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Scarlata, Salvatore. "Die Wurzelkomposita im R̥g-Veda /." Wiesbaden : Reichert, 1999. http://catalogue.bnf.fr/ark:/12148/cb37682569v.
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Wilden, Eva. "Der Kreislauf der Opfergaben im Veda /." Stuttgart : F. Steiner, 2000. http://catalogue.bnf.fr/ark:/12148/cb37642901h.
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Elgood, Robert F. W. "A study of the origin, evolution and role in society of a group of chiselled steel Hindu arms and armour from southern India c.1400-1865 AD." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310306.
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MONZIN, JEAN-FRANCOIS. "Programmation en logique et compilation de protocoles : le simulateur veda." Rennes 1, 1988. http://www.theses.fr/1988REN10106.
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Veda est un simulateur-validateur d'algorithmes distribues. L'environnement choisi pour implanter veda est prolog et les deux sujets concernes sont: l'execution et plus exactement la simulation d'estelle, langage de description d'algorithmes distribues; l'usage de prolog en compilation
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Quillet, Anne-Marie. "Le Sāmavidhānabrāhmaṇa dans la tradition sāmavédique." Thesis, Paris, EPHE, 2015. http://www.theses.fr/2015EPHE4084/document.
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La thèse présente en premier lieu l'historique de la découverte du texte, les sources textuelles, les différentes éditions et commentaires du sāmavidhānabrāhmaṇa. La partie succédante de l'étude expose le corpus du sāmaveda qui, à ce jour, compte cent sāmagrantha avec une recension la plus complète possible et une présentation de chaque œuvre. Puis quelques notions-racines sont revisitées afin de mieux circonscrire le pouvoir d'expression du Mot intuitif dans son application sāman. La manière dont s'exécute le stotra, cette louange chantée, est décryptée jusqu'à son emploi particulier dans le yajña et la place de l'udgātṛ. S'il est des variantes justifiées entre les deux sam̐hitā (ṛc, sāma) celles-ci sont relevées pour leur pertinence au texte, puisque chaque résultante de l'action est déclenchée par le chant de l'ardent. Un examen de l'éthique de vie, l'art de vie, la biosphère, l'environnement sociétal et économique du quotidien qui émane de ce texte indatable, permet de saisir aussi l'évolution de la culture indo-iranienne depuis la proto-histoire dans sa tradition orale. En dernière partie de ce volume est présentée la composition textuelle du sāmavidhānabrāhmaṇa. Un accent est mis tout particulièrement sur ses traits remarquables. Les études historiques, philologiques et épistémologiques sont revisitées au regard de leur contexte. Le volume se clôt par le chapitre douze portant sur les questions ouvertes soulevées par le texte. Le deuxième volume présente le texte sanskrit des trois éditions du sāmavidhānabrāhmaṇa, texte devanāgarī en mode continu et translittéré en mode padapāṭha reconstruitThe thesis first presents the history of the discovery of the text, the textual sources, the different editions and comments on sāmavidhānabrāhmaṇa. The succeeding part of the study presents the corpus of the sāmaveda which, to date, counts hundred sāmagrantha in the most comprehensive review possible and a presentation of each work. Then a few basic concepts are revisited in order to define in a better way the power of expression of the intuitive Word in its application sāman. The ways and means the stotra is executed, this chanted praise, is decrypted unto its specific employment in the yajña and the udgātṛ in his place. If there have been justified variations between the two sam̐hitā (ṛc, sāma), these have been taken up as regards their relevancy throughout the text, since each resultant of action is triggered by the chant of the ardent one. A review of the ethics of life, the art of life, the biosphere, the societal and economic environment of everyday life that emerge from this undatable text also allows us to capture the evolution of the Indo-Iranian culture since the proto-history in its oral tradition. In the final part of this volume is presented the textual life of the sāmavidhānabrāhmaṇa. Emphasis is specially laid on its remarkable traits. The historical, philological and epistemological studies are reconsidered from their context. The volume ends with chapter twelve which deals with open questions raised by the text. The second volume presents the Sanskrit text of the three available editions of sāmavidhānabrāhmaṇa, continuous devanāgarī text, and then transliterated in reconstructed padapāṭha mode
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Macedo, José Marcos Mariani de. "A palavra ofertada: uma análise retórica e formal dos hinos gregos e da tradição hínica grega e indiana." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-13022008-110231/.
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O objetivo do trabalho é analisar alguns elementos retóricos e estilísticos de certos hinos gregos de várias épocas. Partindo deles, são estudos também alguns hinos da tradição indiana mais antiga, contidos no Rig Veda, a fim de sugerir traços comuns a essas duas tradições hínicas indo-européias e as suas respectivas especificidades. A tese procura apontar, com base na leitura de hinos paradigmáticos, as estratégias formais dos poetas para louvar a divindade. A preocupação básica é com as estruturas dos hinos, com os expedientes de que se vale o poeta para expressar seu louvor. São descritos os meios com que, no hino grego, a divindade é atraída para perto e como, em certos poemas, essa convenção é quebrada para alcançar efeitos literários. Estudam-se pares contrastantes que estruturam a composição de determinados hinos e também como esse mesmo contraste, em outros casos, é deliberadamente borrado em benefício do louvor. Quanto aos hinos rigvédicos, sugere-se uma forma peculiar a partir do qual se estruturam, a saber, a partir do seu centro. Conclui-se que, em ambas as tradições - a grega e a indiana - o hino é uma oferenda que instaura entre deus e devoto uma relação de reciprocidade na qual ele próprio, hino, atua como objeto de troca - um objeto de troca digno da estima divina, que chama atenção sobre si mesmo à força da sua elaboração estilística e retórica.This work aims at analyzing some rhetorical and stylistic features of some Greek hymns from various periods. Taking them as a starting point, some hymns from the Rig Veda will be studied as well, in order to assess certain common characteristics of both hymnic traditions and their peculiarities. Based on the close reading of the hymns, the author tries to show the poet\'s formal strategy to praise the deity. The structure of each hymn is a main concern, as are the devices used by the poet to give voice to his praise. As for the Greek hymns, it will be described how the poet persuades the deity to come near and how he builds his work based on contrasting pairs. As for the Rigvedic hymns, it is suggested that some of them are organized around its middle section. The conclusion to be drawn is that in both traditions - in the Greek and the Indian one - the hymn is an offering that creates a bond of reciprocity between deity and his worshipper. The hymn itself is valued in the exchange by means of its stylistic and rhetorical quality.
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D'Intino, Silvia. "La parole révélée et l'expérience poétique : mythe et théorie de la parole dans les hymnes du Ṛgveda." Paris, EPHE, 2004. http://www.theses.fr/2004EPHE5009.
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Les hymnes du Rgveda présentent une réflexion très articulée sur la parole, comportant une mythologie originale et une véritable théorie, une réflexion que les poètes - voyants de la Révélation védique – portent sur leur propre travail. Discours apparemment mineur, cette méditation des poètes sur la parole est pourtant parfois le thème central, déclaré, de l’hymne ; le plus souvent – sous forme de propos parallèle – il est le thème masqué du poème et une possible clé de son unité de lecture. Ainsi, c’est à partir de l’exégèse d’hymnes choisis – RV X 71 ; I 72 ; III 39 ; X 34 – et de leur commentaires, qu’on peut isoler quelques notions essentielles de cette théorie de la création poétique : la nomination, la vision, la création proprement dite. Etudiées dans leur contexte, au sein d’un vaste tissu de correspondances symboliques, ces notions renforcent les implications réciproques entre mythe et théorie du sacrifice, ce dernier étant non seulement une pratique immémoriale, mais également le principe structurant de la pensée de l’Inde ancienne. La relation à la parole semble aussi une voie d’accès à l’intelligence des traits souvent énigmatiques des dieux védiques. Dans une telle perspective, l’opposition entre deux figures mythologiques complémentaires, ce qui est du côté d’Agni et ce qui est du côté d’Indra, symboles de deux modalités essentielle de la parole, fait apercevoir, à la fin de ce travail, une nouvelle approche possible des matériaux mythologiques, où la relation à la parole et l’expérience poétique viennent se loger au centre même de la réflexion védique sur la nature des dieuxThe hymns of the Rg-Veda present a very articulate understanding of speech which included not only a myth of origin but also a theory, a reflection that the poetic Seers of Vedic Revelation bring to their work. While sometimes these discourses may appear secondary, the poet’s meditation on speech is often openly declared as the central theme of the poem, and more often still it appears as a parallel, masked theme of the poem and a possible key to understanding the hymn as a whole. By analyzing selected hymns (RV X 71 ; I 72 ; III 39 ; X 34) and their commentaries, one can isolate various essential elements of this theory of poetic creation: the acts of naming, seeing, and fabricating the poem itself. Studied in their context, the centre of a vast fabric of symbolic correlates, these ideas reinforce reciprocal implications between myth and the theory of sacrifice, sacrifice being not only an immemorial practice, but also the structuring principle of ancient Indian thought. The often enigmatic traits of Vedic deities may be understood by means of their relation to speech. The opposition between the two complementary mythological figures Agni and Indra reflects, in fact, two essential symbolic modalities of speech. As revealed at the end of this work, this point of view proffers a new approach to the mythological materials, one in which their relation to speech and the poetic experience become central to Vedic reflection on the nature of the gods
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Moreau, Ronan. "Sur les chemins des terres sauvages : figures et symbolique des animaux de la forêt dans l'Inde ancienne." Paris 3, 2008. http://www.theses.fr/2008PA030123.
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Cette étude des figures et de la symbolique des animaux sauvages dans l’Inde ancienne, repose sur une lecture des Veda et des épopées que sont le Rāmāyan_a et le Mahābhārata. Elle consiste à dresser un portrait aussi complet que possible d’animaux emblématiques de la forêt : loup, chacal, hyène, ours, lion, tigre, panthère, éléphant, rhinocéros, sanglier, et buffle. À la fois animaux vrais et conceptuels, leur image apparaît complexe et en partie attachée à la définition du milieu où ils vivent, l’aran_ya ou les « terres sauvages ». Essentiellement présents au travers de leurs relations avec l’homme, qui éprouve une fascination constante à leur égard, ils sont repoussés ou sollicités, conduisant dans ce dernier cas à une animalisation de l’individu. Avant tout lexical, le phénomène interroge sur sa nature profonde, et sur les liens entre l’homme et l’animal qui se révèlent ici par un transfert de force et de puissance. Cette relation amène logiquement à envisager l’animal sauvage cette fois dans un environnement divin et/ou démoniaque où, entre mythes et sacrifices, il apparaît tantôt comme protégé du dieu, tantôt comme l’une de ses multiples formes possibles, souventredoutableThis study about the images and the symbolism of the wild animals at ancient India is based on a reading of the Veda and the epics that are the Rāmāyan_a and the Mahābhārata. It consists in drawing up a portrait as complete as possible of emblematic animals of the forest: wolves, jackals, hyenas, bears, lions, tigers, panthers, elephants, rhinoceroses, wild boars, and buffalos. Equally real and conceptual animals, their picture seems complex and partially attached to the definition of the environment where they live, the aran_ya or the wilderness. Mainly represented through their relations with man, who is constantly fascinated by them, they are either pushed away or appealed, in that case leading to an animalisation of the individual. Primarily lexical, the phenomenon questions its deep nature and the links between man and animal, which reveal themselves by a transfer of strength and power. This relation tends logically to consider the wild animal in a divine and/or demoniac environment where, between myths and sacrifices, it appears sometimes as a protégé of the god, sometimes as one of its multiple forms, often dreadful
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Sitepu, Ied Veda Rimrosa [Verfasser]. "Competencies of Higher Education Graduates: A Case of Universitas Kristen Indonesia / Ied Veda Rimrosa Sitepu." Kassel : Universitätsbibliothek Kassel, 2013. http://d-nb.info/1037849906/34.
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Souza, Rodrigo Telles de. "A investiga??o criminal e a veda??o ao anonimato no sistema jur?dico brasileiro." Universidade Federal do Rio Grande do Norte, 2012. http://repositorio.ufrn.br:8080/jspui/handle/123456789/13930.
