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Relevant bibliographies by topics / Venice. History. XVI century

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Academic literature on the topic 'Venice. History. XVI century'

Author: Grafiati

Published: 22 February 2023

Last updated: 23 February 2023

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Journal articles on the topic "Venice. History. XVI century"

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Della Mea, Elisa. "Marano: una fortezza contesa." Italianistica Debreceniensis 23 (December 1, 2017): 46–59. http://dx.doi.org/10.34102/italdeb/2017/4636.

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Venice’s reconquest of Marano in 1542 was a key moment in the history of the Republic. The fortress of Marano was in fact at the top of its glory between the XV and XVI century, when it was contested between Austria and Venice. When it fell in the hands of Austria in 1513, Venice tried to reconquest it with every possible means. After years of unsuccessful attempts, the feat was carried out by Beltrame Sacchia, an ambitious and adventurous merchant from Udine, who occupied the fortress in 1542 in name of the King of France. This article analyses the repercussions of Marano’s reconquest on European political equilibrium. What happened on the morning of January 2, 1542, as well as making a turning point in the boundary dynamics between Venice and the Austrian, deeply damaged the diplomatic relations between the main powers of Europe: the Venetian Republic, France, the Empire and the Ottomans.

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Kushch, Tatiana. "The Tunic of Christ and the Crown Jewels: Relics in the Byzantine Diplomacy of the Fourteenth Century." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija 26, no. 6 (December 28, 2021): 161–70. http://dx.doi.org/10.15688/jvolsu4.2021.6.14.

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ntroduction. This article discusses the “reliquary diplomacy” introduced by Emperor Manuel II Palaiologos during the Ottoman siege of Constantinople (1394–1402). The emperor widely used the relics in the creation of the anti-Ottoman alliance. This article addresses a specific case of this diplomatic practice, Manuel II Palaiologos’ request to Venice for a loan for the deposit on the Tunic of Christ and other relics. Methods. From the juxtaposition of sources and the comparative analysis of the fourteenth-century relations between Byzantium and Venice there are good reasons to discover the motives behind the Venetians’ denial of the emperors’ proposal. Analysis. After 1261 Constantinople kept numerous relics, particularly the Seamless Tunic of Christ and the Purple Robe. The sources in possession do not allow an unequivocal conclusion if the artifact offered to the Venetians was the Seamless Tunic or another one. In the author’s interpretation, the reason of Venice’s withdrawal from the deal was the empire’s bad “credit history.” In August 1343, the Senate of Venice gave credit of 30,000 gold ducats to the Empress Anna of Savoy for the deposit of the jewels of the crown. The Venetians permanently reminded Byzantium about the repayment of the debt and the ransom for the jewels, and, moreover, offered to take the island of Tenedos as a compensation. Therefore, the unsolved problem of the old debt made the new deal with the emperor hopeless in the Venetians’ eyes. Results. The case under analysis sheds light on the state of the Empire in the late fourteenth century. Manuel II Palaiologos put into the “diplomatic circulation” the relics which were convertible in the Christian West. The failure of his negotiations with Venice turned him to active search for other allies, whom he sent parts of the Tunic of Christ in order to gain their military and financial support.

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Martini, Mariano, Alessandra Parodi, Nicola Luigi Bragazzi, Emiliano Beri, Luca Lo Basso, and Emanuele Armocida. "The History of Syphilis in The XVI Century and The Pivotal Role of Luigi Luigini in the Renaissance." Acta medico-historica Adriatica 18, no. 2 (2021): 375–79. http://dx.doi.org/10.31952/amha.18.2.9.

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Syphilis is the prime example of a “new disease” which triggered a transnational (European) discussion among physicians. It appeared between the end of the Middle Ages and the beginning of the Modern Times (at the beginning of the sixteenth century), a time in which medicine was changing from a dogmatic to an experimental discipline. The main changes were in the field of anatomy: in 1543, the same year of the astronomy-disrupting work by Nicolas Copernicus, the new less dogmatic and more empirical approach to anatomy by Andreas Vesalius was published. Nevertheless, in the Renaissance, medicine remains a tradition-bound discipline, proud of its millennial history and its superiority over the empirical, non-academic healers. When syphilis appeared in Europe, several explanations were elaborated. In the mid-16th century, an Italian doctor Luigi Luigini (born in 1526) published in Venice a collection of all the works on syphilis that appeared until 1566. He wanted to entrust to colleagues, contemporary and future, a compendium of all that was known about the “new” disease (the Latin term Novus means both “new” and “strange”). According to the most authors of the collection, the disease is in fact “new” and “strange”. Some authors of the collection find it impossible that authorities like Hippocrates and Galen overlooked it. Luigini’s work shows the authors’ effort to absorb syphilis in the corpus of academic medicine and affirm the authority of academic physicians against the empirical healers.

