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Journal articles on the topic 'Venetic Inscriptions'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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1

Repanšek, Luka, and Maša Saccara. "The Venetic inscription *Ts 3 from Kaštelir above Korte." Arheološki vestnik 74 (July 14, 2023): 309–14. http://dx.doi.org/10.3986/av.74.09.

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 The Venetic inscription from Kaštelir above Korte, bearing the siglum *Ts3, was incised onto a bowl sherd of grey depurated ware. It contains four graphemes in an unfragmented sequence that most likely reads vose, although the paleographic interpretation of the third grapheme remains somewhat problematic. The inscription very likely represents a personal name, probably in an abbreviated form, but one that has no exact match in the available corpus of Venetic inscriptions.
 
 
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2

Vicari, Stefano, and Francesco Perono Cacciafoco. "Cultural Contacts among Pre-Roman Peoples in Iron Age Italy: The Case of Venetic Inscriptions." Histories 4, no. 2 (2024): 220–33. http://dx.doi.org/10.3390/histories4020011.

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The spread of the alphabet in Italy occurred between the 7th and the 6th centuries BC, resulting in the appearance of texts written in so many different languages and in such limited territorial space that one can hardly observe another similar event (Venetic, Raetic, Etruscan, Picenian, Faliscan, Latin, Umbrian, Oscan, Greek, etc.). In this paper, we analyzed inscriptions produced by the Veneti, the ancient inhabitants of a region located between the Adriatic Sea and the Alps, which has provided mainly short sepulchral and votive texts. After a careful analysis, some so far poorly understood
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3

Simón, Cornago Ignacio. "Adaptations of the Latin alphabet to write fragmentary languages." Palaeohispanica 20 (May 19, 2021): 1067–101. https://doi.org/10.36707/palaeohispanica.v0i20.387.

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The aim of this paper is to offer an overview of the use of the Latin alphabet to write the so-called fragmentary languages of Italy and Western Europe during Antiquity. The Latin alphabet was created from an Etruscan model to write Latin, but was also used to record texts in other languages: Etruscan, Oscan, Umbrian, the minor Italic dialects, Faliscan, and Venetic in Italy; Gaulish in the Gauls and other provinces in the north of Europe; and, finally, Iberian, Celtiberian, and Lusitanian in the Iberian Peninsula. The use of the Latin alphabet to write the so-called fragmentary languages repr
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4

Arnaiz-Villena, Antonio, Ignacio Juarez, José Palacio-Grüber, Adrián Lopez-Nares, and Fabio Suarez-Trujillo. "The Northern Migrations from a drying Sahara (6,000 years BP): cultural and genetic influence in Greeks, Iberians and other Mediterraneans." International Journal of Modern Anthropology 15, no. 2 (2021): 484–507. http://dx.doi.org/10.4314/ijma.v15i2.5.

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Greeks have a Sub-Saharan gene input according to HLA and other autosomic markers. Iberians, Canarians, and North Africans show a close genetic relatedness. This is concordant with a drying humid Sahara Desert, which may have occurred about 6,000 years BC, and the subsequent northwards emigration of Saharan people may have also happened in Pharaonic times. Present study confirms this African gene input in Greeks according to 12th HLA International Workshop data, which was studied some years before by us. This genetic input into Atlantic and Mediterranean Europe/Africa is also supported with Li
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5

Arnaiz-Villena, Antonio, Marcial Medina, Valentín Ruíz-del-Valle, et al. "The Saharo-Canarian Circle: The forgotten Prehistory of Euro African Atlantic façade and its lack of eastern demic diffusion evidences." International Journal of Modern Anthropology 2, no. 16 (2021): 586–600. http://dx.doi.org/10.4314/ijma.v2i16.4.

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Canarians, North Africans and Iberians show a close genetic relatedness. Greeks have a Sub-Saharan gene input according to HLA and other autosomic markers. Also, there is a genetic kinship between both Atlantic Euro Africans and North African/Arabic people. This is concordant with a drying humid Sahara Desert, which may have occurred about 6,000 years BC, and the subsequent northwards emigration of Saharan people may have also happened in Pharaonic times. This genetic input into Atlantic and Mediterranean Europe/Africa is also supported with Lineal Megalithic Scripts in Canary Islands (as well
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6

Arnaiz-Villena, Antonio, Ignacio Juarez, José Palacio-Grüber, Adrián Lopez-Nares, and Fabio Suarez-Trujillo. "The Northern Migrations from a drying Sahara (6,000 years BP): cultural and genetic influence in Greeks, Iberians and other Mediterraneans." International Journal of Modern Anthropology 2, no. 15 (2021): 484–507. http://dx.doi.org/10.4314/ijma.v2i15.5.

