 3 (2024): 100–119. http://dx.doi.org/10.59440/ceer/191066.

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Diamond vaults represent the greatest achievement of the Gothic architecture. Only about 130 buildings with such vaults have remained to our times, including 30 buildings in Poland. Diamond vaults are less stiff than rib vaults, and consequently more prone to damage. This paper presents technical conditions of diamond vaults in Poland, their typical damage and repair methods.

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Wendland, David. "Architekturzeichnung und ihre Rolle beim Entwurf komplexer Werksteinkonstruktionen in Spätmittelalter und Früher Neuzeit." Architectura 47, no. 1-2 (2019): 1–23. http://dx.doi.org/10.1515/atc-2017-0001.

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AbstractAlthough the affinity of medieval architectural drawings to the graphic procedures of setting-out has been extensively discussed, the role of scale drawings in the design practice of the late Middle-Ages and the Early Modern period is still subject of debate. This regards also the drawings of complex late Gothic rib vaults. An opportunity for better understanding their precise use and function within the design and planning of complex stone structures is given by a case study on the vault in St. Catherine’s chapel in Strasbourg Cathedral, where an original drawing of the plan can be co

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Robison, Elwin C. "Optics and Mathematics in the Domed Churches of Guarino Guarini." Journal of the Society of Architectural Historians 50, no. 4 (1991): 384–401. http://dx.doi.org/10.2307/990663.

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The architecture of Guarini is distinguished from that of his Roman contemporaries by the complex geometries of his forms and the use of conic sections in his vaults. The use of advanced geometries in his domed churches was prompted not by numeric or structural theory but by optic considerations. The development of forced perspective in his vault shapes and use of light were influenced by theories on aesthetics and optics that were debated while Guarini was in Paris. The parallels between Guarini's architectural theory and that of Claude Perrault, as well as Guarini's unique aesthetic assessme

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McGee, J. David. "The "Early Vaults" of Saint-Etienne at Beauvais." Journal of the Society of Architectural Historians 45, no. 1 (1986): 20–31. http://dx.doi.org/10.2307/990126.

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The church of Saint-Etienne (Saint-Vaast) in Beauvais was much discussed in the early literature on medieval architecture, particularly in regard to the vaults over the initial bays of the nave aisles. The vaults have long been considered among the earliest rib vaults in northern France, although their exact date had never been determined. The challenge to date these vaults precisely became critical in the late 1950s when local excavations under the present Late Gothic choir uncovered evidence that the original choir may have been rib-vaulted as well. This paper analyzes these unpublished exca

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Titus,, Harry B. "The Auxerre Cathedral Chevet and Burgundian Gothic Architecture." Journal of the Society of Architectural Historians 47, no. 1 (1988): 45–56. http://dx.doi.org/10.2307/990255.

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The Auxerre Cathedral chevet plays an important role in the concept of a "Burgundian Gothic" architectural style. Despite its importance as the first monument in Burgundy in which the impact of High Gothic Chartres Cathedral is evident, it has been interpreted as resistant to Chartres because of its "diaphanous" double-shell structure. However, when its hybrid nature is understood as the result of a series of dynamic, overlapping designs, it appears that the Auxerre builders progressively modified their elevation to reflect the new architecture at Chartres, while retaining the double-shell str

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8

Agustín-Hernández, L., R. Argiolas, V. Bagnolo, and M. Sancho Mir. "FROM TLS POINT CLOUD DATA TO GEOMETRICAL GENESIS DETERMINATION OF RIBBED MASONRY VAULTS." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-M-1-2021 (August 28, 2021): 9–16. http://dx.doi.org/10.5194/isprs-archives-xlvi-m-1-2021-9-2021.

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Abstract. The contribution aims to explore the possibility of tracing the geometry of ribbed vaults from two different Mediterranean regions to a single matrix, verifying the presence of possible local variations of the same rules. In particular, the analyses are being carried out in parallel on some case studies of the regions of Sardinia in Italy and Aragon in Spain. The two case studies include the Iglesia Parroquial del Salvador la Seo in Zaragoza and the Church of Santa Lucia in Cagliari. Both constructions can be traced back to the style known as Late Mediterranean Gothic, which characte

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9

López-Mozo, Ana, and Rosa Senent-Domínguez. "Late Gothic Asymmetrical Diamond Vaults in Spain." Nexus Network Journal 19, no. 2 (2017): 323–43. http://dx.doi.org/10.1007/s00004-017-0337-9.

