Relevant bibliographies by topics / Venezuelan Art / Dissertations / Theses
To see the other types of publications on this topic, follow the link: Venezuelan Art.

Dissertations / Theses on the topic 'Venezuelan Art'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Venezuelan Art.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Aleman-Fernandez, Carmen Elena. "Corpus Christi and Saint John the Baptist : a history of art in an African-Venezuelan community." Thesis, SOAS, University of London, 1990. http://eprints.soas.ac.uk/29664/.

Full text
Abstract:
For the past ten years I have conducted research in the town of Chuao (Aragua State), an area settled in the 16th Century, site of the oldest and most renowned cocoa plantation of Venezuela. By the mid-17th century, the owner turned control of the enterprise over to the Roman Catholic Church, which administered it through the Inter-diocesan Seminary until 1827, at which time, by direct order of Simon Bolivar, the plantation became the property of the University of Caracas (today the Universidad Central de Venezuela) until 1883. From then it came under the direct control of the State.;The inhabitants are descended from African slave populations brought in by Spanish colonists; and the area can only be reached by sea. The relative isolation of Chuao makes it a special place in which one can study the evolution of artistic and rituals forms. Chuao appears to be one of the few African communities in modem Venezuela which has actively maintained links with its past. The Chuao tradition has evolved in the local integration of official (Spanish Catholicism) and popular (slave African elements). This may well exemplify the evolution of artistical ritual forms in other coastal communities of north-central Venezuela from the time of Spanish Colonialism.;The thesis is centred around the principal festivities of the community of Chuao: Corpus Christi (featuring "devil" masquerade) and the festive cycle of Saint John the Baptist (featuring images of the Saint and his mistress). Both festivities are organized by societies, the Corpus Christi society led by men and the Saint John society, by women. These societies are thus responsible for all the different aspects of the celebrations, such as the preparation for the festival, rehearsals, stages of the festivities, masks, costumes, images, dances, music, songs, speeches and poems.;These festivities are placed within the historical background of the community, and plantation of Chuao including the possible origin of the Africans arrived in Spanish America during the period of the slave trade. Moreover, the importance of the religious tradition of Chuao for an understanding of these festivities is provided by the Doctrine of Maria Tecla.
APA, Harvard, Vancouver, ISO, and other styles
2

Sassu, Suarez Ferri Natalia. "Carlos Cruz-Diez : from figuration to kineticism." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11817.

Full text
Abstract:
The Venezuelan artist Carlos Cruz-Diez (b.1923) is an exemplar of modernism both in Europe and in Latin America. This thesis offers a broader understanding of his work by discussing his early paintings as a precedent to his more recognized production. Cruz-Diez's chief aim as an artist is the liberation of colour, a process undertaken with the motivation of being part of art history, in an avant-garde quest for what his original contribution to art could be. Transition, interaction, colour, space and time: these are the crucial concepts of the work of Cruz-Diez investigated in this thesis and positioned in the Latin American/European and Kinetic/Optical context. Today, Cruz-Diez's works from his first Physichromie (1959) onwards have been extensively explored both by him in numerous commentaries and by scholars. In contrast, only few works of the 1950s have been displayed and discussed. The key aspect of my argument is that 1959 is not an abrupt beginning to Cruz-Diez's work but the conclusive stage of a ten-year process of transition from figuration to abstraction. I demonstrate that there is indeed a drawn-out “passage” made of readings and experiments, of “successes” and" “failures”. I argue that this “passage” is articulated along three parallel paths: 1) the detachment from naturalistic or figurative representation; 2) the detachment from the concept of colour as a synonym of pigment on a support; and 3) the shift in emphasis from a “passive” to an “active” spectator.
APA, Harvard, Vancouver, ISO, and other styles
3

Ryan, Michael Joseph. "Hard knocks on a thick skull training the body for a "closed habitus" in a Venezuelan civilian combative art /." Diss., Online access via UMI:, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Lopez, Barazarte Maria Angelica BARAZARTE. "IT WAS, IT IS, WHAT IF." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1499449654080401.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Mayhall, Marguerite Katherine. "The dissolution of Utopia art, politics, and the city of Caracas in the 1960s /." Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3055239.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Rodriguez, Florangel. "Inflation in Venezuela: The Case for No Single Cause." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc501219/.

Full text
Abstract:
The study was designed to examine the causal relationship between the Venezuelan inflation and the monetarist variables--money supply--and the structuralist variables-- exchange rate and balance of payments. The data (1964-1982) was gathered from the International Financial Statistic Yearbook, 1983 and the Statistical Yearbook, 1974, 1982. Chapter I is an introduction to the research problem. Chapter II does a review of the related literature. Chapter III deals with the methods and procedures for treating the data. Chapter IV presents an statistical analysis of the data. And, Chapter V contains a summary of the study and its findings, conclusions and recommendations. The study only found a significant relationship between inflation and the monetarist variables money supply and GNP, though supporting the monetarist theory. A similar investigation is suggested, but selecting a longer time period, other.variables, and more refined methodologies and analysis.
APA, Harvard, Vancouver, ISO, and other styles
7

Miguel, Nicholas Edward. "The art songs of Modesta Bor (1926-1998)." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6213.