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Greeks have a Sub-Saharan gene input according to HLA and other autosomic markers. Iberians, Canarians, and North Africans show a close genetic relatedness. This is concordant with a drying humid Sahara Desert, which may have occurred about 6,000 years BC, and the subsequent northwards emigration of Saharan people may have also happened in Pharaonic times. Present study confirms this African gene input in Greeks according to 12th HLA International Workshop data, which was studied some years before by us. This genetic input into Atlantic and Mediterranean Europe/Africa is also supported with Li
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7

Lucco, Mauro, and Anna Pontani. "Greek Inscriptions on Two Venetian Renaissance Paintings." Journal of the Warburg and Courtauld Institutes 60 (1997): 111. http://dx.doi.org/10.2307/751226.

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8

Bejaoui, Fathi. "Inscriptions inédites du Kef (antique Sicca Veneria, Tunisie)." Antiquité Tardive 20 (January 2012): 307–14. http://dx.doi.org/10.1484/j.at.1.103109.

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9

A, Kavitharani. "Maravarman Kulasekara Pandyan Inscription of Religious Obedience." International Research Journal of Tamil 3, no. 1 (2021): 265–72. http://dx.doi.org/10.34256/irjt21130.

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We come to know that this inscription was given in the 8th reign of the Sonadu Kondaruliya Maravarman Sundara Pandya Devan, with the great participation of his brother, Maravarma Kulasekara Pandian, who was worthy of the title Konerinmai Kondan. According to the Venetian traveler Marco Polo who set foot upon Pandya Nadu during the rule of Maravarma Kulasekara Pandyan, this place was famous for pearl harvesting and was also the vital seaport of the Pandya Nadu. The inscription depicts the succeeding Pandyas having friendly and business relations with the Sonagars to make the trade be carried on
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10

Huffman, Kristin Love, and Iara Dundas. "San Geminiano:." Journal of the Society of Architectural Historians 79, no. 1 (2020): 6–16. http://dx.doi.org/10.1525/jsah.2020.79.1.6.

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In San Geminiano: “A Ruby among Many Pearls,” Kristin Love Huffman and Iara Dundas use a digital reconstruction to reconsider the sixteenth-century Venetian church of San Geminiano and its siting within Piazza San Marco. Demolished in 1807, the church was significant within its Venetian context, but its importance has largely been forgotten. Through their historical reconstruction, based on analyses of archival plans and elevations, illustrated representations, written descriptions and inscriptions, and theoretical treatises, Huffman and Dundas demonstrate the methodological processes of 3-D m
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11

Antonetti, Claudia, Ivan Matijašić, Vido Stefania De, and Valentina Mignosa. "Digital Epigraphy at the Greek Epigraphy Laboratory, Ca' Foscari University of Venice." Historika [Online] 7. Atti del V Seminario Avanzato di Epigrafia Greca (December 1, 2017): 491–502. https://doi.org/10.5281/zenodo.6620516.

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This paper presents two important Projects of the Greek Epigraphy Laboratory, Ca' Foscari University of Venice: the Venice Squeeze Project and the AXON Project. The Venice Squeeze Project intends to set up an online collection of the squeezes of the Venetian Laboratory and to contribute to the recognition, enhancement, and preservation of archives of squeezes. The AXON Project - data-base and on-line journal - includes digital entries of a selection of Greek historical epigraphical documents: each entry gives a presentation of the inscription with philological elements, text, and translati
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12

Richardson, Brian. "Venetian Inscriptions: Vernacular Writing for Public Display in Medieval and Renaissance Venice by Ronnie Ferguson." Modern Language Review 118, no. 2 (2023): 258–60. http://dx.doi.org/10.1353/mlr.2023.0052.

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13

Adamik, Béla. "Romanization and Latinization of the Roman Empire in the light of data in the Computerized Historical Linguistic Database of Latin Inscriptions of the Imperial Age." Journal of Latin Linguistics 20, no. 1 (2021): 1–19. http://dx.doi.org/10.1515/joll-2021-2016.

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Abstract The present study demonstrates that the process of linguistic Romanization, i.e. Latinization of the Roman Empire, is traceable by the data of the Computerized Historical Linguistic Database of Latin Inscriptions of the Imperial Age (LLDB). A multi-level analysis of linguistic and non-linguistic data in the LLDB has shown that Latinization, i.e. the spread of spoken or vulgar Latin, became more and more intensive over time in all concerned provinces (i.e. Lusitania, Gallia Narbonensis, Venetia et Histria, Dalmatia, Moesia, Pannonia, and Britannia), although to a varying degree in each
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14

Dyczek, Piotr. "Terra Incognita: Results of Polish excavations in Albania and Montenegro." Studia Europaea Gnesnensia, no. 16 (December 15, 2017): 351–69. http://dx.doi.org/10.14746/seg.2017.16.17.