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10

Bagi, Katalin. "Statics of fan vaulting: current state of knowledge and open issues." Proceedings of the Royal Society A: Mathematical, Physical and Engineering Sciences 477, no. 2246 (2021): 20200893. http://dx.doi.org/10.1098/rspa.2020.0893.

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Fan vaults, the most spectacular structural form of the English Gothic architecture, has been admired by architect lovers for many centuries. The mechanics of fan vaulting raises several interesting questions, most of which are still unanswered, even though the maintenance and restoration of historic buildings would require the deep understanding how these fascinating structures work, how they respond to mechanical effects and how they carry their loads. The last major study on fan vaulting was published four decades ago, still in 1980, and since then there were only a few publications about t

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McAleer, J. Philip. "St. Mary's (1820-1830), Halifax: An Early Example of the Use of Gothic Revival Forms in Canada." Journal of the Society of Architectural Historians 45, no. 2 (1986): 134–47. http://dx.doi.org/10.2307/990092.

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Early Gothic Revival architecture in Canada, particularly from the period prior to the 1840s, when the influence of A. W. N. Pugin and the Ecclesiologists began to be felt, has been little studied. This paper reconstructs a lost monument-St. Mary's, in Halifax, Nova Scotia, as erected 1820-1830-which may have been the first ambitious essay in the Gothic Revival style, especially as it apparently precedes by a few years the single and most famous monument of this time, the parish church of Notre-Dame in Montréal, itself often considered the starting point of the style in Canada. Although the ex

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Block, Philippe, and Lorenz Lachauer. "Three-Dimensional (3D) Equilibrium Analysis of Gothic Masonry Vaults." International Journal of Architectural Heritage 8, no. 3 (2013): 312–35. http://dx.doi.org/10.1080/15583058.2013.826301.

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13

Mark, Earl. "Reconstructing architectural geometry." Architectural Research Quarterly 3, no. 1 (1999): 65–76. http://dx.doi.org/10.1017/s1359135500001767.

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CAD systems provide convenient tools for the creation of simple geometry by direct manipulation on the computer screen. They work well enough for two-dimensional construction, but are often inadequate for creating doubly-curved three-dimensional surfaces. The solution proposed here is to use the in-built programming language provided in most CAD systems for direct creation of geometry. Developed for didactic purposes, the stunning reconstructions of Gothic vaults suggest a method of working likely to be of great value to the geometrically adventurous architect.

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Spairani-Berrio, Y., P. Saura Gómez, J. A. Huesca-Tortosa, S. Spairani Berrio, and D. Torregrosa Fuentes. "THE USAGE OF TLS AND PHOTOGRAMMETRY DURING THE RESTORATION PROCESS OF SPANISH NATIONAL MONUMENT." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 26, 2019): 1105–10. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-1105-2019.

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<p><strong>Abstract.</strong> This article presents the multidisciplinary methodology employed in the restoration of a sixteenth century renaissance building with gothic vaults. The use of precise instrumental techniques like TLS (Terrestrial Laser Scanning) or photogrammetry are proposed to obtain the geometry of the building before, during and after the intervention. Obtaining the point clouds of the Refectory of the Santo Domingo de Orihuela School in their different restoration stages allows monitoring the vaults, studying their structural behaviour and deformations with

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Moreno-Puchalt, Jésica, Adolfo Alonso-Durá, Verónica Llopis-Pulido, and Ana Almerich-Chulia. "Seismic Evaluation of the Santa Catalina’s Church of Valencia (Spain) Applying a Scalar Damage Model." Key Engineering Materials 747 (July 2017): 638–45. http://dx.doi.org/10.4028/www.scientific.net/kem.747.638.