Full text
Abstract:
This essay introduces readers to the music of the Venezuelan composer Modesta Bor (1926-1998) and provides a resource for interpretation of her art songs for voice and piano. Bor was an important composer in Venezuela with a successful career in composition, pedagogy, and conducting. However, she is not widely known outside of Venezuela and scholarship on her art song is limited. This study seeks to fill that void by examining Bor’s twenty-nine published art songs for solo voice and piano. These works include the song cycles/collections Tres canciones infantiles para voz y piano, Canciones infantiles, Primer ciclo de romanzas para contralto y piano, Segundo ciclo de romanzas para contralto y piano, Tríptico sobre poesía cubana, and Tres canciones para mezzo-soprano y piano, as well as nine ungrouped songs. Bor’s art songs are notable for her imitation of Venezuelan folk and popular music in the vein of Figurative Nationalism, her sophisticated harmonic language, and neoclassical techniques such as ostinato and motivic variation. This essay aims to help performers begin to understand the allusions to the national music of Venezuela. Her music elevates the llanero, the common rural laborer, and comments on the social issues of her people. This essay provides a brief history of Venezuelan music, a biography of Bor, and brief biographies of the poets used. It also contributes original poetic and musical analyses of her art songs, exploring the areas of form, melody, rhythm, and harmony. Venezuelan Spanish and the lyric diction appropriate for Bor’s songs are discussed. Poetic translations, word-for-word translations, and International Phonetic Alphabet transliterations are included for all of the poetry used.
APA, Harvard, Vancouver, ISO, and other styles
8

Lindh, de Montoya Monica. "Progress, hunger and envy : commercial agriculture, marketing and social transformation in the Venezuelan Andes /." Stockholm : Almqvist & Wiksell international, 1996. http://catalogue.bnf.fr/ark:/12148/cb37192932z.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Silva, Paula Carolina Neubauer da [UNESP]. "A vocação construtiva na Arte Sul-Americana: os cinéticos venezuelanos e os concretos paulistas." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/86899.

Full text
Abstract:
Made available in DSpace on 2014-06-11T19:22:28Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-04-19Bitstream added on 2014-06-13T19:07:56Z : No. of bitstreams: 1 silva_pcn_me_ia.pdf: 2121158 bytes, checksum: c65389f72cc8c8fdd5ed879840881b2b (MD5)
Universidade Estadual Paulista (UNESP)
A presente pesquisa justifica-se pela escassez de estudos contrapondo as práticas artísticas dos cinéticos venezuelanos às dos concretos paulistas, ainda que os dois movimentos tenham sido contemporâneos e influenciado fortemente a produção artística em seus respectivos países. A pesquisa foi feita por meio de levantamento bibliográfico, trabalhos acadêmicos, artigos e catálogos de exposições relacionadas ao tema. Foi elaborada de forma comparativa, buscando identificar fontes de referência e bibliografia específica com o objetivo de estabelecer as influências construtivas européias pertinentes à produção da arte concreta no Brasil e à arte cinética na Venezuela durante a década de 1950. Assim, são exploradas as similaridades entre os movimentos, partindo-se, para tanto, de suas raízes construtivas, para chegar às suas respectivas particularidades. Delimita-se o escopo da presente pesquisa à obra de três artistas de cada movimento e suas respectivas produções no período em questão. São eles: Luiz Sacilotto, Judith Lauand e Geraldo de Barros, no que tange aos concretos, e Jesús Rafael Soto, Carlos Cruz-Diez e Alejandro Otero em relação aos cinéticos. Apresenta-se o surgimento do concretismo em São Paulo, em volta do Grupo Ruptura sob forte influência das ideias construtivistas defendidas por Waldemar Cordeiro e das tendências abstracionistas no Brasil à época. Paralelamente, explora-se o impacto do grupo Los Disidientes, articulado por Otero e suas repercussões na obra de Soto e Cruz-Diez, bem como o contexto venezuelano desde a ocasião do Manifesto Los Disidentes (1950) até a adoção da abstração no país. Examina-se a convergência dos artistas em Paris durante os anos 1950, o que possibilitou o intercâmbio das experiências de Alejandro Otero, Carlos Cruz-Diez e Jesús Rafael Soto. Da mesma...
This research is justified by the lack of studies comparing the kinetics artistics practices of Venezuela and concrete practices from São Paulo. This work was made through research of bibliography, academic papers, articles and exhibitions catalogues related to the theme. It has been done in a comparative manner aiming to identify references and specific bibliographies with the purpose of establishing the constructive European influences related to the production of a concrete art in Brazil and a kInetic art in Venezuela in the 1950s. Therefore, it explores the movement similarities from their constructive roots to their respective particularities. The scope of this research is limited to the work of three artists of each movement and to their respective productions during the period in question. They are: Luiz Sacilotto, Judith Lauand and Geraldo de Barros for the concretes; and Jesús Rafael Soto, Carlos Cruz-Diez and Alejandro Otero for the kinetics. There is a discussion about the origin of the concrete movement in São Paulo, around the Ruptura Group, under the influence of the constructivist ideas championed by Waldemar Cordeiro and the abstract tendencies in Brazil at the time. It is also presented the impact of Los Disidientes Group articulated by Otero and its repercussion in the work of Soto and Cruz-Diez, in addition to the Venezuelan context since of the release of Manifesto Los Disidientes (1950) until the adoption of abstraction in the country. The research also analyses the convergence of the artists in Paris during the 1950s which enable the experience interchange between Alejandro Otero, Carlos Cruz-Diez e Jesús Rafael Soto. In the same way, there will be a discussion about the limitations of the adoption of the abstract geometrical language as the way through modernization and rationality which characterizes and... (Complete abstract click electronic access below)
APA, Harvard, Vancouver, ISO, and other styles
10

Machillando, Pinto José. "Poder político y poder militar en Venezuela : 1958-1986 /." Caracas : Ed. Centauro, 1988. http://catalogue.bnf.fr/ark:/12148/cb370332514.