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Previous issue date: 2012-04-27The thesis, prepared with basis on deductive reasoning (through the utilization of general concepts of the fundamental rights theory) and on inductive logic (by means of the consideration of particular situations in which the theme has been approached) deals with the criminal investigation and the prohibition of anonymity in the Brazilian law system. The state criminal investigation activity presents not only a substantial constitutional basis, due to the objective dimension of fundamental rights (which imposes an obligation to protect these essential values), but also a formal constitutional basis, arising from the administrative principles of rule of law, morality and efficiency, referred to in article 37 of the Constitution. The criminal investigation, however, is not an unlimited pursuit, being restrained by the duty to consider fundamental rights that oppose to its realization. One of the limits of the state investigation activity, in the Brazilian law system, is the prohibition of anonymity, referred to in article 5?, IV, of the Constitution. This prohibition is a direct constitutional restriction to the freedom of expression that aims to ensure the credibility of the diffusion of ideas and prevent the abusive exercise of this fundamental right, which could harm both persons and the state, with no possibility of punishment to the offending party. Generally, based on this prohibition, it is affirmed that a criminal investigation cannot begin and progress founded on anonymous communication of crimes. Informations about crimes to the investigative authorities require the correct identification of the stakeholders. Therefore, it is sustained that the prohibition of anonymity also comprehends the prohibition of utilization of pseudonyms and heteronyms. The main purpose of this essay is to recognize the limits and possibilities in starting and conducting criminal investigations based on communication of crimes made by unidentified persons, behind the veil of anonymity or hidden by pseudonyms or heteronyms. Although the prohibition of article 5?, IV, of the Constitution is not submitted to direct or indirect constitutional restrictions, this impediment can be object of mitigation in certain cases, in attention to the constitutional values that support state investigation. The pertinence analysis of the restrictions to the constitutional anonymity prohibition must consider the proportionality, integrated by the partial elements of adequacy, necessity and strict sense proportionality. The criminal investigation is a means to achieve a purpose, the protection of fundamental rights, because the disclosure of facts, through the investigatory activity, gives rise to the accomplishment of measures in order to prevent or punish the violations eventually verified. So, the start and the development of the state criminal investigation activity, based on a crime communication carried out by an unidentified person, will depend on the demonstration that the setting up and continuity of an investigation procedure, in each case, are an adequate, necessary and (in a strict sense) proportional means to the protection of fundamental rights
A disserta??o, elaborada com base no m?todo dedutivo, atrav?s da utiliza??o de conceitos gerais de teoria dos direitos fundamentais, e no m?todo indutivo, mediante a considera??o de situa??es particulares em que o assunto foi abordado, trata da investiga??o criminal e da veda??o ao anonimato no sistema jur?dico brasileiro. A atividade investigat?ria criminal do Estado apresenta um fundamento constitucional substancial ou final?stico, decorrente da dimens?o objetiva dos direitos fundamentais, que imp?e um dever de prote??o eficiente a esses valores b?sicos, e outro formal ou instrumental, derivado dos princ?pios administrativos da legalidade, da moralidade e da efici?ncia, previstos no artigo 37 da Constitui??o. A investiga??o criminal, entretanto, n?o ? ilimitada, submetendo-se a restri??es decorrentes da obrigatoriedade de considera??o de direitos fundamentais que venham a contrapor-se ? sua concretiza??o. Uma das limita??es a que se sujeita a atividade estatal investigat?ria, no sistema jur?dico brasileiro, consiste na veda??o ao anonimato, consagrada no artigo 5?, IV, da Constitui??o. Tal proibi??o ? uma restri??o diretamente constitucional ? liberdade de manifesta??o do pensamento e objetiva assegurar a credibilidade da divulga??o de ideias, bem como evitar que o direito fundamental em refer?ncia seja exercido de forma abusiva, causando danos a particulares e ao poder p?blico, sem que seja poss?vel a puni??o do respons?vel. Normalmente, com base nessa veda??o, afirma-se que uma investiga??o criminal n?o pode iniciar-se ou desenvolver-se a partir de comunica??es an?nimas de il?citos. As informa??es sobre il?citos penais ao poder p?blico, para fins de investiga??o, pressup?em a correta identifica??o dos respectivos interessados. Por isso se sustenta que a veda??o ao anonimato tamb?m abrange a proibi??o do uso de pseud?nimos e heter?nimos. O objetivo principal do trabalho consiste em demarcar os limites e as possibilidades do in?cio e do desenvolvimento de investiga??es criminais com base em comunica??es de il?citos formuladas por pessoas n?o identificadas, sob o manto do anonimato, de pseud?nimos ou de heter?nimos. Embora a proibi??o do artigo 5?, IV, da Constitui??o n?o esteja sujeita a restri??es direta ou indiretamente estabelecidas pelo texto constitucional, tal veda??o pode ser alvo de interven??o em certos casos, em aten??o aos valores constitucionais que fundamentam a investiga??o do Estado. O exame do cabimento e da medida da restri??o ? veda??o constitucional ao anonimato, em prol da efetividade da investiga??o estatal, h? de concretizarse mediante o recurso ? proporcionalidade, formada pelos elementos parciais da adequa??o, da necessidade e da proporcionalidade em sentido estrito. O desempenho da atividade investigat?ria criminal ? um meio para o alcance de uma finalidade, o exerc?cio do dever estatal de prote??o a direitos fundamentais, pois o esclarecimento dos fatos, mediante a investiga??o, permite a ado??o de medidas preventivas ou repressivas em rela??o ?s viola??es eventualmente constatadas. Assim, o in?cio e o desenvolvimento da atividade investigat?ria criminal do Estado com base em uma comunica??o de il?cito formulada por pessoa n?o identificada dependem da demonstra??o de que a instaura??o e a continuidade de uma investiga??o, em cada caso, s?o meios adequados, necess?rios e proporcionais em sentido estrito para a prote??o a direitos fundamentais
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Agüero-Luyo, Gerardo-Arturo, and Gerardo-Arturo Agüero-Luyo. "Tratamiento tributario de los costos indirectos fijos incurridos en periodos de veda en el sector pesca." Master's thesis, Universidad de Lima, 2016. http://repositorio.ulima.edu.pe/handle/ulima/3100.
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El sector pesquero que comprende las actividades de extracción y transformación de recursos hidrobiológicos tanto para el consumo humano directo (enlatado, fresco o congelado) e industrial (harina y aceite de pescado), es un elemento estratégico para la economía del Perú, principalmente por ser una importante fuente generadora de divisas después de la minería. Es por ello, que la Administración Tributaria en los últimos años ha venido incrementando las fiscalizaciones tributarias debido al alto nivel de impuestos recaudados en el sector.Trabajo de investigación
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Colares, Rodrigo Silva. "Avalia??o da efici?ncia t?rmica da alvenaria de veda??o utilizando tijolos cer?micos." UFVJM, 2017. http://acervo.ufvjm.edu.br/jspui/handle/1/1816.
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Um bom projeto arquitet?nico deve considerar o conforto do usu?rio, sendo que um dos principais fatores que dificultam na execu??o do mesmo ? a posi??o de cada c?modo. Este problema ? relevante, considerando a posi??o do sol em rela??o ao terreno, sendo que parte da edifica??o ficar? posicionada com sua parede recebendo energia t?rmica no per?odo da tarde, gerando desconforto no ambiente. Este fato ? agravante em regi?es em que as altas temperaturas s?o comuns quase o ano todo. A redu??o do fluxo de calor para dentro da resid?ncia se torna fundamental, minimizando a utiliza??o de aparelhos que reduzem a temperatura. A pesquisa tem como objetivo determinar uma melhor configura??o para a alvenaria de veda??o, avaliando sua efici?ncia t?rmica. Ap?s os ensaios realizados, constatou-se que as paredes duplas com tijolos de 8 ou 9 furos, com ou sem EPS entre as camadas, melhoram de forma significativa o conforto t?rmico no interior das edifica??es. A configura??o com reboco de 2cm em ambos os lados apresentou melhor custo x benef?cio.
Disserta??o (Mestrado Profissional) ? Programa de P?s-Gradua??o em Tecnologia, Sa?de e Sociedade, Universidade Federal dos Vales do Jequitinhonha e Mucuri, 2017.
A good architectural design should regard the comfort of the user, since one of the main factors that hampers its execution is the position of each room. This problem is relevant, considering the position of the sun in relation to the terrain, since the building part will be positioned with its wall receiving thermal energy in the period of the afternoon, generating discomfort in the environment. This fact is aggravating in regions that high temperatures are common almost all year. Reducing the flow of heat into the home becomes essential, minimizing the use of equipments that decrease the temperature. The research aims to determine a better configuration for the mansory of the seal, evaluating it?s thermal efficiency. After the tests, it was verified that double walls with 8 or 9 hole-bricks, with or without EPS between the layers, significantly improve the thermal comfort inside the buildings. The configuration with 2 cm plaster on both sides showed better cost x benefit.
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Moisson, Patrick. "Dieux magiciens dans la Rgvedasamhita : approche comparative de structures mythiques indo-européennes." Lyon 3, 1990. http://www.theses.fr/1990LYO31005.
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Ce travail est une etude de mythologie comparee qui propose de degager les structures mythiques propres aux dieux magiciens dans le pantheon vedique, tel qu'il apparait dans les hymnes de la rgvedasamhita, l'un des principaux textes de l'inde ancienne qui constitue le panegyrique divin. Nous entendons par "dieux magiciens" les divinites qui gerent la part irrationnelle et inquietante du sacre ; ils peuvent etre identifies par leurs moyens d'action, leur personnalite, leurs attributs et leurs mythes. Cette etude s'efforcera de demontrer que les dieux magiciens partagent des structures mythiques bien definies qui permettent une analyse comparee dans le domaine indo-europeen : ils assurent un role de regulateur de l'irrationnel, ils s'inscrivent dans une dimension cosmique, ils sont en rapport etroit avec le monde des esprits, ils patronnent les confreries a caractere initiatiqueThis work is a survey of comparative mythology ; it constitutes a study of magician gods in relation to their mythical structures in the hymns of the rgvedasamhita, the oldest religious poem of ancient india as the divine panegyric of the vedic religion. The particular nature of the "magician gods" consists of the management of irrational and disturbing part of the religious feelings. They are recognizable by their own behaviour, attributes and myths. This study is intended to demonstrate that the magician gods share definite mythical structure ; therefore these structures allow a comparative analysis in the indo-european sphere : magician gods are the governors of irrational manifestations, they are inscribed in a cosmic size ; closely bound with the world of the spirits, they are protectors of the brotherhoods practising initiations
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Gondim, Priscylla Cinthia Alves. "Desenvolvimento de bloco de veda??o com barita na composi??o de partida para blindagem de radia??o X." Universidade Federal do Rio Grande do Norte, 2009. http://repositorio.ufrn.br:8080/jspui/handle/123456789/12744.
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Previous issue date: 2009-08-21Conselho Nacional de Desenvolvimento Cient?fico e Tecnol?gico
This work main objective is to study the use of bricks in barium X-rays rooms in order to contribute to the optimization of shielding rooms diagnosis. The work was based on experimental measurements of X-ray attenuation (40 to 150 kV), using ceramic seal bearing the incorporation of barium sulfat (BaSO4). Different formulations were studied in three different firing temperatures and evaluated for incorporation in the ceramic body. The composition of 20% of barite processed at a temperature of 950 ? C showed better physical and mechanical properties, is considered the most suitable for the purpose of this work. Were produced bricks sealing composition formulated based on that presented the best technological features. These blocks were tested physically as a building material and wall protective barrier. Properties such as visual, deviation from the square, face flatness, water absorption and compressive strength were evaluated for all the blocks produced. The behavior of this material as attenuator for X-rays was investigated by experimental results which take into account mortar manufacturers barium through the different strains and compared with the reference material (Pb). The simulation results indicated that the ceramic block barium shows excellent properties of attenuation equivalence lead taking into account the energy used in diagnostic X-ray
Este trabalho tem por finalidade principal estudar a utiliza??o de blocos cer?micos baritados em salas de radia??o X, visando contribuir para a otimiza??o da blindagem de salas de diagn?stico. O trabalho foi baseado em medidas experimentais de atenua??o da radia??o X (40 a 150 kV), empregando material cer?mico de veda??o contendo a incorpora??o de sulfato de b?rio (BaSO4). Diferentes formula??es foram estudadas em tr?s temperaturas de queima diferentes e avaliadas as incorpora??es na massa cer?mica. A composi??o de 20% de barita processada a temperatura de 950?C, apresentou melhores propriedades f?sicas e mec?nicas, sendo considerada a mais adequada para a proposta deste trabalho. Foram produzidos blocos cer?micos de veda??o baseados na composi??o formulada que apresentou melhores caracter?sticas tecnol?gicas. Estes blocos foram testados fisicamente como material construtivo de parede e barreira protetora. Propriedades como caracter?sticas visuais, desvio com rela??o ao esquadro, planeza das faces, absor??o de ?gua e resist?ncia ? compress?o foram avaliadas para todos os blocos produzidos. O comportamento deste material como atenuador para a radia??o X foi investigado por meio de resultados experimentais que levaram em considera??o fabricantes de argamassas baritadas atrav?s das diferentes tens?es e comparado com o material de refer?ncia (Pb). Os resultados obtidos nas simula??es indicaram que o bloco cer?mico baritado demonstra ?timas propriedades de atenua??o em equival?ncia ao chumbo levando-se em conta as energias usadas em raios X diagn?stico
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DEEG, Max. "SHAMANISM IN THE VEDA: THE KEŚIN-HYMN (10.136), THE JOURNEY TO HEAVEN OF VASIṢṬHA (ṚV.7.88) AND THE MAHĀVRATA-RITUAL." 名古屋大学印度哲学研究室 (Department of Indian Philosophy, University of Nagoya), 1993. http://hdl.handle.net/2237/19181.
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Grace, Victoria. "The Goddess of Victory : a philological and stylistic analysis of Sarasvatī in the Ṝgveda." Strasbourg, 2011. http://scd-theses.u-strasbg.fr/2495/.