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The structural system in Gothic architecture of Central Europe is characterized by the vaults supported on pillars and the dematerialization of walls to introduce into the Temple the maximum light possible. However the “Mediterranean Gothic” structure of the churches is formed by two sets of diaphragm walls breaking with the traditional gothic canons. The study carried out explains the reasons for these differences from an exhaustive structural analysis of Santa Catalina’s church of Valencia under seismic effects. Two methods for analyzing have been used for simulating the seismic effects: the

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Mascarenhas, Jorge, Lurdes Belgas, Elisabete Vinhas, and Fernando G. Branco. "The Narrow Mausolea at Conchada Cemetery as Part of Portuguese and European Architectural Heritage." Heritage 5, no. 3 (2022): 1852–64. http://dx.doi.org/10.3390/heritage5030096.

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Over millennia, death was the origin of great funerary constructions that have come down to us. These constructions aimed at ensuring eternity and perpetuating memory. Funeral art thus appears not in the service of death, but in the service of memory. In the modern age, funerary constructions do not have the dimensions and grandeur they did in ancient times, but there are still constructions with relevant architectural interest, built to perpetuate the memory of important families. In Conchada Cemetery, located in Coimbra, Portugal, a vast and diverse funeral heritage exists. Possessing variou

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ΚΑΠΠΑΣ, Μιχάλης. "Ο ναός του Αγίου Νικολάου στο ρέμα του Σωφρόνη Λακωνίας". BYZANTINA SYMMEIKTA 21, № 1 (2012): 255. http://dx.doi.org/10.12681/byzsym.1028.

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<p><strong><span style="font-family: 'Century Gothic','sans-serif'"><font size="3">The church of Hagios Nikolaos at Sofronis gorge, Laconia</font></span></strong><span style="font-family: 'Century Gothic','sans-serif'"><font size="3"> </font></span><span style="font-family: 'Century Gothic','sans-serif'"><font size="3"><span> </span></font></span></p><p><span style="font-family: 'Century Gothic','sans-serif'"><font size="3">At the southwest slopes of mount Parnon, on t&

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18

Sheppard, Carl D. "The Frankish Cathedral of Andravida, Elis, Greece." Journal of the Society of Architectural Historians 44, no. 3 (1985): 205–20. http://dx.doi.org/10.2307/990072.

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In the first half of the 13th century the Frankish princes of the Morea built a Gothic cathedral at Andravida, Elis, Greece. The Frankish period of dominance of the Peloponnesus lasted from 1204 to 1430. It is the least studied of any period of the history of the region. Very little exact information exists about Frankish architectural procedures. Consequently, very few indications exist to help with the identification and the dating of many of the ruins scattered throughout the Peloponnesus. The east end of the Cathedral of Haghia Sophia still stands. It consists of a sanctuary flanked by two

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Costa-Jover, A., J. Lluis i Ginovart, S. Coll-Pla, et al. "3D SURVEYING AND GEOMETRIC ASSESSMENT OF A GOTHIC NAVE VAULTING FROM POINT CLOUDS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W3 (February 23, 2017): 203–8. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w3-203-2017.

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The development of massive data captures techniques (MDC) in recent years, such as the Terrestrial laser Scanner (TLS), raises the possibility of developing new assessment procedures for architectural heritage. The 3D models that it is able to obtain is a great potential tool, both for conservation purposes and for historical and architectural studies. The paper proposes a simple, non-invasive methodology for the assessment of masonry vaults from point clouds which makes it possible to obtain relevant data about the formal anomalies. The methodology is tested in Tortosa’s Gothic Cathedral’s va

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Costa-Jover, A., S. Coll-Pla, J. Queral Llaberia, D. Moreno García, and A. Gas Llatge. "TERRESTRIAL LASER SCANNER AND FAST CHARACTERIZATION OF SUPERFICIAL LESIONS IN ARCHITECTURAL DIAGNOSIS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W9 (January 31, 2019): 283–87. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w9-283-2019.

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<p><strong>Abstract.</strong> The development of massive data captures techniques (MDC) in recent years, such as the Terrestrial Laser Scanner (TLS), raises the possibility of developing new assessment procedures for architectural heritage. The 3D models that it is able to obtain is a great potential tool, both for conservation purposes and for historical and architectural studies. The paper proposes a simple, non-invasive methodology for the assessment of masonry vaults from point clouds which makes it possible to obtain relevant data about the formal anomalies. The methodol

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Yakovlev, Dmitriy, Alexandra Trushnikova, and Ilya Antipov. "The cross-cultural interaction in the Baltic region in the fifteenth century: the vaults of the Faceted Palace in Novgorod the Great and Brick Gothic architecture." Journal of Baltic Studies 51, no. 4 (2020): 553–68. http://dx.doi.org/10.1080/01629778.2020.1755326.

