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Cecchinato, Umberto. "Musica, corteggiamento e violenza. Rituali festivi nella Venezia del Rinascimento." Doctoral thesis, Scuola Normale Superiore, 2019. http://hdl.handle.net/11384/86231.
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Collavin, Alice. "Johann Carl Loth (1632-1698) : le rotte della geografia artistica di un pittore veneziano fra l'Italia e l'Europa germanofona." Doctoral thesis, Scuola Normale Superiore, 2019. http://hdl.handle.net/11384/85785.
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[estratto dall'intoduzione] In un percorso che si snoda parallelamente alla biografia dell’artista viene restituita la mappatura della geografia artistica di Loth, attraverso la ricostruzione della trama dei rapporti che accompagnarono le principali commissioni soddisfatte dall’artista e che connotarono i contesti di ricezione figurativa, collezionistica e storiografica delle sue opere. Sono state tracciate, pertanto, le interconnessioni fra le scelte linguistiche o stilistiche e di genere adottate da Loth nel corso della sua carriera e i diversi contesti culturali di ricezione delle medesime (Venezia e l’entroterra veneto, l’Impero austriaco, i territori germanici e Firenze). La risistemazione e la rivalutazione delle conoscenze oggettive della vicende dell’artista e delle sue opere, debitrici del minuzioso lavoro di catalogazione condotto da Ewald, nonché delle sue scoperte documentarie – le più rilevanti ancora sull’artista –, e che sono state puntigliosamente collazionate con i più recenti aggiornamenti (Fusari 2017), è stata condotta parallelamente a una disamina attenta delle principali fonti storiografiche e critiche tradizionali (Boschini e Sandrart, in primis), della letteratura periegetica, della corrispondenza fra mecenati, artisti e collezionisti, degli inventari delle raccolte o dei cataloghi a stampa e delle descrizioni letterarie. Si è provveduto, inoltre, a revisionare il materiale archivistico e documentario già pubblicato, accanto allo spoglio di ulteriori e inesplorati fondi. Una fase importante della ricerca è stata quindi dedicata ai sopralluoghi condotti presso svariate istituzioni museali o ecclesiastiche, utili sia per verificare l’attuale reperibilità del materiale menzionato nelle fonti, sia per approfondire gli aspetti della provenienza, della musealizzazione e della storia conservativa dei dipinti di Loth. [...]
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Rodrigues, Ubirajara Alencar 1966. "Polifilo e o sonho da tipografia." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252102.
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Orientador: Milton Jose de AlmeidaDissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo: Esse texto é uma introdução ao livro "Hypnerotomachia Poliphili", de autoria do dominicano Francesco Colonna, publicado em 1499 pelo editor Aldo Manuzio. É também uma introdução às técnicas da impressão xilográfica utilizadas nas ilustrações desse livro, e à história da tipografia veneziana em fins do século XV. A concepção gráfica e visual desse livro famoso são modelares e persistem até hoje
Abstract: This is an introduction to the book "Hypnerotomachia Poliphili", from dominican Francesco Colonna, and published by Aldo Manuzio, in 1499. It's also na introduction to the techniques of xylography printing used to illustrate this book, and the history of venetian typography at the end of the 15th century. The graphic tradition and visual approach of this remarkable book persist as model up to now
Mestrado
Educação, Conhecimento, Linguagem e Arte
Mestre em Educação
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Lejosne, Fiona. "Giovanni Battista Ramusio et la constitution d'un savoir géographique à Venise au XVIè siècle : parcours scientifique et horizon politique." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSEN035/document.
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La compilation des Navigationi et viaggi, publiée à Venise en trois volumes entre 1550 et 1559, est le point d'aboutissement d'un travail de collecte et d'édition de textes géographiques effectué par le géographe humaniste Giovanni Battista Ramusio (1485-1557) au cours de la première moitié du XVIe siècle. Le compilateur entend mettre à jour la description du monde tout en proposant un nouveau modèle de constitution du savoir, dont le point de départ est l'expérience de ceux qui ont pris part aux voyages exploratoires passés et en cours. Ramusio, qui fit toute sa carrière comme secrétaire de chancellerie auprès de la République de Venise, prit appui sur un dense réseau de collaborateurs qui lui fournirent témoignages et récits de voyages. Ce travail de recherche offre pour la première fois une analyse conjointe de la figure de Ramusio comme géographe de cabinet et comme secrétaire de chancellerie, tout en inscrivant son activité dans le contexte de la Venise du début de l'âge moderne.La première partie de la thèse propose une reconstitution, fondée sur un travail d'archives, du laboratoire de Ramusio : les institutions de la République de Venise, le milieu savant italien et le monde de l'édition vénitien. Par l'étude de son statut et de sa démarche, l'interrelation entre ses intérêts propres et ses prérogatives professionnelles est mise en évidence. La deuxième partie porte sur la compilation, elle aborde à la fois les modèles suivis, les choix inédits de mise en forme et les processus de sélection des sources. Les intentions et le projet de Ramusio sont étudiés sur la base de ses propres écrits – les discorsi des Navigationi et viaggi – dans la troisième partie, où l'analyse porte sur la compilation comme ouvrage de géographie politiqueThe three-volume compilation, Navigationi et viaggi, published in Venice from 1550 to 1559, is the work of the humanist geographer Giovanni Battista Ramusio (1485-1557), who collected and edited geographical texts throughout the first half of the 16th century. The compiler attempted to update the description of the known world by employing new modes of knowledge, primarily based on the experiences of those who had taken part in exploratory travels. Ramusio, who served the Republic of Venice as a secretary at the chancellery, benefited from a broad network of collaborators who provided him with testimonies and travel accounts. My research offers the first joint analysis of Ramusio, the armchair geographer and secretary, within the context of early-modern Venice.Based on archival research, the first part of this work offers a reconstruction of Ramusio’s laboratory as part of the institutions of the Republic of Venice, the scholarly environment of Italy, and the world of Venetian publishing. The interrelation between his own interests and his professional prerogatives is established through a study of his scholarly approach and official role. The second part of this study focuses on the compilation, taking into account Ramusio’s influences, as well as his original choices for the organisation and selection of knowledge and sources. The objectives of this work of political geography are examined in the third part through an analysis of Ramusio’s own writings, the Navigationi et viaggi’s discorsi
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Salzberg, Rosa. "From printshop to piazza : the dissemination of cheap print in sixteenth century Venice." Thesis, Queen Mary, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.511353.
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This thesis is concerned with the smallest and cheapest products of the Venetian presses in the sixteenth century. Pamphlets and printed fliers were the most accessible articles of printed matter to the wider public, and they are crucial to understanding how the technology of printing infiltrated the urban life of Venice in this period. To this end, Chapter One is concerned with the spaces of print dissemination in the city, mapping information about the locations of presses, bookshops, and stalls in the city. A particular focus is the street trade in cheap print, how this interacted with established shops and was drawn to particular times and spaces of public gathering. Chapters Two and Three consider the chief producers and disseminators of cheap print: printers and publishers, and vendors both established and itinerant. I examine the people who came to make up the printing industry in this developmental phase, and the role that the production of cheap print played in the process of establishing a successful business. A focus on performers who published or sold cheap print-enacting the oral dissemination of texts in tandem with their printed diffusion-suggests how broader publics, of every shade from illiterate to literate, were becoming acculturated to an expanding print culture. Chapter Four then concentrates on representative examples of printed pamphlets produced in Venice by itinerant publishers and performers in collaboration with members of the local printing industry, for example, tales of chivalry, poems about recent wars, charlatans' recipes, and prognostications. Finally, in Chapter Five I consider how cheap print dissemination fared in the intensifying climate of control and censorship of the Counter-Reformation era.
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Bernardi, Teresa. "Mobilità femminile e pratiche di identificazione a Venezia in età moderna." Doctoral thesis, Scuola Normale Superiore, 2020. http://hdl.handle.net/11384/86052.
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Pesuit, Margaret. "Representations of the courtesan in sixteenth-century Venice : sex, class, and power." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37227.pdf.
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Norris, Rebecca M. "Carpaccio’s “Hunting on the Lagoon” and “Two Venetian Ladies”: A Vignette of Fifteenth-Century Venetian Life." Kent State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=kent1185214455.
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Jones, Scott Lee. "Servants of the Republic : patrician lawyers in Quattrocento Venice." Thesis, Swansea University, 2010. https://cronfa.swan.ac.uk/Record/cronfa42517.
