Relevant bibliographies by topics / Venice Charter

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Venice Charter'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 March 2023

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Journal articles on the topic "Venice Charter"

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Szmygin, Bogusław, and Olga Skoczylas. "Factors shaping the Venice Charter and its usefulness – on the example of heritage protection in Poland." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 17, no. 3 (2021): 84–90. http://dx.doi.org/10.35784/teka.2861.

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In the collection of dozens of doctrinal documents on the protection of heritage, the Venice Charter occupies a unique position. The Venice Charter was created more than half a century ago, but it is still treated as the universal, basic document of the heritage protection. This is confirmed by numerous declarations emphasizing the validity of the Venice Charter, contained in many doctrinal documents adopted by ICOMOS, and even in the Operational Guidelines of the UNESCO World Heritage Committee. The Venice Charter is therefore a kind of decalogue for the monument protection [1]. However, ever
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Lozupone, Alyssa, and Frank Frank. "The Venice Charter: A Bibliography." Change Over Time 4, no. 2 (2014): 477–85. http://dx.doi.org/10.1353/cot.2014.0023.

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Mileto, Camilla, and Fernando Vegas. "Spain Under The Venice Charter." Change Over Time 4, no. 2 (2014): 264–85. http://dx.doi.org/10.1353/cot.2014.0025.

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Matero, Frank G. "Foreword: The Venice Charter at Fifty." Change Over Time 4, no. 2 (2014): 194–95. http://dx.doi.org/10.1353/cot.2014.0010.

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Jokilehto, Jukka. "The context of the Venice Charter (1964)." Conservation and Management of Archaeological Sites 2, no. 4 (1998): 229–33. http://dx.doi.org/10.1179/135050398793138762.

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Krishna Menon, A. G. "Rethinking the Venice Charter: The Indian Experience." South Asian Studies 10, no. 1 (1994): 37–44. http://dx.doi.org/10.1080/02666030.1994.9628475.

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Lennon, Jane. "The Venice Charter Down Under: Its Legacy in Landscape Preservation." Change Over Time 4, no. 2 (2014): 322–36. http://dx.doi.org/10.1353/cot.2014.0015.

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พีรพันธุ์, วรรณศิลป์. "กฎบัตรและมาตรฐานระหว่างประเทศที่เกี่ยวข้องกับการอนุรักษ์เมือง". Journal of Architectural/Planning Research and Studies (JARS) 7, № 1 (2018): 1–10. http://dx.doi.org/10.56261/jars.v7i1.168907.

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บทความนี้เป็นการทบทวน (review) และสงเคราะห์เนื้อหาของกฎบัตรและมาตรฐานระหว่างประเทศที่เกี่ยวข้องกับการอนุรักษ์เมือง (urban conservation) ที่สำคัญเพื่อสร้างความเข้าใจเกี่ยวกับสาระสำคัญและพัฒนาการของกฎบัตรและมาตรฐานดังกล่าว ซึ่งพัฒนาต่อเนื่องจาก “กฎบัตรเวนิส (The Venice Charter)” ในปี พ.ศ. 2507 (ค.ศ. 1964) ผลการศึกษา พบวา่ กฎบัตรและมาตรฐานเหล่านี้มีพัฒนาการใหม่ ๆ อย่างต่อเนื่องในด้านหลักการและแนวทางการอนุรักษ์ โดยในด้านหลักการนั้น มีการปรับปรุงความหมายของเมืองและพื้นที่ประวัติศาสตร์ให้มีความชัดเจนและครอบคลุมถึงมิติทางด้านสิ่งแวดล้อม เศรษฐกิจ และสังคม เน้นการมีส่วนร่วมของผู้ที่เกี่ยวข้องกับทุกฝ่าย
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Urbán, Erzsébet. "Requirements, Qualities and Solutions." Actas de Arquitectura Religiosa Contemporánea 6 (April 3, 2020): 130–43. http://dx.doi.org/10.17979/aarc.2019.6.0.6233.

