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Journal articles on the topic 'Venus and Adonis (myth of)'

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Published: 22 February 2023

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1

Kluge, Sofie. "Adonis at the Crossroads: Two (Three) Early Modern Versions of the Venus and Adonis Myth." MLN 129, no. 5 (2014): 1149–69. http://dx.doi.org/10.1353/mln.2014.0097.

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2

Curbet Soler, Joan. "Writing and Weaving: The Textual and the Textile in Spenser’s 1590 Faerie Queene, III.i." Sederi, no. 30 (2020): 47–68. http://dx.doi.org/10.34136/sederi.2020.3.

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Most often, Ovidian allusions are woven into Edmund Spenser’s The Faerie Queene (Books I–III, 1590) without developing into an open re-telling of myths. One significant exception occurs in Book III, Canto 1: there the action comes to a temporary stop in order to make space for a detailed description of the tapestry in the hall of Castle Joyous, which depicts the story of Venus and Adonis. This article intends to offer a reading of that episode that focuses on the importance of materiality and self-reflexivity as keys to its significance at the opening of Book III, and in the larger structure of The Faerie Queene. Here, the descriptive powers of the poet are both foregrounded and questioned, in a double movement of ekphrasis which gestures towards a serious interrogation of the value of representation, both in poetry and the visual arts. Implicitly, it is the poet (and through him, the reader him/herself) that must question his/her role and participation in the gradual and often painful awareness of the body that is foregrounded throughout Book III.
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3

Blythe, David-Everett. "Shakespeare's Venus and Adonis." Explicator 53, no. 2 (January 1995): 68–70. http://dx.doi.org/10.1080/00144940.1995.9937228.

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4

Cox, Catherine S., and Philip C. Kolin. "Venus and Adonis: Critical Essays." Sixteenth Century Journal 29, no. 4 (1998): 1141. http://dx.doi.org/10.2307/2543388.

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5

Lindheim, Nancy. "The Shakespearean Venus and Adonis." Shakespeare Quarterly 37, no. 2 (1986): 190. http://dx.doi.org/10.2307/2869957.

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6

Wilson, Richard. "A BLOODY QUESTION: THE POLITICS OF VENUS AND ADONIS." Religion and the Arts 5, no. 3 (2001): 297–316. http://dx.doi.org/10.1163/15685290152813671.

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AbstractIn 1588, Burghley drafted a "Bloody Question" for Catholics: "If the Pope were to send over an army, whose side would you be on: the Pope's or the Queen's?" What the iconography of Venus and Adonis suggests is that the poem is a critique of the martyr's course pursued by Southwell and also of the persecution brought on by Queen Elizabeth. Southwell was a cousin of Shakespeare and addressed his preface to St. Peter's Complaint to "Master W. S." (as only later appeared in the 1616 edition published on the continent). The preface clearly alludes to Venus and Adonis, The Rape of Lucrece and A Midsummer Night's Dream. By criticizing poets who make the "follies and fayninges of love" the subject of their poems, Southwell was urging Shakespeare to undertake some "graver labor" and a dangerous course of life which potentially might have led to martyrdom. As its elaborate phraseology shows, Venus and Adonis is an encoded reply in which Elizabeth is the predatory tyrannical Venus and Burghley is the boar who kills Adonis.
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7

Bate, Jonathan. "Sexual Perversity in 'Venus and Adonis'." Yearbook of English Studies 23 (1993): 80. http://dx.doi.org/10.2307/3507974.

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8

Sung-Kyun Yim. "Shakespeare and Spencer: Venus and Adonis." Shakespeare Review 53, no. 1 (March 2017): 77–95. http://dx.doi.org/10.17009/shakes.2017.53.1.004.

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9

Hopkins, Justin B. "Venus and Adonis (review)." Shakespeare Bulletin 30, no. 1 (2012): 74–76. http://dx.doi.org/10.1353/shb.2012.0003.

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10

Menon, M. "SPURNING TELEOLOGY IN VENUS AND ADONIS." GLQ: A Journal of Lesbian and Gay Studies 11, no. 4 (January 1, 2005): 491–519. http://dx.doi.org/10.1215/10642684-11-4-491.

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11

Coupe, Claire. "Ovid’s Ceres and the Courtship of Adonis in Shakespeare’s Venus and Adonis." Parergon 34, no. 1 (2017): 95–107. http://dx.doi.org/10.1353/pgn.2017.0004.

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12

Luckett, Richard. "A New Source for 'Venus and Adonis'." Musical Times 130, no. 1752 (February 1989): 76. http://dx.doi.org/10.2307/966352.

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13

QUINN, JUSTIN. "EIGHT RADIOACTIVE TABLEAUX (WITH VENUS AND ADONIS)." Yale Review 107, no. 3 (2019): 64–66. http://dx.doi.org/10.1353/tyr.2019.0046.