Full text
Abstract:
Tesis doctoral--Ciencias políticas--Caracas--Universidad Simón Bolívar. Titre de soutenance : Poder político y poder militar en Venezuela durante la democracia (1958-1986).
Notes bibliogr. Bibliogr. p. 193-200.
APA, Harvard, Vancouver, ISO, and other styles
11

Thibaud, Clément. "Républiques en armes : les armées de Bolívar dans les guerres d'indépendance du Venezuela et de la Colombie /." Rennes : Presses universitaires de Rennes, 2006. http://catalogue.bnf.fr/ark:/12148/cb40182766n.

Full text
Abstract:
Texte remanié de: Thèse de doctorat--Histoire--Paris 1, 2001. Titre de soutenance : Guerre et révolution : les armées bolivariennes dans la guerre d'indépendance en Colombie-Venezuela, 1810-1821.
Bibliogr. p. 393-401. Glossaire. Index.
APA, Harvard, Vancouver, ISO, and other styles
12

Albornoz, Tineo José Nicolas. "L'Inspection des finances au Venezuela." Lille : A.N.R.T, 1985. http://catalogue.bnf.fr/ark:/12148/cb36105214t.

Full text
APA, Harvard, Vancouver, ISO, and other styles
13

Biller, Achim M., and Jorge Galindo Cardenas. "Venezuelan Bolivarian missions in Colombia: what are the real, underlying reasons for their existence?" Monterey, California: Naval Postgraduate School, 2013. http://hdl.handle.net/10945/34630.

Full text
Abstract:
Approved for public release; distribution is unlimited
The Bolivarian government of Venezuela and the government of Cuba use the legitimate status of Bolivarian Missions in Colombia for both legitimate and illegitimate state activities. The overall aim is to undermine the Colombian state and increase the influence of political movements sympathetic to Bolivarianism in Colombian politics with the overall goal of weakening a historical international rival to Venezuela in Latin America. A comparative case study method is applied to four Venezuelan-sponsored Bolivarian missions in Colombia: Robinson, Milagro, Guacaipuro, and Identidad. A review of former Venezuelan President Hugo Chvezs ideology of Bolivarianism is also included. The case study analysis is complemented by fieldwork in Colombia: interviews with many key figures including former insurgents, intelligence officials of both Venezuela and Colombia, as well as politicians and analysts who have direct and indirect knowledge of the missions. This constitutes a unique and up-close perspective on the true nature of Bolivarian missions in Colombia. The Bolivarian government of Venezuela and the government of Cuba consistently seek to expand their anti-U.S. influence throughout Latin America; understanding their ideology and mechanisms for doing so yields important policy implications for the U.S. and Colombian governments, as well as democracy proponents.
APA, Harvard, Vancouver, ISO, and other styles
14

Ferreira, Max André de Araújo. "Comércio formiga fronteiriço entre Venezuela e Brasil." Universidade Federal de Roraima, 2015. http://www.bdtd.ufrr.br/tde_busca/arquivo.php?codArquivo=386.

Full text
Abstract:
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
O presente trabalho parte da necessidade de investigar a dinâmica de comércio formiga fronteiriço em uma análise geral entre as cidades-gêmeas em toda a faixa de fronteira do Brasil e afunilando-se ao estudo do comércio formiga entre a Venezuela e o Brasil, através das cidades-gêmeas Santa Elena e Pacaraima. Assenta-se a pesquisa a análise dos aspectos dos difusores e contentores do comércio formiga. O estudo tem como objetivo investigar se o fluxo de comercio formiga na fronteira gerando transbordamento com efeitos de integração ou fragmentação no desenvolvimento regional e na integração entre Brasil e Venezuela, estruturando-se metodologicamente como pesquisa de revisão bibliográfica, revisão integrativa e estudo de caso. As cidades de Santa Elena de Uairén e Pacaraima identificam-se como um natural receptor de renda e repulsor de rendas e mercadorias. No estudo das tipologias qualitativas utilizou-se a análise weberiana dos tipos ideais do Comércio Formiga. A movimentação das rendas nesses municípios traz problemas para a economia desses dois países, como a evasão de rendas, pois o comércio local deixa de fomentar a economia, diminuindo a oferta de empregos e aumentando ainda mais a informalidade.
This work begins with the need to investigate the dynamics of border ant trade in an overall analysis of the twin cities across the border region of Brazil and tapering to the study of ant trade between Venezuela and Brazil, through the twin cities Santa Elena and Pacaraima. Founded to research the analysis of aspects of ant trade diffusers and containers. The study aims to investigate the ant trade flow bordering generating overflowing with integration effects or fragmentation in regional development and integration between Brazil and Venezuela, and is structured methodologically as literature review of research, integrative review and case study. The towns of Santa Elena de Uairen and Pacaraima identify themselves as a natural income recipient and repulsor rents and goods. In the study of qualitative typologies we used the Weberian analysis of ideal ant trade types. The balance of income in these municipalities causes problems for the economy of these two countries, such as evasion of income, for the local market fails to stimulate the economy, reducing the supply of jobs and further increasing informality.
APA, Harvard, Vancouver, ISO, and other styles
15

Silva, Paula Carolina Neubauer da. "A vocação construtiva na Arte Sul-Americana : os cinéticos venezuelanos e os concretos paulistas /." São Paulo : [s.n.], 2012. http://hdl.handle.net/11449/86899.