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Lawyers have widely been recognized as playing a role in the transition from the medieval to the modem state. Their presence in Renaissance Venetian politics, however, remains largely unexplored. Relying primarily on a prosopographical analysis, the thesis explores the various roles played by lawyers, dividing those roles into three main categories: diplomats, territorial governors, and domestic legislators. What emerges is a clear pattern of significant involvement by legally trained patricians in the Venetian political system. Noble lawyers were most often ambassadors, serving in many of the principal courts inside and outside of Italy as Venice was extending her influence on the Italian peninsula. They also served as administrators of Venetian rule throughout the Venetian terraferma (mainland) state. Lastly, their domestic political officeholding further confirms their continuing participation, as they held many of the most important domestic offices throughout the Quattrocento. The thesis ends with short biographies of each of the nearly three-dozen lawyers who make up this study, as well as chronologies of the offices they held. These chronologies include archival references for each office.
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Hammerton, Rachel Joan. "English impressions of Venice up to the early seventeenth century : a documentary study." Thesis, University of St Andrews, 1987. http://hdl.handle.net/10023/2792.
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The first Englishmen to write about the city-state of Venice were the pilgrims passing through on their way to the Holy Land. Their impressions are recorded in the travel diaries and collections of advice for prospective fellow pilgrims between the early fourteenth and early sixteenth centuries, the most substantial being those of William Wey, Sir Richard Guylforde and Sir Richard Torkington, who visited Venice in 1458 and '62, 1506, and 1517 respectively. In the 1540s arrived the men who saw Venice as part of the new Europe--Andrew Borde and William Thomas. Thomas's study of the Venetian state emphasized the efficiency of its administration, seeing it as an example of constructive government, where effective organisation for the common good led directly to national stability and prosperity. The mid-sixteenth century saw the beginnings of Venice as a tourist centre; the visitors who came between 1550 and the end of the century described the sights and the people, the traditions and way of life. Fynes Moryson's extensive account details what could be seen and learned in the city by an observant and enquiring visitor. In addition to information available in first-hand accounts of Venice, much could be learned from the work of the late sixteenth-century English translators. Linguistic, cultural, geographical, historical and literary translations yielded further knowledge and, more importantly, new perspectives, Venice being seen through the eyes of Italians and, through Lewkenor's comprehensive work, The Commonwealth and Government of Venice, of Venetians themselves. Finally, to assess the general impressions of Venice and the Venetians, we consider the literature of the turn of the sixteenth-seventeenth century; what, and how much, of the three-hundred year accumulation of knowledge of the city and people of Venice had most caught the attention and imagination of the English mind, and how close was the relationship between the popular impression and the documentary information from which it had largely developed.
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Daukšas, Mantas. "LDK miškų ūkis XVI a." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110610_112444-12483.
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Lietuva visais laikais garsėjo savo miškais. Nepražengiamos girios stebindavo į mūsų kraštą negausiai užklydusius svetimšalius. Savo prisiminimuose apie Lietuvos Didžiąją Kunigaikštystę jie sutartinai akcentuodavo stulbinamą girių didumą bei žvėrių įvairovę. Iš visų miško teikiamų dovanų žmogui galėtume išskirti medžius. Mediena buvo nepamainomas šilumos šaltinis, pagrindinė statybinė medžiaga. XVI amžiuje, Vakarų Europoje smarkiai išaugus medienos gaminių poreikiui, miškas, jo gaminiai Lietuvoje po truputį tapo viena iš pagrindinių eksporto prekių.Lithuania has always been famous for own forests. Rarely foreigners who for some reason had a possibility to see our nature were surprised by its heavy forests. In the memories of Grand Ducky of Lithuania they were always highlighting the shocking immensity of the forests and the big variety of animals. Out of all the gifts offered by the forest we should distinguish the trees. The wood was invaluable source of heat as well as the main building material. In the sixteenth century in Western Europe the demand for wood products increased which led to increase of Lithuania‘s wood export. Wood became the main export product.
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Setti, Cristina. "Una repubblica per ogni porto. Venezia e lo Stato da Mar negli itinerari dei Sindici Inquisitori in Levante (secoli XVI-XVII)." Doctoral thesis, Scuola Normale Superiore, 2018. http://hdl.handle.net/11384/86065.
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Yoshioka, Masataka. "Singing the Republic: Polychoral Culture at San Marco in Venice (1550-1615)." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33220/.
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During the late sixteenth and early seventeenth centuries, Venetian society and politics could be considered as a "polychoral culture." The imagination of the republic rested upon a shared set of social attitudes and beliefs. The political structure included several social groups that functioned as identifiable entities; republican ideologies construed them together as parts of a single harmonious whole. Venice furthermore employed notions of the republic to bolster political and religious independence, in particular from Rome. As is well known, music often contributes to the production and transmission of ideology, and polychoral music in Venice was no exception. Multi-choir music often accompanied religious and civic celebrations in the basilica of San Marco and elsewhere that emphasized the so-called "myth of Venice," the city's complex of religious beliefs and historical heritage. These myths were shared among Venetians and transformed through annual rituals into communal knowledge of the republic. Andrea and Giovanni Gabrieli and other Venetian composers wrote polychoral pieces that were structurally homologous with the imagination of the republic. Through its internal structures, polychoral music projected the local ideology of group harmony. Pieces used interaction among hierarchical choirs - their alternation in dialogue and repetition - as rhetorical means, first to create the impression of collaboration or competition, and then to bring them together at the end, as if resolving discord into concord. Furthermore, Giovanni Gabrieli experimented with the integration of instrumental choirs and recitative within predominantly vocal multi-choir textures, elevating music to the category of a theatrical religious spectacle. He also adopted and developed richer tonal procedures belonging to the so-called "hexachordal tonality" to underscore rhetorical text delivery. If multi-choir music remained the central religious repertory of the city, contemporary single-choir pieces favored typical polychoral procedures that involve dialogue and repetition among vocal subgroups. Both repertories adopted clear rhetorical means of emphasizing religious notions of particular political significance at the surface level. Venetian music performed in religious and civic rituals worked in conjunction with the myth of the city to project and reinforce the imagination of the republic, promoting a glorious image of greatness for La Serenissima.
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Rossi, Guido. "The development of insurance in the XVI century : the London Book of Orders." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608035.
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Maglaque, Erin. "Venetian humanism in the Mediterranean world : writing empire from the margins." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:4d671b0d-6917-4a1f-bcfb-2045128a11e0.
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My dissertation examines the cultural history of the Renaissance Venetian maritime empire. In this project I bring into conversation two historiographical subfields, the intellectual history of Venetian Renaissance humanism and the colonial history of the early modern Mediterranean, which have previously developed separately. In doing so, I examine the relationship between power and knowledge as it unfolded in the early modern Mediterranean. The ways in which Venetian Renaissance intellectual culture was shaped by its imperial engagements - and, conversely, how Venetian approaches to governance were inflected by humanist practices - are the central axes of my dissertation. In the first part of the dissertation, I examine the ways in which writing and textual collecting were used by elite Venetian readers to represent the geopolitical dimensions of their empire. I consider a group of manuscripts and printed books which contain technical, navigational, and cartographic writing and images about Venetian mercantile and imperial activity in the Mediterranean. In the second part, I undertake two case-studies of Venetian patrician governors who were trained in the humanist schools of Venice, before being posted to colonial offices in Dalmatia and the Aegean, respectively. I examine how their education in Venice as humanists influenced their experience and practice of governance in the stato da mar. Their personal texts offer an alternative intellectual history of empire, one which demonstrates the formation of political thought amongst the men actually practicing and experiencing imperial governance. Overall, I aim to build a picture of the ways in which literary culture, the physical world of the stato da mar, and political thought came to be entwined in the Venetian Renaissance; and then to describe how these dense relationships worked for the Venetian administrators who experienced them in the Mediterranean.
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Nalezyty, Susan. "Il collezionismo poetico: Cardinal Pietro Bembo and the Formation of Collecting Practices in Venice and Rome in the Early Sixteenth-Century." Diss., Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/109833.
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Art HistoryPh.D.
Cardinal Pietro Bembo's accomplishments as a poet, linguist, philologist, and historian are well known, but his activities as an art collector have been comparatively little studied. In his writing, he directed his attention to the past via texts--Ciceronean Latin and Petrarchan Italian--for their potential to transform present and future ideas. His assembly of antiquities and contemporary art served an intermediary function parallel to his study of texts. In this dissertation I investigate Bembo as an agent of cultural exchange by offering a reconstruction of his art collection and, in so doing, access his thinking in a way not yet accomplished in previous work on this writer. Chapter One offers a historiographic overview of my topic and collecting as a subject of art historical study. Chapter Two maps the competition and overlapping interests of collectors who bought from Bembo's heirs. Chapter Three calls upon anthropological methodology for treating the study of material culture and applies it to Bembo's mission as a collector. Chapter Four concludes with a statistical analysis of subjects and object types to which Bembo was drawn. In the extensive Object Catalog individual works are examined in conjunction with one another and considered for what they reveal about Bembo's theoretical strategy. Appendix A is a timeline outlining Bembo's life. Appendix B is a chronologically ordered selection of accounts describing Bembo as a collector and descriptions of his collection and his properties. Appendix C is a Bembo family tree. Appendix D presents by location known repositories for traced objects that can be connected to Bembo's collection. The recovery of Pietro Bembo as a collector illustrates that his wide-ranging ambitions were intertwined. His museum was not a place fixed in geography but, rather, a dynamic mechanism for transmitting the analytic power and poetic potential he located in the visual.