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Ma thèse a pour objet le rôle de la déesse-fleuve Sarasvatī dans le Ṛgveda, le plus ancien texte de l’Inde en sanskrit védique (2ème millénaire av. N. è). Sarasvatī est l’une des rares divinités védiques dont le culte persiste jusqu’aux temps modernes, et cela malgré son statut mineur dans le Ṛgveda où son nom apparaît dans 71 strophes et trois hymnes qui lui sont adressés. La thèse cherche à résoudre la dichotomie entre la nature physique et mythologique de la déesse, notamment que les tribus védiques vénéraient un fleuve du nom de Sarasvatī qui se desséchait progressivement en même temps qu’elles la célébraient comme déesse de la poésie. Une analyse des attributs, des actions et des requêtes adressés à la divinité montre qu’elle a cinq fonctions distinctes : fleuve, elle est aussi une déesse de la guerre, des joutes verbales, de la poésie et de la fertilité. Ces diverses fonctions ne sont pas en contradiction les unes avec les autres : elles sont liées entre elles par une série de connexions. Il apparaît que le fleuve formait jadis une frontière territoriale séparant les tribus indo-aryennes de la population indigène du sous-continent indien, ce qui a fait de Sarasvatī une déesse guerrière. La confrontation guerrière se répercute dans la sphère du sacrifice où Sarasvatī a une fonction en tant que déesse des joutes poétiques. Les fréquentes sollicitations en vue de l’assistance aux patrons-guerriers dans les guerres et aux poètes dans les joutes montrent qu’elle est, dans le Ṛgveda, avant tout une déesse de la compétition et de la victoire. Cette interprétation de Sarasvatī est tout à fait inédite et jette une nouvelle lumière sur son personnage dans la religion védiqueThis thesis examines the role of the river goddess Sarasvatī in the Ṛgveda, the most ancient text of the Indian corpus from the second millennium B. C. E. Sarasvatī is one of the few Vedic deities to have endured through to modern-day Hinduism despite her minor status in the Ṛgveda where her name appears just 71 times with only three hymns dedicated to her. The thesis seeks to resolve the dichotomy between the physical and mythical reality of the goddess by examining why the Vedic people worshipped a river that was seemingly in a state of desiccation and simultaneously revered it as a goddess of poetry. An analysis of all her attributes, actions, and requests reveals that her personality comprises five distinct aspects, which determine her unique role in the Vedic religion: she is a river but also a goddess of war, verbal contests, poetry, and fertility. These aspects are not at variance with one another, but are rather linked via a series of connections in such a way that her function as a goddess of poetry is tied to her physical nature. It seems that the river at one time formed a territorial boundary dividing the migrating Indo-Aryans tribes from the indigenous population of the Indian subcontinent, which in turn led to Sarasvatī becoming a warrior goddess. This military competition is then reflected in the sacrificial domain where she holds the function of a goddess of poetic contests. The frequent requests for Sarasvatī to assist the warrior-patrons in battle and the poets in the verbal contests show that her most central roles are as a goddess of competition and victory. This wholly-revised perspective thus throws new light on her function in the Vedic religion
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R?go, Vilson Ribamar. "Avalia??o da conformidade de blocos cer?micos para alvenaria de veda??o produzidas na Regi?o Integrada de Desenvolvimento da Grande Teresina." Universidade Federal do Rio Grande do Norte, 2008. http://repositorio.ufrn.br:8080/jspui/handle/123456789/12668.
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Previous issue date: 2008-06-13This research presents an outlook of the industries of red ceramic in the region next to the city of Teresina and an analysis of the ceramic products producted in this pole. The microregion investigated possesses 13 boroughs where were identified 32 ceramic in operation, being that 24 are located in Teresina, the ceramic region more important of Piau?, 1 is located in the city of Miguel Le?o and 7 is located in Timon city that belongs to the state of Maranh?o. The majority of ceramics are pulverized in these two cities, Teresina and Timon , responsible by a largely production independent of distance between fabric and consumer market. Furthermore, there is an artisanal production realized in other boroughs, mainly manual conformation bricks, where are producted diverse types of handicraft and ceramics utilitarian. The objective of this research is to evalue the conformity of ceramic blocks for brick of obstruction made by red ceramic industry of microregion at studying, verifying their pontentialities and adequacy in terms of production. In this research universe made a search of ceramic industries related to the Foundation CEPRO (Foundation Center of Research Social and Economic of Piau?). For the analysis of the ceramic products , were colected 60 crude bricks sample in three industries for their characterization, and 39 burned bricks sample for the Evaluation of Conformity. The results of the characterization made reached a accetptable standard in all formulations and temperature studied. The burned samples were applied to the geometric, physical and mechanical assays according to the ABNT standards (Brazilian Association of Technical Standards). The results of the physical assays showed that all the samples are at the same band recommended by standard. However, through the geometric assays just two industries did not present results according to the standard, due to lack of control in their process such as in their equipments. Taking into account the mechanical properties, only one industry investigated was not according to the standard
Esta pesquisa apresenta um panorama das ind?strias de cer?mica vermelha na Regi?o Integrada de Desenvolvimento da Grande Teresina e uma an?lise dos produtos cer?micos fabricados nesse p?lo. A microrregi?o em estudo possui 13 munic?pios onde foram identificadas 32 cer?micas em atividades, sendo que 24 est?o situadas na cidade de Teresina, o p?lo cer?mico de maior import?ncia do Piau?, 1 na cidade de Miguel Le?o e 7 no munic?pio de Timon, no vizinho estado do Maranh?o, que faz parte da grande Teresina. A maioria das cer?micas est? pulverizada nestas duas Cidades, Teresina e Timon, respons?veis por uma produ??o largamente independente da dist?ncia entre f?brica e mercado consumidor. Al?m dessas, h? a produ??o artesanal realizada nos demais munic?pios, principalmente, tijolos de conforma??o manual, onde tamb?m s?o produzidos diversos tipos de artesanato e utilit?rios cer?micos. O objetivo desta pesquisa ? avaliar a conformidade de blocos cer?micos para alvenaria de veda??o, produzidos pela ind?stria de cer?mica vermelha da microrregi?o em estudo, verificando suas potencialidades e adequa??o em termos produtivos. Para defini??o do universo da pesquisa, fez-se um levantamento das ind?strias cer?micas junto ? Funda??o CEPRO (Funda??o Centro de Pesquisas Econ?micas e Sociais do Piau?). Para a an?lise dos produtos cer?micos, foram coletadas 60 amostras de tijolos verdes em tr?s ind?strias, para a caracteriza??o desses produtos e 39 amostras de tijolos queimados, para a avalia??o da conformidade. Os resultados das caracteriza??es realizadas apresentaram um padr?o aceit?vel em todas as formula??es e temperaturas estudadas. As amostras queimadas foram submetidas aos ensaios geom?tricos, f?sicos e mec?nicos de acordo com as normas da ABNT (Associa??o Brasileira de Normas T?cnicas). Os resultados dos ensaios f?sicos mostraram que todas as amostras est?o dentro da faixa recomenda pela norma. J? nos ensaios geom?tricos, duas ind?strias apresentaram resultados n?o conforme com a norma, devido ? falta de controle nos seus processos e nos equipamentos. Quanto ?s propriedades mec?nicas, apenas uma ind?stria pesquisada n?o atendeu ? norma, devido ao fato do controle inadequado do seu processo
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Andrade, J?lio Thalles de Oliveira. "O princ?pio da veda??o ao retrocesso social e o papel dos poderes p?blicos na efetiva??o dos direitos fundamentais sociais." Universidade Federal do Rio Grande do Norte, 2013. http://repositorio.ufrn.br:8080/jspui/handle/123456789/13953.
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Previous issue date: 2013-06-10The purpose of this dissertation is to analyze the role of Public Powers in the enforcement of fundamental social rights, according to the principle of prohibition to social regression. The Federal Constitution of Brazil, situated in a position normative hierarchical superior, disciplines the legal and political process of the country, determining how Public Powers (Legislative, Executive and Judiciary) should act to enforce fundamental rights (social). Thus, features a cast of fundamental rights that aim to ensure social justice, highlighting the concern to ensure social values aimed at reducing social inequalities. The will of the state should be prevented by controlling the constitutionality of measures which restrict fundamental social rights, assuming the principle of human dignity, pillar of Social and Democratic State of Right, a dual role in the brazilian legal system, acting as the presupposition of jurisdictional control of the constitutionality of restrictive acts and as supervisory of omission or insufficient action of the State in the fulfillment of their fundamental duties. The constitutional determinations remove from the legislator the option to create or not the law that prints effectiveness to the social rights, as well as from the Executive the option of to execute or not rules directed at realization of the constitutional parameters, and Judiciary to behave or not in accordance with the Constitution, being given to the Powers only the arbitrariness of "how" to do, so that all functions performed by public actors to use the Constitution as a repository of the foundational values of the collectivity. Any situation that does not conform the principle of proportionality in relation to the enforcement of fundamental rights, especially the social, represents an unacceptable social regression unconstitutional. The constitutional rules and principles postulated by the realization of the rights, freedoms and guarantees of the human person, acting the principle of prohibition to social regression to regulate a concrete situation, whenever it is intended to change, reducing or deleting, the content of a social right. This paper of limit of state action serves to provide to the society legal security and protection of trust, ensuring the core of every social right. This should be effected to be sheltered the existential minimum, as a guarantee of the inviolability of human life, respecting the constitutional will, not falling into social regression
A proposta da presente disserta??o ? analisar o papel dos Poderes P?blicos na efetiva??o dos direitos fundamentais sociais, tendo como norte o princ?pio da veda??o ao retrocesso social. A Constitui??o Federal do Brasil, encontrando-se numa posi??o hier?rquico-normativa superior, disciplina o processo jur?dico-pol?tico do pa?s, determinando como os Poderes P?blicos (Legislativo, Executivo e Judici?rio) devem atuar para efetivar os direitos fundamentais (sociais). Dessa forma, traz um elenco de direitos fundamentais que objetivam garantir justi?a social, evidenciando a preocupa??o em assegurar os valores sociais dirigidos ? diminui??o das desigualdades sociais. O arb?trio estatal deve ser impedido por meio do controle de constitucionalidade das medidas restritivas de direitos fundamentais sociais, assumindo o princ?pio da dignidade da pessoa humana, pilar do Estado Social e Democr?tico de Direito, uma dupla fun??o no ordenamento jur?dico brasileiro, atuando como pressuposto do controle jurisdicional de constitucionalidade dos atos restritivos e como fiscalizador da omiss?o ou atua??o insuficiente do Estado na efetiva??o de seus deveres fundamentais. As determina??es constitucionais retiram do legislador a op??o de criar ou n?o a lei que imprime efic?cia aos direitos sociais, bem como ao Executivo a op??o de executar ou n?o as normas dirigidas ? efetiva??o dos par?metros constitucionais e do Judici?rio de julgar ou n?o de acordo com a Constitui??o; sendo conferida aos Poderes apenas a discricionariedade do como fazer, de forma a que todas as fun??es desempenhadas pelos atores p?blicos utilizem-se da Carta Magna como reposit?rio dos valores fundantes da coletividade. Qualquer situa??o que n?o atenda ao princ?pio da proporcionalidade em rela??o ? efetiva??o dos direitos fundamentais, especialmente dos sociais, representa um inaceit?vel retrocesso social. As regras e princ?pios constitucionais postulam pela realiza??o dos direitos, liberdades e garantias da pessoa humana, atuando o princ?pio da veda??o ao retrocesso social para regular uma situa??o concreta, sempre que se pretenda alterar, reduzindo ou excluindo, o conte?do de um direito social. Esse papel de limite da atua??o estatal serve para proporcionar ? sociedade seguran?a jur?dica e prote??o da confian?a, assegurando o n?cleo essencial de cada direito social. Este deve ser efetivado para que seja resguardado o m?nimo existencial, como forma de garantia da inviolabilidade da vida humana, respeitando-se a vontade constitucional, n?o recaindo em retrocessos sociais
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Reis, Edmilson Pedreira dos. "Estudo da adi??o de finos de rocha na fabrica??o de blocos e tijolos de veda??o do extremo sul da Bahia." PROGRAMA DE P?S-GRADUA??O EM CI?NCIA E ENGENHARIA DE MATERIAIS, 2016. https://repositorio.ufrn.br/jspui/handle/123456789/24351.
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O ?p? de pedra? ? um res?duo resultante do beneficiamento de rochas para obten??o de britas utilizadas na constru??o civil, tendo estas o seu uso mais comum em concretos. A sua gera??o ? na ordem de 10% a 15% do volume total de pedra beneficiada e, normalmente, s?o depositadas na ?rea da empresa de minera??o. O objetivo desta pesquisa foi desenvolver blocos e tijolos cer?micos, com mat?riasprimas provenientes da regi?o de Eun?polis, no extremo sul da Bahia, com adi??o deste res?duo na argila de queima vermelha. Com isso, pretende-se dar destino adequado ao res?duo e, ao mesmo tempo, preservar as jazidas de argila da regi?o, reduzindo o impacto ambiental causado por sua explora??o. As massas cer?micas foram formuladas com a t?cnica de planejamento de misturas, utilizando, para isso, o software Statistic. As porcentagens do res?duo na massa foram de 0, 15 e 30%, em massa, definidas pelo software em fun??o do limite m?ximo de 30% de res?duo que foi utilizada na massa cer?mica. Foram confeccionados corpos de provas nas dimens?es de 60x20x5 mm3 em matriz met?lica, e prensados uniaxialmente com uma press?o de 25 MPa. A queima ocorreu nas temperaturas de 825?C, 925?C e 1025?C, com taxa de aquecimento de 1?C/min, 8?C/min e 15?C/min, e patamar de 180 minutos na temperatura m?xima. A caracteriza??o das mat?rias-primas e das massas formuladas foi realizada atrav?s de ensaios de granulometria, limites de Atterberg, fluoresc?ncia de raios X (FRX), difra??o de raios X (DRX), microscopia eletr?nica de varredura (MEV), microscopia ?tica (MO), an?lise termogravim?trica (TG) e calorimetria explorat?ria diferencial (DSC). As propriedades f?sicas determinadas foram a absor??o de ?gua, retra??o linear, porosidade, resist?ncia ? flex?o e massa espec?fica aparente. Foi analisado, tamb?m, o comportamento da massa cer?mica, no que diz respeito ? extrus?o dos blocos cer?micos em extrusora de laborat?rio, determinando a sua resist?ncia ? compress?o (Rc) e absor??o de ?gua (AA). A efic?cia do planejamento de misturas foi confirmada, realizando os mesmos ensaios mec?nicos e f?sicos em uma nova formula??o feita com percentual diferente das utilizadas para obten??o do modelo de regress?o, mas ainda, dentro da regi?o de interesse. A an?lise dos resultados permitiu demonstrar a viabilidade da incorpora??o do res?duo em at? 30% nas argilas, para fabrica??o de blocos cer?micos e tijolos maci?os utilizados em alvenaria de veda??o.
