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1

Ramaofisi, N. L. Mutingati: Venda poetry. Johannesburg: Educum Publishers, 1987.

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2

Phaswana, K. J. Nthovhedzeni: Venda poetry. Johannesburg: Educum Publishers, 1989.

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3

Muenda, L. N. T̳alusani: Venda poetry. Johannesburg: Educum Publishers, 1989.

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4

Thagwane, E. M. Luvholela: Venda poetry. Johannesburg: Educum, 1987.

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5

Milubi, N. A. Aspects of Venda poetry. Hatfield, Pretoria: J.L. van Schaik, 1997.

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6

Rasifudi, N. L. Lwendo lwa muelekanyi: Venda poetry. Johannesburg: Educum Publishers, 1987.

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7

Mavhaga, Mulingoni Phineas. Ngosha dza vhurendi: Venda poetry. Johannesburg: Educum Publishers, 1989.

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8

Makhado, T. Miludzi ya shango. Elim Hospital, South Africa: Bila Publishers and Communications, 2012.

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9

Ngwana, D. M. Vhakale vha hone. Makhado: Guyo Buguni, 2021.

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Mavhaga, Mulingoni Phineas. Posa it̳o: Vend̳a poetry. Johannesburg: Educum Publishers, 1987.

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11

author, Ballabani Ndue, ed. Át Gjergj Fishta: Vende - vite - vepra. Prishtinë: Drita, 2021.

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12

(1853-1932), Justin Edwards Abbott. The Indian Antiquary: The Indian Antiquary : A Journal Of Oriental Research in Archæology, Epigraphy, Ethnology, Geography, History, Folklore, Languages, Literature, Numismatics, Philosophy, Religion, &c., &c. Edited by Richard Carnac Temple. Delhi, India: Swati Publications, 1985.

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13

Muenda, L. N. Talusani: Venda poetry. Educum Publishers, 1989.

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14

George, Coulter H. How Dead Languages Work. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198852827.001.0001.

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What could a Greek poet or Roman historian say in their language that’s lost in translation? After all, different languages have different personalities, and this is especially clear with languages of the ancient and medieval world. This book celebrates six such languages—Ancient Greek, Latin, Old English, Sanskrit, Old Irish, and Biblical Hebrew—by first introducing readers to their most distinctive features, then showing how these linguistic traits play out in short excerpts from actual ancient texts. It explores, for instance, how Homer’s Greek shows signs of oral composition, how Horace can achieve striking poetic effects through interlaced word order in his Latin, and how the poet of Beowulf achieves a remarkable intensity of expression through the resources of Old English. But these are languages that have shared connections as well. Readers will see how the Sanskrit of the Rig Veda uses words that come from roots found also in English, how turns of phrase characteristic of the Hebrew Bible found their way into English, and that even as unusual a language as Old Irish still builds on common Indo-European linguistic patterns. Since most people don’t have the opportunity to learn these languages, the book throughout aims to give such readers an aesthetic appreciation of just how rich and varied they are.
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Felton, Debbie, ed. A Cultural History of Fairy Tales in Antiquity. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350093805.

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Spanning chronologically from the third millennium BCE through to the seventh century CE and beyond, and geographically from the Mediterranean to the Near East and Asia, this book explores the earliest known evidence of familiar folk tales and fairy tales in the ancient world. Drawing on sources including the Rig Veda, the Epic of Gilgamesh, the Old Testament, the Westcar Papyrus, and the Odyssey, this volume ranges from epic poetry to drama, to fables and proverbs, and from ancient histories to novels. Scholars in Classics, Anthropology, Folklore, and Asian Studies examine the dissemination, adaptation, and cross-cultural interactions of early forms of folk tales, providing new insights into how they functioned and circulated across different societies. An essential resource for researchers, scholars, and students of literature, history, and cultural studies, contributors explore themes including: forms of the marvelous, adaption, gender and sexuality, humans and non-humans, monsters and the monstrous, space, socialization, and power.
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