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After the Second World War the ecclesiastical property was drastically reduced in Hungary. However, Vatican II gave an intense motivation and impulse to the spiritual-psychical revival for the communities and by this time, the preservation of the religious heritage got some statal, professional attention too. The restoration or reconstruction works were often linked with the acute interior transformations according to Vatican II. Although the Hungarian publication and interpretation of the reforms were relatively slow, still a few essential informative discussions were born. The Venice Charter
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Makýš, Oto, Jozef Gašparík, and Patrik Šťastný. "Comparation of Two Different Methods for Fighting Moisture in Historic Masonry." IOP Conference Series: Materials Science and Engineering 1203, no. 2 (2021): 022012. http://dx.doi.org/10.1088/1757-899x/1203/2/022012.

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Abstract Nearby all historic building built in Central Europe before the half of the 20th century have to face problems with unwanted moistening of their constructions. A significant part of them stands under legal protection as architectural monuments. There are several technologies which can be used to deal with this problem. Some of them are more invasive into historical masonry, some of them are less invasive. Some of them are much more effective in insulating effort, some of them are less. According to the Venice charter from 1964 methods which are less invasive should be preferred. Some
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Dissertations / Theses on the topic "Venice Charter"

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Jacquin, Laure. "Doctrine et pratique de la restauration française à l’épreuve de la Charte de Venise : architectures contemporaines dans les monuments historiques, projets et enjeux." Thesis, Paris Est, 2016. http://www.theses.fr/2016PESC1180.

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Interrogeant les rapports entre création et restauration des Monuments historiques après la publication, en 1964, du texte de la Charte de Venise, le travail de recherche s’attache à en observer les conséquences sur la pratique en France. Il repose sur le postulat qu’un tournant est à l’œuvre dans les pratiques, les statuts et la formation des architectes en lien avec les questions patrimoniales. L’appropriation, revendiquée, d’un langage contemporain appuyée par les principes de la Charte de Venise, par des Architectes en Chef des Monuments Historiques (ACMH) après-guerre montre une volonté d
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Auffret, Stéphanie. "L’authenticité du mobilier français de l’époque classique : interpréter, évaluer et préserver." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040100.

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La présente thèse s’intéresse à l’authenticité du mobilier français de l’époque classique selon trois axes de réflexion : interprétation, évaluation et préservation. Dans un premier temps, le sens du mot « authenticité » est exploré ainsi que sa portée dans le domaine de la conservation du patrimoine culturel, et ce corrélativement à l’évolution de la pratique de la restauration. À partir des réflexions engagées lors de la Conférence de Nara sur l’authenticité, tenue au Japon en 1994 dans le cadre de la Convention du patrimoine mondial, des critères d’évaluation de l’authenticité spécifiques a
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Rotenberg, Nitzan. "Aristotle in Venice: reconsidering plot and character in Shakespeare's The Merchant of Venice." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=97197.

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The Merchant of Venice's seemingly disconnected and interweaving plots contribute to the difficulty of assessing its characters and genre. The comic-tragic ambiguity of the character of Shylock only deepens this ambiguity. There is a precedent in the literature for looking to Aristotle and the Poetics to inform the study of the Shakespeare canon, but few have attempted to understand MV in terms of the taxonomy of ancient classical poetics. I attempt to do this, and find this approach very fruitful for addressing some of the problematic characteristics of the play, especially with regard to pl
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Jordan, Peter Edward Rees. "The Pantalone code patrician fatherhood unmasked in sixteenth-century Venice /." Thesis, Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/b40203761.

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Petherbridge, Steven. "Usury as a Human Problem in Shakespeare's Merchant of Venice." Thesis, North Dakota State University, 2017. https://hdl.handle.net/10365/28450.

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Shakespeare?s Shylock from the Merchant of Venice is a complex character who not only defies simple definition but also takes over a play in which he is not the titular character. How Shakespeare arrived at Shylock in the absence of a Jewish presence in early modern England, as well as what caused the playwright to humanize his villain when other playwrights had not is the subject of much debate. This thesis shows Shakespeare?s humanizing of Shylock as a blurring of the lines between Jews and Christians, and as such, a shift of usury from a uniquely Jewish problem to a human problem. This shif
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Barraillé, Pascal. "Le mythe de Venise dans l’historiographie française au dix-neuvième siècle : de l’Histoire de la République de Venise de Pierre Daru (1819) à Venise une république patricienne de Charles Diehl (1915)." Toulouse 2, 2006. http://www.theses.fr/2006TOU20076.