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One of the most important issues in Illyrian archeology today concerns the origins of Illyrian cities. The excavations at Rhizon have provided new data on the subject where many elements of the ancient urban architecture have been recorded. First, the monumental defense walls so called – Cyclopean wall. The lower town was divided into districts, but it was not an orthogonal plan. The architecture of the houses in generally Hellenistic in nature, but always a variation on the standard model in use each of the six insulae. Despite the limited size of the excavation compared to the overall size o
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15

Yaylenko, E. V. "Portal to the Past: Depiction of Space in the Book Miniatures in the Renaissance Venice." Observatory of Culture 15, no. 3 (2018): 309–20. http://dx.doi.org/10.25281/2072-3156-2018-15-3-309-320.

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This article investigates the painted miniatures of manuscripts and early printed books of the second half of the 15th century performed in the art workshops of the Renaissance Venice and Padua. The author determines the main development stages of the principles of space depicting in the picturesque design of manuscripts and printed books. The relevance of study of this topic is caused by the fact that it has been on the periphery of research attention for a long time, obscured by other historical and artistic problems. The scientifi c novelty of the research revealed the new principles of con
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16

Westwater, Lynn Lara. "A Rediscovered Friendship in the Republic of Letters: The Unpublished Correspondence of Arcangela Tarabotti and Ismaël Boulliau*." Renaissance Quarterly 65, no. 1 (2012): 67–134. http://dx.doi.org/10.1086/665836.

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AbstractThe correspondence between the radical Venetian pro-female polemicist and nun Arcangela Tarabotti (1604–52) and the Copernican French astronomer Ismaël Boulliau (1605–94) — here published for the first time — shows how one of Tarabotti's most controversial works made it to press. She had long and unsuccessfully sought in Italy and in France to print the work, which was, puzzlingly, published two years after her death in Holland. It was subsequently placed on the Index of Forbidden Books. Charting the explosive work's journey to France and its later arrival and reception in Holland, the
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17

Этингоф, О. Е. "Mosaics of the Basilica of the Nativity in Bethlehem and Crusader monumental painting in the Holy Land in the 12th century." Iskusstvo Evrazii [The Art of Eurasia], no. 2(33) (June 28, 2024): 96–111. http://dx.doi.org/10.46748/arteuras.2024.02.007.

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Статья посвящена исследованию мозаик базилики Рождества Христова в Вифлееме. Построенный в IV веке в эпоху императора Константина Великого храм остается одним из важнейших святилищ христианского мира. На его стенах и в крипте сохранился уникальный ансамбль мозаик, созданных в XII веке в период владычества Латинского королевства в Иерусалиме. В 2015–2019 годах итальянскими специалистами была предпринята масштабная реставрация декорации базилики. Впервые почти за тысячу лет мозаики на стенах храма и росписи на колоннах были расчищены. Это открывает новые возможности для анализа столь выдающегося
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18

Pellò, Stefano. "Shiraz on the Adriatic." Iran and the Caucasus 28, no. 1 (2024): 42–60. http://dx.doi.org/10.1163/1573384x-02801004.

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Abstract This paper deals with three different but interconnected cases of placement, displacement and relocation of Persian literary culture in the Eastern Mediterranean sphere: the reception of a line by Ḥāfiẓ in 1920s Cairo, as represented in a novel by Najīb Maḥfūẓ; a Modern Greek adverb, φαρσί, expressing multilingual fluency and its probable Ottoman roots; a Veneto-Balkanic net of circulation of Persian textual and linguistic heritage, focusing especially on Mostar. As the intertwined case-studies touched upon in this essay clearly show, only deep philological excavations in little-studi
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19

Kontev, Arkadii V. "The First Images of the Ob River on Western European Maps." Vestnik of Saint Petersburg University. History 66, no. 3 (2021): 971–89. http://dx.doi.org/10.21638/11701/spbu02.2021.316.

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Martin Waldseemüller’s maps, published in 1507 and 1513 in Strasbourg, are the first maps to bear the name of the new continent, America. They reveal the discovery of the New World by Spanish and Portuguese navigators. None of the researchers, however, have noticed that the same maps of North Asia (the area of present-day Western Siberia) for the first time show a river flowing into the Arctic Ocean. The peculiarity of Western European cartographic sources at the turn of the 15th–16th centuries lies in the fact that the reflection of the world picture was based on the tradition of the geograph
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20

Zelić, Danko. "O Gradskoj loži u Šibeniku." Ars Adriatica, no. 4 (January 1, 2014): 299. http://dx.doi.org/10.15291/ars.502.