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14

QUINN, JUSTIN. "EIGHT RADIOACTIVE TABLEAUX (WITH VENUS AND ADONIS)." Yale Review 107, no. 3 (July 2019): 64–66. http://dx.doi.org/10.1111/yrev.13523.

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15

STANIVUKOVIC, G. V. "TROPING DESIRE IN SHAKESPEARE'S VENUS AND ADONIS." Forum for Modern Language Studies XXXIII, no. 4 (October 1, 1997): 289–301. http://dx.doi.org/10.1093/fmls/xxxiii.4.289.

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16

Sarajkić, Mirza. "Poetics of Transformation in Poetry of Adonis." Prilozi za orijentalnu filologiju, no. 69 (January 18, 2021): 131–62. http://dx.doi.org/10.48116/issn.2303-8586.2019.69.131.

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One of the significant poetic characteristics of Ali Ahmad Said Esber, Adonis, regarded as the contemporary classic of Arabic poetry and thought, is the per­sistence on continuous transformation. This poetic principle is discussed and interpreted within complex imagery of the semantic pillar of Adonis’ poetry which is the myth of Tammuz. Adonis initially presents the myth of Tammuz in a veristic manner. However it is used only to deploy a continuous process of poetic semiosis in which the original myth will be variously (re)constructed, (re)contextualized and re-actualized. The result of this endeavour will be huge poetic value that will significantly mark the contemporary Arabic poetry as a whole.
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17

García Fuentes, Mª Cruz. "El mito de Adonis y Venus en la comedia mitológica de Lope de Vega y Calderón de la Barca." Cuadernos de Filología Clásica. Estudios Latinos 41, no. 1 (July 14, 2021): 123–41. http://dx.doi.org/10.5209/cfcl.77311.

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Este artículo centra su atención en el mito de Venus y Adonis, tratado por Lope de Vega en su comedia mitológica Adonis y Venus y en la de Calderón La púrpura de la rosa. Analizamos el texto de Ovidio (Met. X 525-739), fuente de inspiración para estos dramaturgos, indicamos los ecos ovidianos y las innovaciones que estos poetas, gracias a su creatividad, incluyeron en sus obras para enriquecer y complicar la acción. Lope reescribe la totalidad del mito, presenta una obra desmitificada y con personalidad propia. Calderón sólo desarrolla el mito principal y ofrece una interpretación filosófica y ejemplarizante
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18

Scott-Baumann, Elizabeth, and Ben Burton. "Shakespearean Stanzas? Venus and Adonis, Lucrece, and Complaint." ELH 88, no. 1 (2021): 1–26. http://dx.doi.org/10.1353/elh.2021.0005.

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19

Fletcher, Loraine. "Animal Rites: A Reading of Venus and Adonis." Critical Survey 17, no. 3 (January 1, 2005): 1–14. http://dx.doi.org/10.3167/001115705780996515.

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20

Woudhuysen, H. R. "Variable Passions: A Reading of Shakespeare's Venus and Adonis." Notes and Queries 49, no. 2 (June 1, 2002): 279–80. http://dx.doi.org/10.1093/nq/49.2.279.

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21

Woudhuysen, H. R. "Variable Passions: A Reading of Shakespeare's Venus and Adonis." Notes and Queries 49, no. 2 (June 1, 2002): 279–80. http://dx.doi.org/10.1093/nq/490279.

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22

Cousins, A. D. "Venus reconsidered: The goddess of love inVenus and Adonis." Studia Neophilologica 66, no. 2 (January 1994): 197–207. http://dx.doi.org/10.1080/00393279408588140.

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23

Wortis, Joseph. "Venus and Adonis: An early account of sexual harassment." Biological Psychiatry 35, no. 5 (March 1994): 293. http://dx.doi.org/10.1016/0006-3223(94)90031-0.

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24

Rawlings, Peter, Anthony Mortimer, Robert Lanier Reid, and M. L. Stapleton. "Variable Passions: A Reading of Shakespeare's 'Venus and Adonis'." Modern Language Review 97, no. 4 (October 2002): 930. http://dx.doi.org/10.2307/3738627.

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25

Christoffersen, Erik Exe. "Per Flys Forestillinger." Peripeti 4, no. 8 (June 8, 2021): 117–30. http://dx.doi.org/10.7146/peri.v4i8.110163.

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In his analysis of Danish film director Per Fly's tv-series "Forestillinger" ("Performances") Erik Exe Christoffersen demonstrates how the series unfolds en paratactic dramaturgy. Each episode presents a different and highly subjective perspective on the events around a production of Shakespeare's Venus and Adonis.
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26

MORTIMER, ANTHONY. "‘CRIMSON LIVERIES’ AND ‘THEIR VERDOUR’: VENUS AND ADONIS , 505–8." Notes and Queries 48, no. 3 (September 1, 2001): 274–75. http://dx.doi.org/10.1093/nq/48-3-274.