Temple University--Theses
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Sherman, Allison M. "The lost Venetian church of Santa Maria Assunta dei Crociferi : form, decoration, and patronage." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1021.
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This dissertation reconstructs the original form and sixteenth-century decoration of the lost Venetian church of Santa Maria Assunta dei Crociferi, destroyed after the suppression of the Crociferi in 1656 to make way for the present church of the Gesuiti. The destruction of the church, the scattering of its contents, and the almost total lack of documentation of the religious order for which the space was built, has obscured our understanding of the many works of art it once contained, produced by some of the most important Venetian artists of the sixteenth century. This project seeks to correct scholarly neglect of this important church, and to restore context and meaning to these objects by reconstructing their original placement in the interest of a collective interpretation. Various types, patterns and phases of patronage at the church—monastic, private and corporate—are discussed to reveal interconnections between these groups, and to highlight to role of the Crociferi as architects of a sophisticated decorative programme that was designed to respond to the latest artistic trends, and to visually demonstrate their adherence to orthodoxy at a moment of religious upheaval and reform.
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Rushing-Raynes, Laura. "A history of the Venetian sacred solo motet (c. 1610--1720)." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185473.
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In 17th century Italy, the trend toward small sacred concertato forms precipitated the publication of a number of volumes devoted exclusively to sacred solo vocal music. Several of these, including the Ghirlanda sacra (Gardano, 1625) and Motetti a voce sola (Gardano, 1645) contain sacred solo motets by some of the best Italian composers of the period. Venetian composers were at the forefront of the move toward the smaller concertato forms and, to fulfill various needs of church musicians, wrote in an increasingly virtuoso style intended to highlight the solo voice. This study traces the development of the solo motet in the sacred works of Venetian composers from the time of Monteverdi to Vivaldi. It revolves around sacred solo motets composed at Saint Marks and the Venetian ospedali (orphanages). It includes works of Alessandro Grandi, Claudio Monteverdi, Francesco Cavalli, and Antonio Vivaldi. It also deals with solo motets of lesser composers whose works are available in modern critical and performing editions or in recently published facsimiles. In addition to providing a more detailed survey of the genre than has been previously available, this study provides an overview of highly performable (but largely neglected) repertoire.
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Gabiola, Carreira David. "Laredo, un port de Castille au XVI ͤ siècle." Thesis, Université Côte d'Azur (ComUE), 2017. http://www.theses.fr/2017AZUR2032/document.
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Au XVIe siècle Laredo était un des ports les plus actifs des Quatre Villes de la Côte de la Mer, la façade maritime de l'actuelle Cantabrie au nord de l'Espagne. Cet essor cessa à la fin du siècle lorsque le port larédain plongea dans une crise économique profonde et irréversible. Comment expliquer cette trajectoire ?Le contexte géographique fut un obstacle majeur : la circulation vers l'arrière-pays était difficile à cause de la Cordillère Cantabrique et les infrastructures portuaires étaient particulièrement exposées aux caprices de la mer. Au XVIe siècle les Larédains jouèrent un rôle essentiel dans le transport de la laine de Castille vers les Flandres et dans l'importation de tissus et de marchandises. Laredo était alors une porte d'entrée pour tous ces produits qui étaient par la suite expédiés par les commettants larédains vers les principales places marchandes castillanes. Les connétables de Castille contribuèrent à l'essor de ce trafic. À la fin des années 1560 la rivalité avec l'Angleterre et les révoltes dans les Flandres paralysèrent les échanges commerciaux et l'économie larédaine déclina progressivement.Le XVIe siècle fut aussi pour Laredo le temps des armadas. Le port se transforma en base navale d'où la couronne expédiait soldats, matériel et argent pour ravitailler les troupes qui se battaient en Flandres. Mais à partir de 1572 Laredo cessa de jouer ce rôle au profit de Santander qui était un site plus facile à défendre. La présence de ces flottes fut à l'origine de nombreux conflits avec la population locale, mais l'organisation de ces armadas représenta pour de nombreux Larédains une source de revenus lorsqu'ils approvisionnaient les navires, ou effectuaient des réparations diversesIn the 16th century, Laredo was one of the most active harbours of the Cuatro Villas de la Costa de la Mar, the seabord of the present Cantabria Region in the North of Spain. This growth ceased at the end of the century when the harbour of Laredo plunged into a deep and irreversible economic crisis. How can we explain this reversal/this evolution?The geographical context was a major obstacle: movement of goods and people to the hinterland was difficult due to the Cantabrian mountain range, and the port infrastructures were particularly exposed to the whims of the sea.In the16th century Laredo inhabitants played an important role in the transport of wool from Castile to Flanders and in the import of fabric and goods. At that time, Laredo was a gateway for all these products, which were shipped afterwards to the main Castilian marketplaces. The constables of Castile contributed to the development of this traffic. In the late 1560s the rivalry with England and the rebellions in Flanders curbed this trading activity and the economy of Laredo gradually slumped.The 16th century was also for Laredo the time of the armadas. The harbour transformed into a naval base from which were sent soldiers, equipment and money in order to supply the troops who were fighting in Flanders. But, from 1572, Laredo stopped playing this role in favour of Santander which was an easier site to defend. The presence of the fleet was the cause of several conflicts with local people, but the organization of those armadas was for several people of Laredo a source of income when they supplied ships or when they made different repairs
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Pettorru, Maria Giovanna. "Una periferia tra due centri: la Sardegna vista attraverso le fonti gesuitiche del Cinquecento." Doctoral thesis, Scuola Normale Superiore, 2013. http://hdl.handle.net/11384/86054.
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Kawata, Viviane da Cruz. "Soldado de Corte: estudo da destreza em Espanha e Portugal no século XVII." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-21082012-101940/.
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Esta dissertação para obtenção do título de Mestre em História Social analisa três manuais de manejo de espadas, escritos em Portugal e Espanha entre 1580 e 1630. A partir de sua leitura conduzimos reflexões acerca da sociedade de corte, Processo Civilizador, lugar social da espada e duelos. Devido à datação dos manuais enfocamos nossas análises nos reinados Habsburgo e na Restauração de Portugal.This dissertation for obtaining the title of Master in Social History analyses three manuals of sword handling, written in Portugal and Spain between 1580 1630. From their reading we have conducted reflections on Courtly society, Civilizing Process, social place of the sword and duels. Due to the date of the manuals we have focused our analysis on the Habsburg kingship and the Restoration of Portugal.
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Ruz, Torres Eduardo Andrés 1976. "A fórmula demoníaca entre jesuítas e agostinianos nos Andes peruanos do século XVI." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279661.
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Orientador: Leandro KarnalDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Nos séculos que antecederam a Idade Moderna, normatizar a figura do demônio foi um processo essencial para os trabalhos evangelizadores de uma Europa heterogênea e que se repetiram nos Andes peruanos do século XVI. Se bem entendemos (dentro do discurso proposto pelos conquistadores) que evangelizar, na perspectiva dos religiosos, tratava-se em resgatar da ignorância e aproximar à população nativa ao único caminho tolerado pelos europeus (a verdadeira religião). Para conseguir este objetivo, se valeram do mal, num movimento aparentemente contraditório, mas que havendo sido uma estratégia longamente usada no Velho Mundo teve resultados excepcionais. O deslocamento de um satanismo comprovadamente utilitário foi parte da construção de um discurso de dominação e aculturação, mas que também permitiu concentrar os esforços políticos e sociais europeus numa guerra cósmica infatigável, permitindo a constante renovação de religiosos e laicos nas terras falsamente edênicas. Neste contexto, agostinianos e jesuítas escutaram o chamado evangelizador procedente do Novo Mundo e empreenderam sistemáticas campanhas em procura deste objetivo, cada ordem evidenciando diferentes mecanismos, mas tendo uma visão bastante aproximada do que era necessário fazer: os primeiros, através, da doutrina; os segundos por meio da missão. Mas tanto os ermitões como os da companhia, sempre esperaram deparar-se com o mal em pessoa, o próprio diabo, mas, ao não poder ter esta batalha real, passou-se à demonização da cultura local
Abstract: In the centuries preceding the Modern Age, regulate the devil¿s figure was an essential process for the evangelizer work in a heterogeneous Europe. This work was replicated in the Peruvian Andes, in the XVIth century. Comprehending (according to the discourse proposed by the conquistadores) that evangelize, in the religious¿ perspective, meant to rescue the native population from ignorance and to introduce it to the only way tolerated by the Europeans (the true religion). To achieve this goal, they took advantage of evil, in a movement apparently contradictory, but already utilized in the Old World, had exceptional results. The displacement of a Satanism proved useful was part of the construction of a domination and acculturation discourse, which also permitted the concentration of European political and social efforts in an indefatigable cosmic war, permitting the constant renovation of religious and laic in the falsely Edenic lands. In this context, augustinians and jesuits heard the evangelizer call coming from the New World and undertook systematic campaigns searching for this objective, each order showing different mechanisms, but possessing a very similar vision concerning what was necessary to do: the former, through the doctrine; the later, through the mission. Although, both the hermits and the society members continually hope to face the evil in person, the devil himself; but, not being able to have this real battle, they moved to the demonization of local culture
Mestrado
Historia Cultural
Mestre em História
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Hammond, Joseph. "Art, devotion and patronage at Santa Maria dei Carmini, Venice : with special reference to the 16th-Century altarpieces." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3047.