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The municipal loggia in Šibenik was built between 1534 and 1547 as a replacement for the old loggia which had been constructed in the early fourteenth century as more modest building. The new loggia was a two-storied structure built on an elongated rectangular ground plan with an arcaded portico on the ground floor and an open colonnade on the first floor which stretched along the entire north side of the main town square. There, it faced the north side of Šibenik Cathedral and, therefore, helped shape an architectural setting which, compared to the public spaces in other Dalmatian towns, coul
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21

Krauze-Kołodziej, Aleksandra. "The East Meets the West: Influences of the Latin and Byzantine Traditions in the Northern Adriatic Region Seen in the Basilica of Santa Maria Assunta on Torcello Island." Roczniki Humanistyczne 73, no. 4 (2025): 7–38. https://doi.org/10.18290/rh25734.1.

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With an emphasis on the distinctive decoration of the Basilica di Santa Maria Assunta on Torcello Island in the Venetian Lagoon, in my paper, I try to highlight the influence of Latin and Byzantine traditions on the iconography of the northern Adriatic region. The research is divided into three main sections. First, I note the main possible historical and cultural reasons of the interpenetration of many civilizations and traditions in this area, thereby quickly presenting broad features of the northern Adriatic Sea. Then, I describe Torcello’s broad cultural legacy. The variety of religious bu
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22

Fiorentino, Sara, and Tania Chinni. "The Persistence of Memory. Exploring the Significance of Glass from Materiality to Intangible Values." Heritage 6, no. 6 (2023): 4834–42. http://dx.doi.org/10.3390/heritage6060257.

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As a material, glass has been linked with knowledge and skill mastery for at least three millennia, reflecting the use of traditional tools and technologies inherited from the past. The history of glass speaks of know-how, technological transitions, and contaminations among preferences and raw materials. An increase in the awareness of traditional knowledge underlying the tradition of glass manufacturing has recently been observed with the inscription of the art of Venetian glass beads on the UNESCO list of Intangible Cultural Heritage of Humanity, which has been recognized as a repository of
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23

Arnaiz-Villena, Antonio, Marcial Medina, Valentín Ruiz-del-Valle, Adrian Lopez-Nares, Julian Rodriguez-Rodriguez, and Fabio Suarez-Trujillo. "The Ibero-Guanche (Latin) rock inscriptions found at Mt. Tenezara volcano (Lanzarote, Canary Islands, Spain): A Saharan hypothesis for Mediterranean/Atlantic Prehistory." International Journal of Modern Anthropology 2, no. 13 (2020): 140–62. http://dx.doi.org/10.4314/ijma.v2i13.5.

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Two of the several rock script panels found at Mt. Tenezara volcano slope, Lanzarote Is. (Canary Islands) have been analyzed. Both of them contain a linear writing which corresponds to the ancient Iberian semi-sillabary discovered by Gomez-Moreno in 1949 AD, thus to Iberian-Guanche inscriptions which previously were referred as Latin. Ancient Iberian scripts have been found in France, Portugal, Spain and other Mediterranean places during the 1st millennium BC and the following four centuries AD; it may be possible that Iberian signs could have been taken or used at the same time at Africa. Eve
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24

Nevola, Fabrizio. "Venetian Inscriptions: Vernacular Writing for Public Display in Medieval and Renaissance Venice. Ronnie Ferguson. Italian Perspectives 50. Cambridge: Legenda, 2021. x + 424 pp. £80." Renaissance Quarterly 76, no. 1 (2023): 329–30. http://dx.doi.org/10.1017/rqx.2023.178.

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25

Palmarini, Luca. "La simbologia della Polonia e dei suoi regnanti nella Dichiaratione dell’arco fatto in Padova nella venuta della Serenissima Reina Bona di Polonia." Romanica Cracoviensia 23, Issue Numéro Spécial (3) (2023): 339–48. http://dx.doi.org/10.4467/20843917rc.23.036.18876.

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The symbolism of Poland and its rulers in the Dichiaratione dell’arco fatto in Padova nella venuta della Serenissima Reina Bona di Polonia The purpose of this article is to analyse the symbolism concerning Poland and the reigning house of the Jagellonian dynasty, represented, together with various symbols of other institutions, in a temporary triumphal arch, created in 1556 on the occasion of the arrival of Queen Bona Sforza in Padua. The city authorities asked Alessandro Maggi, a Paduan scholar and collector of antiquities, to take charge of the arch, designed by the Veronese architect Michel
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26

Demori Staničić, Zoraida. "Prikaz Korčule na ikoni iz Bizantskog muzeja u Ateni." Ars Adriatica, no. 5 (January 1, 2015): 81. http://dx.doi.org/10.15291/ars.518.