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27

MORTIMER, ANTHONY. "‘CRIMSON LIVERIES’ AND ‘THEIR VERDOUR’: VENUS AND ADONIS, 505–8." Notes and Queries 48, no. 3 (2001): 274–75. http://dx.doi.org/10.1093/nq/48.3.274.

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28

Jacobson, Miriam. "The East as Poetic Commodity in Shakespeare’s Venus and Adonis." Literature Compass 8, no. 1 (January 2011): 15–27. http://dx.doi.org/10.1111/j.1741-4113.2010.00770.x.

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29

Hadfield, A. "Review: Variable Passions: A Reading of Shakespeare's Venus and Adonis." Review of English Studies 52, no. 207 (August 1, 2001): 444–45. http://dx.doi.org/10.1093/res/52.207.444.

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30

Thauvette, Chantelle. "Defining Early Modern Pornography: The Case of Venus and Adonis." Journal for Early Modern Cultural Studies 12, no. 1 (2012): 26–48. http://dx.doi.org/10.1353/jem.2012.0006.

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31

Cheney, Patrick. "Venus and Adonis The Rape of Lucrece, and the Shakespeare Canon." Studies in Philology 119, no. 3 (June 2022): 405–33. http://dx.doi.org/10.1353/sip.2022.0009.

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32

Belsey, Catherine. "Love as Trompe-l'oeil: Taxonomies of Desire in Venus and Adonis." Shakespeare Quarterly 46, no. 3 (1995): 257. http://dx.doi.org/10.2307/2871118.

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33

Callaway, Enoch, Regina Casper, and Arnold Friedhoff. "Response to “Venus and Adonis: An early accound of sexual harassment”." Biological Psychiatry 35, no. 5 (March 1994): 294. http://dx.doi.org/10.1016/0006-3223(94)90032-9.

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34

김민정. "An Openness of the Binary Oppositional Linguistic System in Venus and Adonis." Shakespeare Review 52, no. 2 (June 2016): 169–90. http://dx.doi.org/10.17009/shakes.2016.52.2.001.

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35

González Marín, Luis Antonio. "Acerca de la recuperación de Venus y Adonis, de José de Nebra." Cuadernos de Investigación Musical, no. 6 (January 16, 2019): 115. http://dx.doi.org/10.18239/invesmusic.v0i6.1943.

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<p><span style="font-size: medium;">El artículo relata el proceso de recuperación de una ópera inédita de José de Nebra, <em>Venus y Adonis</em> (Madrid, 1729), desde la investigación documental en archivos y el estudio crítico de fuentes hasta la preparación de una edición crítica para el estudio y una edición práctica destinada a la interpretación. El proceso concluye con la interpretación, en salas de conciertos, de la obra y su grabación y transmisión por diversos medios. El artículo incluye una reflexión sobre los criterios y límites de la recuperación de patrimonio musical histórico.</span></p>
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36

Abiteboul, Maurice. "La souffrance et le deuil dans Venus and Adonis : configuration de l'absence." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 47, no. 1 (1998): 11–23. http://dx.doi.org/10.3406/xvii.1998.1401.

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37

Shafieyan, Mahdi. "A Comparative Study of Universality: Shakespeare’s Venus and Adonis and Oates’ “Metamorphosis”." JOURNAL OF ADVANCES IN HUMANITIES 4, no. 4 (November 15, 2016): 537–41. http://dx.doi.org/10.24297/jah.v4i4.5096.

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Comparative studies within a literature, in the world literature, or even between two different branches of art have always been attractive since in contrast to contemporary critical theories reveal the universal nature of arts. The pursuit of a theme is one of the common features among literary and artistic works, which sometimes presents itself in characters, yet the investigation of the roots of the similarities seems more significant. In this article, it is attempted to compare and collate the main characters in Shakespeare’s poetic work Venus and Adonis and Joyce Carol Oates’ short story “Metamorphosis”. Although having similarities, they give birth to the chiaroscuro of some differences. The findings confirm that the two works fly in the face of the critical theory of ideology that tries to neglect the author’s free will in writing, as the case studies are a classic poem from the seventeenth century by a British writer and a short fictional piece from the postmodern era by an American writer. Not only do they differ in place, time, genre, but also the writers’ gender. This is of paramount significance because in literary criticism and philosophy of literature the universality of literature is rejected by reader-response, deconstructionist, or New Historical studies and the like in order to omit the authenticity of literature and then include personal views, shaky history, as well as subjective perceptions. Representing the disadvantages of such theories, this study aims to lead scholars toward novel universal hermeneutics.
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38

Jansohn, Christa. "Theatricality in Venus and Adonis and its Staging in Germany (1994–1998)." Cahiers Élisabéthains: A Journal of English Renaissance Studies 61, no. 1 (May 2002): 31–42. http://dx.doi.org/10.1177/018476780206100102.

