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Relevant bibliographies by topics / Verga

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Academic literature on the topic 'Verga'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Verga"

1

Robin Coste Lewis. "Verga." Callaloo 31, no. 2 (2008): 389. http://dx.doi.org/10.1353/cal.0.0140.

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Jannuzzi (book author), Lina, and S. Bernard Chandler (review author). "Sul primo Verga." Quaderni d'italianistica 11, no. 2 (October 1, 1990): 323–25. http://dx.doi.org/10.33137/q.i..v11i2.10594.

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Jannuzzi (book author), Lina, and Antonio Franceschetti (review author). "Sul primo Verga." Quaderni d'italianistica 17, no. 1 (April 1, 1996): 165. http://dx.doi.org/10.33137/q.i..v17i1.10340.

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Chandler, S. Bernard. "Petrillo, Raymond. ltinerario del primo Verga 1864-1874. Catania: Fondazione Verga, 1987Petrillo, Raymond. ltinerario del primo Verga 1864-1874. Catania: Fondazione Verga, 1987. Pp. 242." Canadian Modern Language Review 47, no. 1 (October 1990): 178–79. http://dx.doi.org/10.3138/cmlr.47.1.178.

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Sempoux, André. "De Verga à Visconti." Les Lettres Romanes 70, no. 1-2 (January 2016): 153–57. http://dx.doi.org/10.1484/j.llr.5.111023.

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Zago, Stefano, and Chiara Randazzo. "Andrea Verga (1811–1895)." Journal of Neurology 253, no. 8 (August 2006): 1115–16. http://dx.doi.org/10.1007/s00415-006-0031-4.

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Patruno, Nicola, and Gino Raya. "Verga e i Treves." Italica 66, no. 2 (1989): 236. http://dx.doi.org/10.2307/478944.

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Biasin, Gian-Paolo. "Lo zoo di Verga." Italica 70, no. 1 (1993): 19. http://dx.doi.org/10.2307/479986.

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Sansone, Matteo. "VERGA, PUCCINI ANDLA LUPA." Italian Studies 44, no. 1 (January 1989): 63–76. http://dx.doi.org/10.1179/its.1989.44.1.63.

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Saitta, Luigi. "Verga innovatore / Innovative Verga : L’opera caleidoscopica di Giovanni Verga in chiave iconica, sinergica e transculturale, Dagmar Reichardt et Lia Fava Guzzetta (éd.)." Transalpina, no. 22 (November 1, 2019): 175–77. http://dx.doi.org/10.4000/transalpina.521.

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Dissertations / Theses on the topic "Verga"

1

Vacante, Natàlia Masiello Vitilio. "L'estremo realismo di Verga : un percorso genetico bloccato /." [Bari] : B.A. Graphis, 2000. http://catalogue.bnf.fr/ark:/12148/cb391996296.

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Verri, Andrea <1979&gt. "Manzoni, Belli e Verga secondo Leonardo Sciascia." Doctoral thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/8301.

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Si indaga in questo lavoro il rapporto dello scrittore siciliano con tre autori ottocenteschi: Manzoni, Belli e Verga. Sono tre autori diversi tra loro e con i quali il racalmutese instaura rapporti differenti per natura, forme, temi e conseguenti presenze nelle sue opere. Per questo, le vie percorse attraverso i testi dello scrittore novecentesco in cerca dei tre maestri sono state diverse. La ricerca svolta presenta una sua coerente unitarietà di impostazione dovuta al prevalere dell'interesse di Sciascia per il dato morale nel fare letteratura. Se infatti il problema centrale della giustizia e di una vita umana e civile è sicuramente dei primi due autori, rappresenta anche il punto di vista imprescindibile dal quale lo scrittore novecentesco guarda a Verga.

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Arnod, Jeanclaude. "Luchino Visconti entre Giovanni Verga et Gabriele d’Annunzio." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100164/document.