Full text
Abstract:
Orientador: Percival Tirapeli
Banca: José Leonardo do Nascimento
Banca: Ana Maria Nogueira
Resumo: A presente pesquisa justifica-se pela escassez de estudos contrapondo as práticas artísticas dos cinéticos venezuelanos às dos concretos paulistas, ainda que os dois movimentos tenham sido contemporâneos e influenciado fortemente a produção artística em seus respectivos países. A pesquisa foi feita por meio de levantamento bibliográfico, trabalhos acadêmicos, artigos e catálogos de exposições relacionadas ao tema. Foi elaborada de forma comparativa, buscando identificar fontes de referência e bibliografia específica com o objetivo de estabelecer as influências construtivas européias pertinentes à produção da arte concreta no Brasil e à arte cinética na Venezuela durante a década de 1950. Assim, são exploradas as similaridades entre os movimentos, partindo-se, para tanto, de suas raízes construtivas, para chegar às suas respectivas particularidades. Delimita-se o escopo da presente pesquisa à obra de três artistas de cada movimento e suas respectivas produções no período em questão. São eles: Luiz Sacilotto, Judith Lauand e Geraldo de Barros, no que tange aos concretos, e Jesús Rafael Soto, Carlos Cruz-Diez e Alejandro Otero em relação aos cinéticos. Apresenta-se o surgimento do concretismo em São Paulo, em volta do Grupo Ruptura sob forte influência das ideias construtivistas defendidas por Waldemar Cordeiro e das tendências abstracionistas no Brasil à época. Paralelamente, explora-se o impacto do grupo Los Disidientes, articulado por Otero e suas repercussões na obra de Soto e Cruz-Diez, bem como o contexto venezuelano desde a ocasião do Manifesto Los Disidentes (1950) até a adoção da abstração no país. Examina-se a convergência dos artistas em Paris durante os anos 1950, o que possibilitou o intercâmbio das experiências de Alejandro Otero, Carlos Cruz-Diez e Jesús Rafael Soto. Da mesma... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract:This research is justified by the lack of studies comparing the kinetics artistics practices of Venezuela and concrete practices from São Paulo. This work was made through research of bibliography, academic papers, articles and exhibitions catalogues related to the theme. It has been done in a comparative manner aiming to identify references and specific bibliographies with the purpose of establishing the constructive European influences related to the production of a concrete art in Brazil and a kInetic art in Venezuela in the 1950s. Therefore, it explores the movement similarities from their constructive roots to their respective particularities. The scope of this research is limited to the work of three artists of each movement and to their respective productions during the period in question. They are: Luiz Sacilotto, Judith Lauand and Geraldo de Barros for the concretes; and Jesús Rafael Soto, Carlos Cruz-Diez and Alejandro Otero for the kinetics. There is a discussion about the origin of the concrete movement in São Paulo, around the Ruptura Group, under the influence of the constructivist ideas championed by Waldemar Cordeiro and the abstract tendencies in Brazil at the time. It is also presented the impact of Los Disidientes Group articulated by Otero and its repercussion in the work of Soto and Cruz-Diez, in addition to the Venezuelan context since of the release of Manifesto Los Disidientes (1950) until the adoption of abstraction in the country. The research also analyses the convergence of the artists in Paris during the 1950s which enable the experience interchange between Alejandro Otero, Carlos Cruz-Diez e Jesús Rafael Soto. In the same way, there will be a discussion about the limitations of the adoption of the abstract geometrical language as the way through modernization and rationality which characterizes and... (Complete abstract click electronic access below)
Mestre
APA, Harvard, Vancouver, ISO, and other styles
16

Princz, Daniel. "Bionomie des micromollusques benthiques du nord-est du Venezuela." Grenoble 2 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb376005431.

Full text
APA, Harvard, Vancouver, ISO, and other styles
17

Bolivar, Teolinda. "La Production du cadre bâti dans les barrios à Caracas... un chantier permanent ! /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37603100c.

Full text
APA, Harvard, Vancouver, ISO, and other styles
18

López, Moreno José Ramon. "L'Art d'"action-corporelle" au Vénézuela une nouvelle forme de représentation sociale /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37607512f.

Full text
APA, Harvard, Vancouver, ISO, and other styles
19

Martínez, Marco Antonio. "Los nombres de las monedas en Venezuela /." Caracas : Asociación bancaria de Venezuela, 1993. http://catalogue.bnf.fr/ark:/12148/cb37065941v.

Full text
APA, Harvard, Vancouver, ISO, and other styles
20

Figuera, Dilcia. "FACET Simulation in the Imataca Forest Reserve, Venezuela: Permanent Plot Data and Spatial Analysis." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5282/.

Full text
Abstract:
Tree diameter data from 29 years of observations in six permanent plots was used to calculate the growth rate parameter of the FACET gap model for 39 species in the Imataca forests in Venezuela. The compound topographic index was used as a measure of differential soil water conditions and was calculated using geographic information systems. Growth rate values and topographic conditions typical of hill and valley were input to FACET to simulate dynamics at the species level and by ecological and functional groups. Species shade-tolerance led to expected successional patterns. Drought-tolerant/saturation-intolerant species grew in the hills whereas drought-intolerant/saturation-tolerant species occurred in the valleys. The results help to understand forest composition in the future and provide guidance to forest management practices.
APA, Harvard, Vancouver, ISO, and other styles
21

Vivas, Gallardo Freddy. "Venezuela-Estados Unidos 1939-1945 : la coyuntura decisiva : las relaciones políticas y militares entre Venezuela y los Estados Unidos durante la segunda guerra mundial /." Caracas : Universidad central de Venezuela, Facultad de Ciencias jurídicas y políticas, 1993. http://catalogue.bnf.fr/ark:/12148/cb37047480f.