Full textAbstract:
This study is an art history of Santa Maria dei Carmini, Venice, from its foundation in c. 1286 to the present day, with a special focus on the late Renaissance period (c. 1500-1560). It explores a relatively overlooked corner of Renaissance Venice and provides an opportunity to study the Carmelite Order's relationship to art. It seeks to answer outstanding questions of attribution, dating, patronage, architectural arrangements and locations of works of art in the church. Additionally it has attempted to have a diverse approach to problems of interpretation and has examined the visual imagery's relationship to the Carmelite liturgy, religious function and later interpretations of art works. Santa Maria dei Carmini was amongst the largest basilicas in Venice when it was completed and the Carmelites were a major international order with a strong literary tradition. Their church in Venice contained a wealth of art works produced by one of the most restlessly inventive generations in the Western European tradition. Chapter 1 outlines a history of the Carmelites, their hagiography and devotions, which inform much of the discussion in later chapters. The second Chapter discusses the early history of the Carmelite church in Venice, establishing when it was founded, and examining the decorative aspects before 1500. It demonstrates how the tramezzo and choir-stalls compartmentalised the nave and how these different spaces within the church were used. Chapter 3 studies two commissions for the decoration of the tramezzo, that span the central period of this thesis, c. 1500-1560. There it is shown that subjects relevant to the Carmelite Order, and the expected public on different sides of the tramezzo were chosen and reinterpreted over time as devotions changed. Cima da Conegliano's Adoration of the Shepherds (c. 1511) is discussed in Chapter 4, where the dedication of the altar is definitively proven and the respective liturgy is expanded upon. The tradition of votive images is shown to have influenced Cima's representation of the donor. In Chapter 5 Cima's altarpiece for the Scuola di Sant'Alberto's altar is shown to have been replaced because of the increasing ambiguity over the identification of the titulus after the introduction of new Carmelite saints at the beginning of the century. Its compositional relationship to the vesperbild tradition is also examined and shown to assist the faithful in important aspects of religious faith. The sixth chapter examines the composition of Lorenzo Lotto's St Nicholas in Glory (1527-29) and how it dramatises the relationship between the devoted, the interceding saints and heaven. It further hypothesises that the inclusion of St Lucy is a corroboration of the roles performed by St Nicholas and related to the confraternity's annual celebrations in December. The authorship, date and iconography of Tintoretto's Presentation of Christ (c. 1545) is analysed in Chapter 7, which also demonstrates how the altarpiece responds to the particular liturgical circumstances on the feast of Candlemas. The final chapter discusses the church as a whole, providing the first narrative of the movement of altars and development of the decorative schemes. The Conclusion highlights the important themes that have developed from this study and provides a verdict on the role of ‘Carmelite art' in the Venice Carmini.
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Ravalli, Gaia. "Attraverso Santa Maria Novella : spazio, culto, decorazione tra XIII e XVI secolo." Doctoral thesis, Scuola Normale Superiore, 2019. http://hdl.handle.net/11384/85766.
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Cantu, Jennifer A. "Paolo Veronese’s Annunciations." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1524730134754678.
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MARTINUZZI, CHRISTOPHER. "Thomas Müntzer e la riforma di Allstedt : conflitto politico e controversia religiosa in Sassonia agli albori della Riforma." Doctoral thesis, Scuola Normale Superiore, 2016. http://hdl.handle.net/11384/86057.
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Fonsato, Vanna Marisa. "Giudizi letterari di Isabella Teotochi Albrizzi nel carteggio inedito della Raccolta Piancastelli." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61287.
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The present work examines the literary criticism expressed by Isabella Teotochi Albrizzi in several of her unpublished letters.The first part outlines the cultural and historical tradition of Venice during the Eighteenth Century. Particular attention is subsequently given to the intellectual role of women, their contribution to the literary salons of the time, and the neoclassical tradition. This first part is essential in that it supplies a valuable context to Isabella Teotochi Albrizzi's writings.
In the second part, I examine Isabella Teotochi Albrizzi's literary criticism of major European authors and works. Through these criticisms she exposes her misvision of the literary world to which she aspired, and reveals that although she was influenced by the subtle preromantic tendencies, she remained faithful to the neoclassical school.
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Cupperi, Walter. "Le medaglie nella Milano asburgica (1535-1571) : artisti, committenti e fortuna europea." Doctoral thesis, Scuola Normale Superiore, 2008. http://hdl.handle.net/11384/85748.
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Gavito, Cory Michael. "Carlo Milanuzzi's Quarto scherzo and the climate of Venetian popular music in the 1620s." Thesis, view full-text document, 2001. http://www.library.unt.edu/theses/open/20012/gavito%5Fcory/index.htm.
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Neveu, Marc J. "Architectural lessons of Carlo Lodoli (1690-1761) : indole of material and of self." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100663.
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Original contribution. A discussion of Carlo Lodoli's bi-fold understanding of indole (inherent nature); with respect to both meaning in architecture and the education of architects.Carlo Lodoli (1690--1761) exists as a footnote in most major history books of modern architecture. He is typically noted for either his influence on the Venetian Neoclassical tradition or as an early prophet to some sort of functionalism. Though I would not argue his influence, I doubt his role in the development of a structurally determined functionalism. The issue of influence is always present as very little of his writings have survived and his built work amounts to a few windowsills. He did, however, teach architecture. I propose to explore the pedagogic potential of Lodoli's lessons of architecture.
Lodoli's teaching approach was not necessarily professional in that he did not instruct his students in the methods of drawing or construction techniques. Rather, his approach was dialogical. The topics were sweeping, often ethical, and ranged from the nature of truth to the nature of materials. Existing scholarship pertaining to Lodoli most often focuses upon his students' production of texts, projects, and projections. Andrea Memmo's Elementi dell'Architettura Lodoliana (1786, 1833) and Francesco Algarotti's Saggio sopra l'architettura (1756) are both specifically named by the respective authors as advancing Lodoli's architectural theories. Often overlooked are the apologues, or fables, used by Lodoli in lessons to his students. The main source for these fables is the Apologhi Immaginati (1787). Others were included in Memmo's Elementi. Apologues from both sources have been translated for the first time into English and can be found in Appendix I of the dissertation.
I look specifically to these stories to understand and illustrate Lodoli's approach to making, teaching and thinking. This is understood through Lodoli's characterisation of the identity of materials and of the self. Within this dissertation I intend to flesh out the textual and architectural fabric surrounding the pedagogic activities of the Venetian Friar known as the Socrates of Architecture, Carlo Lodoli.
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Kalil, Luís Guilherme Assis 1984. "Filhos de Adão : análise das hipóteses sobre a chegada dos seres humanos ao Novo Mundo (séculos XVI e XIX)." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281179.