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Le mythe de Venise a été fondé par les historiens vénitiens et repose sur la mixité des trois grands gouvernements : l’aristocratie, la monarchie et la démocratie. Lorsque la république de Venise meurt en 1797, le mythe perdure en France au dix-neuvième siècle, alors que des bouleversements institutionnels s’y font sentir. Durant cette période riche en événements politiques, l’historiographie française offre une large place aux écrits historiques consacrés à Venise. Le mythe politique de Venise inspire les auteurs. Deux périodes sont à prendre en considération. Avant 1848, le mythe de Venise e
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Burtin, Tatiana. "Figures de l’avarice et de l’usure dans les comédies : The Merchant of Venice de Shakespeare, Volpone de Jonson et L’Avare de Molière." Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100136/document.

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L’émergence d’un « ‘esprit’ capitaliste » (Weber) en Angleterre et en France au tournant des XVIe-XVIIe siècles a favorisé la reconfiguration des rapports entre avaritia et cupiditas, qui déterminent tout le champ sémantique de l’usure et de l’intérêt. Cette thèse postule que cette évolution est sensible dans la comédie française et anglaise de l’époque, et plus particulièrement chez les grands dramaturges qui ont marqué l’imaginaire collectif en mettant en scène des personnages avares. À partir d’un type comique issu à la fois du théâtre antique et du canon religieux bien établi dans l’Occide
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Blond-Laurent, Carole. "La protection de l'acheteur insatisfait de l'état de l'immeuble : analyse et portée de la clause "charges et conditions"." Nantes, 1998. http://www.theses.fr/1998NANT4011.

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L'acquereur d'un immeuble qui n'est pas satisfait de l'etat de ce dernier dispose d'un large eventail d'actions lui permettant de faire valoir ses droits. Alors qu'il beneficie de cette protection dans son ensemble lorsque le vendeur est un professionnel, celle-ci se trouve largement affaiblie lorsqu'il contracte avec un profane, en raison de l'insertion quasisystematique de clauses intitulees + charges et conditions ; dans les actes de vente d'immeubles. Ces dernieres contiennent de nombreuses stipulations dont certaines ont pour objectif d'exonerer le vendeur de la garantie des vices caches
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Daucourt, Monica Hazan. "Comment peut-on être Persane ou Peruvienne ?: On le devient." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849679/.

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Cette analyse littéraire examine les parallèles entre les deux romans Lettres persanes de Montesquieu (1721) et Lettres d'une Péruvienne de Françoise de Graffigny (1747) en se concentrant sur le sort des femmes et leur rébellion contre la claustration. Leurs révoltes transformatrices révèlent une volonté qui refuse et puis transcende les barreaux de leur captivité pour vivre librement. La philosophie de Simone de Beauvoir (1908-1986) personnifie leurs luttes pour devenir et exister, ce qui se traduit par leur capacité de dévoiler leur vraie nature. Elles se battent contre le néant de leurs ex
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Burtin, Tatiana. "Figures de l'avarice et de l'usure dans les comédies : The Merchant of Venice de Shakespeare, Volpone de Jonson et L'Avare de Molière." Thèse, 2011. http://hdl.handle.net/1866/6178.

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L'émergence d'un « 'esprit' capitaliste » (Weber) en Angleterre et en France au tournant des XVIe-XVIIe siècles a favorisé la reconfiguration des rapports entre avaritia et cupiditas, qui déterminent tout le champ sémantique de l'usure et de l'intérêt. Cette thèse postule que cette évolution est sensible dans la comédie française et anglaise de l'époque, plus particulièrement chez les dramaturges qui ont marqué l'imaginaire collectif en mettant en scène des personnages avares. À partir d'un type comique issu à la fois du théâtre antique et du canon religieux bien établi dans l'Occident chrétie
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Books on the topic "Venice Charter"

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The Venice Charter: La Chartre de Venise : 1964-1994. ICOMOS, 1994.

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International Council on Monuments and Sites. Comitê Brasileiro., ed. Carta de Veneza: Revista comemorativa, 1964-1989 = Charte de Venise : revue commemorative = Venice Charter : commemorative review. Comitê Brasileiro, ICOMOS, 1990.

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Matthew, Hardy, ed. The Venice Charter revisited: Modernism, conservation and tradition in the 21st century. Cambridge Scholars, 2008.

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Macbeth in Venice. Penguin Poets, 2003.

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Coover, Robert. Pinocchio in Venice. Minerva, 1992.