Full text
Abstract:
Tesis doctoral--Ciencias políticas--Universidas central de Venezuela, 1993.
Titre de couv. : "Venezuela-EEUU, 1939-1945 : la coyuntura decisiva : las relaciones político-militares entre Venezuela y EEUU durante le 2a guerra mundial" Notes bibliogr.
APA, Harvard, Vancouver, ISO, and other styles
22

Belrose, Maurice. "La época del modernismo en Venezuela (1888-1925) /." Caracas : Monte Ávila ed. latinoamericana, 1999. http://catalogue.bnf.fr/ark:/12148/cb37735328k.

Full text
APA, Harvard, Vancouver, ISO, and other styles
23

Penso, Isabel. "Les Politiques économiques appliquées au Venezuela depuis 1979." Grenoble 2 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37617491h.

Full text
APA, Harvard, Vancouver, ISO, and other styles
24

Almécija, Bermúdez Juan. "La familia en la provincia de Venezuela, 1745-1798 /." Madrid : Ed. MAPFRE, 1992. http://catalogue.bnf.fr/ark:/12148/cb36966927z.

Full text
APA, Harvard, Vancouver, ISO, and other styles
25

Rodd, Robin. "The biocultural ecology of Piaroa shamanic practice." University of Western Australia. School of Social and Cultural Studies, 2005. http://theses.library.uwa.edu.au/adt-WU2005.0084.

Full text
Abstract:
This thesis presents an analysis of Piaroa shamanic practices that combines elements of symbolic, psychobiological and phenomenological approaches. Theories from, and clinical findings in, neuroscience, pharmacology, psychology and psychoneuroimmunology are integrated with extended participant observation field study involving basic shamanic training to demonstrate how Piaroa shamans learn to understand and effect biopsychosocial adaptation and promote health. It is argued that Piaroa shamanism is a sophisticated means of interpreting ecological forces and emotional processes in the interests of minimising stress across related systems: self, society, ecosystem, and cosmos. Piaroa shamans should be cadres in the promotion of an ethos, the good life of tranquillity, which serves as the basis for low-stress social relations. Piaroa mythology is predicated upon human-animal-god reciprocity and provides the shaman with a series of informationprocessing templates, designed to be invoked with the use of hallucinogens, which assist him to understand inter-systemic relations. I analyse how Piaroa shamans develop the psychic skills to divine and regulate ecological relationships and emotional processes, while highlighting possible relationships among native symbolism, neurology, consciousness and the emotions. It is argued that Piaroa shamanic practices involve conditioning the mind to achieve optimal perceptive capacities that, in association with sensitive biopsychosocial study, facilitate accurate prediction and successful psychosocial prescription. A cultural neurophenomenological approach enables articulation of the psychocultural logic of ethos, epistemology, divination, sorcery, and curing, and a fuller picture of a South American indigenous society’s shamanic practices than less integrative approaches have afforded
APA, Harvard, Vancouver, ISO, and other styles
26

Amaya, Florinda. "La Conception du logement social et la production capitaliste du logement à Caracas étude d'un cas /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37602347b.

Full text
APA, Harvard, Vancouver, ISO, and other styles
27

Trindade, Victor. "Latin American Oil Nationalisation and Geopolitics: Are They Intrinsic? The case of Mexico, Brazil and Venezuela." Thesis, Stockholms universitet, Institutionen för ekonomisk historia och internationella relationer, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-193727.

Full text
APA, Harvard, Vancouver, ISO, and other styles
28

Olivares, Salas Pedro. "Le Régime juridique et l'organisation administrative des transports au Venezuela." Lille : A.N.R.T, 1985. http://catalogue.bnf.fr/ark:/12148/cb36105665t.

Full text
APA, Harvard, Vancouver, ISO, and other styles
29

Araujo, Gabriel. "Le Rôle du pétrole dans la politique extérieure du Venezuela." Lille 3 : ANRT, 1985. http://catalogue.bnf.fr/ark:/12148/cb37594089m.

Full text
APA, Harvard, Vancouver, ISO, and other styles
30

Belrose, Maurice. "L'Epoque moderniste au Venezuela, 1888-1925 presse littéraire et roman." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37595836g.

Full text
APA, Harvard, Vancouver, ISO, and other styles
31

Floyd, Mary B. "Guzmán Blanco : la dinámica de la política del septenio /." [S.l.] : Instituto autónomo Biblioteca nacional, Fundación para el escate del acervo documental, 1988. http://catalogue.bnf.fr/ark:/12148/cb355056374.

Full text
APA, Harvard, Vancouver, ISO, and other styles
32

Bello, Navarro Freddy José. "Barrios et ranchos la réponse des citadins au problème du logement dans la ville industrielle de Valencia (Venezuela) /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376027761.

Full text
APA, Harvard, Vancouver, ISO, and other styles
33

Gerdes, Claudia. "Eliten und Fortschritt : zur Geschichte der Lebensstile in Venezuela 1908-1958 /." Frankfurt am Main : Vervuert, 1992. http://catalogue.bnf.fr/ark:/12148/cb35598463q.

Full text
APA, Harvard, Vancouver, ISO, and other styles
34

Montoya, Díaz Miguel. "Persistent peasants : smallholders, state agencies and involuntary migration in western Venezuela /." Stockholm : Department of social anthropology, Stockholm university, 1996. http://catalogue.bnf.fr/ark:/12148/cb37564914k.

Full text
APA, Harvard, Vancouver, ISO, and other styles
35

Samouth, Eglantine. "Dire l’événement quand il surgit. Les journées d’avril 2002 au Venezuela dans trois quotidiens nationaux : une analyse discursive." Thesis, Paris Est, 2011. http://www.theses.fr/2011PEST0035/document.