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Rossi, Paolo L. "Reviews : Margaret F. Rosenthal, Veronica Franco, Citizen and Writer in Sixteenth-Century Venice, Chicago and London, University of Chicago Press, ISBN 226-72812-9 (pb), 1992; xiv + 391 pp.; £15.25." European History Quarterly 27, no. 1 (January 1997): 146–48. http://dx.doi.org/10.1177/026569149702700110.

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Rondeau, Jennifer Fisk. "Margaret F. Rosenthal. The Honest Courtesan: Veronica Franco, Citizen and Writer in Sixteenth-Century Venice. Chicago and London: University of Chicago Press, 1992. 32 pls. + xiv + 391 pp. $42 hardcover; $18.95 paper." Renaissance Quarterly 48, no. 4 (1995): 914–16. http://dx.doi.org/10.2307/2863459.

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Calcagno, Mauro. "Censoring Eliogabalo in Seventeenth-Century Venice." Journal of Interdisciplinary History 36, no. 3 (January 2006): 355–77. http://dx.doi.org/10.1162/002219506774929818.

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Analysis of the opera Eliogabalo in its various incarnations, from the perspective of Venetian society and politics at the time, reveals a veiled story of censorship and dissimulation. The first version of the opera, set by Francesco Cavalli in 1667, was hastily abandoned in favor of a new treatment by Giovanni A. Boretti on a libretto by Aurelio Aureli, which managed to retain telling traces of its predecessor. The subsequent fate of this second version, variously rewritten and performed around Italy until 1687, confirms the ideological controversy that always seemed to surround this opera and the influence of theater owners and others over its content, providing an insight into the nature of Venetian operatic patronage.

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Carroll, Linda. "John E. Dotson, ed. and trans. Merchant Culture in Fourteenth-Century Venice: The Zibaldone da Canal. (Medieval and Renaissance Texts and Studies, 98.) Binghamton, NY: Medieval and Renaissance Texts and Studies, 1994. 2 pls. + xii + 228 pp. $25." Renaissance Quarterly 49, no. 3 (1996): 627–28. http://dx.doi.org/10.2307/2863374.

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Chojnacki, Stanley. "Political Adulthood in Fifteenth-Century Venice." American Historical Review 91, no. 4 (October 1986): 791. http://dx.doi.org/10.2307/1873322.

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Guzzetti, Linda. "Dowries in fourteenth-century Venice." Renaissance Studies 16, no. 4 (December 2002): 430–73. http://dx.doi.org/10.1111/1477-4658.00028.

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Johnson, James H. "The Myth of Venice in Nineteenth-Century Opera." Journal of Interdisciplinary History 36, no. 3 (January 2006): 533–54. http://dx.doi.org/10.1162/002219506774929872.

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Nineteenth-century operas reflected the changing views of Venice before its fall. Early in the century, depictions of a tyrannical political system, derived from French revolutionary and Napoleonic propaganda, dominated operatic plots. Later, when gothic melodrama was in full swing, the spy, the bravo, and the prostitute assumed central roles. During the fin-de-siècle, when the prevailing view of republican Venice's politics, as well as literary convention, had profoundly changed, operatic settings of eighteenth-century Venice tended to emphasize the liberating, sensual pleasures of Carnival.

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Dissertations / Theses on the topic "Venice. History. XVI century"

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Cecchinato, Umberto. "Musica, corteggiamento e violenza. Rituali festivi nella Venezia del Rinascimento." Doctoral thesis, Scuola Normale Superiore, 2019. http://hdl.handle.net/11384/86231.

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Collavin, Alice. "Johann Carl Loth (1632-1698) : le rotte della geografia artistica di un pittore veneziano fra l'Italia e l'Europa germanofona." Doctoral thesis, Scuola Normale Superiore, 2019. http://hdl.handle.net/11384/85785.

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[estratto dall'intoduzione] In un percorso che si snoda parallelamente alla biografia dell’artista viene restituita la mappatura della geografia artistica di Loth, attraverso la ricostruzione della trama dei rapporti che accompagnarono le principali commissioni soddisfatte dall’artista e che connotarono i contesti di ricezione figurativa, collezionistica e storiografica delle sue opere. Sono state tracciate, pertanto, le interconnessioni fra le scelte linguistiche o stilistiche e di genere adottate da Loth nel corso della sua carriera e i diversi contesti culturali di ricezione delle medesime (Venezia e l’entroterra veneto, l’Impero austriaco, i territori germanici e Firenze). La risistemazione e la rivalutazione delle conoscenze oggettive della vicende dell’artista e delle sue opere, debitrici del minuzioso lavoro di catalogazione condotto da Ewald, nonché delle sue scoperte documentarie – le più rilevanti ancora sull’artista –, e che sono state puntigliosamente collazionate con i più recenti aggiornamenti (Fusari 2017), è stata condotta parallelamente a una disamina attenta delle principali fonti storiografiche e critiche tradizionali (Boschini e Sandrart, in primis), della letteratura periegetica, della corrispondenza fra mecenati, artisti e collezionisti, degli inventari delle raccolte o dei cataloghi a stampa e delle descrizioni letterarie. Si è provveduto, inoltre, a revisionare il materiale archivistico e documentario già pubblicato, accanto allo spoglio di ulteriori e inesplorati fondi. Una fase importante della ricerca è stata quindi dedicata ai sopralluoghi condotti presso svariate istituzioni museali o ecclesiastiche, utili sia per verificare l’attuale reperibilità del materiale menzionato nelle fonti, sia per approfondire gli aspetti della provenienza, della musealizzazione e della storia conservativa dei dipinti di Loth. [...]

