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Books on the topic 'Verdad literaria'

Author: Grafiati

Published: 7 June 2025

Last updated: 17 July 2025

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1

B, Lorenzo N. Livieres. Verdad filosófica y arte literario: Ensayos. Edición del Instituto Cultural Paraguay-Alemán Goethe-Zentrum, 2005.

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2

Beltrán, Iván Gaxiola. Ficciones históricas, verdades literarias. Gobierno del Estado de Baja California Sur, 2020.

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3

Urrutia, Jorge. La verdad convenida: Literatura y comunicación. Biblioteca Nueva, 1997.

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4

Tresaco, Boyer. El arte no es arte: Y la verdad es oculta. Theredoom, 2019.

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5

Rosaldo, Renato. Cultura y verdad: La reconstrucción del análisis social. Ediciones Abya-Yala, 2000.

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6

Johnson, Anthony L. The verbal art of W.B. Yeats. Edizioni ETS, 1994.

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7

Kowalewski, Michael. Deadly musings: Violence and verbal form in American fiction. Princeton University Press, 1993.

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8

Plato. Gorgias: La paz es la búsqueda de la verdad. Ediciones Sígueme, 2010.

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9

Santoro, Fernando. Poesia e verdade: Interpretação do problema do realismo a partir de Aristóteles. Sette Letras, 1994.

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10

Akwanya, Amechi. Verbal structures: Studies in the nature and organisational patterns of literary language. Acena Publishers, 1997.

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11

S, Petöfi János, and Olivi Terry, eds. Von der verbalen Konstitution zur symbolischen Bedeutung =: From verbal constitution to symbolic meaning. H. Buske, 1988.

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12

Phillippo, Susanna. Silent witness: Racine's non-verbal annotations of Euripides. Legenda, 2003.

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13

Castellanos, Alejandro Sánchez. El discurso verbal y su construcción estratégica: El paradigma martiano en la obra de Juan Marinello. Editorial UH, 2015.

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14

University of Oxford. European Humanities Research Centre., ed. All puns intended: The verbal creation of Jean-Pierre Brisset. Legenda, 2001.

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15

Braber, Helleke, Jeroen Dera, Jos Joosten, and Maarten Steenmeijer, eds. Branding Books Across the Ages. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723916.

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For many, literature and marketing are considered opposite phenomena. This book discusses cases in which the two are closely connected. It argues that literature is subject to the same mechanisms as other commercial products: our experience of literary texts is prefigured by brands, trademarks that identify a product and differentiate it from its competitors. From the early modern period onwards, literary authors and their texts are constantly ‘branded’ and have been both the object and the trailblazer of a complex marketing process. The authors of this volume analyze this branding process thr

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16

Mal'kevich, Aleksandr. The latest Russian journalism. INFRA-M Academic Publishing LLC., 2025. https://doi.org/10.12737/2141113.

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The textbook highlights the most important basic issues of journalism as a social institution and a modern profession. The role and functions of journalism in society, the profession of a journalist, his rights and duties, genres and genre system in journalism, types and main directions of journalism, its legal and ethical foundations in the Russian Federation are considered. A significant place is occupied by the coverage of key issues of the creation of a journalistic work: the stages, methods of creation, compositional structure and language of the journalistic text; the use of non-verbal m

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17

La verdad sospechosa: Ensayos sobre literatura argentina y teoría literaria. Ediciones al Margen, 2006.

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18

Arte e verdade: A obra literaria de Daniel Castelao. Edicións do Cumio, 1991.

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19

Bernal Díaz del Castillo: Verdad romanesca y verdad historiográfica. 2nd ed. Universidad Iberoamericana, Departamento de Historia, 1995.

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20

Silva Lima-Neves, Terza A., and Aminah N. Fernandes Pilgrim. Cabo Verdean Women Writing Remembrance, Resistance, and Revolution. Published by Rowman & Littlefield International Ltd, 2021. https://doi.org/10.5040/9781666985405.

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Cabo Verdean Women Writing Remembrance, Resistance, and Revolution: Kriolas Poderozas documents the work and stories told by Cabo Verdean women to refocus the narratives about Cabo Verde on Cabo Verdean women and their experiences. The contributors examine their own experiences, the history of Cabo Verde, and Cabo Verdean diaspora to highlight the commonalities that exist among all women of African descent, such as sexual and domestic violence and media objectification, as well as the different meanings these commonalities can hold in local contexts. Through exploring the literary and musical

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21

Tres ejercicios literario-filosóficos sobre verdad: Publicados como balance histórico desde los griegos hasta el año dos mil. Los Libros de El Nacional, 2003.