Full text
Abstract:
En avril 2002, le président du Venezuela, Hugo Chávez Frías est éloigné du pouvoir pendant environ quarante-huit heures et remplacé par un président provisoire, Pedro Carmona Estanga, qui dissout l’ensemble des pouvoirs publics. Malgré sa brièveté, cet épisode a marqué l’histoire du Venezuela et témoigne de façon paroxystique des antagonismes sociaux et politiques que connaît ce pays. La présente recherche a pour but d’analyser la construction discursive de cet événement dans un corpus de trois quotidiens nationaux, en observant comment s’esquisse son sens au moment où il surgit. Dans un premier temps, nous exposons le contexte historico-politique et médiatique dans lequel se sont déroulés ces événements, avant de nous interroger sur la notion d’événement. Il en ressort que l’événement n’est pas une réalité saisissable en tant que telle, mais une réalité signifiée, dans laquelle le langage joue un rôle fondamental. Dans un deuxième temps, nous examinons de quelle manière l’apparition de l’événement se matérialise dans le dispositif des journaux, en accordant une attention particulière aux différents niveaux de titres. La troisième partie de la thèse est consacrée à l’étude la nomination de l’événement, tout d’abord, dans les titres et les Unes, puis à l’intérieur des articles. Les analyses de corpus montrent que le discours des journaux face à cet événement se caractérise par une certaine indétermination, par un usage abondant de l’implicite et par une tendance à l’effacement des journalistes derrière des faits qui semblent s’imposer comme une évidence
In April 2002, the President of Venezuela, Hugo Chávez Frías, was removed from power for approximately forty-eight hours and replacing by an acting president, Pedro Carmona Estanga, who disbanded all of the public authorities. In spite of its brevity, this episode marked the history of Venezuela and testifies acutely to the social and political antagonisms experienced by this country. This research aims to analyse the discursive construction of this event within a corpus of three national daily newspapers, by observing how its meaning takes shape during the moment the events took place. Firstly, I present the historical and political context in which these events occurred and media’s situation in Venezuela, before exploring the notion of the event in general terms. As a result, I show that the event is not a reality that can be captured as such, but is in fact a signified reality, in which language plays a fundamental role. Secondly, I examine in what ways the event is materialised in the dailies’ structure, while according particular attention to the various hierarchical levels of the headlines. The third part of the thesis is dedicated to the study of the event naming act, firstly in the headlines and front pages, then within articles. The corpus analyses show that the discourse of the newspapers in front of this event are characterised by a certain vagueness, by abundant usage of implicit modes of address and by the journalists’ tendency to hide behind facts that seem to impose themselves naturally
APA, Harvard, Vancouver, ISO, and other styles
36

Orobitg, Canal Gemma. "Les Pumé et leurs rêves : étude d'un groupe indien des plaines du Venezuela /." Amsterdam ; [Paris] : Éd. des archives contemporaines, 1998. http://catalogue.bnf.fr/ark:/12148/cb38807025w.

Full text
APA, Harvard, Vancouver, ISO, and other styles
37

Caputo, Jaffé Alessandra F. "Continuidad y cambio en el arte indígena en Venezuela : Entre la estetización de lo sagrado y la desacralización del mundo amerindio." Doctoral thesis, Universitat Pompeu Fabra, 2014. http://hdl.handle.net/10803/145502.

Full text
Abstract:
Esta tesis estudia las dinámicas de continuidad y cambio entre la cultura material procedente del período prehispánico, en diversas sociedades que habitaron en las regiones que hoy conforman Venezuela y proximidades, con las del presente amerindio. Para ello, se ha elaborado un análisis que parte desde la historia del arte, pero que a su vez incorpora las contribuciones de la arqueología, la etnografía y la historia. De este modo, el estudio se enfoca en el desarrollo de las formas simbólicas que se ha producido en estas sociedades, a través del lenguaje visual abstracto, teniendo en cuenta las variaciones existentes en el período prehispánico, así como los cambios que se sucedieron a partir de la Colonia. Este trabajo considera, igualmente, la valoración de esta cultura material como objeto estético desde Occidente, los valores de autenticidad y las distintas perspectivas tomadas a partir de la relación de estas sociedades con sus concepciones religiosas y mitológicas, así como su adaptación al mundo laico y contemporáneo occidental.
This dissertation examines the different dynamics of change and continuity between the material culture from diverse pre-Columbian societies and the Amerindian societies in present times, which have lived in the regions that today conform Venezuela and its proximities. The methodologies applied in this study depart from the art historical analysis, taking into consideration the archaeological, ethnographical and historical contributions. This analysis focuses on the development of the symbolic forms of representation through an abstract visual language, within the different styles that existed in these societies during the pre-Columbian period, and the changes that unfolded from Colonial times to the present. This study also considers the values of authenticity applied to this material culture when seen as aesthetic objects by Western society, and the different perspectives that have been assumed from the relationship between these societies and their religious and mythological conceptions, as well as their adaption to the laicized and contemporary Western society.
APA, Harvard, Vancouver, ISO, and other styles
38

NOVOA, PADRON MARIA TERESA. "Art public, étude de cas : Caracas, Montréal et Paris de 1980 à 1993, suivie d'une proposition personnelle." Paris 8, 1995. http://www.theses.fr/1995PA081108.