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Rodrigues, Ubirajara Alencar 1966. "Polifilo e o sonho da tipografia." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252102.

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Orientador: Milton Jose de Almeida
Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação
Made available in DSpace on 2019-01-04T15:17:55Z (GMT). No. of bitstreams: 1 Rodrigues_UbirajaraAlencar_M.pdf: 90714835 bytes, checksum: 3a881fbca943a7ba06c7c2e7fcb234a1 (MD5) Previous issue date: 2008
Resumo: Esse texto é uma introdução ao livro "Hypnerotomachia Poliphili", de autoria do dominicano Francesco Colonna, publicado em 1499 pelo editor Aldo Manuzio. É também uma introdução às técnicas da impressão xilográfica utilizadas nas ilustrações desse livro, e à história da tipografia veneziana em fins do século XV. A concepção gráfica e visual desse livro famoso são modelares e persistem até hoje
Abstract: This is an introduction to the book "Hypnerotomachia Poliphili", from dominican Francesco Colonna, and published by Aldo Manuzio, in 1499. It's also na introduction to the techniques of xylography printing used to illustrate this book, and the history of venetian typography at the end of the 15th century. The graphic tradition and visual approach of this remarkable book persist as model up to now
Mestrado
Educação, Conhecimento, Linguagem e Arte
Mestre em Educação

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Lejosne, Fiona. "Giovanni Battista Ramusio et la constitution d'un savoir géographique à Venise au XVIè siècle : parcours scientifique et horizon politique." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSEN035/document.

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La compilation des Navigationi et viaggi, publiée à Venise en trois volumes entre 1550 et 1559, est le point d'aboutissement d'un travail de collecte et d'édition de textes géographiques effectué par le géographe humaniste Giovanni Battista Ramusio (1485-1557) au cours de la première moitié du XVIe siècle. Le compilateur entend mettre à jour la description du monde tout en proposant un nouveau modèle de constitution du savoir, dont le point de départ est l'expérience de ceux qui ont pris part aux voyages exploratoires passés et en cours. Ramusio, qui fit toute sa carrière comme secrétaire de chancellerie auprès de la République de Venise, prit appui sur un dense réseau de collaborateurs qui lui fournirent témoignages et récits de voyages. Ce travail de recherche offre pour la première fois une analyse conjointe de la figure de Ramusio comme géographe de cabinet et comme secrétaire de chancellerie, tout en inscrivant son activité dans le contexte de la Venise du début de l'âge moderne.La première partie de la thèse propose une reconstitution, fondée sur un travail d'archives, du laboratoire de Ramusio : les institutions de la République de Venise, le milieu savant italien et le monde de l'édition vénitien. Par l'étude de son statut et de sa démarche, l'interrelation entre ses intérêts propres et ses prérogatives professionnelles est mise en évidence. La deuxième partie porte sur la compilation, elle aborde à la fois les modèles suivis, les choix inédits de mise en forme et les processus de sélection des sources. Les intentions et le projet de Ramusio sont étudiés sur la base de ses propres écrits – les discorsi des Navigationi et viaggi – dans la troisième partie, où l'analyse porte sur la compilation comme ouvrage de géographie politique
The three-volume compilation, Navigationi et viaggi, published in Venice from 1550 to 1559, is the work of the humanist geographer Giovanni Battista Ramusio (1485-1557), who collected and edited geographical texts throughout the first half of the 16th century. The compiler attempted to update the description of the known world by employing new modes of knowledge, primarily based on the experiences of those who had taken part in exploratory travels. Ramusio, who served the Republic of Venice as a secretary at the chancellery, benefited from a broad network of collaborators who provided him with testimonies and travel accounts. My research offers the first joint analysis of Ramusio, the armchair geographer and secretary, within the context of early-modern Venice.Based on archival research, the first part of this work offers a reconstruction of Ramusio’s laboratory as part of the institutions of the Republic of Venice, the scholarly environment of Italy, and the world of Venetian publishing. The interrelation between his own interests and his professional prerogatives is established through a study of his scholarly approach and official role. The second part of this study focuses on the compilation, taking into account Ramusio’s influences, as well as his original choices for the organisation and selection of knowledge and sources. The objectives of this work of political geography are examined in the third part through an analysis of Ramusio’s own writings, the Navigationi et viaggi’s discorsi

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Salzberg, Rosa. "From printshop to piazza : the dissemination of cheap print in sixteenth century Venice." Thesis, Queen Mary, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.511353.