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Orientador: Leandro KarnalTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: A tese pretende analisar de que formas a questão sobre a existência de seres humanos no Novo Mundo foi abordada em dois períodos distintos: a virada do século XVI para o XVII e ao longo do século XIX, momentos em que a produção de reflexões sobre este tema aumentou consideravelmente. No primeiro período, observamos que as dúvidas sobre a origem dos indígenas não surgem durante os contatos iniciais com os europeus, mas se desenvolvem ao longo do século. Além disso, identificamos um aumento progressivo das representações que enfatizavam a multiplicidade dos indígenas, nas quais as reflexões do jesuíta espanhol José de Acosta, que analisou os debates anteriores sobre os ancestrais dos americanos e dividiu os "povos bárbaros" em três níveis de desenvolvimento, ocupam um papel central. Para um número crescente de autores, as grandes diferenças identificadas entre os diversos grupos que habitavam as terras americanas seriam fruto de origens específicas e hierarquizadas. No século XIX, a percepção da multiplicidade dos indígenas passa a ser incorporada, entre outros aspectos, ao conceito de raça e aos discursos sobre a memória e a identidade nacional elaborados nas colônias americanas recém-independentes. Neste segundo período, há a identificação de um índio "nacional", geralmente restrito ao passado, que teria uma origem diferente e superior a dos outros habitantes do continente. Novamente, as diferenças identificadas pelos autores entre os povos americanos são interpretadas a partir das origens: grupos considerados como mais avançados procederiam de povos diferentes dos grupos "inferiores" que habitaram e ainda habitavam o continente. Divisão e hierarquização estas, profundamente influenciadas pelas reflexões sobre o Oriente, fruto das diversas expedições e descobertas arqueológicas ocorridas no período
Abstract: The thesis aims to analyze in which ways the question about the existence of human beings in the New World was addressed on two different time periods: the turn of the 16th to the 17th century and throughout the 19th century, moments in which the production of reflections on this issue increased considerably. In the first period, we observed that the doubts about the origin of the Americans were not raised during the first contacts with the Europeans, but developed over the century. Furthermore, we identified a progressive increase in representations that emphasized the multiplicity of the indigenous, in which the reflections of the Spanish Jesuit José de Acosta, who examined the previous debates about the ancestors of the Americans and divided the "barbarians peoples" in three levels of development, occupies a central role. For a growing number of authors, the major differences identified among the various groups that inhabited the American lands would result from specific and hierarchical backgrounds. In the 19th century, the perception of indigenous multiplicity becomes incorporated, among other aspects, into the concept of race and the discourses on memory and national identity, developed in the newly independent American colonies. In this second period, there is the identification of a "national" Indian, usually restricted to the past, who would have a different and superior origin than the other inhabitants of the continent. Once again, the differences identified by the authors among the American people are interpreted as related to their origins: groups considered more advanced would behave differently from "inferior" groups who had inhabited and still inhabited the continent. Those division and ranking were deeply influenced by the reflections elaborated about the East, as a result of the various expeditions and archaeological discoveries made in the period
Doutorado
Historia Cultural
Doutor em História
32
Reis, Anderson Roberti dos. "Da idolatria indigena a conversão cristã no Mexico do seculo XVI : uma analise da obra do frei Toribio Motolinia." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279801.
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Orientador: Leandro KarnalDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: O objetivo desta pesquisa é relacionar e analisar as concepções de idolatria indígena e conversão cristã no México do século XVI, a partir da Historia de los indios de la Nueva España de frei Toribio Motolinía. Após pouco mais de uma década de trabalhos missionários na Nova Espanha, Motolinía começou a redigir uma ¿relação dos ritos e idolatrias dos nativos e de sua maravilhosa conversão à religião cristã¿. Entretanto, essa ¿história dos índios¿ configurou-se, no decorrer da narrativa do frade, em uma ¿história dos trabalhos franciscanos junto aos indígenas do Novo Mundo¿. A partir dessa observação inicial, nós examinamos como Motolinía representou as noções de idolatria indígena e conversão cristã e, ao mesmo tempo, articulou esses dois conceitos em uma determinada estrutura narrativa com um sentido próprio. De algum modo, nós queremos analisar a relação entre a narrativa elaborada por frei Toribio e os desafios e debates (teológicos, políticos) com os quais o frade esteve envolvido, mesmo que indiretamente. A partir desse exercício, nós pretendemos, também, trazer ao debate uma parte significativa da história das idéias religiosas e políticas no México quinhentista, bem como as bases da fundação de uma memória franciscana na América
Abstract: The objective of this study is to relate and analyze the conceptions of indigenous idolatry and Christian conversion in the 16th century Mexico, based on the Historia de los indios de la Nueva España of friar Toribio Motolinía. After little more than a decade of missionary work in New Spain, Motolinía started to write a "register of rites and idolatry of the natives and their wonderful conversion to the Christian religion". However, this "indigenous history" became, as the friar's narrative progressed, a "history of Franciscan works with the natives of New World". From this initial observation, we explored how Motolinía represented the ideas of indigenous idolatry and Christian conversion and, at the same time, organized these two concepts in a given narrative structure, with a specific meaning. Somehow, we want to analyze the relationship between the narrative developed by friar Toribio and the challenges and debates (theological, political) with which he was involved ¿ indirectly, even. From this exercise, we also want to raise the debate about a significant part of the history of religious and political ideas of the 16th century Mexico, as well as the basis of the foundation of a Franciscan memory in America
Mestrado
Historia Cultural
Mestre em História
33
Tommasino, Pier Mattia. "L’Alcorano di Macometto di Giovanni Battista Castrodardo : orientalismo italiano e cultura europea tra il 1547 e il 1647." Doctoral thesis, Scuola Normale Superiore, 2009. http://hdl.handle.net/11384/86086.
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Grant, Sarah. "Representations of the princesse de Lamballe (1749-1792) : the portraiture, patronage and politics of a royal favourite at the court of Marie-Antoinette." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:1797d7c6-5c22-44a9-8ab3-adfcddfd43fc.
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This thesis examines the portraiture and patronage of Marie Thérèse Louise de Savoie-Carignan, the princesse de Lamballe (1749-1792). It is the first comprehensive and detailed study to be undertaken of the princess's activities as patron. Lamballe was Marie-Antoinette's longest-serving confidante and Superintendent of the Queen's Household. Through close formal analysis of the portraits combined with careful consideration of the sitter's personal circumstances and the wider cultural and historical context, the thesis challenges scholarly assumptions that the princess had only negligible influence as a sitter and patron. As a case study of an independent, professionally ambitious and childless widow, it identifies a wider range of motives and cultural meanings than has previously been ascribed to female court patronage of this period. The first chapter demonstrates that the early depictions of Lamballe as a docile and grieving princess were largely dictated by her father-in-law, an identity the princess subsequently discarded when she assumed a professional role at court. Chapter two examines portraits executed during the princess's rise to political and social prominence and shows that her attachment to the queen and the length of time she spent in her company and service, together with her publicly visible roles as freemason and salonnière, made her a figure of considerable renown and influence and thereby a highly significant patron at the French court. This was enhanced by the princess's international reputation as a talented amateur artist in her own right and by her financial and social support of aspiring artists and art institutions. The princess's engagement with the cult of sentiment and advocacy of women artists is allied to the sorority encouraged by Marie-Antoinette within the women of her select circle. Complementary chapters on the princess's previously unknown anglophile inclinations (discussed in Chapter three) and her private collections, library, and musical and literary patronage (considered in Chapter four) further reveal that Lamballe was an informed and cultivated female patron who operated at the very centre of Marie-Antoinette's circle.
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Wittmann, Luisa Tombini 1979. "Flautas e maracás = música nas aldeias jesuíticas da América Portuguesa (séculos XVI e XVII)." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280441.