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The icon of Miracle by the Virgin attributed to the circle of Theodore Poulakis from Byzantine Museum in Athens is known and published. It is divided in twohorizontal registers: the upper depicts Virgin Hodegetria with venerating angels under adorned pointed arch, while in the lower one there is a shipwreck in frontof the fortified town. Virgin is accompanied by the eloquent epithet „The Hope of Sinners”. The wreck below this celestial scene is realistically presented withpassengers of the ship perishing in the rough sea. Two of them clinging to wooden boards swim to nearby land with fortified
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27

Demori Staniči, Zoraida. "Prikaz Korčule na ikoni iz Bizantskog muzeja u Ateni." Ars Adriatica, no. 5 (January 1, 2015): 81. http://dx.doi.org/10.15291/ars.929.

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The icon of Miracle by the Virgin attributed to the circle of Theodore Poulakis from Byzantine Museum in Athens is known and published. It is divided in two horizontal registers: the upper depicts Virgin Hodegetria with venerating angels under adorned pointed arch, while in the lower one there is a shipwreck in front of the fortified town. Virgin is accompanied by the eloquent epithet „The Hope of Sinners”. The wreck below this celestial scene is realistically presented with passengers of the ship perishing in the rough sea. Two of them clinging to wooden boards swim to nearby land with fortif
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28

Bradanović, Marijan. "Outlines about Senj’s Hidden Heritage of the Middle Ages in the Context of the Arts of the Eastern Adriatic Coast and Islands." Senjski zbornik 48, no. 1 (2021): 187–214. http://dx.doi.org/10.31953/sz.48.1.4.

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Senj’s heritage in general is historically and artistically extremely poorly researched and interpreted in the wider context of the heritage of the Eastern Adriatic coast. This is especially true of the monuments of the Middle Ages, hidden under completely different later architectural layers in the Early Modern Age of the militarised town. The examples analysed here are hypothetically interpreted in a new way, with suggestions for the dating and stylistic connections from the region of Kvarner, as well as from the wider Adriatic area. Along with the emphasis on the historical circumstances an
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29

Sorić, Sofija. "Ljetnikovci mletačkog pukovnika Vuka Crnice na otocima Viru i Ugljanu." Ars Adriatica, no. 4 (January 1, 2014): 327. http://dx.doi.org/10.15291/ars.506.

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The author deals with two country houses of Vuko Crnica which have not hitherto been subject to scholarly research. One of them is no longer extant residential and agricultural complex of the Crnica Family on the island of Vir which consisted of a country house, a chapel and a small utility building. These structures were built by Vuko Crnica, a colonel in the Venetian army, after 1634, when he received the island of Vir as a concession, but before 1666, when they were mentioned for the first time in his will. The country house at Preko on the island of Ugljan was erected in 1666, as is record
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30

Tulić, Damir. "Spomenik ninskom biskupu Francescu Grassiju u Chioggi: prilog najranijoj aktivnosti venecijanskog kipara Paola Callala." Ars Adriatica, no. 4 (January 1, 2014): 335. http://dx.doi.org/10.15291/ars.507.

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The oeuvre of the sculptor Paolo Callalo (Venice 1655-1725) is a paradigmatic example of how the oeuvres of seventeenth- and eighteenth-century Venetian sculptors have been expanded, supplemented and revised during the last twenty years. Until Simone Guerriero’s ground-breaking article of 1997, Paolo Callalo was almost completely unknown. In his search for Callalo’s earliest preserved work, Simone Guerriero suggested that Callalo was responsible for the stipes of the altar of St Joseph, featuring the relief of the Flight into Egypt flanked by two putti which are almost free standing, which was
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31

Klišmanić, Vinka, and Mladen Domazet. "A historical reconstruction of the legend of Miljenko and Dobrila (Kaštela, Croatia, 17th century)." St open 6 (May 9, 2025): 1–22. https://doi.org/10.48188/so.6.2.

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Aim: To explore the historical basis of the legend of Miljenko and Dobrila, which tells the story of the tragic love between Miljenko Rosani and Dobrila Vitturi, descendants of Kaštela nobility, doomed by the feud between their families.Methods: We analyzed Ivačić’s translation of Marko Kažotić’s Milienco e Dobrilla (Miljenko i Dobrila in Croatian); sources and literature on the Vitturi and Rosani families; materials with-in the archives of Kaštela, Trogir, and the Split Archdiocesan Archive; literature on the social context of 17th-century Dalmatia; the version of the legend recorded by Neven
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32

Borić, Laris. "Fortificiranje grada Cresa u 16. stoljeću." Ars Adriatica, no. 1 (January 1, 2011): 133. http://dx.doi.org/10.15291/ars.433.