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This thesis is concerned with the smallest and cheapest products of the Venetian presses in the sixteenth century. Pamphlets and printed fliers were the most accessible articles of printed matter to the wider public, and they are crucial to understanding how the technology of printing infiltrated the urban life of Venice in this period. To this end, Chapter One is concerned with the spaces of print dissemination in the city, mapping information about the locations of presses, bookshops, and stalls in the city. A particular focus is the street trade in cheap print, how this interacted with established shops and was drawn to particular times and spaces of public gathering. Chapters Two and Three consider the chief producers and disseminators of cheap print: printers and publishers, and vendors both established and itinerant. I examine the people who came to make up the printing industry in this developmental phase, and the role that the production of cheap print played in the process of establishing a successful business. A focus on performers who published or sold cheap print-enacting the oral dissemination of texts in tandem with their printed diffusion-suggests how broader publics, of every shade from illiterate to literate, were becoming acculturated to an expanding print culture. Chapter Four then concentrates on representative examples of printed pamphlets produced in Venice by itinerant publishers and performers in collaboration with members of the local printing industry, for example, tales of chivalry, poems about recent wars, charlatans' recipes, and prognostications. Finally, in Chapter Five I consider how cheap print dissemination fared in the intensifying climate of control and censorship of the Counter-Reformation era.

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Bernardi, Teresa. "Mobilità femminile e pratiche di identificazione a Venezia in età moderna." Doctoral thesis, Scuola Normale Superiore, 2020. http://hdl.handle.net/11384/86052.

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Pesuit, Margaret. "Representations of the courtesan in sixteenth-century Venice : sex, class, and power." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37227.pdf.

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Norris, Rebecca M. "Carpaccio’s “Hunting on the Lagoon” and “Two Venetian Ladies”: A Vignette of Fifteenth-Century Venetian Life." Kent State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=kent1185214455.

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Jones, Scott Lee. "Servants of the Republic : patrician lawyers in Quattrocento Venice." Thesis, Swansea University, 2010. https://cronfa.swan.ac.uk/Record/cronfa42517.

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Lawyers have widely been recognized as playing a role in the transition from the medieval to the modem state. Their presence in Renaissance Venetian politics, however, remains largely unexplored. Relying primarily on a prosopographical analysis, the thesis explores the various roles played by lawyers, dividing those roles into three main categories: diplomats, territorial governors, and domestic legislators. What emerges is a clear pattern of significant involvement by legally trained patricians in the Venetian political system. Noble lawyers were most often ambassadors, serving in many of the principal courts inside and outside of Italy as Venice was extending her influence on the Italian peninsula. They also served as administrators of Venetian rule throughout the Venetian terraferma (mainland) state. Lastly, their domestic political officeholding further confirms their continuing participation, as they held many of the most important domestic offices throughout the Quattrocento. The thesis ends with short biographies of each of the nearly three-dozen lawyers who make up this study, as well as chronologies of the offices they held. These chronologies include archival references for each office.

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Hammerton, Rachel Joan. "English impressions of Venice up to the early seventeenth century : a documentary study." Thesis, University of St Andrews, 1987. http://hdl.handle.net/10023/2792.

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The first Englishmen to write about the city-state of Venice were the pilgrims passing through on their way to the Holy Land. Their impressions are recorded in the travel diaries and collections of advice for prospective fellow pilgrims between the early fourteenth and early sixteenth centuries, the most substantial being those of William Wey, Sir Richard Guylforde and Sir Richard Torkington, who visited Venice in 1458 and '62, 1506, and 1517 respectively. In the 1540s arrived the men who saw Venice as part of the new Europe--Andrew Borde and William Thomas. Thomas's study of the Venetian state emphasized the efficiency of its administration, seeing it as an example of constructive government, where effective organisation for the common good led directly to national stability and prosperity. The mid-sixteenth century saw the beginnings of Venice as a tourist centre; the visitors who came between 1550 and the end of the century described the sights and the people, the traditions and way of life. Fynes Moryson's extensive account details what could be seen and learned in the city by an observant and enquiring visitor. In addition to information available in first-hand accounts of Venice, much could be learned from the work of the late sixteenth-century English translators. Linguistic, cultural, geographical, historical and literary translations yielded further knowledge and, more importantly, new perspectives, Venice being seen through the eyes of Italians and, through Lewkenor's comprehensive work, The Commonwealth and Government of Venice, of Venetians themselves. Finally, to assess the general impressions of Venice and the Venetians, we consider the literature of the turn of the sixteenth-seventeenth century; what, and how much, of the three-hundred year accumulation of knowledge of the city and people of Venice had most caught the attention and imagination of the English mind, and how close was the relationship between the popular impression and the documentary information from which it had largely developed.