Full text
Abstract:
La these qui suit traite de l'art public compris comme oeuvres d'art bidimensionnelles et ou tridimensionnelles, situees dans les espaces publics de la ville, determinant ou etant determines par la morphologie urbaine, et qui, de par leur caractere public, sont constitutives d'oeuvres, patrimoine de la communaute et, en derniere instance, de l'etat qui la represente. L'un des objectifs de ce travail est de decouvrir le processus plastique de quelques experiences d'art public contemporain, realisees aussi bien dans notre pays d'origine, le venezuela, comme en dehors de celui-ci. Pour l'etude de cas, nous avons choisi les villes de caracas, montreal et paris avec les oeuvres suivantes: a caracas: - amenagement dans le metro de petare. - jardin de sculptures dans le parc de l'est; - ensemble de sculptures place venezuela. A montreal: - place berri - parc de sculptures rene levesque. - jardin de sculptures, centre culturel canadien. A paris: - embalage du pont-neuf. - coeur d'honneur du palais royale - axe majeur a cergy pontoise. En fin, nous exposerons nos propre propositions d'intervention dans l'espace public, qui vont dans le sens d'une recherche attentive des demandes emanant de la vie actuelle. Nos propositions personnelles quant a elles, naissent de la necessite de traiter l'espace urbain comme support du langage plastique
The following thesis is dealing with public art as a bidimensional or tridimensional piece of art situated in public locations determining or being determined by urban morphology. It's public status is creating the communauty patrimony and at least state patrimony. One of the purpose of this study is to discover the process of some contemporary public art experiences located as well in my own country or abroad. For the case study we choose the towns of caracas, montreal et paris with the following works. Caracas: - intervention in the petare metro - sculpture garden in the parque del est - sculpture composition plaza venezuela. Montreal: - place berri - sculpture park rene levesque - sculpture garden centre culturel canadien paris: - pont-neuf wrapped - patio d'honneur palais royal - major axis cergy- pontoise at least we'll espace our own intervention proposals on public locations. They are taking much care of the actual life needs. Our personnal proposals are dealing with the necessity to work public spaces as the support of art works
APA, Harvard, Vancouver, ISO, and other styles
39

Monasterio, de Sarmiento Maximina. "Recherches écologiques sur les espeletia du Paramo désertique des Hautes Andes tropicales du Venezuela." Grenoble 2 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb37599783p.

Full text
APA, Harvard, Vancouver, ISO, and other styles
40

Sedjro, Comlan Urbain. "Migrations inter-étatiques de la force de travail et aménagement du territoire au Vénézuela le cas de la région du Zulia /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37609842p.

Full text
APA, Harvard, Vancouver, ISO, and other styles
41

Chacón, Piñango Prudencio A. "Dynamique de la matière organique et de l'azote dans une savane à Trachypogon du Venezuela." Grenoble 2 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37612458g.

Full text
APA, Harvard, Vancouver, ISO, and other styles
42

Monteleone, Susan Elaine. "Light Spectra Distributions in Temperate Conifer-Forest Canopy Gaps, Oregon and in Tropical Cloud-Forest Canopy, Venezuela." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc279052/.

Full text
Abstract:
Light spectra distributions were measured in two different montane forests: temperate and tropical. Spectral light measurements were made in different sized canopy gaps in the conifer forest at H. J. Andrews Experimental Forest in Oregon, USA. Researchers at Oregon State University created these gaps of 20 m, 30 m, and 50 m in diameter. In the tropical cloud forest, spectral light measurements were made in two plots that were permanently established at La Mucuy Parque Nacional in Venezuela, in collaboration with researchers at Universidad de Los Andes. In both studies, spectra and distributions of physiologically active light were analyzed: red, far-red, R/FR ratio, and blue light.
APA, Harvard, Vancouver, ISO, and other styles
43

Giannetto, Ivanka. "La Zône piémontaise des formations Ño Pedrote et el Guapo, Venezuela, pétrographie, minéralogie et géochimie des phyllosilicates." Grenoble 2 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb375980480.

Full text
APA, Harvard, Vancouver, ISO, and other styles
44

Saghy-Cadenas, Pedro. "La simulation du contrat. Etude comparée en droit civil français et vénézuélien." Thesis, Paris 2, 2012. http://www.theses.fr/2012PA020011/document.

Full text
Abstract:
La simulation est un mensonge. Cette notion prend des caractéristiques particulières lorsqu’il s’agit de simuler un contrat. La simulation de contrat est une des plus fascinantes institutions du micro univers des contrats. Elle consiste en une convention par laquelle les co-contractants dissimulent soit une partie soit l’intégralité de leur vrai accord. Ni le législateur français ni le législateur vénézuélien ne se sont préoccupés de définir ce qu’on doit comprendre par simulation de contrat en droit civil. Ce vide n’a été rempli ni par la doctrine, ni par la jurisprudence. Chaque auteur, et presque chaque décision, a sa propre notion de simulation de contrat. Cette situation n’apporte aucune sécurité lorsqu’on veut identifier une opération de cette nature. Dans ce travail, nous nous sommes fixés la tâche d’identifier les éléments qui confortent l’opération de simulation de contrat, tant en droit civil français qu’en droit civil vénézuélien
Simulation is a lie. This notion takes on special characteristics when it comes to simulating a contract. The simulation of contract is one of the most fascinating institutions of the micro-world of contracts. A contract is a simulation when, by mutual agreement of the parties, it does not express their true intent. It is an agreement to hide all or part of the true agreement. Neither French law nor Venezuelan legislators have taken the trouble to define what we should understand by simulation of contract in civil law. This loophole has been filled either by doctrine or case law. Every author and almost all decisions have their own notion of contract simulation. This obviously provides no sure footing when seeking to identify a transaction of this nature. In this work, we have set ourselves the task of identifying the fundamental elements behind simulation of contracts, both in French and Venezuelan civil law
APA, Harvard, Vancouver, ISO, and other styles
45

Virolle, Marie-Joëlle. "Clonage, caractérisation et étude préliminaire de la régulation de deux gènes d'alpha-amylases issus de Streptomyces limosus et Streptomyces venezuelae." Grenoble 2 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37610661f.