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Vežić, Pavuša. "Ikonografija romaničke katedrale u Dubrovniku." Ars Adriatica, no. 4 (January 1, 2014): 63. http://dx.doi.org/10.15291/ars.489.

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In order to deepen our contemporary knowledge about the Romanesque cathedral of Dubrovnik, it is of utmost importance to turn to the archaeological remains and the documented material evidence in order to establish its ground plan. On the basis of the ground plan and in combination with the way the Cathedral was depicted in the art works produced during the period from the fifteenth to the seventeenth century, while also taking into account the contemporary written sources, we can propose a reconstruction of the Romanesque Cathedral together with a number of architectural features which have n

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Ibáñez Fernández, Javier. "Gothic Drawing and Drawings in the Gothic Tradition in the Iberian Peninsula (13th–18th Centuries)." Arts 12, no. 1 (2023): 37. http://dx.doi.org/10.3390/arts12010037.

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The inventory and cataloguing of the architectural drawings in the Gothic tradition made In the Iberian Peninsula has brought together exceptional sources that were previously scattered, usually little-known and valued, and, in many cases, unpublished. These materials can now be analyzed from multiple points of view, notably as tools for planning and surveying; as invaluable documents for the study of the enterprises they represent or helped to develop; as sources for the study of master builders; and as data sets for the analysis of the typological models, vaulting solutions, and rib-vault de

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Alttoa, Kaur. "Anmerkungen zur Baugeschichte der St. Olaikirche auf Worms (Vormsi) im Bistum Ösel-Wiek (Saare-Lääne)." Baltic Journal of Art History 14 (December 27, 2017): 7. http://dx.doi.org/10.12697/bjah.2017.14.01.

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Vormsi is a small island that belonged to the Oesel-Wiek bishopric during the Middle Ages. There is a church on the island that is dedicated to St Olaf, the Norwegian king who was undoubtedly the most popular saint among the Scandinavians. A short article written by Villem Raam in the anthology Eesti Arhitektuur (Estonian Architecture, 1996) is the only one worth mentioning that has appeared to date on the architectural history of the Vormsi church.The Vormsi church is comprised of a sanctuary and nave. Only the sanctuary was completed during the Middle Ages, and the stone nave was not complet

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Böker, Hans J. "York Minster's Nave: The Cologne Connection." Journal of the Society of Architectural Historians 50, no. 2 (1991): 167–80. http://dx.doi.org/10.2307/990591.

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Within the stylistic development of English Gothic architecture of the late thirteenth century, the nave of York Minster stands quite apart for its clear continental orientation. Only the great western window and the high vault-both inserted after the structural completion of the nave-conform to the standards of the Decorated Style that dominated English ecclesiastical buildings around 1300. The architecture of the nave itself has generally been regarded as an offspring of the French Rayonnant Gothic, although no specific building could be positively identified as its source; comparisons have

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Tallon, Andrew. "An Architecture of Perfection." Journal of the Society of Architectural Historians 72, no. 4 (2013): 530–54. http://dx.doi.org/10.1525/jsah.2013.72.4.530.

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Noted art historian William H. Goodyear (1846–1923) spent the better part of his career documenting what he called the “widening refinement,” the intentionally out-of-plumb construction of Gothic churches. Builders, he believed, inclined their walls in service of a sophisticated art of irregularity designed to grant vitality to their edifices. Yet such a practice was antithetical to the motives of the Gothic masters, for whom these deformations due to vault thrusts were unwelcome—for whom wall plumb was an imperative not only of constructional but also of theological order. In An Architecture

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Hoey, Lawrence. "Piers versus Vault Shafts in Early English Gothic Architecture." Journal of the Society of Architectural Historians 46, no. 3 (1987): 241–64. http://dx.doi.org/10.2307/990229.