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Orientador: John Manuel MonteiroTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Esta pesquisa tem como objetivo o estudo das relações sonoras entre jesuítas e índios no Estado do Brasil e no Estado do Maranhão, durante os séculos XVI e XVII. A análise da documentação histórica, sobretudo jesuítica, atenta, na primeira parte, para as regras da Companhia de Jesus, no que se refere à música, e para suas adaptações e debates em missões na Ásia e na América Portuguesa. Aspectos das culturas nativas possibilitam a passagem das normas às práticas, em três espaços: costa e planalto paulista na metade do século XVI, Amazônia seiscentista e sertão nordestino nas últimas décadas do século XVII. Busca-se, assim, contar uma história de constantes negociações, na qual a música desempenha papéis plurais, onde atores colocam em jogo sonoridades que se revelam indispensáveis ao diálogo religioso entre ameríndios e missionários
Abstract: This thesis explores musical relations between Jesuit missionaries and Amerindian peoples in colonial Portuguese America (Brazil and the State of Maranhão) during the sixteenth and seventeenth centuries. Based mainly on Jesuit sources, this work focuses initially on the musical conventions adopted by the Society of Jesus and on their discussion and adaption within the missionary contexts of Portuguese Asia and America. The thesis then argues that different aspects of native cultures enabled the transition from conventions to practice, with emphasis on three spatial contexts: the sixteenth-century coast and São Paulo plateau, the seventeenth-century Amazon, and the northeastern hinterland. In sum, the thesis develops a story of constant negotiation, where music played multiple roles and where different historical agents exchanged sounds that proved to be indispensible in the religious dialogue between Amerindian peoples and European missionaries
Doutorado
Historia Social
Doutor em História
36
Santos, Almir Grigorio dos. "A educação jesuítica nas cartas de Anchieta – ensino da leitura e da escrita no Brasil do século XVI." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21394.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This thesis is within the research approach History of Linguistic Ideas, of the Program of Postgraduate Studies within Portuguese Language of the Pontifical Catholic University of São Paulo. It has as analyzes’ object the letters of Anchieta, drafted between 1554 and 1594. The principal goal of this research is to verify within the letters how Anchieta priest saw the education. The objectives are: a) to exhibit the structure of Anchieta's letters and b) to analyse in Anchieta's correspondence the contributions to Brazilian education of the sixteenth century. The formal education in Brazil was initiated by the priests of the Jesus’ company in 1553. Its members were men who lived not only for the teaching, such as it was primary, secondary and superior, but also of indoctrination. They traveled the world propagating the faith, instituting a place of teaching where they arrived and implanting the European’s culture. For the good achievement of the mission, the Jesuits wrote letters addressed to superiors. The paper is based on theorists of the History of Linguistic Ideas, the Annales and the Cultural History, such as Auroux, Burke, Chartier, Fávero & Molina. Through the collection and analysis of the letters written by Anchieta during the period in which he was in the Jesus’ company in Brazil, the correspondence structure and the education thematic are verified. As thesis’ conclusion we affirm that Anchieta, with his ideas, innovated the teaching within Brazil when he was understood that learning the Tupi it would be easier to teach the European’s language to the Indians
Esta tese situa-se na linha de pesquisa História das Ideias Linguísticas, do Programa de Estudos Pós-Graduados em Língua Portuguesa da Pontifícia Universidade Católica de São Paulo. Tem por objeto de análise as cartas de Anchieta, produzidas entre 1554 e 1594. O objetivo principal desta pesquisa é examinar nas cartas como o padre Anchieta via a educação. Quanto aos objetivos específicos são: a) apresentar a estrutura das cartas de Anchieta e b) analisar nas correspondências de Anchieta as contribuições à educação brasileira do século XVI. A educação formal no Brasil é iniciada pelos padres da Companhia de Jesus em 1553. Seus integrantes foram homens que viviam não só para o ensino, quer fosse primário, secundário, superior, mas também da doutrinação. Viajaram o mundo propagando a fé, instituindo local de ensino onde chegassem e implantando a cultura do europeu. Para o bom andamento da missão, os jesuítas escreviam cartas endereçadas aos superiores. O trabalho baseia-se em teóricos da História da Ideias Linguísticas, dos Annales e da História Cultural, como Auroux, Burke, Chartier, Fávero, Fávero & Molina. Por meio do levantamento e análise das cartas escritas por Anchieta no período em que esteve na Companhia de Jesus no Brasil, examinam-se a estrutura das correspondências e a temática educação. Como conclusão da tese afirmamos que Anchieta, com suas ideias, inovou o ensino no Brasil ao perceber que aprendendo o tupi seria mais fácil ensinar a língua do europeu aos índios
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Iacovella, Marco. "Ercole e Ferrante Gonzaga. Pratiche scrittorie, fedeltà politiche e coscienza nobiliare nell'età di Carlo V." Doctoral thesis, Scuola Normale Superiore, 2019. http://hdl.handle.net/11384/86048.
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Biggi, Laura. "Immagini miracolose sotto processo." Doctoral thesis, Scuola Normale Superiore, 2019. http://hdl.handle.net/11384/86069.
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Il mio lavoro è dedicato ai processi alle immagini della Vergine che hanno dato origine a
culti e santuari mariani intorno al XVI secolo in Italia.
Ho scelto di analizzare questa specifica documentazione attraverso l’esame di più
inquisitiones e optando per un metodo di ricerca che permetta di valutare i cambiamenti,
formali e sostanziali, avvenuti nella fonte stessa dal Quattrocento fino agli ultimi anni
del Cinquecento. [...] ho elaborato una tesi che ritengo possa
fornire alcune risposte relative non soltanto alla storia della fonte, ma anche a temi
diversi e più complessi, ampiamente dibattuti dalla storiografia: il ruolo dei vescovi
nella Chiesa pre e post tridentina e il loro rapporto con la corte papale e con le
istituzioni laiche territoriali; la questione della maggiore o minore continuità fra XV e
3
XVI secolo di fenomeni culturali - come quelli collegati a credenze e devozioni - e di
relazioni e conflitti fra istituzioni e giurisdizioni; il problema costituito dalla materialità
dell’immagine sacra e dall’elaborazione, proprio a partire dal processo, di memorie
condivise intorno ad essa . La mia ricerca si basa principalmente su fonti scritte prodotte
da processi informativi a oggetti materiali, nel mio caso immagini sacre, finalizzati
all’accertamento di un miracolo e alla possibile conseguente legittimazione di un
santuario: a livello storiografico, mi sono dunque confrontata con studiosi che hanno
portato le analisi sulla storia materiale nel campo della storia religiosa e della storia
delle devozioni, sebbene con metodologie e fonti differenti dalle mie. Ho dunque messo
in relazione i risultati del mio lavoro con quelli che emergono dalle ricerche di Mary
Laven - che studia le devozioni domestiche privilegiando le fonti provenienti dal basso -
o di Caroline Bynum - che indaga il paradosso rappresentato dalla doppia natura degli
oggetti sacri, con il quale i fedeli si trovavano a confrontarsi fra Medioevo ed Età
moderna. [...]
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Bertato, Fabio Maia 1980. "A "De Divina Proportione" : de Luca Pacioli (tradução anotada e comentada)." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280394.
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Orientadores: Itala Loffredo D'Ottaviano, Jairo Jose da SilvaTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Luca Pacioli (1445 - 1517), famoso matemático renascentista, escreveu "Summa di Arithmetica Geometria Proportione e Proportionalita" (1494), o que podemos considerar a obra que sintetiza todo o conhecimento matemático europeu acumulado ate 1500. Não obstante, sua outra obra,"De Divina Proportione" (1509), e a que contem, dentre as teorias das proporções, aqueles temas que mais lhe interessavam e que ele considerava "secretissima scientia": a "Divina Proporção", isto e, a "razão áurea". Os resultados contidos na obra, o papel que propunha para a Matemática ante as demais áreas do saber, bem como todas as suas concepções místicas, muito atraíram a atenção de artistas, nobres e intelectuais. Nosso trabalho consiste de uma tradução anotada e comentada da referida obra, a partir do manuscrito que se encontra na Biblioteca Ambrosiana de Milão
Abstract: Luca Pacioli (1445 - 1517), famous Renaissance mathematician, wrote "Summa de Arithmetica Geometria Proportione e Proportionalita" (1494). One can consider Summa a kind of encyclopedia in which Pacioli treats of almost all mathematical knowledge accumulated in Europe until the early 16th century. However, his other work "De Divina Proportione" (1509) contains, among the Theories of Proportions, the most important to him: the "Divine Proportion", i. e., the "Golden Ratio". The proposed role of Mathematics in respect of the others branches of knowledge, the mystical conceptions and the mathematical results presented in De Divina Proportione had attracted the attention of artists and intellectuals. This thesis consists of an Annoted and Commented translation into Portuguese of De Divina Proportione, based on the manuscript that belongs to Biblioteca Ambrosiana di Milano
Doutorado
Doutor em Filosofia
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BURZELLI, LUCA. "Gasparo Contarini : per una filosofia dell'unità." Doctoral thesis, Scuola Normale Superiore, 2020. http://hdl.handle.net/11384/90466.
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Kubo, Yuma. "Tiziano, Paris Bordone e Lambert Sustris ad Augusta: i viaggi di tre artisti dal Veneto nei territori imperiali dopo la guerra di Smalcalda (1546-1547)." Doctoral thesis, Scuola Normale Superiore, 2019. http://hdl.handle.net/11384/85763.
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Nella presente tesi di dottorato mi propongo di mettere a fuoco le attività di tre pittori, che viaggiarono fra il Veneto e Augusta verso la metà del Cinquecento: Tiziano (c. 1488/1490-1576), Paris Bordone (1500-1571) e Lambert Sustris (c. 1515/1520 – c. 1584?). Nel primo capitolo esamino i due soggiorni di Tiziano (1548, 1550-1551), che fu invitato nella cittadina tedesca da Carlo V e dal principe Filippo e che pertanto si dedicò esclusivamente all’esecuzione delle pitture per la corte degli Asburgo. Nel secondo capitolo, invece, formulo qualche ipotesi sulle date dei soggiorni in Baviera e sulle attribuzioni delle opere a Paris Bordone e a Lambert Sustris. In Baviera entrambi i due pittori dipinsero per i collezionisti locali, come i Fugger e il cardinale di Augusta Otto Truchseß von Waldburg (1514-1573). Come vedremo nel secondo capitolo, ritengo probabile datare le loro visite ad Augusta fra il 1551 e il 1553 circa. Sarebbe ragionevole esaminare assieme le attività dei tre pittori nella città tedesca verso la metà del secolo, dato che Paris Bordone e Lambert Sustris vengono considerati di consueto come appartenenti all’entourage del maestro cadorino. L’obiettivo iniziale delle mie ricerche era quello dell’analisi dettagliata dell’attività dei tre pittori ad Augusta. Tuttavia, durante lo svolgimento delle ricerche, nelle mie considerazioni è diventato molto essenziale il tema della Controriforma e delle circostanze politiche in Germania meridionale dopo la guerra di Smalcalda (1546-1547). Mi auguro, dunque, di aver gettato nuova luce su alcuni problemi riguardanti i soggiorni dei suddetti artisti, tenendo particolarmente conto del contesto politico in Baviera nello stesso periodo.