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The unstable political situation in which Venice found itself at the time of the League of Cambrai, but also the more frequent incursions and attacks of the Uskoks in the later sixteenth century, were responsible for the surrounding the town of Cres, its medieval nucleus and the newly formed town areas with a wider and stronger fortification system of a regular square plan, with four round towers at the angles and one rectangular tower located in the north-east area, and four town gates. The only angle tower that still survives is the north-west land tower based on which other towers can be re
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33

Tulić, Damir. "Nepoznati anđeli Giuseppea Groppellija u Zadru i nekadašnji oltar svete Stošije u Katedrali." Ars Adriatica, no. 6 (January 1, 2016): 155. http://dx.doi.org/10.15291/ars.182.

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As the former capital of Dalmatia, Zadar abounded in monuments produced during the 17th and 18th century, especially altars, statues, and paintings. Most of this cultural heritage had been lost by the late 18th and the first decades of the 19th century, when the former Venetian Dalmatia was taken over by Austrian administration, followed by the French and then again by the Austrian one. Many churches were closed down, their furnishings were sold away or lost, and the buildings were either repurposed or demolished. One of them had been home to two hitherto unpublished angels-putti located on th
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34

Cvetković, Branislav. "Zaglavlje Dekaloga u Hvalovom zborniku: prilog semantici srednjovjekovne iluminacije." Ars Adriatica, no. 4 (January 1, 2014): 155. http://dx.doi.org/10.15291/ars.493.

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This article is dedicated to the interpretation of the header before the text of the Ten Commandments on fol. 150 of the Hval Codex. The author is drawing attention to a gloss in the margin to the left of the banner which has not been addressed in the earlier scholarly literature nor recorded in the facsimile transcription of 1986. The rectangular banner consists of a lozenge net filled with gold lilies while three gold interlace crosses of a complex shape are placed on top of the banner. The gloss next to it was written in blue ink as an abbreviated word under a line. It is a rather common ab
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35

Jakšić, Nikola. "Od hagiografskog obrasca do političkog elaborata - škrinja Sv. Šimuna, zadarska arca d’oro." Ars Adriatica, no. 4 (January 1, 2014): 125. http://dx.doi.org/10.15291/ars.491.

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The casket of St Simeon the God-Receiver is the most representative work in the applied arts of the Croatian Trecento and, at the same time, one which displays great iconographic complexity. Although it was the subject of two monographs and a large number of individual articles, a whole set of questions remains open and awaits plausible interpretations. Particularly great problems are connected to the interpretation of a number of scenes which were understood differently by different scholars. At the same time, it can be noted that the discussion about the casket’s complex iconographic program
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36

Sušanj Protić, Tea. "O urbanizmu Osora nakon 1450. godine." Ars Adriatica, no. 5 (January 1, 2015): 95. http://dx.doi.org/10.15291/ars.520.

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The renovation of Adriatic towns under Venetian rule included all major urban settlements on the islands in the Quarnero Gulf. The size of Osor, the Roman centre of the Cres-Lošinj group of islands, radically decreased during this period. The scholarship holds that the town of Cres started to grow in the second half of the fifteenth century while Osor fell into disrepair. Apart from the new Renaissance Cathedral, other late Gothic and Renaissance buildings in Osor have never been thoroughly studied, partly because their state of preservation is modest and party because of the deep-seated opini
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Sušanj Protić, Tea. "O urbanizmu Osora nakon 1450. godine." Ars Adriatica, no. 5 (January 1, 2015): 95. http://dx.doi.org/10.15291/ars.931.

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he renovation of Adriatic towns under Venetian rule included all major urban settlements on the islands in the Quarnero Gulf. The size of Osor, the Roman centre of the Cres-Lošinj group of islands, radically decreased during this period. The scholarship holds that the town of Cres started to grow in the second half of the fifteenth century while Osor fell into disrepair. Apart from the new Renaissance Cathedral, other late Gothic and Renaissance buildings in Osor have never been thoroughly studied, partly because their state of preservation is modest and party because of the deep-seated opinio
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38

Repanšek, Luka. "The Venetic inscriptions from Idrija pri Bači revisited." Arheološki vestnik, March 10, 2025. https://doi.org/10.3986/av.76.05.