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Álvarez-Morales, Lidia, Mariana Lopez, and Ángel Álvarez-Corbacho. "The Acoustic Environment of York Minster’s Chapter House." Acoustics 2, no. 1 (2020): 13–36. http://dx.doi.org/10.3390/acoustics2010003.

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York Minster is the largest medieval Gothic cathedral in Northern Europe, renowned for its magnificent architecture and its stained glass windows. Both acoustic measurements and simulation techniques have been used to analyse the acoustic environment of its Chapter House, which dates from the 13th-century and features an octagonal geometry with Gothic Decorated stone walls replete of geometric patterns and enormous stained glass windows, covered by a decorated wooden vault. Measured and simulated room impulse responses served to better understand how their architectural features work together

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Stalley, Roger, and Malcolm Thurlby. "The Early Gothic Choir of Pershore Abbey." Journal of the Society of Architectural Historians 48, no. 4 (1989): 351–70. http://dx.doi.org/10.2307/990454.

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In attempting to resolve the complicated archaeological problems and the design sources of the early Gothic choir of Pershore Abbey, this article examines issues that are fundamental to the understanding of early Gothic architecture in Britain. The issues discussed are the nature of the plan of the choir, whether it was intended to be vaulted or not, the most appropriate form for the elevation, and problems in consistency and inconsistency in taste.

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Kristiadi, Adimas. "STUDY OF THEORY, METHOD, APPLICATION OF GOTHIC CHURCH ARCHITECTURE." ARSITEKTURA 16, no. 2 (2018): 165. http://dx.doi.org/10.20961/arst.v16i2.20998.

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<p><em>The architecture of Gothic church is the outcome from creation process of knowledge by human in 12<sup>th</sup> – 15<sup>th</sup> Century which originating from France, which one the evolution from Romanesque church architecture (10<sup>th</sup> – 13<sup>th</sup> Century). The word of “evolution” is being a keyword and be a reason of Gothic church, to change characters from Romanesque church architecture are monastic buildings (not large), heavy in appearance, simple in construction to be a larger and finer, much details and sy

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Moreno-Garcia, D., S. Coll-Pla, A. Costa-Jover, and A. Samper-Sosa. "3D SURVEYING AND FORMAL ANALYSIS OF A STRUCTURAL BAY OF A GOTHIC APSE." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-2/W1-2022 (February 25, 2022): 381–87. http://dx.doi.org/10.5194/isprs-archives-xlvi-2-w1-2022-381-2022.

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Abstract. In recent years, the development of massive data capture techniques such as Terrestrial Laser Scanner (TLS) have made it possible to develop new procedures to evaluate architectural heritage with a high level of accuracy. The study proposes a workflow to identify formal anomalies in the main elements that form a structural bay of the apse of the Cathedral of Girona, studying arches, vaults, buttresses and pillars. The methodology is based on different two-dimensional and three-dimensional procedures, and the database obtained that could help in future research to relate the results w

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Capone, M., D. Palomba, S. Scandurra, and E. Lanzara. "TRAPEZOIDAL AND APSIDAL RIBBED VAULTS SMART 3D RECONSTRUCTION." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-2/W1-2022 (February 25, 2022): 135–42. http://dx.doi.org/10.5194/isprs-archives-xlvi-2-w1-2022-135-2022.

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Abstract. The automatic generation of structured 3D model from point clouds is a primary focus for a lot of researches in the area of 3D modelling and HBIM. The use of procedural modelling techniques, based on set of geometric rules, is spreading the construction of parametric objects and processes for survey data mapping. In this research field one of the most common methodological approach consists in testing different procedures based on use of specific data from point cloud. One of the main problem to solve is to define the best parameters to use in relation to geometric features of differ

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Ampliato, Antonio, and Eduardo Acosta. "A Gothic-Renaissance Synthesis in a Diego de Riaño Vault." Nexus Network Journal 22, no. 2 (2019): 429–47. http://dx.doi.org/10.1007/s00004-019-00471-2.

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Thurlby, Malcolm. "The Lady Chapel of Glastonbury Abbey." Antiquaries Journal 75 (September 1995): 107–70. http://dx.doi.org/10.1017/s0003581500072991.