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Broussin, Marjorie. "Images et imaginaires scolaires de la littérature française du XVI°siècle : constitution, modélisation et transmission d'un corpus canonique de la Renaissance (1880-2011)." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE2041/document.
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De l’Histoire de la littérature française de Gustave Lanson, dont la première édition date de 1894, aux manuels de littérature pour les classes de lycée publiés en 2011, une même représentation de la Renaissance et de sa littérature parcourt les ouvrages scolaires et peint la période sous les traits d’un « beau XVIe siècle », moment de réveil des arts, des lettres et des sciences. Or, si cette image s’impose comme une évidence, à travers les mécanismes itératifs de la transmission, elle s’avère en réalité une construction dont l’évolution historique souligne la dimension fictionnelle de la notion même de siècle littéraire.Liée aux mécanismes propres à l’histoire littéraire, qui découpe et met en récit la littérature selon des visées institutionnelles, l’image scolaire de la littérature du XVIe siècle s’avère en effet l’aboutissement de phénomènes parallèles de sélection, de modélisation et de hiérarchisation des auteurs et des textes. La mise en œuvre de ces différents mécanismes se traduit d’une part par la constitution et la diffusion d’un corpus canonique de la littérature du XVIe siècle dans les ouvrages scolaires, et d’autre par la création dans le discours scolaire de figures classiques pour les écrivains et poètes du siècle. La conjonction de ces processus détermine dès lors un ensemble canonique hiérarchisé et un discours unifié, une doxa, qui servent defondement à la représentation scolaire du siècle. Ce sont ces deux aspects constitutifs de l’image canonique de la littérature du XVIe siècle, la constitution du canon d’une part, la pérennité du discours scolaire d’autre part, qui sont analysés ici au moyen d’un large corpus d’ouvrages scolaires, étalé sur plus d’un siècle. Ce faisant, seront mis au jour les phénomènes de stabilisation et d’évolution de la doxa et du canon, en regard des mutations historiques et institutionnelles.La représentation canonique du siècle, de même que le canon des auteurs et des œuvres, se construit en effet en lien avec les impératifs institutionnels liés à la transmission de la littérature. Déterminant pourquoi et comment doit être transmise la littérature nationale, ces impératifs soulignent que les règles de sélection et de hiérarchisation des œuvres dans le canon sont édictées en fonction de visées politiques, sociales et idéologiques. L’étude de l’image scolaire de la littérature du XVIe siècle suppose dès lors d’interroger les valeurs et les représentations qui informent le discours des manuels et déterminent les formes prises par les représentations canoniques du siècle, afin de dégager les enjeux de l’imaginaire scolaire qui sous-tend cettevisionFrom Michelet’s definition of the Renaissance and its literary productions in 1855 to the actual discourse of high school textbooks, this dissertation reveals the process by which a canonical representation of 16th century French Literature, as well as a canonical form of this literature, are built and shared. The study is based on a wide range of school textbooks, from Gustave Lanson’s Histoire de la littérature française to textbooks published in 2011, as well as literary anthologies from the first half of the 20th century and the famous Lagarde et Michard published from the 1940’s until the 1980’s.The form in which 16th century authors and their work are represented in these textbooks and anthologies indicates that several mechanisms contributed to bringing out the idea of a « literary century » which was organized by an institutional selection of texts on one hand, and, on the other hand, by the circulation of a doxa about both the writers and their writing. Therefore, as this discussion underlines the construction of classical representations for each of the most represented authors, it also establishes that these figures tend to create an overarching canonical representation of the century, as well as a canonical corpus for this time period. This canonical representation and its corpus take shape as a hierarchical construction, within which each author and literary work are given a specific place. This place thus determines the ranking of the writers in the canonical space, which cannot easily be changed, as the canon turns out to be quite identical throughout the length of the study. On the contrary, the institutional representations seem to evolve during the 20th century, and so the « 16th century » of Lanson proves to be quite different in its discursive form than the one of the current textbooks.Moreover, the canonical « idea » of a 16th century in French Literature is linked to the development of French literary history and its institutional goals. Thus, this idea has to be put in perspective with the ideological values which are meant to be transmitted by the national school curricula, from the end of the 19th century to the beginning of the 21st. This reveals that the notion of a « literary century » is essentially a historical construction, a narrative that ought to be questioned in order to understand its presuppositions and the values that inform its construction
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Trska, Tanja. "Lodovico Beccadelli e le arti visive." Doctoral thesis, Scuola Normale Superiore, 2014. http://hdl.handle.net/11384/85765.
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Souza, Camila Fernanda de. "O Esmeraldo de Situ Orbis de Duarte Pacheco Pereira = mudanças e permanências epistemológicas em Portugal no século XVI." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279179.
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Orientador: Paulo MiceliDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Nosso foco nesta dissertação está em perceber como são rompidas, continuadas ou transformadas as tradições de pensamento do final do século XV e início do XVI na obra O Esmeraldo de Situ Orbis, de Duarte Pacheco Pereira. Para tanto, fizemos uso de conceitos como revolução científica, paradigmas e ciência normal, tais como definidos por Thomas Kuhn, para entendermos como o autor do Esmeraldo possa ter subvertido formas de pensar que se encontravam então latentes na mentalidade portuguesa do momento que estudamos. Dividimos nosso trabalho em três partes. Na primeira discutimos o que era ciência no período proposto e também a definição de paradigma segundo o encaminhamento teórico de Thomas Kuhn, assim como a relação da universidade portuguesa com as navegações. No segundo capítulo buscamos compreender se O Esmeraldo de Situ Obis expressou o sintoma de uma crise de paradigmas vigentes na época de sua escrita e qual postura Pacheco adotou em relação às autoridades clássicas no que se refere ao modo como representaram o mundo físico em seus escritos. No terceiro capítulo analisamos duas formas de transposição da escrita, o manuscrito e o impresso, consideramos suas particularidades e fizemos um balanço acerca da impressão tardia do Esmeraldo no século XIX
Abstract: Our focus in this dissertation is to understand how the traditions of thought from the late fifteenth and early sixteenth centuries in the book Esmeraldo de Situ Orbis, of Duarte Pacheco Pereira are broken, continued or converted. For this purpose, we use concepts such as scientific revolution, paradigm and normal science, as defined by Thomas Kuhn, to understand how the Esmeraldo's author might have subverted the manners of thinking which were then in course in the Portuguese mentality of the moment we have studied. We divided our work into three parts. At first, we discuss what science was in the period studied and we have also discussed the definition of paradigm according to the Thomas Kuhn's theory, as well as the Portuguese university's relationship with the navigations. In the second chapter we seek to understand whether the Esmeraldo de Situ Orbis expressed the symptom of a crisis of paradigms at the time of its writing and which posture was adopted by Pacheco in relation to classical authorities in order to conceive the physical world. In the third chapter we examine two forms of transposition of writing, the manuscript and the impress, we have considered its particularities and made a balance about the Esmeraldo's late impression in the Nineteenth Century
Mestrado
Historia Cultural
Mestre em História
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Rosa, Daniel Aidar da. "A demonomania harmônica: Jean Bodin, a bruxaria e a república." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-12112015-162814/.
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Este trabalho pretende oferecer uma análise crítica da Demonomania das Feiticeiras, escrita pelo famoso jurista francês Jean Bodin no final do século XVI. Por intermédio da perspectiva histórico-religiosa, desenvolvida pelos expoentes da Escola Italiana de História das Religiões, procurar-se-á estudar algumas categorias conceituais que fundamentaram a escrita da obra, tendo em vista o complexo contexto em que foi escrita. Para tanto, observar-se-á a influência das Guerras de Religião que assolaram a França no percurso intelectual de Bodin, a decorrência da caça às bruxas enquanto fenômeno cultural e religioso e uma análise geral da carreira e da obra bodiniana, de modo a buscarmos o afinamento de nossos instrumentos interpretativos e, com isso, melhor compreendermos a Demonomania no contexto de sua realização e, ao mesmo passo, o conjunto da obra de seu autor.This study intends to do a critical analysis of the Demon-mania of the Sorcerers, written by the famous French jurist Jean Bodin by the end of the XVI century. Through the historical-religious perspective developed by the Italian School of History of Religions, it will be sought to study some of the conceptual categories which gave the Demon-manias writing its foundation, having in mind the complex context in which it was written. In order to achieve this, the influence of the French Religion Wars on the intellectual course of Bodin, the witch-hunt as a cultural and religious phenomenon and a general analysis of the authors career and his works shall be taken into consideration, while we reach for an improvement of our interpretative instruments and, with that, a better understanding of the Demon-mania in its context and, at the same time, in the interior of the whole of Bodins writings.