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Luchino Visconti, né en 1906 et mort en 1976, a été un metteur en scène de cinéma, de théâtre, d’opéra et toute sa carrière a été placée sous le signe de l’amour pour les arts, avec une prédilection particulière pour la littérature de la fin du dix-neuvième siècle et du début du vingtième. L’objectif de notre étude est d’analyser la filmographie de Luchino Visconti, en nous arrêtant plus particulièrement sur quatre films, La terra trema, Rocco e i suoi fratelli, Vaghe stelle dell’Orsa… et L’innocente, où les rapports avec l’œuvre de Giovanni Verga et de Gabriele d’Annunzio sont les plus évidents. Plus spécifiquement le but est de démontrer que, contrairement aux stéréotypes qui marquent le discours critique sur l’œuvre du cinéaste, l’influence d’écrivains tels que Thomas Mann et Marcel Proust, tout en étant indéniable, a été surévaluée au détriment de celle des deux écrivains italiens, dont l’ascendant parcourt toute la filmographie viscontienne
Luchino Visconti (1906-1976), was a movie, theatre and opera director. He dedicated all his career to the love of art, with a particular focus on the literature from the end of the 19th and beginning of the 20th centuryThe goal of our study is to analyse the filmography of Luchino Visconti, more specifically the following four films: La terra trema, Rocco e i suoi fratelli, Vaghe stelle dell’Orsa and L’innocente where the references to the works of Giovanni Verga and Gabriele d’Annunzio are most explicit. More specifically, we want to demonstrate that the undeniable influence of writers such as Thomas Mann and Marcel Proust on Visconti has been overvalued, at the expense of the two Italian authors, Verga and d’Annunzio, who have heavily influenced Visconti’s entire filmography

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Italia, Sebastiano. "Per l'edizione critica di "In portineria" di Giovanni Verga. I manoscritti conservati presso il Fondo Verga dea Biblioteca Regionale Universitaria di Catania." Doctoral thesis, Università di Catania, 2017. http://hdl.handle.net/10761/3923.

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In merito al tema della valorizzazione del patrimonio culturale presente negli Archivi e nelle Fondazioni del territorio siciliano, questo progetto studia i manoscritti teatrali di Giovanni Verga inerenti al dramma In portineria, acquisiti dalla Regione Siciliana e conservati in originale presso la Biblioteca Regionale Universitaria di Catania e in copia presso la Fondazione G. Verga , istituita nel 1978. Considerato pertanto il Teatro quale bene culturale immateriale , il punto naturale di arrivo di una rivalutazione complessiva di questo materiale è l edizione critica delle opere per il teatro, edizione che ambisce a confluire nel più ampio progetto dell Edizione Nazionale delle opere di Verga, promossa dalla Fondazione G. Verga . Il dramma In portineria è uno dei testi più ricco di testimoni manoscritti, sebbene pervenutici in uno stato di disordine. La Biblioteca Regionale Universitaria di Catania possiede sei manoscritti autografi ma non integrali e tre copie di altra mano con correzioni d autore; tutti testimoni attendibili . La ricerca si è concentrata sull archivio dei documenti presenti presso la Biblioteca Regionale Universitaria di Catania e, in copia, presso la Fondazione G. Verga . Condizione preliminare è stata la conoscenza della tradizione di ogni singolo testo oggetto della ricerca al fine di individuare nell immediato i termini concreti delle problematiche relative ai manoscritti da esaminare e di tracciare un piano specifico per poterle affrontare. Seguendo questa metodologia è possibile stabilire il numero e le caratteristiche dei differenti stati redazionali, la loro rappresentanza nella tradizione superstite, il loro valore di testimoni in direzione e della restituzione del testo e di una storia dell elaborazione testuale sub specie philologica.

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De, Francisci E. "Women in Verga and Pirandello : from page to stage." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1447137/.