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Books on the topic "Venice. History. XVI century"

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Venezia: I luoghi della scrittura e della posta dal XII al XVIII secolo = Venice : the places of writing and of mail from the XII to the XVIII century. Padova: Elzeviro, 2008.

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Valerio, Anna. Venetians and Ottomans in the Early Modern Age. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-260-4.

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The present volume, a collection of papers focusing on Venice and those former Venetian colonies which passed to the Ottoman Empire during the early Modern age, retraces the relationship between Venetians and Ottomans in terms of their economic and social history from the end of the XV to the XVIII century showing the permeability of the ruling forces of these two great empires within a continuous and changing stream.

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Tanner, Tony. Venice desired. Oxford: Blackwell, 1992.

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Tanner, Tony. Venice desired. Cambridge, Mass: Harvard University Press, 1992.

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Print culture and music in sixteenth-century Venice. New York: Oxford University Press, 2001.

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Hanley, Keith, and Emma Sdegno. Ruskin, Venice and nineteenth-century cultural travel. Venezia: Cafoscarina, 2010.

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Università degli studi di Venezia. Dipartimento di studi europei e postcoloniali, Scuola di San Rocco (Venice, Italy), and Venice International University, eds. Ruskin, Venice and nineteenth-century cultural travel. Venezia: Cafoscarina, 2010.

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Palladio's legacy: Architectural polemics in eighteenth-century Venice. Venezia: Marsilio Editori, 2011.

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Venice and Amsterdam: A study of seventeenth-century elites. 2nd ed. Cambridge, UK: Polity Press, 1994.

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Venice, Austria, and the Turks in the seventeenth century. Philadelphia: American Philosophical Society, 1991.

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Book chapters on the topic "Venice. History. XVI century"

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Brusaporci, Stefano. "Giovanni Pomodoro (XVI Century)." In History of Mechanism and Machine Science, 201–22. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-20197-9_9.

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Matthew, Louisa. "15. Painters Marketing Paintings in Fifteenth and Sixteenth-Century Florence and Venice." In Studies in European Urban History (1100-1800), 307–28. Turnhout: Brepols Publishers, 2006. http://dx.doi.org/10.1484/m.seuh-eb.4.00072.

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Sebastian, Peter. "Ottoman Government Officials and their Relations with the Republic of Venice in the Early Sixteenth Century." In Studies in Ottoman History, edited by Colin Heywood and Colin Imber, 319–38. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463231729-023.

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Sebastian, Peter. "OTTOMAN GOVERNMENT OFFICIALS AND THEIR RELATIONS WITH THE REPUBLIC OF VENICE IN THE EARLY SIXTEENTH CENTURY." In Studies in Ottoman History in Honour of Professor V.L. Mélange, edited by Colin Heywood and Colin Imber, 319–38. Piscataway, NJ, USA: Gorgias Press, 2011. http://dx.doi.org/10.31826/9781463233723-023.

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Lipovetsky, Mark. "XVI. Russian Postmodernist Fiction and Mythologies of History: Viacheslav Pietsukh’s “The Central-Ermolaevo War” and Viktor Erofeev’s “Parakeet.”." In The Russian Twentieth Century Short Story, edited by Lyudmila Parts, 283–306. Boston, USA: Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618110169-019.

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Berardi, Riccardo. "Le reintegre o platee dei Sanseverino di Bisignano: diritti e prelievo signorile nella Calabria settentrionale (secolo XV - prima metà del XVI)." In La signoria rurale nell’Italia del tardo medioevo. 2 Archivi e poteri feudali nel Mezzogiorno (secoli XIV-XVI), 73–151. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-301-7.06.

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The aim of this paper is to reassess the history of the Sanseverino family, princes of Bisignano in Calabria in the Late Middle Ages; by focusing on a specific and unpublished source: the so-called “reintegre or platee” as written in the first half of the 16th century. These are public sources mostly enlisting properties and benefits; they serve the purpose of re-possessing the privileges taken from the princes themselves over the previous century. The paper will therefore focus not only on the management and character of the seigneurial landholdings but also on the reconstruction of both the local networks of power exerted on the population and the local political system. It will shed new light on the still debated historiographical issue centered on the seigneurial authority in southern Italy by assessing its local rooting and pervasiveness since the 14th century.

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Lachaud, Frederique. "The Contribution of Thomas Docking to the History of Political Thought." In Thirteenth Century England XVI, 55–70. Boydell and Brewer Limited, 2017. http://dx.doi.org/10.1017/9781787441439.005.

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"XVI. Knowledge Growth, Concentration, Distribution." In The Transformation of the World: A Global History of the Nineteenth Century, 779–825. Princeton: Princeton University Press, 2014. http://dx.doi.org/10.1515/9781400849949-018.

