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Relevant bibliographies by topics / Veni sponsa christi (antífona)

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Academic literature on the topic 'Veni sponsa christi (antífona)'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "Veni sponsa christi (antífona)"

1

Mazuela, Anguita Ascensión. "Las monjas de los conventos de Jerusalén y Santa Catalina de Zaragoza celebran con música la beatificación de Teresa de Ávila (1614)." Paisajes sonoros históricos (c.1200-c.1800), December 15, 2023. https://doi.org/10.5281/zenodo.10393269.

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En las fiestas de beatificación de Santa Teresa en Zaragoza las clarisas de los monasterios de Jerusalén y Santa Catalina se distinguieron por su música. Según narra Luis Díez de Aux, pasaron la noche en la parte alta de sus monasterios cantando motetes y villancicos en "concertados coros" que podían oírse desde la distancia. El cronista considera que la voz de una de estas monjas era de las más destacadas de España y comenta que cantó la antífona <em>Veni sponsa Christi</em> de forma tan "celestial" que parecía imposible que su voz no fuese la de un "ángel". The nuns of the Poor Clare convent

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2

Ruiz, Jiménez Juan. "Visita a Jerusalén (6). Rezos y cánticos de los peregrinos en las estaciones del viaje a Belén." Paisajes sonoros históricos (c.1200-c.1800), May 30, 2025. https://doi.org/10.5281/zenodo.15552181.

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3

de, Vicente Delgado Alfonso. "Libros y obras de Francisco Guerrero en la catedral de Ávila." Paisajes sonoros históricos (c.1200-c.1800), December 15, 2023. https://doi.org/10.5281/zenodo.10393396.

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Solamente se conoce una referencia documental a la llegada de un libro de Francisco Guerrero a la catedral de Ávila en el siglo XVI. En la actualidad se conservan tres composiciones manuscritas en un libro de polifonía de 1796. En ambos casos existe una relación con el maestro de capilla Juan Navarro. Only one documentary reference to the arrival of a book by Francisco Guerrero at the Ávila cathedral in the 16th century is know. Currently three manuscript compositions are preserved in a polyphony book from 1796. In both cases there is a relationship whit the chapel master Juan Navarro.

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Book chapters on the topic "Veni sponsa christi (antífona)"

1

Gallus, Iacobus. "XCIX. Veni, sponsa Christi." In Iacobus Gallus: Opus musicum IV/3. ZRC SAZU, Založba ZRC, 2024. http://dx.doi.org/10.3986/9790709004539_xxxii.

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2

"Veni, sponsa, de Libano: Dante und Beatrice." In Braut Christi. Wilhelm Fink Verlag, 2016. http://dx.doi.org/10.30965/9783846758489_008.

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Shrock, Dennis. "The Renaissance Era." In Choral Repertoire, 2nd ed. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197622407.003.0002.

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Abstract The Renaissance era was important for the creation of genres that either would continue throughout the remaining historical eras or would disappear during the seventeenth through nineteenth centuries and then reappear in the twentieth century. The enduring genres that were newly created during the Renaissance include the sacred forms developed as a result of the Protestant Reformation—the French Calvinist psalm setting, German Lutheran chorale and chorale motet, and English anthem. The genres that were created and that flourished during the Renaissance but that did not experience a co

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