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This thesis considers the transposition from short story into play, in the work of Verga and Pirandello, concentrating on a comparison between their methods of presenting the female characters in the two genres, and assessing what occurs when the voice of the narrator is replaced by the exchanges of the characters on stage. The main tenet is to challenge the critical view that women in the authors’ work represent the weaker vessel. The close reading of the selected pairs of texts illustrates how, although the female characters take a subsidiary position in the triangular relationship in which they are involved, they nonetheless remain the catalysts of the action by precipitating the main events. Even though (off stage) women at the time were being denied a political voice, it is argued here that once the characters rely on dialogue in the passage from short story to play, they gain a voice of their own on stage. Their ability for articulation thus reveals the characters as women capable of discussing their thoughts and feelings for themselves, which ultimately enables them to break away from their traditional identification with nature and emotion – making an examination of this sort particularly relevant to the topic of women. Part of the investigation briefly discusses how contemporary (male) theatre critics responded to these leading roles, and takes into consideration the women who are instrumental in providing the link from the narrative genre to the theatrical: the role of the actress, particularly Eleonora Duse who had a significant influence on early interpretations of Verga’s women and on Pirandello’s developing notions of the merging of art and reality. In conclusion, the relationship between the techniques of the two authors in adapting their works from page to stage sheds new light on why the narrative genre is particularly suited to Verga’s preoccupations, and why the dramatic form is more effective in exploring Pirandello’s umorismo. Even though the diachronic overview of their theatre shows how Verga’s approach veers towards the direction later taken by Pirandello, it also exemplifies how Pirandello exploits the means of the theatre to make significant innovations, spanning the transition from Realism to Modernism – a divergence from his predecessor which is emphasized through his treatment of the female voice on stage.

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Longo, Giorgio. "L'écrivain, ses traducteurs et ses critiques : divulgation et fortune de l'oeuvre de Verga en France." Paris 8, 1996. http://www.theses.fr/1996PA08A002.

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Döge, Frank Ulrich. "Pro- und antifaschistischer Neorealismus Internationale Rezeptionsgeschichte, literarische Bezüge und Produktionsgeschichte von La nave bianca und Roma aperta, die frühen Filme von Roberto Rossellini und Francesco De Robertis /." [S.l.] : [s.n.], 2004. http://www.diss.fu-berlin.de/2004/283/index.html.

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Penzo, Alice <1988&gt. "Giovanni Verga e Carlo Goldoni: I Malavoglia e Le baruffe chiozzotte." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3115.

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Rizzo, Alessandra. "Realism in transition : a comparative study of cultural translations - Bennet, Lawrence, Verga." Thesis, University of Essex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400981.

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BALDAN, PERROT JOCELYNE. "Les différents visages du désir dans l'œuvre de Maupassant et de Verga." Dijon, 1991. http://www.theses.fr/1991DIJOL005.

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Cette thèse est essentiellement consacrée à l'aspect intimiste de l'œuvre de Maupassant et de Verga; elle s'efforce de montrer qu'au réalisme de certains récits se superpose un langage plus mystérieux et plus profond, relié à la vie intérieure et imaginaire de l'esprit. Elle cherche ainsi à découvrir la signification des images et des symboles poétiques contenus dans le texte, à travers l'étude comparée de six nouvelles, réunies par de grandes similitudes au niveau thématique : Une partie de campagne et Di la del mare, regret et la coda del diavolo, Miss Harriet et ii canarino del numero quindici. Le désir est un des fils conducteurs qui unit l'univers fictif de Maupassant et celui de Verga; ce mot désir ne doit pas être compris dans un sens restrictif qui le limiterait à son aspect charnel et superficiel. Energie vitale d'où peut naitre l'amour, ou puissance bloquée qui peut conduire à une angoisse mortelle, il soulève des questions qui passent, grâce à la psychanalyse, par les profondeurs les plus secrètes de l'inconscient, et s'élèvent jusqu'aux plus hauts niveaux de la conscience; se trouvent ainsi poses les grands problèmes éthiques, psychologiques, et spirituels qui concernent la science du cœur humain
This thesis is essentially consecrated to the intimism aspect of the work of Maupassant and Verga; it tries to show that a deeper and more mysterious language is linked with the inward and imaginary life of the spirit, and superimposed to the realism of certain narratives. It attempts to discover the signification of the images and of the poetical symbols of the text, through the comparative study of six short stories: une partie de campagne and Di la del mare, regret and la coda del diavolo, mMss Harriet and ii canarino del numero quindici. Desire is the clue which connects the fictitious universe of Maupassant and Verga; this word desire is not to be understood in a restrictive sense which should limit it to a carnal and shallow aspect. Vital energy from which love can born, or blocked force force which can lead to a mortal anguish, it raises questions which, thanks to the psychoanalysis pass by the darkest profundities of the conscience; so are laid down the great ethical, psychological and spiritual problems concerning the science of the human heart

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Books on the topic "Verga"

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Pilato, Francesca. Verga. Roma: Carocci, 2011.

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Pellini, Pierluigi. Verga. Bologna: Il mulino, 2012.

