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Relevant bibliographies by topics / Verbal auditory hallucinations

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Academic literature on the topic 'Verbal auditory hallucinations'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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Books on the topic "Verbal auditory hallucinations"

1

Hearing voices: The histories, causes, and meanings of auditory verbal hallucinations. Cambridge University Press, 2012.

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2

1949-, Thomas Philip, ed. Voices of reason, voices of insanity: Studies of verbal hallucinations. Routledge, 2000.

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3

Jenner, Jack A. Hallucination-Focused Integrative Therapy: A Specific Treatment That Hits Auditory Verbal Hallucinations. Taylor & Francis Group, 2015.

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4

Hallucination-Focused Integrative Therapy: A Specific Treatment That Hits Auditory Verbal Hallucinations. Taylor & Francis Group, 2015.

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5

Leuder, Ivan. Voices of Reason, Voices of Insanity: Studies of Verbal Hallucinations. Brunner-Routledge, 2000.

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6

Spence, Sean. Voices in the Brain: The Cognitive Neuropsychiatry of Auditory Verbal Hallucinations. Psychology Press, 2004.

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7

Spence, Sean. Voices in the Brain: The Cognitive Neuropsychiatry of Auditory Verbal Hallucinations (Cognitive Neuropsychiatry). Other, 2005.

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8

Wilkinson, Sam. Chapter Auditory Verbal Hallucinations and Inner Speech: A Predictive Processing Perspective. Imprint Academic, 2017.

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9

Mccarthy-Jones, Simon. Hearing Voices: The Histories, Causes And Meanings Of Auditory Verbal Hallucinations. Cambridge University Press, 2013.

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10

Ratcliffe, Matthew. Real Hallucinations. The MIT Press, 2018. http://dx.doi.org/10.7551/mitpress/9780262036719.001.0001.

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Abstract:

Real Hallucinations is a philosophical study of the structure of human experience, its vulnerability to disruption, and how its integrity depends on interpersonal relations. It focuses on the beguilingly simple question of how we manage to routinely distinguish between our experiences of perceiving, remembering, imagining, and thinking. This question is addressed via a detailed philosophical study of auditory verbal hallucinations (usually defined as hearing a voice in the absence of a speaker) and thought insertion (somehow experiencing one’s own thoughts as someone else’s). The book shows ho

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