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The article offers a thorough palaeographical analysis of the three Venetic inscriptions from Idrija pri Bači (Is 1, Is 2, and Is 3), based on the renewed autopsy of the sources in the Prähistorische Abteilung of the Naturhistorisches Museum in Vienna. Given the significant discrepancies in the existing drawings and transcriptions of the three inscriptions, the gap for a much-needed authoritative reading of Is 1 and Is 2 is now filled, as is the need for a reinterpretation of the still existing dilemmas in relation to several significant palaeographic peculiarities of the three inscriptions.
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39

Matej, Gazvoda. "On the issue of continuity between the Veneti and the Slovenes." October 6, 2023. https://doi.org/10.5281/zenodo.8415286.

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The classical Venetic theory that appeared in the eighties advocated the presence of the Slovenes (in German traditionally referred to by the signifier <em>Windisch</em>) in areas South of the Danube long before the sixth century, when, according to the dominant scenarios of academic thought, these areas were first settled by the proto-Slavs. The classical Venetic theory was rejected by the linguistic, historiographic and archaeological sciences and since then it has been considered a pseudo-scientific thought. The aim of this paper is to present to the international professional and general p
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VINAZZA, Manca, and Luka REPANŠEK. "Venetic inscription on the silo from Štanjel." Arheološki vestnik, March 21, 2025. https://doi.org/10.3986/av.76.07.

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The rib of a silo from Štanjel, which was found in the storage building from the 5th and 4th centuries BC, bears a partially preserved incised inscription. The series of vertical and diagonal marks on the rough surface is non-accidental enough to be recognized as an inscription in the Venetic alphabet (henceforth labeled with the siglum *Ts 4). In a ­ sinistroverse sequence, an interpunctuated &lt;.a.&gt; and &lt;e&gt; are clearly legible at the very end, enabling a tentative reading [---].a.e (with aberrant, non-framing interpunctuation of final e). The sequence most likely represents a mark
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41

Delonga, Vedrana. "Posvetni latinski natpisi na crkvi sv. Ivana od Birnja." Archaeologia Adriatica 4, no. 1 (2010). http://dx.doi.org/10.15291/archeo.1034.

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Within the archaeological-historical complex at the hillfort of Biranj (Kaštel Lukšić), the ancient church of St. John the Baptist stands out in particular as a cultural entity. Three architectural phases (Romanesque, Late Gothic, and Modern period) can be perceived in its present appearance. The façade of the church bears a group of late medieval inscriptions in Latin: a donative inscription on the lintel, dated 1444 and also by the reign of the Venetian Doge Francesco Foscari (today placed in the interior of the church), as well as four consecratory inscriptions from the same time on the cor
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42

Giani, Marco. "UNA PERDUTA ISCRIZIONE A PAOLO PARUTA SULLE LAPIDI DEL CORTILE DEL BROLETTO DI BRESCIA." Istituto Lombardo - Accademia di Scienze e Lettere - Rendiconti di Lettere, January 31, 2020. http://dx.doi.org/10.4081/let.2018.519.

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Thanks to a passage of Coryat’s Crudities (1611), where the English traveller describes his visit to Brescia (August 1608), now is possible to reconstruct a lost commemorative plaque, once placed upon the internal wall of the local Broletto (City Hall). The inscription upon that marble plaque, dated 1591, was erased almost one hundred years later (1692) by the authorities of Venetian Republic, worried for the growing selfglorification of patrician magistrates. Luckily Coryat transcribed the inscription, dedicated to Paolo Paruta (1540-1598), statesman and historiographer of the Venetian Republ
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Giani, Marco. "UNA PERDUTA ISCRIZIONE A PAOLO PARUTA SULLE LAPIDI DEL CORTILE DEL BROLETTO DI BRESCIA." January 31, 2020. https://doi.org/10.4081/let.2018.519.

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Thanks to a passage of Coryat's Crudities (1611), where the English traveller describes his visit to Brescia (August 1608), now is possible to reconstruct a lost commemorative plaque, once placed upon the internal wall of the local Broletto (City Hall). The inscription upon that marble plaque, dated 1591, was erased almost one hundred years later (1692) by the authorities of Venetian Republic, worried for the growing selfglorification of patrician magistrates. Luckily Coryat transcribed the inscription, dedicated to Paolo Paruta (1540-1598), statesman and historiographer of the Venetian Republ
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44

Gonda, Attila. "Phonetic changes in the Latin of Noricum." Acta Classica Universitatis Scientiarum Debreceniensis 55 (August 10, 2020). http://dx.doi.org/10.22315/acd/2019/5.