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After the devastating fire of 1184, the Lady Chapel of Glastonbury Abbey was constructed on the site of the Old Church (Vetusta Ecclesia), the wattle church traditionally associated with Joseph of Arimathea. The lavish decoration of the chapel is frequently mentioned in the literature. In many cases authors emphasize the old-fashioned, Romanesque character of much of the ornament in contrast to the seemingly more progressive contemporary early Gothic mouldings of nearby Wells Cathedral. Nevertheless, it is generally recognized that the designer of Glastonbury Lady Chapel knew of the latest dev

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Garcia-Talegon, Jacinta, Adolfo C. Iñigo, Santiago Vicente-Tavera, and Eloy Molina-Ballesteros. "Heritage Stone 5. Silicified Granites (Bleeding Stone and Ochre Granite) as Global Heritage Stone Resources from Ávila, Central Spain." Geoscience Canada 43, no. 1 (2016): 53. http://dx.doi.org/10.12789/geocanj.2016.43.087.

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Silicified granites were used to build the Romanesque monuments in the city of Ávila, Spain. The building stones comprise two types of granite based on their technical properties and colour: Bleeding Stone (Piedra Sangrante) and Ochre Granite (Caleño). They were used as a facing stone in the city´s Romanesque monuments of the 12th century (e.g. the cathedral and church of San Pedro), and the famous city walls that constitute the best example of military Romanesque Spanish architecture. During the Gothic and Renaissance periods of the 13th and 15th centuries, silicified granites were used mainl

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Buill, Felipe, M. Amparo Núñez-Andrés, Agustí Costa-Jover, David Moreno, Josep M. Puche, and Josep M. Macias. "Terrestrial Laser Scanner for the Formal Assessment of a Roman-Medieval Structure—The Cloister of the Cathedral of Tarragona (Spain)." Geosciences 10, no. 11 (2020): 427. http://dx.doi.org/10.3390/geosciences10110427.

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The use of massive data capture techniques in architectural heritage has enhanced the development of new methodologies that have an important impact on their conservation and understanding. The research proposes the study of formal anomalies in the cloister of the Cathedral of Tarragona (c. 12th century). It is a relevant Gothic construction in Catalonia, with the special singularity that part of its structure is raised over an important pre-existing Roman wall. The investigation is based on a point cloud obtained with a terrestrial laser scanner (TLS) and the systematization of the 3D analysi

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Lewicki, Jakub. "PERSPEKTYWY OCHRONY ŚWIATOWEGO DZIEDZICTWA W POLSCE – CZYLI TENTATIVE LIST I PROPOZYCJE MOŻLIWYCH DO ZGŁOSZENIA KANDYDATUR NA LISTĘ ŚWIATOWEGO DZIEDZICTWA." Protection of Cultural Heritage, no. 4 (November 29, 2017): 129–42. http://dx.doi.org/10.24358/odk_2017_04_13.

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The article discusses Polish suggestions of new inscriptions into the UNESCO World Heritage List. The waiting items mentioned in the Tentative List were presented. Currently the Polish version of the List numbers 5 items. They are: Gdańsk, Town of Memory and Freedom (2005), The Augustów Canal (2006), The Dunajec River Gorge in the Pieniny Mountains (2006), Extension to the Joint World Heritage Property “Primeval Beech Forests of the Carpathians (Slovak Republic and Ukraine) and the Ancient Beech Forests of Germany (Germany)” (2015), “Krzemionki”, prehistoric flint mines (2016). Other offered s

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Popovic, Marko, and Svetlana Vukadinovic. "The Church of St. Stephan on Scepan polje near Soko-grad." Starinar, no. 57 (2007): 137–74. http://dx.doi.org/10.2298/sta0757137p.

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The Church of St. Stephan, in this paper, belonged to a medieval residential complex above the confluence of the River Piva and the River Tara, in the extreme northeast of the present-day Republic of Montenegro. The central part of the complex consisted of Soko-grad, a castle with the court of the prominent, aristocratic, Kosaca family, which, at the end of the 14th century, right until the Turkish conquests in the sixties and seventies of the 15th century, ruled the regions later known as Hercegovina. At the foot of the castle, on Scepan polje, is the suburb with the Church of St. Stephan the

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Gorzelik, Jerzy. "Wiatr z Północy. Dyskursywne konstruowanie Heimat na przykładzie gmachu dawnej Królewskiej Szkoły Rzemiosł Budowlanych w Katowicach i jego wystroju." Przegląd Kulturoznawczy, no. 4 (50) (December 30, 2021): 745–61. http://dx.doi.org/10.4467/20843860pk.21.051.14968.