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Coover, Robert. Pinocchio in Venice. Linden Press/ Simon and Schuster, 1991.

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Coover, Robert. Pinocchio in Venice. Grove Press, 1997.

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Landes, William-Alan. The merchant of Venice. Players Press, 1999.

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1953-, Wood Nigel, ed. The merchant of Venice. Open University Press, 1996.

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1944-, Baker William, and Vickers Brian, eds. The merchant of Venice. Thoemmes Continuum, 2005.

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Book chapters on the topic "Venice Charter"

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Sprocati, Anna Rosa, Chiara Alisi, Giada Migliore, Paola Marconi, and Flavia Tasso. "Sustainable Restoration Through Biotechnological Processes: A Proof of Concept." In Microorganisms in the Deterioration and Preservation of Cultural Heritage. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69411-1_11.

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AbstractAn understanding of the different microbial constellations or microbiomes, which every habitat and every organism harbor, will be the key to addressing many of the challenges humanity will face in the twenty-first century. Such comprehension could launch several innovations relating to natural and cultural capital, including historical and artistic heritage. In relation to cultural heritage, microorganisms are mainly known through their role as deteriogens, but the features creating damage can be exploited positively, attaining more sustainable restoration strategies, in accordance with the principles of compatibility and retreatability deriving from reflections on the Cultural Heritage inspired by the Charter of Venice (International charter for the Conservation and restoration of monument and sites (the Venice Chart 1964). In: ICOMOS, IInd International Congress of Architects and Technicians of Historic Monuments, 1964) onwards. In this article, we show a series of case studies, using both wild-type microorganisms and plant-based extracts, providing a comprehensive proof of concept of the feasibility of biotechnological solutions for a more sustainable restoration strategy, to replace the products in use which are often dangerous for operators, aggressive for works of art and no longer compatible with the environment. The overview of the case studies presented, many of which are still unpublished, responds to the need to go beyond the state of the art and has entirely sprung from suggestions by restorers, interested in learning about potential innovations and strongly determined to introduce non-toxic products in their daily work. In this perspective, the case studies dealt with two topics: bio-cleaning and disinfection. Noteworthy results were obtained on a platform of different types of artworks and different materials with compatible, harmless and selective products.
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Wild, Sabine. "Maurras, Charles: Les amants de Venise." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13125-1.

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Szépe, Helena. "Painting in Documents: The case of Venice." In Illuminierte Urkunden Beiträge aus Diplomatik Kunstgeschichte und Digital Humanities / Illuminated Charters Essays from Diplomatic Art History and Digital Humanities/9783412512385. Böhlau Verlag, 2019. http://dx.doi.org/10.7788/9783412512385.333.

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Scott, Michael. "Demythologising Shylock: Arnold Wesker, The Merchant; Charles Marowitz, Variations on The Merchant of Venice." In Shakespeare and the Modern Dramatist. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-13340-6_4.

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Berline, Nicole, and Michèle Vergne. "The equivariant Chern character and index of G-invariant operators. Lectures at CIME, Venise 1992." In Lecture Notes in Mathematics. Springer Berlin Heidelberg, 1993. http://dx.doi.org/10.1007/bfb0073468.

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Tedesco, Anna. "Ancora sulla fortuna de La Fuerza lastimosa nell’opera del Seicento: Alfonso I di Matteo Noris (Venezia Napoli Palermo)." In Studi e saggi. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.12.

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Lope de Vega’s play, La fuerza lastimosa, written around 1599 and first published in 1609, was very popular in Seventeenth-Century Italy, as research by Fausta Antonucci and Salomé Vuelta has demonstrated. Several Italian adaptations are already known, among which a dramma per musica, La forza compassionevole, written by Antonio Salvi and staged in Leghorn in 1694. In the same year, another opera based on Lope’s drama was staged in Venice (as Alfonso I) and in Naples (under the title Alfonso il Sesto re di Castiglia). Two years later, this last version was revived in Palermo, again, as in Naples, to celebrate the birthday of King Charles II of Spain. None of these three librettos indicates Lope’s authorship nor it has been hypothesized until now. However, the plot of all librettos is clearly based on Lope’s play. This chapter aims at illustrating the relation between the librettos for these three performances and La fuerza lastimosa. It also discusses the context of all the stagings and identifies some of the existing musical sources. Finally, it argues that Alessandro Scarlatti could be the author of the Neapolitan score.
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"The first Charter of the Venice Company, 1583." In The Early History of the Levant Company. Routledge, 2015. http://dx.doi.org/10.4324/9781315639727-9.