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Previous studies analyzed the Vulgar Latin of the inscriptions of Pannonia Inferior, Dalmatia and Venetia et Histria, comparing the differences between the provincial capitals and the countryside of the provinces, in order to verify the hypothesis of Untermann (1980) and Herman (1983) about the existence of a larger regional dialect of Latin over the Alps–Danube–Adria region. The analyses made clear that these geographic unites don’t constitute a solid and uniform dialectal area, but there are undeniable common characteristics, such as the weakness of the /w/~/b/ merger or the lack of sonoriza
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Rodriguez Suarez, Alex. "MAGIST[ER] LUCAS DE VENECIIS ME FECIT: A VENETIAN BELL FOUNDER FROM THE MIDDLE AGES." Antiquaries Journal, September 5, 2023, 1–29. http://dx.doi.org/10.1017/s0003581523000215.

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This paper examines Master Lucas, a bell founder based in Venice who was active between the thirteenth and the fourteenth centuries. Through the examination of sixteen bells, some of which are no longer extant, the career of one of the earliest known Venetian bell founders can be traced. A catalogue of the bells describes their measurements, inscriptions and decorations. The distribution of his products to locations in Montenegro and central Italy demonstrate the importance of Venice as a bell casting centre in the Middle Ages. Written documents are cited to provide further information about L
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Blackler, Andrew. "COMMUNICATION AND THE ROLE OF THE MEDIEVAL TOWER IN GREECE: A RE-APPRAISAL." Annual of the British School at Athens, September 19, 2022, 1–22. http://dx.doi.org/10.1017/s0068245422000119.

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Little evidence has survived of the long-distance communication networks established by the Byzantines and Venetians in the medieval period. We know only of a chain of beacons established by Leo the Mathematician in the ninth century, an inscription found in the Peloponnese and a Venetian network in the central Aegean. This article reappraises the existing evidence and introduces new data following a study recently undertaken by the author of the topography of Negroponte (modern Euboea) and the medieval towers of Greece. Making extensive use of early cartographic sources, toponymic studies, an
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Nixon, Lucia. "TOWARDS AN ARCHAEOLOGY OF SUSTAINABILITY: RESOURCE PACKAGES AND LANDSCAPE MANAGEMENT IN SPHAKIA, SOUTH-WEST CRETE." Annual of the British School at Athens, September 20, 2024, 1–48. http://dx.doi.org/10.1017/s0068245424000042.

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Using evidence from the Sphakia Survey, a multiperiod archaeological project in south-west Crete, this article has two goals. The first is to contribute to a newly emerging field, the archaeology of sustainability. The investigation of sustainability in Sphakia uses five main kinds of evidence: environmental, archaeological/material, textual, oral, and patterns of activity that seem ‘difficult’ or ‘inconvenient’. Sphakia is a large area of highly dissected terrain with a wide altitudinal range – in many ways, a ‘tough’ landscape, where agropastoralism has been its main economy. The second goal
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48

Sofia, Kane. "Sultan Ibrahim Mosque in Rethymno." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12573596.

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This mosque was constructed inside the Rethymno Fortezza (hilltop fortress) after the Ottoman conquest of Rethymno in 1646. It sits over the previous site of the Venetian cathedral of San Nicolo. As of 1650, the vakf which supported the mosque included five villages in the prefectures of Malevyziou and Agios Vasileios Amariou, buildings in Rethymno, and the guards' dwellings in the fortress. In 1649, Mevlana Yusuf was assigned as the imam, and received a two-story residence near the mosque that was part of the vakf properties. The dome (14.50 m X 6.80 m) is made from limestone and sandstone, w
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Marina, Toumpouri. "Monastery of Panagia (Virgin) Chozoviotissa." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12573331.

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The Monastery of Panagia (Virgin) Chozoviotissa on the south of Amorgos sits on the side of a cliff overlooking the Aegean Sea, 2 km away from the Chora, the main settlement of the island. It operates as a male Monastery and officially celebrates the feast of the Entrance of the Virgin Mary to the Temple (Eisodia tis Theotokou in Greek) on November 21. The Monastery's name comes from the corruption of "Hozivitissa" or "Kozivitissa", which in turn is a corruption of the toponym "Hozeva" or "Koziva" in the Holy Land (present day Wadi Qilt, Jericho, Palestine), where important Orthodox Monasterie
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Nicolyna, Enriquez. "Church of St. Mamas, Palaiochora, Selino, Crete." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12573908.

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Located a short distance inland from where the Pelekaniotikos River meets the sea just west of Palaiochora, the Church of St. Mamas is a barrel-vaulted structure with a saddle roof exterior. Restored in the 1980s, only the northern wall is original. The church is divided into two bays by a transverse arch. A large modern iconostasis divides the sanctuary from the nave however remnants of the original stone iconostasis can still be seen. In the sanctuary the northern half of the image of Christ Pantocrator is preserved in the half dome of the apse with a partially preserved halo below, likely o
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