Stone dust is a residue resulting from the processing of rocks for obtaining gravel used in civil construction, most commonly in concrete. It is generated in the order of 10% to 15% of the total volume of the stone employed and is typically deposited throughout and around the area of the mining company. The objective of this study was to develop and ceramic blocks and bricks utilizing raw materials readily available in region of Eun?polis, extreme south of Bahia, with the addition of this residue to the red clay. Consequently, it aims to provide a suitable end-use for the residue, at the same time preserving deposits of clay in the region by reducing the environmental impact caused by their exploitation. The ceramic masses were formulated following a mixture-planning technique through the use of the Statistic software. The total percentages of residue used in the mass were of between 15% and 30%, as defined by the software on the stipulation of a 30% ceiling on the residue used in the mass. In a metal matrix, 60x20x5 mm3 test samples were created and then pressed uni-axially at a pressure of 25 MPa. The firing was performed at temperatures of 825?C, 925?c and 1025?C, with concordant heating rates of 1?C/min, 8?C/min and 15?C/min and an established time limit of 180 minutes at the maximum temperature. Characteristics of the raw materials and resultant masses were measured through testing of granulometry, Atterberg limits, X-ray fluorescence (XRF), X-ray diffraction (XRD), scanning electron microscopy (SEM), optical microscopy (OM), thermos-gravimetric analysis (TGA) and exploratory differential scanning calorimetry (DSC). The physical properties measured were determined water absorption, linear retraction, porosity, resistance to flexion and apparent specific mass. Additionally, the behavior of ceramic mass in regards to extrusion of the ceramic blocks using a laboratory extruder was analyzed, determining its resistance to compression (Rc) and water absorption (AA). Effectiveness of the mixture formulation was confirmed by performing the same physical and mechanical testing on a new formulation with different percentages than those used for obtaining the regression model, though still within the targeted range. Analysis of the results demonstrated the viability of incorporating the residue in masses, in quantities of up to 30%, for the manufacture of solid ceramic blocks and bricks used in masonry.
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Spiers, Carmen. "Magie et poésie dans l’Inde ancienne : édition, traduction et commentaire de la Paippalādasaṁhitā de l’Atharvaveda, livre 3." Thesis, Université Paris sciences et lettres, 2020. http://www.theses.fr/2020UPSLP054.
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Cette thèse allie une étude de l’Atharvaveda, une tradition rituelle de l’Inde ancienne, à l’édition avec traduction et commentaire d’un livre d’hymnes appartenant à sa liturgie. L’auteur défend l’association de l’Atharvaveda avec la « magie », définie selon des critères structuraux plutôt que descriptifs, au moyen d’une étude historique de l’évolution au cours de l’époque védique (1500 à 500 avant notre ère) du rôle de l’Atharvaveda au sein de la communauté des prêtres-poètes brahmanes d’où elle émane, dans une position marginale par rapport aux trois Veda majeurs. Le rôle rituel des hymnes est ensuite étudié : l’analyse du discours finalement idéologique du poète védique sur le pouvoir de la parole, ainsi que du contexte concret des rites empreint des rivalités virulentes entre prêtres, suggère que l’application de la théorie austinienne de la performativité, souvent évoquée dans le domaine, n’est pas adaptée à l’interprétation rituelle des hymnes. L’auteur soutient que ceux-ci sont mieux compris sous un angle rhétorique en tant que véhicule d’un discours persuasif. Cette approche permet de rendre compte de la raison de la complexité poétique que peuvent atteindre ces hymnes. La seconde partie de ce travail comporte une édition critique des quarante hymnes du livre 3 du recueil atharvanique du nom de Paippalādasaṁhitā, accompagnée d’une première traduction en français et en anglais, ainsi que d’un commentaire détaillé pour chaque hymneThis thesis combines a study of the Atharvaveda, an ancient Indian ritual tradition, with an edition, translation, and commentary of a book of hymns from its liturgy. The author defends the association of the Atharvaveda with “magic”, defined according to structural rather than descriptive criteria, by examining the historical evolution, over the course of the Vedic period (1500-500 bce), of the tradition’s role within the community of brahmin poet-priests to which it belongs, though in a marginal position with respect to the three major Vedas. Next discussed is the ritual role of the Atharvavedic hymns: by analyzing the Vedic poet’s ideological representation of the power of the word, as well as the pragmatic context of the rites marked by violent rivalries among priests, the author argues that the oft-encountered application of Austinian performative theory is not suited to the ritual interpretation of Atharvavedic hymns. These are better understood from a rhetorical angle as elements of persuasive discourse, an approach which can account for the poetic complexity reached by some hymns. The second part of this thesis is a critical edition of the forty hymns that make up the third book of the Atharvavedic collection of hymns known as the Paippalādasaṁhitā, with a first translation into English and French, as well as a detailed commentary to each hymn
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Sandness, Adela. "La voix de la rivière de l'être : études sur la mythologie de Sárasvatı̄ en Inde ancienne." Paris, EPHE, 2004. http://www.theses.fr/2004EPHE5002.
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Cette étude présente une analyse qualitative et quantitative de la nature de Sarasvati telle que décrite dans des passages de la littérature védique. Elle identifie ce qui relie et distingue les deux formes de cette divinité qui est simultanément rivière et aspect de la Parole créatrice. Cette étude linguistique, avec le commentaire des strophes nommant ou dédiées à Sarasvati ou Sarasvant dans le Rg-Veda, est suivie de l’analyse combinée de la nature de Sarasvati telle qu’elle est présentée dans les sélections rgvédiques étudiées. Nous concluons que, dans les perceptions des poètes du Rg-Veda, Sarasvati fonctionne comme le contenant d’une sève cosmique qu’elle détient et dispense sous différentes formes et en des lieux différents dans un cosmos où le principe non-manifesté de vie se manifeste par l’intermédiaire d’une figure féminine et est animé par la présence d’une figure masculine correspondante dans une structure cosmique qui est numériquement codée. La substance dans Sarasvati est ce qui met en vie ce cosmos. Sarasvati en tant que rivière et Sarasvati en tant qu’aspect de la Parole apparaît aux extrémités opposées de ce spectre cosmique avec la forme intermédiaire de Sarasvati en tant que vache et sources cosmique des matières oblatoires. Ces extrémités et leur milieu se rejoignent pour créer une rivière cosmique Sarasvati qui coule comme une figure transcendante à travers les mondes du cosmos védique vivifiant à la fois les hommes et les dieuxThis study proffers a qualitative and quantitative analysis of the nature of Sarasvati as she is depicted on select Vedic literature. It identifies what relates and distinguishes the two forms of this deity which is simultaneously river and aspect of creative Speech. This linguistic study with commentary of the verses naming or dedicated to Sarasvati or Sarasvant in the Rg-Veda is followed by a composite analysis of the nature of Sarasvati as presented by the Rgvedic selections studied. We conclude that in the perceptions of the poets of the Rg-Veda, Sarasvati functions as a container of a contained substance that she holds and dispenses in different forms in different places in a cosmos where the non-manifest principle of life manifests by means of a feminine figure and Is animated by the presence of corresponding masculine figure in a cosmic structure that is numerically coded. The substance within Sarasvati is that which enlivens this cosmos. Sarasvati as river and Sarasvati as aspect of Speech appear at opposite ends of this cosmic spectrum along with an intermediate form of Sarasvati as cow and cosmic source of sacrificial offering substances including water, butter, milk, honey and speech. These ends and their middle join to create a cosmic river Sarasvati that flows as a transcendent figure through the worlds of the Vedic cosmos enlivening and invigorating both gods and men
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Schindler, Agata. "Oskar Elschek (Hg.): A History of Slovak Music. From the Earliest Times to the Present, Bratislava (Veda, Publisher of the Slovak Academy of Sciences) 2003 [Rezension]." Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2005. https://ul.qucosa.de/id/qucosa%3A15998.
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Lingerfelt, Wes, and Dan Dawson. "A Small State-of-the Art Range Safety Telemetry System." International Foundation for Telemetering, 1993. http://hdl.handle.net/10150/611839.
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International Telemetering Conference Proceedings / October 25-28, 1993 / Riviera Hotel and Convention Center, Las Vegas, NevadaThe US Air Force is required to protect the lives of individuals and property in areas potentially hazardous as a result of launch vehicle failures occurring from Vandenberg AFB, California. This paper describes the application of modern telemetry processing equipment to the Range Safety function.
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Oliveira, Rafaela Naiara de. "Propaga??o in vitro e controle de hiperidricidade em candeia (Eremanthus incanus (Less.) Less)." UFVJM, 2016. http://acervo.ufvjm.edu.br/jspui/handle/1/1095.
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Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES)
Este trabalho teve como objetivo desenvolver procedimentos de propaga??o in vitro de Eremanthus incanus e controlar a hiperidricidade em explantes durante o cultivo. Foram realizados cinco experimentos, que envolveram as etapas de germina??o, multiplica??o e alongamento. No experimento um, avaliou-se a influ?ncia dos meios de cultura MS e WPM (25, 50, 75 e 100% dos sais e vitaminas) no percentual de germina??o e na altura, n?mero de folhas e peso de mat?ria seca das pl?ntulas produzidas. Nos experimentos dois, tr?s e quatro os tratamentos consistiram de dois tipos de recipientes (tubos de ensaio e frascos de cultura) e quatro formas de veda??o (pel?cula de PVC, papel celofane, fita microporosa e tampas espec?ficas). No experimento dois, avaliou-se a influ?ncia dos recipientes e das formas de veda??es sobre o percentual de germina??o e de contamina??o, altura, n?mero de folhas e peso de mat?ria seca de pl?ntulas. No experimento tr?s, foram avaliados o n?mero de brota??es e a hiperidricidade em explantes na fase de multiplica??o, em tr?s subcultivos. J? no experimento quatro, a fase de alongamento foi avaliada em fun??o dos recipientes e formas de veda??o, em rela??o ?s vari?veis altura, hiperidricidade e peso de mat?ria seca. No experimento cinco, foram testadas quatro concentra??es de BAP e de TDZ e avaliados o n?mero de brota??es, hiperidricidade e calosidade, em dois subcultivos. No experimento um, o meio WPM75 apresentou o maior percentual de germina??o, enquanto o meio MS75 apresentou maior altura e n?mero de folhas, e o WPM100 maior peso de mat?ria seca. No experimento quatro, as combina??es tubo+fita, tubo+PVC e frasco+PVC proporcionaram os maiores percentuais de germina??o, enquanto os menores percentuais de contamina??o foram observados nos tratamentos tubo+fita e tubo+tampa. A combina??o tubo+celofane apresentou maior valor de altura e peso de mat?ria seca, e frasco+PVC maior n?mero de folhas. Observou-se no experimento tr?s, com rela??o ao n?mero de brota??es, que no subcultivo um a combina??o frasco+celofane foi superior, enquanto nos subcultivos dois e tr?s o tratamento tubo+celofane se destacou. Para a hiperidricidade, no subcultivo um, a combina??o tubo+tampa foi a que apresentou menor hiperidricidade, no subcultivo dois os tratamentos tubo+PVC e tubo+tampa se destacaram, e no subcultivo tr?s o melhor tratamento foi tubo+celofane. Na fase de alongamento (Experimento quatro), a combina??o tubo+celofane foi a que apresentou maior altura m?dia de explantes. Nos tr?s subcultivos, n?o ocorreu hiperidricidade na combina??o frasco+celofane, sendo tamb?m nessa combina??o observado o maior peso de mat?ria seca. No experimento cinco, o tratamento 0,75 mg L-1 BAP apresentou o maior n?mero de brota??es, nos dois subcultivos. Para a hiperidricidade, em ambos subcultivos, o BAP apresentou plantas com menor n?vel de hiperidricidade. Conclui-se que, na germina??o de sementes de Eremanthus incanus, o meio WPM com 75% de sais e vitaminas ? o mais indicado, enquanto para o estabelecimento da cultura o melhor ? o MS 75%. O tipo de recipiente e veda??o influenciam na multiplica??o, no alongamento e na hiperidricidade dos explantes, sendo que a combina??o do recipiente tubo de ensaio com a veda??o papel celofane transparente proporcionou, em geral, os melhores resultados. Quando comparadas as citocininas BAP e TDZ na multiplica??o, indica-se 0,75 mg L-1 de BAP. Mais estudos envolvendo a propaga??o in vitro devem ser realizados, principalmente relacionados ?s etapas de enraizamento e aclimata??o, de forma a consolidar uma metodologia para E. incanus.