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Romano, Ruggiero. "Economic Aspects of the Construction of Warships in Venice in the Sixteenth Century." In Naval History 1500–1680, 129–57. Routledge, 2017. http://dx.doi.org/10.4324/9781315248301-6.

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Muir, Edward. "The morality of doubt: The religious skeptics of seventeenth-century Venice." In A Sourcebook of Early Modern European History, 292–94. Routledge, 2019. http://dx.doi.org/10.4324/9781351243292-86.

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Conference papers on the topic "Venice. History. XVI century"

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Rodríguez Jiménez, Antonio. "Memoria de ciudades del mundo a través de los poetas en Cuadernos del sur: desde los restos arqueológicos a las reconstrucciones virtuales y reales." In International Conference Virtual City and Territory. Roma: Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.8018.

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Una visión más lírica que histórica permitirá sostener diferentes miradas sobre ciudades emblemáticas del mundo en un entorno evolutivo: desde su esplendor hasta su destrucción, descubrimiento de sus restos y recuperación. El tema gira en torno a ¿cómo ven los poetas el entorno urbano de las ciudades? ¿Cómo veían los creadores de hace varios siglos una ciudad emblemática y cómo la ven en la actualidad? ¿Cómo afectan las nuevas tecnologías a esas ciudades especiales y de qué manera puede proteger un género tan débil y tan fuerte como es la poesía a las ciudades, algunas de ellas Patrimonio de la Humanidad? Ciudades como Medina Azahara, ciudad palatina del siglo X, durante el califato de Abderramán III, en pleno esplendor de los Omeyas. La ponencia aborda cómo contemplaban la ciudad los poetas de la época y cómo la han visto o las ven ahora en el siglo XXI. También se abordarán las visiones líricas de ciudades como Córdoba, París, Roma, Florencia, Venecia, Praga, Nueva York, Madrid, Granada, Lisboa, La Habana o Sevilla. Contemplación de la ciudad y de su memoria, de su gente. Miradas míticas, sacralizadas y miradas sencillas sobre la urbe anclada en el pasado o viva en el futuro. En definitiva, cómo a través de esas miradas privilegiadas, que resplandecen el pasado se pueden conservar en el presente y dinamizarlas para el futuro. A more lyrical history will hold different views of the world's iconic cities in an evolving environment: from its splendor to its destruction, discovery and recovery of their remains. The issue revolves around how poets see the urban environment of cities? How creators saw centuries ago an iconic city and how are today? How new technologies affect these special cities and how you can protect a genre as weak and as strong as poetry to the cities, some of them World Heritage? Cities like Medina Azahara, palace city of the tenth century, during the reign of Abd al-Rahman III, in the splendor of the Umayyads. The paper discusses how the city looked poets of the time and how they have been or are now in the XXI century. It will also address the lyrical visions of cities like Cordoba, Paris, Rome, Florence, Venice, Prague, New York, Madrid, Granada, Lisbon, Havana and Seville. Vision of the city and its memory, its people. Looks mythical, Hallowed and looks simple on the city stuck in the past or living in the future. Exactly how those looks through privileged, that shine can preserve the past in the present and animate them for the future.

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Lupu, Ramona. "POWER LEGITIMACY IN XV-XVI CENTURY WALACHIA � POLITICAL IDEOLOGY AND SOCIAL REALITIES." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.071.

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Empler, Tommaso, Fabio Quici, Adriana Caldarone, Alexandra Fusinetti, and Maria Laura Rossi. "Chiese fortificate all’Isola d’Elba tra l’XI e XVI secolo." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11483.

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Fortified churches between the eleventh and sixteenth centuries on Elba IslandAgainst the threat of Islamic, Norman and Greek pirates, starting from the eighth century, or due to conflicts with the Genoese, Catalans, Neapolitans and French, up to the English and Dutch corsairs from the sixteenth century, Elba island is organized with a respectable defensive apparatus, especially thanks to the Pisans and the Lordship of the Appiano. In addition to a system of fortresses, towers positioned on the shore of the beaches and watch towers placed on the mountain, the presence of some fortified churches from the eleventh century until the sixteenth century is very unusual: the church of San Niccolò in San Piero in Campo, the church of Sant’Ilario, the church of San Niccolò in Poggio, and of the church of Saints Martyrs Giacomo and Quirico in Rio nell’Elba. Main tasks of the research are: study of the transformations of the churches of San Niccolò in San Piero in Campo and of the church of Sant’Ilario, located on the southern slope of Monte Capanne, where was used the construction technique of the granite of the Elba; the way of communicating cultural heritage among scholars or tourists who are fascinated by such structures. Through an initial operation of instrumental survey with 3D laser scanning and drone photogrammetry it is possible to return the current 3D models of the churches. The second step goes on two main directions: on one hand identifying the conservative restoration operations for the fortified churches; on the other hand allowing the dissemination to a wider public of the history of the two fortified churches.