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22

Fondo de Cultura Economica (Editor), ed. Sintaxis historica de la lengua espanola. Primera parte: La parte verbal (Lengua y Estudios Literarios) (Lengua Y Estudios Literarios). Fondo de Cultura Economica, 2007.

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23

Las verdades de Clío y Erato: Ensayos filosóficos-literarios sobre Ortega y Gasset. Editorial Comares, 2009.

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24

Dood de vier heemskinderen!: Eindelijk het complete verhaal vol wraak en verrad : literaire thriller uit de Middeleeuwen. Uitgeverij Van den Berg, 2010.

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25

Cruz, Pilar Sarazá. Acercamiento a la lingüística guillaumiana: Sistemática verbal en lengua francesa. Aplicaciones a la traducción y al texto literario. UCOPress, Editorial Universidad de Córdoba, 2012.

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26

Cruz, Pilar Sarazá. Acercamiento a la lingüística guillaumiana: Sistemática verbal en lengua francesa. Aplicaciones a la traducción y al texto literario. UCOPress, Editorial Universidad de Córdoba, 2012.

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27

Cruz, Pilar Sarazá. Acercamiento a la lingüística guillaumiana: Sistemática verbal en lengua francesa. Aplicaciones a la traducción y al texto literario. UCOPress, Editorial Universidad de Córdoba, 2012.

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28

Cruz, Pilar Sarazá. Acercamiento a la lingüística guillaumiana: Sistemática verbal en lengua francesa. Aplicaciones a la traducción y al texto literario. UCOPress, Editorial Universidad de Córdoba, 2012.

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29

Company, Concepcion Company. Sintaxis Historica de la Lengua Espanola: Primera Parte: La Frase Verbal, Volumen 1 (Lengua y Estudios Literarios). Fondo de Cultura Economica USA, 2006.

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30

Kowalewski, Michael. Deadly Musings: Violence and Verbal Form in American Fiction. Princeton University Press, 1993.

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31

Kowalewski, Michael. Deadly Musings: Violence and Verbal Form in American Fiction. Princeton University Press, 1993.

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32

Quevedo, Francisco de. Los suenos: Sueños y discursos: De verdades descubridoras de abusos, vicios y enganos, en todos los oficios y estados del mundo (Prosa literaria). Espasa Calpe, 1998.

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33

Milan, Biblioteca del Conservatorio Di Musica Giuseppe Verdi (The Tarasconi Codex) (Renaissance Music in Facsimile). Routledge, 1987.

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34

Clüver, Claus. Ekphrasis and Adaptation. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.26.

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In discussing word-and-image interactions, ekphrasis and adaptation are frequently cited as major instances of intermedial transposition. Ekphrasis, redefined as “the verbal representation of real or fictive configurations composed in a non-kinetic visual medium,” can occur in literary and non-literary texts and represent two- and three-dimensional images. Some ekphrastic texts can be read as fully developed intermedial translations; others may render readers’ encounters with visual images that the text does not actually transpose at all. Ekphrasis is a descriptive monomedial mode of intermedi

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35

Zeman, Sonja. Ut Pictura Poesis? The Poetics of Verbal Imagery. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190457747.003.0011.

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How can verbal-cued poetry be “visual,” “pictorial,” and “vivid”? This chapter aims at looking behind such notions by isolating the basic semiotic mechanisms of vision, picture-viewing, and mental imagery and provides a descriptive model to investigate (1) the semiotic dimension of verbal imagery with respect to its visual and pictorial character and (2) its relationship to the reader’s experience of mental imagery. Through exemplary analyses of visual poetry, onomatopoeia, figurative language, the historical present, and ekphrastic descriptions, it is shown that the literary core concepts of

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36

Preston, Claire. Word and Image in the English Renaissance. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.74.

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The rich and expanding rhetorical universe of the English Renaissance annexed the expressive possibilities of painting and the plastic arts using a variety of figures and tropes. These—ekphrasis (intense description), blason (anatomizing description), paragone (the contest between the arts), and emblems and imprese (formal verbal-visual symbols)—allowed English writers to press the visual into the service of the verbal, creating powerful rhetorical tools and distinctive literary expression. This article describes the development of these verbal-visual tools from the late medieval period throug

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37

Kafka, Franz. Proceso: Una Obra Completamente Absurda, pero con una Gran Verdad en Su Interior. Robinbook, Ediciones S.L., 2021.