Disserta??o (Mestrado) ? Programa de P?s-Gradua??o em Ci?ncia Florestal, Universidade Federal dos Vales do Jequitinhonha e Mucuri, 2016.
This study aimed to develop procedures for in vitro propagation of Eremanthus incanus and control the vitrification in explants during cultivation. Five experiments were carried out, involving the stages of germination, multiplication and stretching. In experiment 1, we evaluated the influence of culture medium MS and WPM (25, 50, 75 and 100% of salts and vitamins) in the percentage of germination and height, number of leaves and dry weight of the produced seedlings. The experiments 2, 3 and 4 treatments consisted of two types of containers (test tubes and culture vials) and four types of sealing (PVC film, cellophane, micropore tape and specific covers). In experiment 2, we evaluated the influence of the containers and sealing forms on the percentage of germination and contamination, height, number of leaves and dry weight of seedlings. In experiment 3, we evaluated the number of shoots and vitrification in explants in multiplication phase in three subcultures. In the experiment 4, the elongation phase was assessed according to the containers and sealing forms in relation to height variables, vitrification and dry matter weight. In experiment 5, four concentrations of BAP and TDZ were tested and the number of shoots, vitrification and callus were evaluated in two subcultures. In experiment 1, the culture medium WPM75 had the highest percentage of germination, while the MS75 medium showed higher height and number of leaves, and the WPM100 presented the greater weight of dry matter. In experiment 2, the combinations tube + tape, PVC pipe + tube and PVC + vial provided the highest percentage of germination, while the lowest percentage of contamination were observed in the treatments tube + tape and tube + cover. The tube combination tube + cellophane showed higher height and dry matter weight, and vial + PVC larger number of leaves. It was observed in the experiment 3, in relation with the number of sprouts, that in the subculture 1 the combination vial + cellophane was superior, while in subcultures 2 and 3 the treatment tube + cellophane stood out. For vitrification, in subculture 1 the combination tube + cover showed the lowest vitrification, in subculture 2 the treatments tube + PVC tube and cover + tube stood out, and in subculture 3 the best treatment was tube + cellophane. In the elongation phase (Experiment 4), the combination tube + cellophane showed the highest average height of explants. In the three subcultures, there was no vitrification in combination vial + cellophane, also being observed in this combination the greater weight of dry matter. In experiment 5, treatment 0.75 mg L-1 BAP had the highest number of shoots in the two subcultures. For vitrification, in both subcultures, BAP presented plants with lower vitrification. In conclusion, for the germination of Eremanthus incanus seeds, WPM medium with 75% of salts and vitamins is the most suitable, while for crop establishment the best medium is MS 75%. The type of container and sealing influence the multiplication, on elongation and vitrification of explants, being that the combination of the test tube container with transparent cellophane sealing provided, in general, the best results. When comparing the cytokinins BAP and TDZ in proliferation it is indicated 0.75 mg L-1 BAP. Further studies involving the in vitro propagation must be carried out, mainly related to steps of rooting and acclimatization to consolidate a methodology for E. incanus.
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Šifra, Miroslav. "Aristoteles na magnetickej rezonancii: Čo vedy o mozgu vedia o scenáristike." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-251451.
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Our stories are not taking place in the cinema, but in the mind of viewer - that's basic idea behind this thesis.
Best tools for insight into the minds of people are coming from cognitive sciences, but their perspective is often ignored by screenwriters.
How does the pattern-seeking brain works? Which psychological effects can influence the first act of screenplay? What is an anchoring? What screenwriter needs to know about selling home bakery? What is
theory of mirror neurons and what it can teach us about an empathy? How much information is just too much? And how viewer's attention operates?
These questions and examples from author's own work attempt to describe how to look at screenwriter's craft through the cognitive perspective.
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Bott, Robert (Conductor). "Sacred Sound at the Symphony: A Conductor's Guide to Faith Traditions in Choral-Orchestral Repertoire." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703425/.
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Since most historical composers of Western art music were European Christians (or resided in areas that were primarily populated by Christians), a vast majority of the sacred choral-orchestral repertoire is based on major figures and themes from the most prominent denominations, including Catholicism, Lutheranism, and Anglicanism. As a corollary this is also the case for analytical, pedagogical, and exegetical literature related to the topic. However, in the late nineteenth century some composers began to look to other faith traditions for inspiration, which resulted in compositions based on texts that are less-familiar to Western audience members and performers. Despite the fact that many of these pieces are innovative and well-written, few, if any, have entered the standard repertoire. Because of this they are under-represented in both performance and extant music literature. The purpose of this study is to examine three compositions from this marginalized category in order to produce a guide that provides salient information on the religious/cultural background and musical aspects of each work. This guide will serve as a resource for conductors to facilitate an understanding of and connection with the text, allow informed programming decisions, and promote approaches that are appropriate and respectful to the religious source material. The pieces selected for investigation are Gustav Holst's Choral Hymns from the Rig Veda, Op. 26: First Group, Lili Boulanger's Vielle Prière Bouddhique (Old Buddhist Prayer), and Robert Cundick's The Redeemer.
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Cunha, Marilisa de Sousa. "Avaliação Doppler da hemodinâmica na veia porta e veia cava caudal em Mustela putorius furo : estudo preliminar para definição de valores de referência." Master's thesis, Universidade de Lisboa. Faculdade de Medicina Veterinária, 2015. http://hdl.handle.net/10400.5/8440.
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Dissertação de Mestrado Integrado em Medicina VeterináriaA ultrassonografia duplex é actualmente o exame diagnóstico de eleição na avaliação da anatomia vascular e dinâmica de perfusão sanguínea. Em medicina veterinária a sua aplicação assume cada vez maior expressão, sobretudo nas espécies canina e felina. A progressiva popularidade do furão (Mustela putorius furo) como animal de companhia e a procura de cuidados médicos especializados potenciou a evolução da medicina. Até à data não existem registos da aplicação desta técnica no estudo de vasos sanguíneos nesta espécie. A inexistência de valores de referência limita o potencial diagnóstico. O principal objectivo deste estudo foi definir valores de referência para parâmetros hemodinâmicos na veia porta e cava caudal do furão, através do exame Doppler espectral sob anestesia com isoflurano. Pretendeu-se também avaliar qualitativamente o fluxo sanguíneo nestes vasos. O exame foi realizado na porta hepatis e a análise quantitativa envolveu o diâmetro (D), velocidade média (VF), fluxo sanguíneo médio (FS), índice de pulsatilidade (IP) e índice de congestão (IC). No total observaram-se 32 animais (16 fêmeas e 16 machos); um furão foi excluído devido a marcada replecção gástrica. O grupo A (n=17) incluiu animais clinicamente saudáveis e constituiu o grupo controlo. O grupo B (n=14) reuniu animais com patologia clinicamente comprovada. Devido a critérios de inclusão, a avaliação portal baseou-se apenas em 15 animais no grupo A e 13 no grupo B. No grupo controlo, observou-se fluxo uniformemente anterógrado na veia porta. O traçado espectral foi contínuo (padrão monofásico) com ligeiras oscilações respiratórias. Na veia cava caudal observou-se fluxo uniformemente anterógrado ligeira a marcadamente pulsátil e com pequenas oscilações associadas ao ciclo respiratório. Apenas um animal apresentou fluxo retrógrado no centro do vaso. Com base nos valores obtidos no grupo controlo calcularam-se os valores de referência (IC 95%). Na veia porta: D – 0.31-0.51 cm; VF – 14.30-24.97 cm/seg; FS – 1.50-5.92 ml/min/kg; IP – 0.12-0.28 cm/s; IC – 0-0.01 cm×s. Na veia cava caudal: D – 0.16 – 0.34 cm; VF – 13.42-30.42 cm/s; FS – 0.43-1.38 ml/min/kg; IP – 0.11-0.46 cm/s; IC – 0-0.01 cm×s. A comparação entre grupo A e B revelou diferença estatisticamente significativa do IP para ambas as veias (P=0,029 e P=0,032, respectivamente). Este projecto pioneiro disponibiliza novas informações sobre a biologia do furão e estabelece o ponto de partida para futuras investigações.
ABSTRACT - DOPPLER HAEMODYNAMIC EVALUATION OF PORTAL AND CAUDAL VENA CAVA IN MUSTELA PUTORIUS FURO: PRELIMINARY STUDY TO ESTABLISH REFERENCE VALUES - Duplex ultrasonography is currently the gold standard exam on vascular anatomy and haemodynamics. This technique has been increasingly used in veterinary medicine, particularly in cat and dog medicine. Ferret (Mustela putorius furo) medicine has been progressively evolving due to the rising popularity as a pet and the demand for specialized medical care. However, records of duplex ultrasonography examination of ferret’s blood vessels are inexistent. The lack of reference values limits its potencial as a diagnostic tool. The principal aim of the current study was to establish reference values for hemodynamic parameters of portal and caudal vena cava of ferrets. These parameters were measured with spectral Doppler in ferrets under isoflurane anaesthesia. It was also intended to qualitatively evaluate blood flow. All exams were performed at porta hepatis and the quantitative analysis included: diameter (D), median velocity (FV), median blood flow (BF), pulsatile (PI) and congestive index (CI). Thirty two animals were examined (16 hobs and 16 jills). One ferret was excluded owing to a marked increase in stomach volume. Group A (n=17) was the control group and included clinically healthy animals. Group B (n=14) was formed by clinically unhealthy animals. Due to inclusion criteria, portal vein exam included only 15 ferrets in group A and 13 in group B. The portal vein blood flow in group A was uniformly anterograde. The spectral waveform was continuous (monofasic pattern) with mildly respiratory oscillations. The caudal vena cava blood had a similar type flow but lightly to heavily pulsatile. The only exception was a ferret with retrograde flow in the center of the vein. The reference values of quantitative parameters were calculated from control group data with a CL of 95%. Portal vein normal values were: D – 0.31-0.51 cm; FV – 14,30-24,97 cm/seg; BF – 1,50-5,92 ml/min/kg; IP – 0,12-0,28 cm/s; IC – 0-0,01 cm×s. Caudal vena cava reference values were: D – 0.16 – 0.34 cm; FV – 13,42-30,42 cm/s; BF – 0,43-1,38 ml/min/kg; IP – 0,11-0,46 cm/s; IC – 0-0,01 cm×s. The haemodynamic parameters under evaluation were compared between group A and B. IP was statistically different between these two groups in portal (P=0,029) and caudal cava vein (P=0,032). This pioneer project gives new biological information on the ferret and is the beginning of future investigations in the field.
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Pettersson, Simon, and Andersson Miranda. "VEVA Multifunctional Spindlering." Thesis, Högskolan i Halmstad, Sektionen för ekonomi och teknik (SET), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-23098.
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Our thesis is made in collaboration with Autoliv Sweden and the department Global Development Seatbelt in Vårgårda. Autoliv was founded in 1953 by two brothers from Vårgårda. Since then, they have become world leading in automotive safety and cooperates with several major automotive companies. The aim of the project was to evaluate a concept that Adrian Bud for Global Development Seatbelt department in Vårgårda had come up with. The concept aims to simplify the design and reduce the number of parts in an adaptive load limiter (LLA). With a reduction in the number of parts, the price for the LLA would decrease and also make assembly easier. An LLA adjusts the chest compression from the seatbelt in a crash sequence. This helps reducing the injury that might result from such chest compressions in a crash. The load limiter ensures that the slowdown of the body is done in a smooth manner by adjusting the amount of belt released. Our concept evaluation has included conceptual design, primary design, visualization of design in Catia V5 and FEM analysis. Finally prototypes were built with the help of Autolivs central workshop and tests were performed at Autoliv. The report also includes analyzes of the results, recommendations for the continuation of work and development and a critical review of the evaluation.
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Segel, Linda, and Therese Kolenko. "Barn vill veta." Thesis, Malmö universitet, Fakulteten för lärande och samhälle (LS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-29119.
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Vår studies huvudsakliga syfte har varit att analysera, tolka och reflektera hur ett urval pedagoger ser på sitt arbete med livsfrågor i förskolan. Anledningen till ämnet har sin grund i vår egen erfarenhet av att ämnet oftast tystas ner och inte pratas särskilt mycket om. Vår studie utgår ifrån fyra forskningsfrågor som är följande: Hur ser pedagoger på sitt arbete med förskolebarns tankar om de livsfrågor som uppstår och uttrycks? Hur ser pedagogen på sin egen omsorgsetiska roll i bemötandet kring samtalet om livsfrågor med barn? På vilket sätt kan pedagogen dra nytta av sin egen erfarenhet kring livsfrågor i samtal med barnen? Hur skapar pedagogen en professionell relation till barnets tankar i dessa funderingar?Vi har valt att använda oss av en kvalitativ forskningsmetod, nämligen semistrukturerade intervjuer med fyra pedagoger, en förskollärare och tre barnskötare, från olika förskolor. I vår analys av empirin tar vi vår grund i Nel Noddings (2002; 2012; 2013; 2016) omsorgsetiska perspektiv och begrepp. Begreppen som används är följande: lyhördhet, bekräftelse, ömsesidighet, modellering, praktik och dialog. Resultatet i vår studie har visat att pedagoger stöter på samtalen under sin vardag i förskolan. Det visar sig inte finnas inom den planerade undervisningen i förskolan, utan dyker upp allt eftersom barnens funderingar uttrycks. Det visar sig att barn anförtror sig till en vuxen pedagog med sina tankar och främst vid de mer intima stunderna såsom lunch och samling. Pedagogerna som intervjuats redogör tydligt hur viktigt de anser att det är att barnens frågor och funderingar får svar. Samtliga pedagoger antyder att barnens tro ska respekteras oavsett vad den är, eller om någon tycker annorlunda. Barnens frågor besvaras så neutralt som möjligt och pedagogerna värderar inte sin egen eller barnens åsikt i dessa samtal. Under intervjuerna har olika livsfrågor varit i diskussion men frågan om döden är den som mest varit relevant för de pedagoger som deltagit. Att samtala om döden anses som ett känsligt ämne att ta upp i förskolan. Men med vår studie och tidigare forskning kan vi se varför det är viktigt för barn att få ta del av detta oundvikliga ämne i tidig ålder. Nyckelord: livsfrågor, döden, omsorgsetik, förskola, förskolebarn, pedagoger, samtal.