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Navarro Luengo, Ildefonso, Adrián Suárez Bedmar, and Pedro Martín Parrado. "El castillo de San Luis (Estepona Málaga): Origen y evolución de una fortificación abaluartada. Siglos XVI-XXI." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11552.

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The castle of San Luis (Estepona Málaga): Origin and evolution of a bastion fort. Sixteenth to twenty-first centuriesThe results of the investigation prior to the excavation work in the Castle of San Luis, in Estepona (Málaga, Spain) are presented. It is a coastal fortress built in the last quarter of the sixteenth century, in the context of the reorganisation of the defense of the western coast of Malaga after the Moorish rebellion of 1568. After analysing the available literature, we propose that it was designed by the Engineer Juan Ambrosio Malgrá, Maestro Mayor de obras del Reino de Granada. The Castle of San Luis is devised as an add-on construction on the southern front of the walls of Islamic origin, dominating the natural anchorage of the Rada beach. Its most prominent elements are three bastions, two of them with casemates, and a large main square. However, various defects in the design and execution of the works, added to the insufficient provision of artillery and garrison, affected the effectiveness of the fortification throughout its history. In the middle of the eighteenth century, part of the Castle of San Luis is restructured as a cannons’ battery. Following the damage caused by the Lisbon Earthquake, in 1755, and by the French and English blastings in 1812, during the second half of the nineteenth century much of the castle disappears, leaving only the cannons’ battery, which is incorporated as a courtyard in height as an add-on to a house built at the end of the nineteenth century. At present, after several decades of abandonment, excavation works have been undertaken on the remains of the battery, after which the site will be prepared to be used as a museum.

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Brazille Naulet, Virginie Claude, Antonio Orihuela Uzal, and Luis José García-Pulido. "La Torre de Comares en peligro de ruina. Afecciones de la estructura más significativa de la Alhambra en los siglos XVI y XVII." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11499.

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The Tower of Comares in danger of collapse. Affections in the most significant structure of the Alhambra during the sixteenth and seventeenth centuriesThis article develops a research on the outside layout of the Tower of Comares in the Alhambra (Granada), studying its transformations. It is focused on the interventions that took place at the most critical moment in its history. Between the last decades of the sixteenth century and the first ones of the seventeenth century, its general state of abandonment, the explosion of a nearby powder mill and the bad restauration practices applied in some cases, brought it to its structural limits, threatening its ruin. This process could fortunately be reversed after several technical reports on its injuries and actual conservation estate. If neglected, it would have led to the collapse of this paradigmatic example of the Nasrid regal defensive architecture.

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Ryabov, S. M. "“Discourse on the overthrow of the king of Sweden” of Charles de Danzay: source on the history of the Baltic question 60-70 years of the XVI Century." In VIII Information school of a young scientist. Central Scientific Library of the Urals Branch of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.32460/ishmu-2020-8-0032.

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“Discourse on the overthrow of the king of Sweden” was written by the French diplomat resident in Copenhagen Charles de Danzay in 1568. It tells about the events of the overthrow of the Swedish monarch Eric XIV that occurred in the same 1568 by his brothers: Dukes Karl and Johan. Danzay in his “Discourse” gives estimates of the regime of Eric XIV. The work allows us to compare it with The Opritchnina regime of Ivan IV the terrible. The article also discusses the “Muscovite plot” related to the overthrow of Eric XIV: the so-called “the case of Katerina Jagiellonka”. In addition, the topic of Franch presence in the Baltic is briefly touched upon. In the article, the author comes to the conclusion that “Discourse” Danzay is a valuable source on the history of Sweden and Russia, the Baltic question in the XVI century Northern Seven years' war, which can shed light on many until today the dark questions.

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Nava, Fernando Pérez, Isabel Sánchez Berriel, Alejandro González González, Cecile Meier, Jesús Pérez Morera, and Carmen Rosa Hernández Alberto. "AN INTERACTIVE 3D APPLICATION OF A HOUSE FROM THE XVI CENTURY IN SAN CRISTÓBAL DE LAGUNA AS A CASE STUDY FOR THE DISSEMINATION OF CULTURAL HERITAGE." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia: Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12061.

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At the end of the XVI century, the historic centre of San Cristóbal de La Laguna was definitively configured as we know it today, as can be seen in the first preserved map of the city, drawn in 1588 by the engineer Leonardo Torriani. It is the first non-fortified Spanish colonial city and its plan has provided a model for the colonial cities of America, making it a UNESCO World Heritage site. The dissemination of this legacy is a task of great importance. A tool of increasing importance for the dissemination and preservation of history and cultural heritage are reconstructions and virtual recreations in 3D. This paper presents a case of the use of these tools for the dissemination of the city's heritage. The 3D modelling of one of the most characteristic types of housing in San Cristóbal de La Laguna in the 16th century is carried out along with the 3D modelling of human virtual characters all based on the historical documentation of that time. With these elements a WebGL application has been implemented in which a user can visit the virtually reconstructed house and receive information on the construction systems and architecture in the city on the XVI century.