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38

Phillippo, Susanna. Silent Witness: Racine's Non-Verbal Annotations of Euripides. Taylor & Francis Group, 2017.

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39

Phillippo, Susanna. Silent Witness: Racine's Non-Verbal Annotations of Euripides. Taylor & Francis Group, 2017.

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40

Graves, Margaret S. Material Metaphors. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190695910.003.0005.

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Tracing parallels between material and verbal poetics, this chapter makes particular reference to changing conceptions of metaphor and imagery during the florescence of medieval Arabic literary theory. It uses textual sources as well as artifacts to demonstrate the intertwining of verbal, visual, and material realms. The first section expands an allegorical framework in medieval Arabic and Persian literary criticism that aligns poetry with manual crafts. Following this, two discrete groups of objects in the form of domed buildings are contextualized and considered as materialized metaphors. Fi

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41

Le ravissement du style: Sémiostylistique pour une réception physiologique de l'art verbal. Honoré Champion éditeur, 2016.

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42

Victorian Vulgarity: Taste in Verbal and Visual Culture. Taylor & Francis Group, 2016.

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43

Bernstein, Susan David, and Elsie B. Michie. Victorian Vulgarity: Taste in Verbal and Visual Culture. Taylor & Francis Group, 2016.

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44

Victorian Vulgarity: Taste in Verbal and Visual Culture. Taylor & Francis Group, 2016.

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45

Voices in the shadows: Women and verbal art in Serbia and Bosnia. Central European University Press, 2000.

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46

Behrendt, Stephen C. The Ineffable. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.36.

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This chapter examines three figurative modes Romantic authors used to represent the ineffable: allegory, symbol, and myth. In literary studies, these terms identify verbal structures which are usually evaluated in linguistic or semantic terms, although visual expression also has a ‘language’. The chapter emphasizes the linguistic context while also exploring analogies with visual art, explaining how allegory, symbol, and myth provide familiar reference systems both for the verbal and visual artists who employed them and for the audiences who perceived them. All three modes offered ways of enco

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47

Galasso, Regina. Translating New York. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786941121.001.0001.

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The cultural production of Spanish-speaking New York is closely linked to the Caribbean and to Latin America at large, but the city also plays a pivotal role in the work of a host of authors from the Iberian Peninsula, writing in Spanish, Catalan, and English. In many cases, their New York City texts have marked their careers and the history of their national literatures. Drawing from a variety of genres, Translating New York recovers cultural narratives occluded by single linguistic or national literary histories, and proposes that reading these texts through the lens of translation unveils n

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48

Parnell, Jo, ed. New and Experimental Approaches to Writing Lives. Bloomsbury Publishing Plc, 2019. http://dx.doi.org/10.5040/9781350493476.

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With recent advances in digital technology, a number of exciting and innovative approaches to writing lives have emerged, from graphic memoirs to blogs and other visual-verbal-virtual texts. This edited collection is a timely study of new approaches to writing lives, including literary docu-memoir, autobiographical cartography, social media life writing and autobiographical writing for children. Combining literary theory with insightful critical approaches, each essay offers a serious study of innovative forms of life writing, with a view to reflecting on best practice and offering the reader

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49

Dearman, J. Andrew. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190246488.003.0001.

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The text is a vehicle of representation. Literature is a verbal reconstruction of a world, analogous to the visual representation of the world in art. It may represent the real world (in which case it may appear historical even when it is not), or a non-real world. A literary interpretation of the Bible probes the Bible’s construction of the world and analyzes the forms of expression through which that world is constructed....

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50

Chen, Shudong. Four Quartets in the Light of the Chinese Jar. The Rowman & Littlefield Publishing Group, 2020. https://doi.org/10.5040/9781666989489.

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Four Quartets in the Light of the Chinese Jar discusses how Four Quartets should be explored afresh with a prosodic-philosophically sustained interdisciplinary and cross-cultural literary approach in ways as the often overlooked pivotal image of the Chinese jar so indicates in the great sequence; the pivotal image suggests the subtle but vital elixir from both “The ‘shores of Asia and the Edgware Road’ [which] are brought together as they had been brought together to The Waste Land.” With a steady focus on the function words-mediated and phonemes-facilitated, and “autochthonously” void-suggest

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