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Fortier, Rashada N. "Vela & Niyah." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2213.
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In this thesis paper, I will document and analyze the process of making my graduate thesis film, Vela & Niyah. I will start by stating my overall goal of the film, then move into each specific area of the filmmaking process and what was done to accomplish this goal. I will detail my successes and struggles throughout the process. I will analyze my own work, and reflect on the important lessons learned while making my thesis film. In the end, I will determine if my thesis proves true, and if I was successful in the individual aspects of filmmaking, as well as the thesis film as a whole.
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Rost, Cláudia Andrea. "Olha e veja." Florianópolis, SC, 2002. http://repositorio.ufsc.br/xmlui/handle/123456789/83489.
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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Linguística.Made available in DSpace on 2012-10-20T00:25:01Z (GMT). No. of bitstreams: 0Bitstream added on 2014-09-26T01:50:38Z : No. of bitstreams: 1 186763.pdf: 4192590 bytes, checksum: 127f8763bd713dd3c715b579caf9f8c0 (MD5)
Nesta pesquisa, apoiando-nos nos pressupostos teóricos do Funcionalismo Lingüístico e da Teoria Variacionista, descrevemos o comportamento dos itens olha e veja em seus contextos de atuação. Para isso, utilizamos dados de fala de informantes das três capitais da região Sul do Brasil, com base numa amostra extraída do Banco de Dados do Projeto VARSUL (Variação Lingüística Urbana na Região Sul). Dividimos esta dissertação em dois momentos: num primeiro, mostramos as funções compartilhadas pelos contextos em que os itens se manifestam; num segundo, restringindo a propriedade comum dos itens de chamada da atenção do ouvinte ao contexto discursivo/textual, dispensamos ao objeto de estudo um tratamento variacionista. Nesse caso, esses elementos atuam como marcadores discursivos. A partir da identificação dos fatores lingüísticos e extralingüísticos mais favorecedores aos elementos em estudo, apontamos, segundo a direção ideacional > interpessoal > textual, prováveis rumos que cada um dos itens passou até seu uso como marcador discursivo. Através dos resultados estatísticos obtidos, percebemos que olha encontra-se em estágio mais avançado de mudança em virtude de, gradativamente, estar perdendo suas marcas de estatuto verbal e assumindo valores pragmáticos discursivos, ao passo que o item veja parece estar mais preso a seus traços verbais, revelando-se num estágio anterior de mudança em relação a olha
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Garcia, Filho Sérgio Pinter [UNESP]. "Estrutura, ultraestrutura e morfometria da aorta e veia cava de paca (Cuniculus paca, Linnaeus, 1766) criada em cativeiro." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/89041.
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garciafilho_sp_me_jabo.pdf: 2459422 bytes, checksum: fe267c637159bc2324aed2f89e379fef (MD5)Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Considerando-se que a paca (Cuniculus paca) é o segundo maior roedor da fauna brasileira, a pesquisa sobre estes animais vem tornando-se importante, pois além de haver grande interesse na sua criação comercial, já que apresentam carne de excelente qualidade, sendo roedores, podem vir a tornar-se animais alternativos para a experimentação, e ainda, como poucas são as informações detalhadas sobre sua morfologia, objetivou-se com este trabalho descrever a morfologia, morfometria e a ultraestrutura de segmentos das porções torácica e abdominal da aorta e segmentos das porções cranial e caudal da veia cava de quatro pacas (Cuniculus paca) machos e fêmeas. Parte dos segmentos foi analisada à microscopia de luz e parte, à microscopia eletrônica de varredura. Mensurou-se as espessuras do complexo formado pelas túnicas íntima+média e túnica adventícia da aorta e veia cava e analisou-se os resultados pela estatística descritiva, teste “T” pareado (p<0,05) e teste de Tukey (p<0,05). Em relação à espessura das túnicas estudadas, notou-se que, em todos os animais, os valores referentes à espessura do complexo formado pelas túnicas íntima+média da aorta torácica cranial foram significativamente maiores, quando comparados aos valores dos outros segmentos aórticos analisados; na veia cava comprovou-se que os valores da espessura das túnicas íntima, média e adventícia, para todos os animais, foram significativamente maiores no segmento cranial. As camadas das paredes dos vasos apresentaram variações entre si quanto à estrutura e espessura, supostamente devido a uma adaptação à exigência funcional
Considering that the paca (Cuniculus paca) is the second largest rodent of the Brazilian fauna, researches concerning these animals are becoming important because the wide interest on its commercial production since they have excellent meat quality and as rodents they could become alternatives to animal experimentation. As there is few detailed information on their morphology, the aim of this study is describe the morphology, morphometry and ultrastructure of segments of thoracic and abdominal aorta portions and segments of cranial and caudal vena cava portions in four males and females Cuniculus paca. Part of the segments were examined by light microscopy and part by scanning electron microscopy. Thickness measures of the tunica intima and media complex and tunica adventitia of the aorta and vena cava were taken and analyzed using T test (p <0.05) and Tukey test (p <0.05). In all animals the thickness values for the tunica intima and media complex of the cranial thoracic aorta were significantly higher when compared to the values of other aortic segments analyzed; in vena cava the thickness values of the intima, media and adventitia, for all animals, were significantly higher in the cranial segment. The layers of the vessel walls show variations in structure and thickness, presumably due to an adaptation to functional demand
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Musetha, Takalani Masindi. "The reflexive in Venda." Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/52007.
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Thesis (M.A.)--Stellenbosch University, 2000.ENGLISH ABSTRACT: This study explores the interpretation and syntax of construction that realize reflexivity in Tshiven~a. Chapter One: deals with the introduction of the study. The binding theory in its general principles and definitions will be analyzed. Chapter Two: deals with the interpretation of reflexive di-verb " constructions. In this chapter various verb types with ~i- will be given. (i) Mono-transitive verbs (ii) Di-transitive verbs. Chapter Three: deals with the derived verb that is applicative, causative and passive. The appearing of ~i- verbs with derived verbs will be examined. Chapter Four: deals with ~i- verbs followed by the reflexive emphasizer -~e.The interpretation of prepositional phrases (PP) with the reflexive meaning will be considered and the applicability of binding theory to these phrases will be explored. Chapter Five: deals with the findings, recommendations and conclusion of the study.
AFRIKAANSE OPSOMMING: Hierdie studie ondersoek die interpretasie en sintaksis van die konstruksie wat die refleksief in Tshivenda moontlik maak. Hoofstuk een bevat die inleiding van die studie. Veral die algemene beginsels en definisie van die bindingsteorie word bekyk. Hoofstuk twee handeloor die interpretasie van konstruksies met die refleksiewe fji-werkwoord. In hierdie hoofstuk word verskeie werkwoord kategorieë met fji- behandel waaronder enkeloorganklike en dubbeloorganklike werkwoorde. Hoofstuk drie handeloor die afgeleide werkwoorde nl. die applikatief, kousatief en passief. Die voorkoms van die refleksiewe fji- met hierdie afgeleide werkwoorde word ondersoek. Hoofstuk VIer handeloor fji- werkwoorde gevolg deur die refleksiewe beklemtoner -ne. Die interpretasie van preposisionele frases met 'n refleksiewe betekenis word oorweeg en die toepasbaarheid van die bindingsteorie op hierdie frases word ondersoek. Hoofstuk vyf handeloor die bevindinge, aanbevelings en konklusie van die studie.
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Hein, Valeria Angeli. "O momento Vera Cruz." [s.n.], 2003. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284882.
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Orientador: Adilson José RuizDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
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Raynié, Florence. "Lope de Vega prosateur." Toulouse 2, 2005. http://www.theses.fr/2005TOU20096.
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Dans cette thèse, consacrée à l'œuvre narrative de fiction de Lope de Vega — c'est-à-dire un roman pastoral, La Arcadia (1598), un roman byzantin, El peregrino en su patria (1604), un roman pastoral " a lo divino ", Pastores de Belén (1612) et un recueil de nouvelles, Las Novelas a Marcia Leonarda (1621 et 1624) — nous mettons en lumière le fonctionnement de l'écriture en prose de l'auteur, au-delà des spécificités génériques. Dans la première partie, nous montrons comment le récit lopesque est constamment soumis à des perturbations qui relèvent de deux ordres : les modalités de composition et l'inclusion de discours que nous avons qualifiés d'" hétérogènes ". Dans la deuxième partie, nous étudions ces discours hétérogènes de l'intérieur et soulignons leurs fonctions dans les œuvres avant de remettre en question, dans le dernier chapitre, la notion de " digression ", souvent employée, à tort selon nous, par les critiques qui se sont intéressés à l'œuvre de LopeIn this thesis concerned with Lope de Vega's narrative prose fiction —or to be precise, a pastoral novel, La Arcadia (1598), a Byzantine novel, El peregrino en su patria (1604), a pastoral novel “a lo divino”, Pastores de Belén (1612) and a collection of short novels, Las Novelas a Marcia Leonarda (1621 and 1624)— we endeavour to bring to the fore the functionning of the author's prose writings beyond generic considerations. The first part of the thesis aims to show how Lopean narrative is constantly confronted with perturbations arising from two concerns: the modes of composition and the inclusion of types of discourse that we have described as “heterogeneous”. In the second part we study these heterogeneous discourses from the inside, highlighting their function in the works, before questioning, in the last chapter, the notion of “digression” that has been often used, and misused, by those critics that have studied Lope's works
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Oliveira, Renan Ritzmann de. "Bem-estar à venda." reponame:Repositório Institucional da UFSC, 2014. https://repositorio.ufsc.br/xmlui/handle/123456789/129670.
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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em Sociologia Política, Florianópolis, 2014Made available in DSpace on 2015-02-05T21:21:57Z (GMT). No. of bitstreams: 1 331452.pdf: 1348805 bytes, checksum: 8c0ce1a318a5ca882793357c2d957971 (MD5) Previous issue date: 2014
No início do século XXI, assistimos à emergência e consolidação da indústria do welleness, ou indústria do bem-estar, como é conhecida em português. Trata-se de um mercado de produtos que abarca, principalmente, a busca pela alimentação saudável, mas que não se restringe a ela. O presente trabalho aborda a franquia Mundo Verde, a qual se apresenta para os consumidores como sendo "a sua loja do bem-estar".O caso da franquia é paradigmático, uma vez que seu crescimento mostra o próprio crescimento do mercado do bem-estar no Brasil. Não obstante a grande variedade de produtos que disponibiliza sobre o tema, a franquia também publica muito material informativo, embasado por especialistas, sobre saúde e alimentação, apresentando-se não só como uma vendedora, mas como um ator poderoso na definição do termo. Apesar do crescimento desse mercado, a variedade de produtos oferecidos pela franquia busca atender a demandas diferentes, quando não divergentes, que revelam uma ausência de consenso sobre os significados do termo bem-estar. Esta dissertação explora o rico acervo de material publicizado pela franquia e sobre ela, analisando as ambivalências envolvidas em torno do termo bem-estar. É justamente essa falta de consenso sobre os significados do termo que permite à franquia sua utilização, de modo a abarcar uma variedade de demandas e, consequentemente, de produtos diferentes, relacionados ao bem-estar. A conclusão desta pesquisa é que a franquia estabelece uma aliança discursiva com sistemas peritos, como forma crucial para garantir a legitimidade do que apresenta aos consumidores como sendo produtos de bem-estar.
Abstract: The early twenty-first century witness the emergence and consolidation of the wellness industry, or "indústria do bem-estar" as it is known in portuguese. This is a product market which mainly covers the quest for healthy eating, but not restricted to it. This work addresses the Green World franchise, which is presented to consumers as "your wellness shop." The case of this franchise is paradigmatic because shows the growth in the wellness market in Brazil. Despite the wide variety of products available in wellness, the franchise also publishes very informative material, grounded by experts on health and food. Presenting itself not only as a salesperson but as a powerful actor in the definition of that term. Although the growth of this market, the variety of products offered by the franchise seeks to meet different, if not conflicting demands, which reveal an absence of consensus on the meaning of the term wellness. This dissertation explores the rich collection of material published by the franchise and on it, and analyzes the ambiguities involved on term wellness. It is precisely this lack of consensus on the meanings of wellness that allows the franchise uses them in ways that cover a variety of demands, and consequently, different products related to wellness. This dissertation explores the rich collection of material published by the franchise and on it, and analyzes the ambiguities involved on term wellness. It is precisely this lack of consensus on the meanings of wellness that allows the franchise uses them in ways that cover a variety of demands, and consequently, different products related to wellness. The conclusion of this research is that the franchise establishes a discursive alliance with expert systems as a crucial way to ensure fair that presents consumers as products of wellbeing.