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Juárez Ruiz, Lidia A., and Sofía del Pozo C. "Building rehabilitation proposal from a sustainable and solidary approach." In IABSE Symposium, Guimarães 2019: Towards a Resilient Built Environment Risk and Asset Management. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/guimaraes.2019.0338.

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<p>Oaxaca State (Mexico) has great tangible and intangible wealth. Its history includes buildings dated from the Spanish crown conquest in the XVI century. Its architecture is considered a monumental wealth, in spite of the damages caused by earthquakes along its history. In this work the social - educational approach has been considered as part of the frame of work to preserve and to rehabilitate the built heritage. We present a case study in San Jeronimo Taviche. In this town, as in others, the built patrimony has been lost due to lack of valuation of this patrimony, and lack of economic resources for its conservation and maintenance. The "white house" is a building built at the beginning of the 20th century with traditional systems. It was realized the topographic and architectural survey and a social participative diagnostic. The participative methodologies allow the involved people to be a part of the diagnosis and of the proposal of solution, with which at medium period we hope to achieve the appropriation of the project. With the social and educational approach, the capacities of the people become stronger for the conservation of their patrimony and for the search of resources of financial support for its rehabilitation as a Community Development Center.</p>

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Rinaldi, Simona. "L’architettura militare italiana della Cittadella di Ancona: tecniche costruttive e sistemi difensivi del XVI secolo." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11481.

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The Italian military architecture of Ancona’s Citadel: construction techniques and defensive systems in the sixteenth centuryThe objective of this research is regarding the construction techniques used in the military architecture of Cittadella-Fortezza (Ancona, Marche, Italy). In this case, attention will focus primarily on historical, bibliographic and archive research, then through a comprehensive analysis of building methods used in the sixteenth century and on the strategic function that this fortification covered in the coastal strip of the Middle Adriatic. Together with Rocca Paolina (Perugia) and Fortezza da Basso (Florence), it has in fact a remarkable importance in the military architecture’s history, as it was one of the first experiments of fronte bastionato all’italiana. Built from 1532 by Antonio da Sangallo il Giovane, it rises on the top of Astagno hill in a panoramic and defensive position, overlooking the city and the port. It clearly distinguishes itself from the surrounding building fabric as it is characterized by five mighty bastions in bricks and by the central bulwark with the vaulted ground floor. The study aims to investigate the structural details of Ancona’s fortress such as the modeling of walls, the suppression of protruding volumes, the extension and rounding of the corner towers and the introduction of the central type plan. A great understanding of this research will be analyzed in the drawings and the volumes’ reliefs, which highlighted the general geometric data, the materials used for the realization of the work, the angle of the curtain walls and the technical/constructive strategies. Therefore, the methodical-metric knowledge of the parts will be made more accessible also in relation to the three-dimensional modeling of the fortress, in addition to the critical comparison based on other historical examples of military architecture in the Renaissance period.

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Salvalaggio, Matteo, Michele Monego, and Simone Maioli. "AN INTEGRATED APPROACH AIMED AT THE PROTECTION OF CULTURAL HERITAGE: FROM THE GEOMATIC SURVEY TO HBIM AND AR REPRESENTATION OF VILLA PISANI (STRA, ITALY)." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia: Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12075.

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The topic of Cultural Heritage preservation has gained an increasing attention during last decades. The protection of such complex and delicate manufacts require the intervention of experts from different field (e.g. archaeology, restoration, survey, 3D modeler, structural engineering, architecture), addressed towards an integrated and multidisciplinary scientific approach. Recently, technology advancements have involved many scientific disciplines, affecting both the investigation tools and the data computing. In this paper, an approach aimed at assessing the health status and preserving a heritage building is presented and applied to a case study, exploiting the most effective tools nowadays available. Based on the so-called knowledge path, the study started from the analysis of historical data, through the collection of in-situ measures and towards the construction of a 3D digital model where the information is stored. In particular, a set of images taken by drone and processed by the photogrammetric technique of Structure from Motion, were used to produce detailed point clouds, mesh model, DEM and orthophotos that collect an accurate geometrical documentation, useful to analyse the conservation status and the crack pattern. Based on the detailed model from geomatic survey and drawings, a Heritage Building Information Modelling (HBIM) database was collected with the possibility of managing historical, geometric, structural and health status information. In the end, the study focused on the availability of the information collected for non-professional users or professionals from different fields, who do not have access to data kept in commercial database. Partly, this resulted in the elaboration of an augmented reality (AR) model, accessible by common mobile applications. The case study is Villa Pisani in Stra (Venice, Italy), a well-known example of venetian villa built in the XVIII century which hosted many protagonists of the European contemporary history.

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