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Wind from the North: The Discursive Construction of Heimat Exemplified by the Edifice of the Former Royal School of Building Crafts (Königliche Baugerwerkschule) in Katowice and its Decoration The paper examines the edifice of the former school of building crafts (Baugewerkschule) in Katowice, Upper Silesia, which opened in 1901, and its decoration. The works of architecture, painting and sculpture were interpreted as carriers of a discourse calculated to construct Heimat, located within the borders of the Prussian Silesian Province. The building’s forms, reminiscent of the brick Gothic of nor

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Sušanj Protić, Tea. "Renesansna kuća Moise u Cresu - rezultati konzervatorskih istraživanja 2011. godne." Ars Adriatica, no. 4 (January 1, 2014): 283. http://dx.doi.org/10.15291/ars.501.

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The Renaissance residential architecture in the town of Cres is represented by a small number of preserved houses (palazzetti) of the local nobility which are attributed to the established stone-cutting workshop grouped around master Francesco Marangonich, a Lombard stone-cutter who arrived at Cres from the building sites of Venice and introduced Renaissance stylistic elements on the Quarnero islands. The best-known Renaissance residential building at Cres is the Marcello-Petris house which was built in the 1510s for the Minister Provincial and Bishop, Friar Antun Marcello-Petris. The Renaissa

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Hilje, Emil. "Šibenski graditelj i klesar Ivan Hreljić u svjetlu arhivske građe." Ars Adriatica, no. 3 (January 1, 2013): 135. http://dx.doi.org/10.15291/ars.466.

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The architect and carver Ivan Hreljić of Šibenik is one of the lesser known master builders from the circle of Giorgio Dalmata, whose activity can be followed during the third quarter of the fifteenth century. Although he is mentioned relatively frequently in the known documents, even in relation to specific projects, he has remained, like some other master builders from Šibenik, on the margin of scholarly interest, while different transcriptions of his surname resulted in a situation where even the pieces of information the scholars have had at their disposal have remained scattered and uncon

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Popovic, Marko. "The Saxon church in Novo Brdo - Santa Maria in Novomonte." Starinar, no. 69 (2019): 319–47. http://dx.doi.org/10.2298/sta1969319p.

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The site with the remains of the Saxon church, that is, the former Catholic church of St Mary, lies on a mild slope that descends from the fort to the southeast, or the village of Bostane. Located at a distance of about 1,200 m from Novo Brdo?s Lower Town, it was outside this former urban area. It was intermittently investigated in the 1950s and ?60s, but the complete results of these works have not been published. With this in mind, after almost six decades, an attempt was made, based on the remaining fieldwork documentation, to examine in more detail the complex of this important Novo Brdo e

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Jobbik, Eszter, and János Krähling. "Real Net Vault or Pseudo-Ribbed Net Vault?" Építés - Építészettudomány, September 11, 2023. http://dx.doi.org/10.1556/096.2023.00100.

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In the present article, we revisit the question of the structural characteristics and building methods of two of the most famous Hungarian Late-Gothic net vaults, the nave vault of the Franciscan Church of Szeged-Alsóváros and the vault of the Reformed Church of Nyírbátor. Based on the data gathered by laser-scanning the two buildings, the geometric system of the two vaults, as opposed to the former state of research, differ significantly from each other. While the rib system and webbing of the vault of Szeged-Alsóváros have features characteristic of pseudo-ribbed net vaults and net vaults wi

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Luigini, Alessandro, Stefano Brusaporci, Waltraud Kofler, et al. "The Vaults of the Church of St. Michael the Archangel in Brixen Between Geometry, History and Missed Space." Nexus Network Journal, April 27, 2023. http://dx.doi.org/10.1007/s00004-023-00713-4.

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AbstractThrough the analysis of the vaulted system, the study aims to research the spatialities enclosed in the church of St. Michael the Archangel in Brixen (Bz): the current one surveyed, the gothic one and the painted baroque one, grafted onto the late-Gothic structure.

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