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Verga, Giovanni. Giovanni Verga. Roma: Istituto poligrafico e Zecca dello Stato, 2002.

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Luperini, Romano. Verga moderno. Roma: Editori Laterza, 2005.

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Verga, Giovanni. Giovanni Verga. Roma: Istituto poligrafico e Zecca dello Stato, 2002.

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Giannantonio, Pompeo. Giovanni Verga. Napoli: Loffredo Editore, 1991.

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Merola, Nicola. Giovanni Verga. Teramo: Giunti & Lisciani, 1993.

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Verga, Giovanni. Verga, fotografo. Catania: G. Maimone, 1991.

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Deelder, J. A. N.V. Verga. Amsterdam: Bezige Bij, 2001.

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Verga, Giovanni. Giovanni Verga. Roma: Istituto poligrafico e Zecca dello Stato, 2002.

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Book chapters on the topic "Verga"

1

Wild, Gerhard. "Verga, Giovanni." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18290-1.

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Schreiner, Stefan. "Salomo ibn Verga." In Kindler Kompakt: Philosophie der Neuzeit, 70–72. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04347-4_15.

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Kriegel, Maurice. "Ibn Verga, Solomon." In Encyclopedia of Renaissance Philosophy, 1–3. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-02848-4_797-1.

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Kriegel, Maurice. "Ibn Verga, Solomon." In Encyclopedia of Renaissance Philosophy, 1625–27. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-14169-5_797.

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Schreiner, Stefan. "ibn Verga, Salomo." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5732-1.

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Cazzullo, Carlo Lorenzo, and Massimo Aliverti. "Andrea Verga (1811-1895)." In WPA Anthology of Italian Language Psychiatric Texts, 63–75. Chichester, UK: John Wiley & Sons, Ltd, 2008. http://dx.doi.org/10.1002/9780470986714.ch4.

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Kohlhaas, Peter. "Verga, Giovanni: I Malavoglia." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18292-1.

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Kohlhaas, Peter. "Verga, Giovanni: Vita dei campi." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18291-1.

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Kohlhaas, Peter. "Verga, Giovanni: Mastro-don Gesualdo." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18294-1.

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Schreiner, Stefan. "ibn Verga, Salomo: Schewet Jehuda." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5733-1.

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Conference papers on the topic "Verga"

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Sadewa, Filipus Junio, David Sie Wettleson, Pafras Vio Prayogo, Mirza Ramadhani, Fairuz Iqbal Maulana, and Gusti Pangestu. "Measuring the quality of user experience on VERGA application." In PROCEEDINGS OF THE 4TH INTERNATIONAL CONFERENCE ON GREEN CIVIL AND ENVIRONMENTAL ENGINEERING (GCEE 2023). AIP Publishing, 2024. http://dx.doi.org/10.1063/5.0192130.

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Dima, Gabriela E. "THE LIBRETTO OF CAVALLERIA RUSTICANA, POETIC RENDITION OF GIOVANNI VEGA�S STORY." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs10.18.

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The libretto of Cavalleria rusticana, the well-known opera by Pietro Mascagni, was written by Giovanni Targioni-Tozzetti and Guido Menasci, who reduced to melodrama a play by Giovanni Verga, in its turn a dramatization of a short-story with the same title he had previously written. Our investigation focuses on the libretto as a literary text to be analysed in comparison with its prose sources. We propose an in-depth analysis of the similarities and differences between the libretto and the play, in an attempt to understand the reasons for the changes operated by the two librettists. The necessities of the melodramatic genre and their non-Sicilian origin lead to a diverse comprehension and interpretation of Verga�s ideas, freely transposed into the libretto. The achievements of the two librettists are not to be ignored, especially if taking into account they were the first in Italy to propose an unconventional subject inspired from the real life of the petty people. Despite the criticism against some of their solutions, we could notice that their choices concerning the literary style, the language, the construction of the characters led to a new perspective and convey a more universal meaning that has assured the success of the opera in time.

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Bianchi, Daniele, Bernardo Favini, and Agostino Neri. "Performance Reconstruction of VEGA Solid Rocket Motors: VERTA Flights Experience." In 2018 Joint Propulsion Conference. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2018. http://dx.doi.org/10.2514/6.2018-4692.

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Tiator, Marcel, Christian Geiger, Bastian Dewitz, Ben Fischer, Laurin Gerhardt, David Nowottnik, and Hendrik Preu. "Venga!" In the First Superhuman Sports Design Challenge. New York, New York, USA: ACM Press, 2018. http://dx.doi.org/10.1145/3210299.3210308.

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Tyagi, Nirvan, Ben Fisch, Andrew Zitek, Joseph Bonneau, and Stefano Tessaro. "VeRSA." In CCS '22: 2022 ACM SIGSAC Conference on Computer and Communications Security. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3548606.3560605.

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Shirah, Gregory. "The verge." In ACM SIGGRAPH 2008 art gallery. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1400385.1400429.

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Ba, Mouhamadou Lamine, Laure Berti-Equille, Kushal Shah, and Hossam M. Hammady. "VERA." In the 25th International Conference Companion. New York, New York, USA: ACM Press, 2016. http://dx.doi.org/10.1145/2872518.2890536.

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Kirst, Dominik, and Andreas Bulling. "On the Verge." In CHI'16: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2851581.2892307.

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Döhner, Konstanze. "Polycythaemia vera." In 8. Symposium HÄMATOLOGIE HEUTE. Georg Thieme Verlag, 2022. http://dx.doi.org/10.1055/s-0042-1744083.

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Habibian, Amirhossein, and Cees G. M. Snoek. "Video2Sentence and vice versa." In the 21st ACM international conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2502081.2502249.

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Reports on the topic "Verga"

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Kaçar, Emre. Vakıflarda vergi muafiyeti ve vergi teşvikleri. İstanbul, Türkiye: İstanbul Ticaret Üniversitesi Kütüphane ve Dokümantasyon Daire Başkanlığı, January 2012. http://dx.doi.org/10.63057/ticaretrapor.2024.79.

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Alp, Burak, and Ünal Töngür. Vergi Dairesi Başkanlığı Çalışanlarının Vergi Algıları: Antalya Örneği. EconWorld Working Papers, March 2018. http://dx.doi.org/10.22440/econworld.wp.2018.001.

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Sieger, Matt, Robert K. Salko, Brendan M. Kochunas, Brian M. Adams, and Richard L. Williamson. VERA and VERA-EDU 3.5 Release Notes. Office of Scientific and Technical Information (OSTI), July 2016. http://dx.doi.org/10.2172/1302925.

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Bachini, Natasha, and João Feres Júnior. Vera Chaia. Universidade do Estado do Rio de Janeiro, June 2018. http://dx.doi.org/10.12957/manchetrometro.2018.0007.

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Baird, Mark, Roscoe Bartlett, Ronald Lee, Brenden Mervin, Benjamin Collins, and Robert Lefebvre. VERA Installation Guide. Office of Scientific and Technical Information (OSTI), August 2021. http://dx.doi.org/10.2172/1814312.

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Baird, Mark, Roscoe Bartlett, Ronald Lee, Brenden Mervin, Robert Lefebvre, and Benjamin S collins. VERA Installation Guide. Office of Scientific and Technical Information (OSTI), August 2022. http://dx.doi.org/10.2172/1883809.

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Bartlett, Roscoe A., Mark L. Baird, Mark A. Berrill, Joel A. Kulesza, and Brenden T. Mervin. VERA 3.5 Installation Guide. Office of Scientific and Technical Information (OSTI), August 2016. http://dx.doi.org/10.2172/1328311.

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Williamson, Richard L., Brendan Kochunas, Brian M. Adams, Matt Sieger, and Robert K. Salko. VERA 3.6 Release Notes. Office of Scientific and Technical Information (OSTI), October 2017. http://dx.doi.org/10.2172/1408002.

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Smith, John R., Michael R. Garcia, Eugene C. Ormond, Martin F. Parrales, Paul A. Flores, Keith W. Hogge, Steven R. Huber, et al. Cygnus Performance on Vega. Office of Scientific and Technical Information (OSTI), May 2018. http://dx.doi.org/10.2172/1440427.

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Baird, Mark, Benjamin Collins, William Cramer, Andrew Godfrey, Brendan Kochunas, Ronald Lee, Robert Lefebvre, et al. VERA 4.1 Release Notes. Office of Scientific and Technical Information (OSTI), May 2020. http://dx.doi.org/10.2172/1814391.

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