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Sorkin, David. "Merchant Colonies." In Jewish Emancipation. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691164946.003.0002.

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This chapter discusses the merchant colonies who invited Jewish merchants into their cities on exceptionally propitious terms, constituting the west European region of emancipation. Raison d'état and shifting trade patterns induced governments in such cities as Ancona, Livorno, and Venice to grant Jews extensive privileges of residence and trade, worship, and communal autonomy. In Bordeaux, Jews originally gained privileges as New Christians; over time they emerged as Jews and received confirmation of those privileges. In Livorno and Bordeaux, those privileges entailed virtual parity with Christian merchants. Meanwhile, Hamburg's Senate first attracted a Jewish merchant colony by extending privileges but later, by imposing heavy taxes, drove it away. In Amsterdam and London, which had ceased granting charters to foreign merchant colonies, Jews found themselves in the novel and ambiguous situation of functioning without a charter. They therefore gained rights on an ad hoc basis, becoming members of an emerging civil society. The Jews of Bordeaux, Amsterdam, and London were to make virtually seamless transitions from corporate or civic parity to equal citizenship.
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Dias, Rosie. "City in the Sea: Venice’s Canals and Waterways." In World Film Locations: Venice. Intellect, 2013. http://dx.doi.org/10.1386/9781841508023_4.

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No city or island has so unique a landscape as Venice. Suspended between sea and sky, its singular fusion of the organic and the historic architectural landscape draws visitors from far and wide. For film-makers, the lure of Venice has persisted in spite of (and sometimes because of) the logistical difficulties of filming in the city, offering aesthetic qualities and symbolic force that are given potency through the relationship between Venice’s buildings and its canals and waterways. The fluid landscape of the city – its shifting tides, light and reflections – assumes an ambiguous quality on film, which lends presence and character to genres as disparate as romantic comedy and horror.
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Dweck, Yaacob. "Safed in Venice." In The Scandal of Kabbalah. Princeton University Press, 2011. http://dx.doi.org/10.23943/princeton/9780691145082.003.0005.

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This chapter uses Ari Nohem to document the transmission of Kabbalah from Safed to Venice and looks at Modena's indictment of this transfer of knowledge and practice. The three sections of the chapter trace different components of Modena's response to Safed Kabbalah. The first part charts Modena's rejection of stories about the magical and theurgic powers of Isaac Luria and other kabbalists from Safed that circulated in Venice. The second section concentrates on Modena's attempt to dissociate Kabbalah from philosophy, a response to and rejection of the thought of Israel Saruq—one of the most important kabbalists to travel from Safed to Venice in the late sixteenth century. Finally, the third section traces Modena's response to Cordovero's Pardes Rimonim, a work that systematically examined a central doctrine of theosophical Kabbalah—the sefirot or the ten hypostases of the divine being.
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Conference papers on the topic "Venice Charter"

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Trovo', Francesco, and Enrico Vettore. "The role of craftsmanship in the conservation of Venice. State of the art and perspective." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15690.

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The case of Venice shows how the overall image, the perception of vernacularity of the historical built aggregates, strongly depends on the ability not only to preserve as much as possible, but also to "replicate" the consolidated building techniques to ensure continuity with the actions of restoration and consolidation. This option also contemplates forms of substitution and refurbishment, in contrast with the principles of conservation which favor the criterion of recognizability of the addition and reject the replacement of components, even when executed in an appropriate and harmonious man
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M. Ali Jabara, Kawthar. "The forced displacement of Jews in Iraq and the manifestations of return In the movie "Venice of the East"." In Peacebuilding and Genocide Prevention. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdicpgp/1.

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The character of the Jew was absent from Iraqi cinematic works, while it was present in many Arab cinematic works produced in other Arab countries, and the manner of presenting these characters and the goals behind choosing that method differed. While this character was absent from the Iraqi cinematic narration, it was present in the Iraqi novelist narration, especially after the year 2003. Its presence in the Iraqi narration was diverse, due to the specificity of the Iraqi Jewish character and its attachment to the idea of being an Iraqi citizen, and the exclusion and forced displacement that
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