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39

Mathis, Gilles. "Shakespeare's Rape of Lucrèce and Venus and Adonis in perspective: a stylistic analysis." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 47, no. 1 (1998): 25–54. http://dx.doi.org/10.3406/xvii.1998.1402.

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40

KIERNAN, PAULINE. "DEATH BY RHETORICAL TROPE: POETRY METAMORPHOSED IN VENUS AND ADONIS AND THE SONNETS." Review of English Studies XLVI, no. 184 (1995): 475–501. http://dx.doi.org/10.1093/res/xlvi.184.475.

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41

Hart, Jonathan. "Till Forging Nature Be Condemned of Treason: Representational Strife in Venus and Adonis." Cahiers Élisabéthains: A Journal of English Renaissance Studies 36, no. 1 (October 1989): 37–47. http://dx.doi.org/10.1177/018476788903600108.

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42

BELSEY, CATHERINE. "The Myth of Venus in Early Modern Culture." English Literary Renaissance 42, no. 2 (March 2012): 179–202. http://dx.doi.org/10.1111/j.1475-6757.2012.01103.x.

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43

Tyryshkina, Elena V. "“Here out of the foam of my saliva purest…” A. Kruchenykh: Transformation of the myth about Venus Anadyomene." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 21, no. 3 (August 25, 2021): 308–12. http://dx.doi.org/10.18500/1817-7115-2021-21-3-308-312.

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The article examines the transformation and functioning of the myth of Venus Anadyomene in the early lyrics by A. Kruchenykh in the context of the main trends of the futurism aesthetics and literary/painting studies on Venus-Aphrodite iconography of 1910-1925. The myth remains at the level of the plot basis as a relic; however, there is a shift of emphasis from the female ideal of beauty and cultural symbol to the male figure, usurping the power of creation.
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44

Tyryshkina, Elena V. "“Here out of the foam of my saliva purest…” A. Kruchenykh: Transformation of the myth about Venus Anadyomene." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 21, no. 3 (August 25, 2021): 308–12. http://dx.doi.org/10.18500/1817-7115-2021-21-3-308-312.

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The article examines the transformation and functioning of the myth of Venus Anadyomene in the early lyrics by A. Kruchenykh in the context of the main trends of the futurism aesthetics and literary/painting studies on Venus-Aphrodite iconography of 1910-1925. The myth remains at the level of the plot basis as a relic; however, there is a shift of emphasis from the female ideal of beauty and cultural symbol to the male figure, usurping the power of creation.
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45

Hunter, Matthew. "Talk That Talk." Representations 148, no. 1 (2019): 1–29. http://dx.doi.org/10.1525/rep.2019.148.1.1.

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This essay draws upon the work of Erving Goffman and Michael Silverstein to read Shakespeare’s first poem as a guide to mastering the burgeoning early modern art of conversation. The epyllion follows the conversation manuals of its day in embracing the aphorism as a charismatic form of talk, but it departs from its precedents in attributing to the aphorism an overtly erotic force. By according to the aphorism the power to turn conversation into an erotic encounter, Venus and Adonis elaborates its period’s most seductive fantasy of talk.
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46

Korwitz, Ulrich. "ADONIS — Between Myth and Reality: Trial Document Supply Using CD-ROM Technology." IFLA Journal 16, no. 2 (June 1990): 215–19. http://dx.doi.org/10.1177/034003529001600209.

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47

Jansohn, Christa. "Theatricality in Venus and Adonis and its Staging in Germany (1994-1998)." Cahiers Élisabéthains 61, no. 1 (April 1, 2002): 31–42. http://dx.doi.org/10.7227/ce.61.1.4.

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48

Caporicci, Camilla. "A Reference to the Song of Songs in Shakespeare’s Venus and Adonis (229–240)." Notes and Queries 65, no. 1 (January 10, 2018): 50–51. http://dx.doi.org/10.1093/notesj/gjx187.

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49

Winn, J. A. "'A Versifying Maid of Honour': Anne Finch and the Libretto for Venus and Adonis." Review of English Studies 59, no. 238 (March 21, 2007): 67–85. http://dx.doi.org/10.1093/res/hgl153.

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50

MARTINDALE, CHARLES, and COLIN BURROW. "Clapham's Narcissus: A Pre‐Text for Shakespeare's Venus and Adonis? (text, translation, and commentary)." English Literary Renaissance 22, no. 2 (March 1992): 147–76. http://dx.doi.org/10.1111/j.1475-6757.1992.tb01036.x.

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