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Sibadela, Joyce Mukhethoni. "The speech act of greetings in Tshivenda." Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/53176.
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Thesis (MA)--Stellenbosch University, 2002.ENGLISH ABSTRACT: The use of interpersonal verbal routines such as greetings is a universal phenomenon of human languages. All human speech communities have such formulas, although their character and the incidence of their use may vary enormously from one society to another. For several decades, greetings have been a recurrent object of inquiry for linguists and other human communication. Greetings are part of phatic communion, whereby people create ties of union and avoid silence, which is always alarming and dangerous. Communion among humans will often be marked in speech “phatically”. There is widespread evidence that greetings are an important part of the communicative competence necessary for being a member of any speech community. Greetings regularize patterns among members. Greeting has been often treated as if it was spontaneous emotional reaction to the coming together of people carrying overtly its own social message. Greeting expressions constitute an important part of the polite language. By greeting the speaker, indicates his attitude towards the addressee or starts a conversation with him. Greetings are often patterned expressions, which may vary among different nations. Most greetings perform primarily a phatic communion function; some greetings are used to convey information. Some culture does not operate non-verbal demonstration of respect of difference like bowing, or prostrating and kneeling, it makes up for this by insistence on the proper execution of verbal greetings, for example: Igbo culture does not operate nonverbal, whereas Japanese, Joruba and even Vendas they do practice these non-verbal demonstrations. Cultural performances are influenced by social variables such as the ages, sex and status of the interactants.
AFRIKAANSE OPSOMMING: Die gebruik van interpersoonlike mondelingse roetines, soos die handeling van groet, is ‘n universiele fenomeen van menslike taal. Alle menslike gemeenskappe het formules, alhoewel hulle karakter en die voorkoms van hulle gebruik, mag verskil van een gemeenskap tot ‘n ander. Vir dekades, was groet ‘n herhaalde onderwerp van ondersoek van taalkenners saam met ander aspekte van persoonlike kommunikasie. Die handeling van groet is ‘n deel van fatiese kommunikasie, waarby mense bande skep, en stilte vermy wat angswekkend kan wees. Kommunikasie tussen mense sal altyd na verwys word as faties in taalverskynsels. Daar is wydverspreide bewyse dat die handeling van groet ‘n belangrike deel van kommunikatiewe kompetensie is, wat noodsaaklik is vir 'n lid van enige gemeenskap geld. Groet reguleer voorbeelde van wedersydse verhoudings tussen groepelede. Groet is dikwels hanteer asof dit ‘n spontane emosionele reaksie by die saamkom van mense is wat hulle eie sosiale boodskap oordra. Die spraakhandeling van groet vorm ‘n belangrike deel van beleefdheidtaal. Deur te groet, bewys die persoon sy houding teenoor die ander persoon of begin om met die persoon 'n gesprek te voer. Die spraakhandeling van groet is dikwels voorbeelde van uitdrukkings wat verskil tussen verskillende taalgroepe. Die meeste groetvorme het ‘n primere fatiese gemeenskaps funksie, sommige begroetings word gebruik om informasie te verskaf. Sommige kulture maak nie gebruik van nie-verbale demonstrasies van respek of verskille soos neerbuiging of kniel, dit maak op vir die aandring op behoorlike gebruik van mondelinge begroeting, byvoorbeeld: Igbo kultuur maak nie gebruik van nie-verbale demonstrasies, waar Vendakultuur gebruik maak van hierdie nie-verbale demonstrasies. Kulturele belewenis van die groetvorm word beVnvloed deur sosiale veranderlikes soos ouderdom, geslag en status.
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Azcune, Valentín. "Dos comedias atribuidas a Lope de Vega (estudio y edición crítica) /." Madrid : Fundación Universitaria Española, 2007. http://catalog.hathitrust.org/api/volumes/oclc/226167553.html.
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Carvalho, Suzana Paulino Pinto Delgado de. "A construção da opinião jornalística em textos da seção "Veja Essa" da revista Veja." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/14559.
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Previous issue date: 2009-04-14Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
This dissertation is analyzed on the Critical Analysis of the Discourse with a social-cognitive shed. It has a general objective to contribute with enunciatives related to characterizations of general textuals. It has as specifics objectives: 1. to examine textual organization of reduced-text, which is part of the magazine section Veja essa . 2. to verify the relationship established by the journalist between different minimized texts of a same section and of differents sections, depending on what is being published. 3. to verify intertexts that ressemantive negatives and positive points for the readers, in order to build the readers opinion. 4. to analyze the strategies used by the sections writer Veja essa , in order to attract the target public. This research is limited to the reduced-text published in the section Veja essa of Veja magazine. Is known that there is an inter-relation among the analytical categories: Society, Cognition and Discourse, because each one is defined by the others. It is supposed that journalistic discourse is a social practice institutionalized and that it is made by a group of hierarquic categories defined by a global context and local context, such as: Power, Control and Access, in the discourse level; ignored/known, unused/expected, at a semantic level; and actuality, at informative level. The material for the analysis was collected during the period from July 2005 until end of 2006, since the beginning of the denunciation against Lula s government with the "big propine monthly" until this reelection in second turn. The analytical methodology used to build the Veja essa section was the theoretical analytical. The results were: 1- the Veja essa section is formed by reduced-text which based-text does not have an official origin from where is selected by Veja; the journalist commentaries are built by paraphrase and by evaluative lexicals. The directed discourse is the most used in the reduced-text; 2- the thematic progression is particularity of construction the Veja essa construction; the intertextualit of popular proverb is characterized in a segments selections; and the marketing is April Editor strategy to sell others magazines; 3- in the Veja essa section are built and destroyed the image of politicians to express the Veja s opinion and attract readers; 4- the scandal and the laugh are part of Veja s strategy at Veja essa section to attract readers. Is concluded the reduced-text are strategically published and guided by the categories Power, Control and Access in order to influencing the public opinion according with the ideology of Power of the company-newspaper
Esta dissertação está situada na área da Análise Crítica do Discurso com vertente sociocognitiva, e tem por objetivo geral contribuir com os estudos enunciativos direcionados à caracterização de gêneros textuais. São objetivos específicos: 1. examinar a organização textual dos textos-reduzidos que compõem uma página da seção Veja essa ; 2. verificar a relação estabelecida pelo jornalista entre diferentes textos-reduzidos de uma mesma seção e de seções diferentes, dependendo do que está sendo noticiado; 3. resgatar intertextos que ressemantizam para o público-leitor valores negativos e positivos, de forma a construir a opinião desse leitor; 4. analisar as estratégias utilizadas pelo redator da seção Veja essa a fim de atrair o seu público. A pesquisa realizada está delimitada aos textos-reduzidos publicados na seção Veja essa da revista Veja. Entende-se que há uma inter-relação entre as categorias analíticas Sociedade, Cognição e Discurso, pois cada uma se define pela outra. Tem-se por pressuposto que o discurso jornalístico é prática social institucionalizada, e que sua produção é regida por um conjunto hierárquico de categorias definidas por um contexto global e um contexto local, quais sejam: Poder, Controle e Acesso, no nível discursivo; Ignorado/Conhecido e Inusitado/Esperado, no nível semântico; e Atualidade, no nível informativo. O material de análise coletado compreende o período de julho de 2005 até final de 2006, desde o início das denúncias contra o governo Lula com o mensalão , até sua reeleição, no 2º. turno. O método de análise para tratar da construção da seção Veja essa foi o teórico-analítico. Os resultados obtidos indicam que: 1) a seção Veja essa é composta por textos-reduzidos cujos textos-base não têm uma origem referida, de onde Veja os selecione; os comentários do jornalista são construídos através de paráfrases e por meio de léxicos avaliativos; o discurso direto é o mais utilizado na construção desses textos-reduzidos; 2) A progressão temática é característica da construção da seção Veja essa ; a intertextualidade com ditado popular é característica, na seleção dos segmentos; o marketing é estratégia da Editora Abril para a venda de outras revistas; 3) na seção Veja essa , são construídas e desconstruídas as imagens de políticos, para expressar a opinião de Veja e atrair os leitores para a sua opinião; 4) tanto o riso quanto o escândalo fazem parte da estratégia de Veja, na seção Veja essa , para atrair leitores. Conclui-se que os textos-reduzidos são estrategicamente escolhidos e publicados, guiados pelas categorias Poder, Controle e Acesso, de forma a construir a opinião pública segundo a ideologia do Poder da empresa-jornal
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Gedmontaitė, Kristina. "Drabužių kolekcija "Mėnuo Saulužę vedė"." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120827_162526-41381.
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Išanalizuotos informacijos pagrindu sukurta 26 modelių drabuţių kolekcija „Mėnuo Sauluţę vedė“, iš kurių 4 pasiūti bei pagaminti jiems tinkantys aksesuarai. Kolekcija norima atkreipti dėmesį į senąjį tikėjimą, kultūrą, papročius ir suteikti galimybę XXI a. ţmogui iš naujo pajusti, kokia plona riba yra tarp realybės ir mitų. Sukurti 2 planšetai, kuriuose pristatoma kolekcija. Filmavimas ir fotosesija vykdyta kartu su ketvirto kurso audiovizualinio meno studentu Mantu Galvičiumi. Kolekcijos pristatymas vykdomas kartu su specialiai tam paruoštomis videoprojekcijomis ir erdvės ketimu videoinstaliacijos pagalba.According to analyzed information the collection of 26 clothes was designed, 4 of them were sewn and appropriate accessory were made. The purpose of this collection is to attract the attention into old beliefs, culture, and custom and provide the possibility for 21st century human to find the slight boundary between the reality and myths. There were created 1 plane–table where the collection is represented. Filming and photos where made together with the 4th year student of audiovisual art Mantas Galvičius. The presentation of the collection is made with the help of special for this purpose created video-projections and space shifting video-installations.
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Martins, Ana Carolina Campos Pereira Serpa. "Lobão: do Vímana à Veja." Universidade Federal de Juiz de Fora (UFJF), 2016. https://repositorio.ufjf.br/jspui/handle/ufjf/3800.
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De roqueiro a integrante da bateria da Mangueira, de morador da zona sul carioca a ‗xerife‘ da cela 11 da Polinter (Política Interestadual), de militante do Partido dos Trabalhadores a líder das passeatas pelo impeachment da presidente Dilma Rousseff (PT): eis alguns desafios impostos a quem pretende compreender a insólita trajetória de Lobão. A carreira de Lobão foi marcada pela inconstância de seus posicionamentos. Esquerda ou direita? Rock ou MPB? Grandes gravadoras ou mercado independente? Compreender as ditas contradições e as guinadas do músico nos campos artístico e político constituem o grande objetivo desta pesquisa. A seu modo, Lobão se faz presente há mais de quarenta anos na vida cultural e política do país, justificando o interesse na realização de um estudo acadêmico sobre sua trajetória.
From rocker to member of the drum section of Mangueira samba school, from resident of Southern Rio de Janeiro to ―sheriff‖ of cell 11 of the Interstate Police Prison (Polinter), from Workers‘ Party (PT) militant to leader of protests demanding the impeachment of president Dilma Rousseff (PT): these are some of the challenges faced by someone trying to understand Lobão‘s peculiar trajectory. Lobão‘s career was characterized by the inconsistency of his positions. Left or right? Rock or Brazilian Popular Music (MPB)? Major record labels or independent market? Understanding such contradictions and the twists and turns of the musician‘s path in the artistic and political fields represent the main objective of this research. In his own way, Lobão has been present in Brazil‘s cultural and political life for more than forty years, which justifies the idea of developing an academic study about his journey.
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Cordioli, Maximilian Hagl. "Juros na venda a prazo." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/2/2133/tde-08092011-101222/.
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Die vorliegende Abhandlung befasst sich mit den rechtlichen Aspekten von Zinsen auf Zahlungsaufschub und den Besonderheiten seiner gesetzlichen Regelung in bezug auf andere Hypothesen in denen sich Zinsen verifizieren. Man suchte die Zinsen darzustellen, als den vom Verkäufer geforderten Preis im Tausch für die Gewährung von Kredit bezüglich des Preises des Objektes im gesetzlichen Rahmen des Kaufvertrages. Es wurde ausdrücklich der Unterschied hervorgehoben zwischen dem Kredit als integriertes Element gesetzlicher Verträge, so deren Verwirklichung erleichternt,wie beim Kaufvertrag auf Zahlungsaufschub und zwischen Kreditverträgen, in denen der Kredit das eigentliche gehandelte Objekt darstellt; denn diese Bewertung ist unentbehrlich für die gesetzliche Regelung, die sich je nach Fall anwendet. Es ist das erste Kapitel, das dieses Thema behandelt. Das zweite Kapitel hebt die Prinzipien hervor, welche die Dynamik der Verträge des Tauschverkehrs informieren, laut der Darstellung von Rudolf von Jhering, berücksichtigt die Funktion der Währung in diesem Rahmen, orientiert die Identifikation der Begriffe von Gleichwertigkeit, Vertragsgleichgewicht und Preis, was ausschlaggebend ist für den Verlauf des behandelten Themas. Das dritte Kapitel handelt anfänglich vom Kredit beim Kaufvertrag, der den Verkauf auf Zahlungsaufschub kennzeichnet. Danach befasst es sich mit den Eigenheiten des Preises, der sich in ihm zeigt,voraussehend die vermutliche Belastung, die sich aus dem Gewähren des Kredits des Preise des Objektes ergibt und schliesslich handelt es von speziellen Aspekten der Zinsen beim Verkauf auf Zahlungsaufschub. Das letzte Kapitel unterscheidet die gesetzliche Regelung, die sich auf den Verkauf auf Zahlungaufschub bezieht, von der allgemeinen Regelung Von Gewinnzinsen und hebt hervor die Besonderheiten, die sich in diesem Zusammenhang ergeben, in der Annahme, dass das Gewähren von Kredit des Preises sich im Rahmen eines Konsumverhalten vollzieht.A presente dissertação trata dos aspectos jurídicos dos juros na venda a prazo e das peculiaridades de seu regime jurídico em relação às outras hipóteses em que os juros se verificam. Para tanto, buscou-se situar os juros como preço exigido pelo vendedor em razão da dação de crédito do preço da coisa no contexto da relação jurídica da compra e venda. Foi enfatizada a distinção entre o crédito como elemento integrante de negócios jurídicos, facilitando sua realização, como na venda a prazo, e nos negócios de crédito em que este é o próprio objeto negociado, pois essa apreciação é imprescindível para a identificação do regime jurídico aplicável a cada caso, reservando-se o primeiro capítulo para este tema. O segundo capítulo ressalta os princípios que informam a dinâmica dos contratos de intercâmbio na exposição de Rudolf von Jhering que, considerada a função da moeda nesse âmbito, orienta a identificação das noções de equivalência, equilíbrio contratual e preço a serem consideradas para o desenvolvimento do tema em referência. O terceiro capítulo trata inicialmente do crédito no contrato de compra e venda que caracteriza a venda a prazo e, em seguida, trata das peculiaridades do preço que nela se apresenta, em vista da pressuposta onerosidade decorrente da dação de crédito do preço coisa e, por fim, trata especificamente dos juros na venda a prazo. O último capítulo distingue o regime jurídico a que os juros na venda a prazo se sujeitam do regime geral de juros remuneratórios, e salienta as especificidades que nesse contexto se apresentam nas hipóteses em que a venda com a dação de crédito do preço se dá no contexto de uma relação de consumo.
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Themis, Revista. "Entrevista a Miguel Vega Alvear." THĒMIS-Revista de Derecho, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/109946.
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Vega, Centeno Imelda. "Comentario de Imelda Vega-Centeno." Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/115145.
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Gumucio, Araya Rafael. "González Vera, utopista y humorista." Tesis, Universidad de Chile, 2009. http://repositorio.uchile.cl/handle/2250/108589.
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De pronto José Santos González Vera se hizo echar del colegio. Habría sido fácil volver a incorporarse a clases, pero testarudamente rechazó siquiera la idea. Esa negativa (cuenta él mismo en Cuando era Muchacho, sus memorias de juventud) fue el acontecimiento fundamental de su vida intelectual. Lejos de la escuela, González Vera aprendería a leer y a escribir literatura en zapaterías, peluquerías y comisarías. Paradojalmente terminaría sus días como funcionario de la Universidad de Chile, administrando las conferencias de las visitas extranjeras y nacionales. Ocasión que le permitió escribir un ensayo paródico “El conferenciante”, en que se burla con acidez de la pedantería, vanidad y pomposidad de todo lenguaje académico. Con estos antecedentes sería, poco menos, una inmoralidad aplicar a la lectura de José Santos González Vera los rigores de la jerga científica. Sería nada menos que una traición aplicar a un autor -que rechaza toda suerte de rigidez, de pedantería, de culturalismo- un marco teórico trufado de términos sociológicos, sicológicos o lingüísticos, en los que la obra (a la imagen de lo que Barthes hizo con Sarrasine de Balzac) es sólo un pretexto. Un texto previo al verdadero texto que es su desmontaje.
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Jungkind, Vera [Verfasser]. "Verwaltungsakte zwischen Hoheitsträgern. / Vera Jungkind." Berlin : Duncker & Humblot, 2008. http://d-nb.info/1238359957/34.
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Filho, João Vilnei de Oliveira. "Alices : encontros na Vera-Cruz." Master's thesis, Universidade de Aveiro, 2009. http://hdl.handle.net/10773/1210.
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Mestrado em Criação Artística ContemporâneaO presente trabalho apresenta a reflexão surgida do projecto “Alices: Encontros na Vera-Cruz”, que pretende desenvolver uma reflexão teórica e prática sobre jogo e cidade a partir da criação de intervenções e planos de acção que tenham relação com os encontros que vive a personagem Alice no livro “Alice dos Outro Lado do Espelho”, de Lewis Carroll. Todas as acções acontecem, impreterivelmente, dentro dos limites da Freguesia da Vera-Cruz, em Aveiro. Este trabalho também pode ser utilizado como ferramenta auxiliar na criação e proposição de novas acções envolvidas com o projecto. ABSTRACT: This paper presents a discussion arose from the project “Alices: Encontros na Vera-Cruz”, which aims to develop a theoretical and practical reflexion about the concepts of “game” and “city” by designing interventions and developing action plans that can be related with the encounters of Alice with other characters from the book “Alice in the Looking-Glass” by Lewis Carrol. All the actions take place within the limits of Vera-Cruz, in Aveiro. This work can also be used as an auxiliary tool to create and propose new actions involved with the project.
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Lombardo, Marco. "Un museo per la vela." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amslaurea.unibo.it/2423/.
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Il MUV, ovvero il Museo della Vela di Ravenna vuole ripercorrere la storia della navigazione a vela dai primordi ai giorni nostri. La quantità di materiale ed il tema di enormi dimensioni richiedono la semplificazione dell’apparato museologico. La vela, come la ruota, è stata probabilmente una delle più grandi invenzioni nella storia dell’umanità considerando che la maggior parte del globo è composta da acqua, permetteva di muoversi, emigrare, esplorare, scappare, procacciare cibo, comunicare, conquistare e commerciare. In questo museo si vuole ripercorrere la storia della vela attraverso i cambiamenti significativi delle tre parti fondamentali di una imbarcazione a vela: scafo, timone e vela. Infatti, ognuno di questi componenti è stato, durante la storia dell’uomo, ottimizzato e trasformato per poter sfruttare al massimo l’energia del vento. Le sezioni espositive saranno divise per grandi periodi significativi della storia, cercando di creare un filo conduttore. Dapprima la vela era utilizzata per muoversi più velocemente e per cercare cibo, poi per il trasporto e la vendita di materie prime e successivamente per andare alla scoperta del mondo e per combattere mentre ora è anche strumento di diletto o competizione sportiva. Tutti questi casi sono accumunati dalla volontà dell’uomo di arrivare sempre per primo, a prescindere dall’epoca o dallo scopo. In fondo all’inizio si competeva per raggiungere per primi un nuovo territorio, poi arrivare primi voleva dire decidere il prezzo delle spezie sul mercato e successivamente avere una barca veloce permetteva poter sfuggire al nemico o catturarlo. Adesso si compete per sport, per diletto o , secondo le ultime necessità ecosostenibili, per riuscire a muoversi più velocemente possibile ma anche nel modo più economico e sostenibile. Il MUV cerca di raccontare la continua ed infinita “ regata ” che l’uomo nel corso dei secoli compie con se stesso e di mostrare al visitatore come sono cambiati scafi, vele e metodi di navigazione durante la storia. Il progetto nasce dall’idea di valorizzare l’area urbana in sponda sinistra del Canale Candiano nella città di Ravenna compresa tra le vie Eustachio Manfredi, Montecatini, delle Industrie e Salona oggi area a destinazione industriale in forte trasformazione con utilizzo futuro a prevalenza civica, ossia per l’istruzione , la ricerca, lo svago e cultura. I principali obiettivi sono stati il miglioramento dell’accessibilità del Canale Candiano dagli spazi circostanti, rendendo fruibile al visitatore soprattutto le rive del canale riavvicinando così la città all’acqua e la progettazione di idonei edifici museali e di ricerca per accogliere, mostrare e conservare il patrimonio e di creare un anello di congiunzione funzionale e culturale all’interno del tessuto urbano creando interconnessioni tra i vari livelli di conoscenza e di accessibilità nel mondo velico. La volontà è stata quella di non creare un’isola nella città ma di creare un anello di congiunzione funzionale e culturale all’interno del tessuto urbano creando interconnessioni tra i vari livelli di conoscenza e di accessibilità. Nell’ area potrà accedere chi si avvicina alla vela, chi la conosce e vorrebbe saperne di più, un esperto velista o chi lavora nel settore dei materiali costruttivi o nel campo universitario e di sperimentazione. Il complesso museale è stato pensato per mantenere fruibile a tutti l’attacco a terra dandogli un carattere prettamente pubblico. Il museo vero e proprio è composto da una serie di volumi che si adagiano attorno alla grande permanenza in laterizio e calcestruzzo e insieme a questa creano una corte pubblica di 35 m x 35 m. L’intero patio con i vari camminamenti perimetrali è fruibili a chiunque, anche senza biglietto così come il corpo a ovest, orientato secondo l’asse che collega l’area al Mausoleo di Teodorico, che contiene una caffetteria, il bookshop più vari servizi. Sul lato nord e sul alto est del patio un’altra caffetteria, un ristorante e una parte di esposizione temporanea concludono l’attacco a terra dandogli definitivamente un carattere pubblico. Così facendo ho cercato di aprire lo spazio del patio verso tutta l’area mentre sul lato ovest c’è stata la volontà di chiudersi rispetto all’intorno essendo vicini a una zona residenziale e si è deciso di destinare questa parte a deposito, carico-scarico e servizi del personale. La disposizione dei volumi dell’edificio museale è stata subordinata nel rispetto dell’edificio di valore documentale in laterizio che si voleva mantenere. Partendo da una griglia modulata sugli edifici con vincoli comunali presenti nell’area il museo si è sviluppato come blocchi longitudinali di pochi piani. La volontà di abbracciare il volume in laterizio è stata fin da subito una delle scelte chiave e ha dato cosi forma
a una grande corte che richiama i chiostri delle basiliche del centro di Ravenna, trattando quindi quasi come un monumento la vecchia fabbrica di zolfo.
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Mudau, Thivhulawi Sarah. "Tsenguluso ya kushumisele kwa mirero na maidioma kha vhafumakadzi kha manwala a Netshivhuyu na Sigogo." Thesis, University of Limpopo, 2015. http://hdl.handle.net/10386/2451.
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(M. A. (African Languages)) --University of Limpopo, 2015Ngudo ino yo sumbedza uri ho shumiswa mirero na maidioma manzhi kha u bvukulula vhuvha na nzulele ya vhafumakadzi kha maṅwalwa a Ṋetshivhuyu, M.J. na Sigogo, N.E. Ngudo yo tumbula uri kanzhi mirero na maidioma zwi shumiswa kha u tsikeledza vhafumakadzi fhethu hunzhi: mishumoni, mbinganoni, lufunoni na kha mavhusele. Tsikeledzo iyi i vha ya muhumbulo khathihi na ya ṋamani. Naho zwo ralo, ngudo yo wana uri hu na huṅwe hu si gathi hune mirero na maidioma zwa ṱuṱuwedza vhutshilo havhuḓi kha vhafumakadzi. Magumoni azwo, ngudo i themendela uri vhafumakadzi vha fanela u farwa zwavhuḓi, nge vha vha vhathu u fana na vhanna.
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Onofre, Cintia Campolina de. "O zoom nas trilhas da Vera Cruz : a trilha musical da Companhia Cinematografica Vera Cruz." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284784.
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Orientador: Claudiney Rodrigues CarrascoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-04T20:40:37Z (GMT). No. of bitstreams: 1 Onofre_CintiaCampolinade_M.pdf: 3572761 bytes, checksum: 7391a9a61d53c2f98a83ba31d5a3f58d (MD5) Previous issue date: 2005
Resumo: A presente dissertação de mestrado elabora um panorama das trilhas musicais dos filmes da Companhia Vera Cruz e contribui para o preenchimento de uma lacuna bibliográfica sobre trilhas musicais brasileiras da década de 50. Com esse estudo, verificamos como alguns compositores procederam, entendendo as características estéticas da época e percebendo como estas composições musicais se situam no cenário de trilha sonora cinematográfica no Brasil. Para tanto, foram realizadas consultas bibliográficas, hemerográficas, entrevistas e análises fílmicas aliadas à teoria musical dos dezoito filmes de ficção da Vera Cruz
Abstract: This present master¿s thesis elaborates a panorama of the soundtracks of the Cinematographic Company Vera Cruz and contributes for the fulfilling of a bibliographical gap on the Brazilian musical tracks from the fifties decade. With this study, we verify how some composers had proceeded, understanding the aesthetic characteristics of that period of time having the perception as these musical compositions had taken place into the Brazilian¿s cinematographic soundtrack scenario. On account of these research bibliographical, interviews, research in reviews and newspapers from that period and filmic analyses allied to musical theory have been done on the eighteen fiction Vera Cruz films
Mestrado
Mestre em Multimeios