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David, L. Kencik. "The Triumph of the Eucharist in the Paintings for the Sala dell’Albergo and the Sala Superiore in the Scuola Grande di San Rocco by Jacopo Tintoretto (ca. 1518/19-1594)." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1590600384514719.
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Šedvydis, Laurynas. "Vyskupo Pauliaus Alšėniškio (~1492-1555 M.) dvaras ir klientūra." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110617_132043-36551.
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Šio darbo objektas yra Lucko (1507-1536 m.) ir Vilniaus (1536-1555 m.) vyskupo, kunigaikščio Pauliaus Alšėniškio dvaras ir klientūra. Šio darbo tikslas yra nustatyti Pauliaus Alšėniškio klientų ir dvariškių vietą XVI a. I pusės Lietuvos Didžiosios kunigaikštystės visuomeninėje struktūroje. Naudodamiesi istoriografija apsibrėžėme keturias skirtingas patronato formas, atsispindėjusias Pauliaus Alšėniškio aplinkoje: asmeninį patronatą, regioninį patronatą, politinė klientūra bei bažnytinė klientūra. Darbo struktūrą parėmėme šiuo skirstymu.
Šio darbo įžanginę dalį sudaro, įvadas, šaltinių ir literatūros apžvalga, teorinių patronato ir klientūros klausimų aptarimas. Darbo dėstomąją dalį sudaro penki skyriai. Pirmasis skyrius yra skirtas Pauliaus Alšėniškio dvaro problemoms: dvaro pareigūnų ir dvariškių identifikavimui bei kasdienio veikimo problemoms. Antrasis dėstymo dalies skyrius skirtas „regioniniam“ patronatui. Jame nagrinėjame pagrindinių Pauliaus Alšėniškio valdų – Alšėnų, Volpos ir Punios bajorų santykius su Pauliumi Alšėniškiu bei jų statusą valstybėje. Trečiasis dėstomosios dalies skyrius skirtas klientūrai siaurąja – politinio patronato prasme. Šiame skyriuje mes aptariame Pauliaus Alšėniškio klientus LDK didžiojo kunigaikščio dvare bei jų socialinio mobilumo klausimus. Ketvirtasis dėstomosios dalies skyrius skirtas Pauliaus Alšėniškio klientūra jo pagrindinėje veiklos sferoje – katalikų bažnyčioje. Šiame skyriuje mes identifikavome jo klientus dvasininkus Lucko ir... [toliau žr. visą tekstą]The research object of this thesis is the court ant the clientage (client system) of duke, bishop of Lutsk (1507-1536) and Vilnius (1536-1555) Paul of Holshany. The aim of this research is to identify the status of courtiers and clients of Paulo f Holshany in the context of social structure of Grand Duchy of Lithuania (GDL). After reviewing newest historiographical positions on the subject of social structure of 16th century GDL, we have identified 4 different spheres of patronage (personal patronage, regional patronage, political patronage (clientage proper), and institutional patronage), which have been researched by other historians and therefore we have divided our work accordingly. This thesis begins with (review of sources and theoretical framework of patron-client relations). Main body of this work is divided into five chapters. The first chapter is dedicated to identifying the courtiers and members of the court of Paul of Holshany and the problems of the everyday existence of this institution. The second chapter is dedicated to the problems of regional patronage in the main landholdings of the duke-bishop – Volpa, Holshany and Punia. Third chapter is dedicated to the clientage proper – political clients of Paul of Holshany and the political influence he had in the GDL. The Fourth chapter explores the system of clientage that Paul of Holshany created in his main sphere of work – the Catholic Church. We dedicate this chapter to identify the church – clients in the... [to full text]
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Scalia, Anne Caroline Mariank Alves. "A Companhia de Jesus e a formação da cultura sexual brasileira : um estudo histórico e documental a partir dos escritos do padre Manuel da Nóbrega /." Araraquara : [s.n.], 2009. http://hdl.handle.net/11449/90282.
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Orientador: Paulo Rennes Marçal RibeiroBanca: Arilda Ines Miranda Ribeiro
Banca: Eliane Rose Maio Braga
Resumo: O objetivo deste trabalho é investigar e analisar as concepções acerca da sexualidade e de comportamentos e condutas sexuais, construídas a partir da incorporação de informações e valores adquiridos sob o olhar, regras e relações estabelecidas com as orientações jesuíticas no primeiro século do período colonial brasileiro, representadas pelo discurso de Manuel da Nóbrega em suas cartas e que podem ser considerados os primeiros documentos sobre educação sexual no Brasil. A cultura sexual brasileira foi forjada ao longo da história, na medida em que atitudes e comportamentos, valores e normas sociais, determinações religiosas e influências dos diferentes povos íam dando forma a essa cultura. A semente dessa cultura foi germinada durante o período colonial quando chegaram os primeiros conquistadores e teve início o processo de miscigenação racial. Na atribuição do que é certo ou errado, normal ou patológico, aceitável ou inadmissível está implícito, de acordo com Michel Foucault, um amplo exercício de poder que socialmente discrimina, separa e classifica. Desta forma, as relações e influências religiosas sob esse campo temático elucidam questões pertinentes que necessitam ser observadas para que se possa entender a difusão de idéias sexuais no período. A análise de 23 escritos do Padre Manuel da Nóbrega, primeiro jesuíta a trazer os preceitos cristãos da Companhia de Jesus para o Brasil, passou a ter grande relevância científica para o construto da educação sexual brasileira, posto que em suas linhas encontra-se rico material sobre as atitudes sexuais vigentes na sociedade brasileira do século XVI, juntamente com prescrições, valores e condutas consideradas aceitáveis pela Igreja.
Abstract: The target of this work is investigate and analyze the conceptions about sexuality and sexual behaviors and conducts, build through incorporation of informations and values obtained under the view, rules and relations based with the Jesuit orientations in the first century of Brazilian colonial age, represented by Manuel da Nóbrega's speech in his letters and it could be considered the first documents about the Brazilian sexual education. The Brazilian sexual culture was formed through the history, at the same time that acts and behaviors, values and social rules, religious determinations and foreigner influences gave to this culture a form. The seeds of this culture was formed during the Colonial age, at the first conquerors' arrive and the miscegenation process begun. In the attribution of what is right or wrong, normal or pathological, acceptable or not are implicit, according Michel Foucault, a large exercise of power that socially discriminates, separates and classifies it. This way, the religious relations and influences under this thematic field solve relevant questions that need be observed in order to understand the distribution of sexual ideas in the period. The analysis of 23 Father Manuel da Nóbrega's writings, first Jesuit to bring to Brazil the Christian precepts of Company of Jesus, it passed to gain large scientific relevance for the building of Brazilian sexual education, since that in his lines we can find extensive material about sexual attitudes used in sixteenth century Brazilian society, with prescriptions, values and behaviors considered acceptable for the Church.
Mestre
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Gini, Nicoletta. "Iudicium e Inventio nel pensiero di Michel de Montaigne e Francis Bacon." Doctoral thesis, Scuola Normale Superiore, 2019. http://hdl.handle.net/11384/86228.
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Espino, López Antonio. "El uso táctico de las armas de fuego en las guerras civiles peruanas (1538-1547)." Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/121940.
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During the civil wars between the conquistadores, Peru was a field of experimentation for the new military tactics developed in Europe following the introduction of portable infantry firearms. This article suggests that, however, the techniques introduced by Francisco de Carvajal, Gonzalo Pizarro’s fieldmaster, predated those used in Europe by several decades, especially regarding the rate of fire in combat. In the battle of Huarina (1547), Carvajal used his own method to ensure his infantry’s ability to deliver heavy fire. The technique relied on adequate training and on the number of weapons each soldier carriedin battle, rather than on the number of men.Las nuevas tácticas militares desarrolladas en combate en Europa a raíz de la introducción de las armas de fuego portátiles en la infantería también se experimentaron en el Perú en el transcurso de las guerras civiles entre los conquistadores. En el presente artículo, postulo que Francisco de Carvajal, maestre de campo de Gonzalo Pizarro, se adelantó en varios decenios a las tácticas empleadas en Europa a la hora de sostener la cadencia de fuego en batalla. Así, en la batalla de Huarina (1547), Carvajal consiguió desarrollar su propio método para asegurar un nutrido fuego de su infantería, el que dependía, más que del número de hombres, del entrenamiento de los mismos y de la cantidad de armas que cada uno portaba en batalla.