Full text
APA, Harvard, Vancouver, ISO, and other styles
46

Viergutz, Micheline. "What Are the Conditions Necessary to Promote the Ideal Relationship Amongst Petro State, State Oil Company and International Oil Company?" Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/336.

Full text
Abstract:
An analysis of the historical relationship between the petrostate, state oil company and international oil company in the context of the resource nationalism phenomenon and its consequences to the existing contractual frameworks . Negotiating techniques and contractual stabilizing mechanisms are explored in order to identify the main parameters and conditions necessary to optimize the interaction between these key players in the international oil industry. Quantitative and qualitative aspects of the contracts are identified in order to recommend new paradigms for a more harmonic future in the oil industry.
APA, Harvard, Vancouver, ISO, and other styles
47

Chong, Neto Herberto José, Nelson Augusto Rosário, Dirceu Solé, Pascual Chiarella, and Latin American ISAAC Study Group. "Asthma and Rhinitis in South America: How Different They are From Other Parts of the World." Korean Academy of Asthma, Allergy and Clinical Immunology and the Korean Academy of Pediatric Allergy and Respiratory Disease, 2012. http://hdl.handle.net/10757/625735.

Full text
Abstract:
Asthma and rhinitis epidemiology has wide variations around the world. The aim of this review was verify the prevalence of asthma and rhinitis in South America and report differences from other regions of the world. We reviewed studies with International Study of Asthma and Allergies in Childhood (ISAAC) methodology in South America, Phases I and III. In South America the ISAAC Phase I ranked four countries among top ten in prevalence of asthma and three countries among top ten in prevalence of rhinoconjunctivitis. ISAAC Phase III showed little changes in asthma and rhinitis prevalence in South American countries. The prevalence increases of asthma and rhinitis in South American centers indicate that the burden of both is continuing to rise, but the differences in prevalence are lessening.
Revisión por pares
APA, Harvard, Vancouver, ISO, and other styles
48

Perrin, Michel. "La Pensée mythique en actes mythes et rêves, chamanisme et rites thérapeutiques : l'exemple des Indiens Guajiro du Venezuela et de Colombie /." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37608816w.

Full text
APA, Harvard, Vancouver, ISO, and other styles
49

Vogt, Annette Christine. "Ein Hamburger Beitrag zur Entwicklung des Welthandels im 19. Jahrhundert : die Kaufmannsreederei Wappäus im internationalen Handel Venezuelas und der dänischen sowie niederländischen Antillen /." Stuttgart : F. Steiner, 2003. http://catalogue.bnf.fr/ark:/12148/cb391067036.

Full text
APA, Harvard, Vancouver, ISO, and other styles
50

Velasco, Fabiola. "La photographie artistique vénézuélienne à la fin du XXe siècle : Nelson Garrido et l’hybridation culturelle." Thesis, Sorbonne université, 2020. http://accesdistant.sorbonne-universite.fr/login?url=http://theses.paris-sorbonne.fr/2020SORUL050.pdf.

Full text
Abstract:
L'œuvre photographique du vénézuélien Nelson Garrido (1952) présente un caractère transgresseur du régime scopique national. À travers l'esthétique de la violence et de la laideur, ses images iconoclastes mettent en scène une lecture approfondie de la culture vénézuélienne de la fin du XXème siècle. La richesse iconographique et l'efficacité symbolique des prises de vue garridiennes nous ont amenés à vouloir les interroger dans le but d’identifier et d’analyser le regard qu’elles portent sur le pays caribéen. Dans cette première approche, la notion d'hybridité et les processus d'hybridation culturelle apparaissaient, à nos yeux, comme un fil d'Ariane dans son œuvre, notamment à partir de 1989, date à laquelle il quitta le travail sur le terrain (série Muertos en Vía) et débuta son travail en studio. En raison de ces considérations, nous nous sommes proposés de construire une lecture interprétative et contextuelle du regard garridien, en partant de la théorie de l'hybridation culturelle avancée par l'anthropologue Argentin Néstor García Canclini. Notre corpus d'étude est la série Todos los santos son muertos, réalisée à Caracas entre 1989 et 1993. Nous avons choisi ce fragment de son travail car il condense le vocabulaire visuel de l'artiste et cristallise ses plus profondes inquiétudes esthétiques, intellectuelles et éthiques. Cette recherche est la première réflexion doctorale consacrée à Nelson Garrido et, pour cette raison, elle est également la première à utiliser des sources de première main qui sont conservées dans les archives personnelles de l'artiste et dans les archives nationales vénézuéliennes
The photographic work of Venezuelan artist Nelson Garrido (1952) is a transgression of the national scopic regime. Through the aesthetics of violence and ugliness, his iconoclastic images present a profound reading of Venezuelan culture at the end of the 20th century. The richness and the symbolic effectiveness in Garrido's shots have led us to question its iconography in order to identify and analyze how they represent this Caribbean country. In this first approach, the notion of hybridity and the processes of cultural hybridization appeared, in our eyes, as a common thread in his work, particularly from 1989, when he left the fieldwork (Muertos en Vía series) and devoted himself to work only in his studio. Taking this into consideration, we set out to construct an interpretative and contextual reading of the guardian gaze, based on the theory of cultural hybridization put forward by Argentine anthropologist Néstor García Canclini. Our corpus of study is the series Todos los santos son muertos, made in Caracas between 1989 and 1993. This fragment of Garrido’s work condenses the visual vocabulary of the artist and crystallizes his deepest aesthetic, intellectual and ethical concerns. Our exploration of Garrido’s work constitutes the first doctoral research based on his work and it is also the first to use first-hand sources kept in both the artist's personal archives and in the Venezuelan National Archives
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Venezuelan Art' for other source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography