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Angerer, Roland [Verfasser]. "Zum Praxisbezug der wirtschaftswissenschaftlichen FH-Studiengänge : Vergl. Studie: Österreich - Baden-Württemberg / Roland Angerer." Hamburg : Diplom.de, 2002. http://d-nb.info/1117593525/34.
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Collins, Jessica A. "Verge." ScholarWorks@UNO, 2016. https://scholarworks.uno.edu/td/2249.
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This poetry thesis explores the relationship of the Buddhist concept of nonduality to polar mood disorders by employing motifs of bomb testing, war crimes, spiders, and seascapes. A critical preface credits Sylvia Plath, Emily Dickinson, and Mary Ruefle as influences. The manuscript favors free-verse poetry and field composition, though also includes a lyric essay and two formal poems.
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Çoban, Rabia Armağan Ramazan. "Türk vergi sisteminde kurumlar vergisinin vergi hasılatına etkisi /." Isparta : SDÜ Sosyal Bilimler Enstitüsü, 2008. http://tez.sdu.edu.tr/Tezler/TS00664.pdf.
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Freer, N. W. "Vergil and Philodemus." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1433606/.
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This dissertation explores the relationship between the poetry of Vergil and the texts and doctrines of the Epicurean poet and philosopher Philodemus in the light of papyrological evidence confirming Vergil’s association with Philodemus and his Epicurean school on the Bay of Naples. I show that Vergil engages extensively with a wide range of Philodeman intertexts in the Eclogues, the Georgics, and the Aeneid, and suggest ways in which an appreciation of these interactions may inform our interpretations of Vergil’s poetry. I argue that Philodemus’ views on ethics and poetics, his epigrams, and his Epicurean exegesis of Homer are all reflected in Vergil’s works, multiplying its interpretative possibilities. Although Vergil appears to engage in a close dialogue with Philodemus throughout his poetic career, I find that he is by no means a doctrinaire student, but an intelligent and at times combative reader of his teacher’s texts and doctrines. My first chapter discusses Philodemus’ life in Italy, his surviving works, and his influence within Roman society, before reviewing the evidence for Vergil’s Epicurean education under Philodemus. In the next chapter I argue that Vergil’s conception of poetry in the Eclogues and the Georgics was shaped to a large extent by the Epicurean theory of poetry elaborated in Philodemus’ treatises On Poems and On Music. My third chapter analyses Vergil’s representation of anger throughout the Aeneid in the light of Philodemus’ treatise On Anger. I suggest that Philodemus’ theory of anger provided an important model for Vergil’s characterisation of a range of major figures, including Aeneas, Turnus, Dido, Amata, Juno, Mezentius, and Nisus and Euryalus. In the fourth and final chapter I examine Vergil’s interaction with a number of possible Philodeman intertexts in the Carthage episode in Aeneid 1 and 4, through which he appears to invite an Epicurean reading of the values and motivations of the Carthaginians and the Trojans.
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Vacante, Natàlia Masiello Vitilio. "L'estremo realismo di Verga : un percorso genetico bloccato /." [Bari] : B.A. Graphis, 2000. http://catalogue.bnf.fr/ark:/12148/cb391996296.
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Varcan, Nezih. "Türkiyeʼde vergi politikalarının oluşumu Cumhuriyet dönemi /." Eskişehir [Turkey] : Anadolu Üniversitesi Basımevi, 1987. http://books.google.com/books?id=h2UwAAAAMAAJ.
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Edson, Rebecca M. (Rebecca Monroe). "The verge : transforming an insufficient edge." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/38604.
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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2007.Includes bibliographical references (p. 114-115).
This thesis considers a new edge strategy for an Insufficient waterfront. The shore of Bass Harbor poses a problem significant to the whole Maine coast, as the access and Infrastructure imperative to the fishing industries is unable to compete with the economic power of the private second home industry. Thus, expecting that neither real estate, nor tourism, nor industry will be sacrificed, a re-calibration of the existing coastal structure is necessary in order to accommodate all who want and need the coast of Maine. I am proposing that a focus on the existing systems of the site can determine an edge strategy that will organize and expand the lobster trade's presence within the growing realm of the private and recreational interests. The shortage of space and access will be addressed through designing a new means of occupying the edge, expanding the public and private program within the parameters of the site in order to accommodate a new multiplicity and density of program, space and infrastructure. Proposed as a blurring of disciplines and a breakdown of boundaries and scale, the access point will compose a coherent resolution between the plurality of zones, programs and boundaries as it extends outward as a threshold to the trade The access point will compose the edge as a coherent singular surface. The edge, as a finite space, will be embedded with multiple functions.
by Rebecca M. Edson
M.Arch.
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Harrison, S. J. "A commentary on Vergil, Aeneid 10." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670380.
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Longo, Giorgio. "L'écrivain, ses traducteurs et ses critiques : divulgation et fortune de l'oeuvre de Verga en France." Paris 8, 1996. http://www.theses.fr/1996PA08A002.
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Arnod, Jeanclaude. "Luchino Visconti entre Giovanni Verga et Gabriele d’Annunzio." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100164/document.
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Luchino Visconti, né en 1906 et mort en 1976, a été un metteur en scène de cinéma, de théâtre, d’opéra et toute sa carrière a été placée sous le signe de l’amour pour les arts, avec une prédilection particulière pour la littérature de la fin du dix-neuvième siècle et du début du vingtième. L’objectif de notre étude est d’analyser la filmographie de Luchino Visconti, en nous arrêtant plus particulièrement sur quatre films, La terra trema, Rocco e i suoi fratelli, Vaghe stelle dell’Orsa… et L’innocente, où les rapports avec l’œuvre de Giovanni Verga et de Gabriele d’Annunzio sont les plus évidents. Plus spécifiquement le but est de démontrer que, contrairement aux stéréotypes qui marquent le discours critique sur l’œuvre du cinéaste, l’influence d’écrivains tels que Thomas Mann et Marcel Proust, tout en étant indéniable, a été surévaluée au détriment de celle des deux écrivains italiens, dont l’ascendant parcourt toute la filmographie viscontienneLuchino Visconti (1906-1976), was a movie, theatre and opera director. He dedicated all his career to the love of art, with a particular focus on the literature from the end of the 19th and beginning of the 20th centuryThe goal of our study is to analyse the filmography of Luchino Visconti, more specifically the following four films: La terra trema, Rocco e i suoi fratelli, Vaghe stelle dell’Orsa and L’innocente where the references to the works of Giovanni Verga and Gabriele d’Annunzio are most explicit. More specifically, we want to demonstrate that the undeniable influence of writers such as Thomas Mann and Marcel Proust on Visconti has been overvalued, at the expense of the two Italian authors, Verga and d’Annunzio, who have heavily influenced Visconti’s entire filmography
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TCHEN, CATHERINE. "L'angiosarcome de la verge : discussion d'un cas clinique." Clermont-Ferrand 1, 1992. http://www.theses.fr/1992CLF13033.
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Döge, Frank Ulrich. "Pro- und antifaschistischer Neorealismus Internationale Rezeptionsgeschichte, literarische Bezüge und Produktionsgeschichte von La nave bianca und Roma aperta, die frühen Filme von Roberto Rossellini und Francesco De Robertis /." [S.l.] : [s.n.], 2004. http://www.diss.fu-berlin.de/2004/283/index.html.
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Hickson, Frances V. "Roman prayer language : Livy and the Aneid of Vergil /." Stuttgart : B. G. Teubner, 1993. http://catalogue.bnf.fr/ark:/12148/cb37093995x.
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Texte remanié de: Diss.--Chapel Hill, N. C.--University of North Carolina at Chapel Hill, 1986. Titre de soutenance : Voces precationum : the vocabulary of prayer in Livy and the Aeneid of Vergil.Bibliogr. p. 183-193. Index.
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Heil, Andreas. "Alma Aeneis : Studien zur Vergil- und Statiusrezeption Dante Alighieris /." Frankfurt am Main : Peter Lang, 2002. http://catalogue.bnf.fr/ark:/12148/cb39075343c.
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De, Francisci E. "Women in Verga and Pirandello : from page to stage." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1447137/.
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This thesis considers the transposition from short story into play, in the work of Verga and Pirandello, concentrating on a comparison between their methods of presenting the female characters in the two genres, and assessing what occurs when the voice of the narrator is replaced by the exchanges of the characters on stage. The main tenet is to challenge the critical view that women in the authors’ work represent the weaker vessel. The close reading of the selected pairs of texts illustrates how, although the female characters take a subsidiary position in the triangular relationship in which they are involved, they nonetheless remain the catalysts of the action by precipitating the main events. Even though (off stage) women at the time were being denied a political voice, it is argued here that once the characters rely on dialogue in the passage from short story to play, they gain a voice of their own on stage. Their ability for articulation thus reveals the characters as women capable of discussing their thoughts and feelings for themselves, which ultimately enables them to break away from their traditional identification with nature and emotion – making an examination of this sort particularly relevant to the topic of women. Part of the investigation briefly discusses how contemporary (male) theatre critics responded to these leading roles, and takes into consideration the women who are instrumental in providing the link from the narrative genre to the theatrical: the role of the actress, particularly Eleonora Duse who had a significant influence on early interpretations of Verga’s women and on Pirandello’s developing notions of the merging of art and reality. In conclusion, the relationship between the techniques of the two authors in adapting their works from page to stage sheds new light on why the narrative genre is particularly suited to Verga’s preoccupations, and why the dramatic form is more effective in exploring Pirandello’s umorismo. Even though the diachronic overview of their theatre shows how Verga’s approach veers towards the direction later taken by Pirandello, it also exemplifies how Pirandello exploits the means of the theatre to make significant innovations, spanning the transition from Realism to Modernism – a divergence from his predecessor which is emphasized through his treatment of the female voice on stage.
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Schindler, Claudia. "Untersuchungen zu den Gleichnissen im römischen Lehrgedicht : Lucrez, Vergil, Manilius /." Göttingen : Vandenhoeck & Ruprecht, 2000. http://catalogue.bnf.fr/ark:/12148/cb39195261m.
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ODDOU, LAURENT. "Utilisation du lambeau libre antebrachial dans les reconstructions de verge." Lyon 1, 1990. http://www.theses.fr/1990LYO1M221.
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de, Vega Sean David. "Translation and transgression in William Morris's Aeneids of Vergil (1875)." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/6934.
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The purpose of this study of William Morris’s 1875 translation of Vergil’s Aeneid is to rehabilitate this translation after more than a century of almost total critical neglect. Following an introductory chapter that situates Morris within the context of emerging theories that seek to characterise the problems that are unique to classical translation activity and the nature of “retranslation” as promulgated by Laurence Venuti and others, I examine Morris’s preparation for this massive classical task, interrogating the extent and character of his classical education at Marlborough College and Oxford University in the 1850s. I then examine his “two Aeneids” – an illumination on vellum of Vergil’s epic in Latin, begun in 1874 with Edward Burne-Jones but never completed, and his subsequent unadorned translation of the Aeneid into English, which he completed in 1875 and which was published by the end of that same year – in a third chapter that engages what little criticism is available on the illuminations, before describing and interpreting them for the reader (plates are also provided as an Appendix.) My fourth chapter, the centrepiece of the dissertation, constitutes a close critical reading of Morris’s translation alongside the Latin original, and the final chapter rounds out the discussion by way of addressing the spotty critical treatment of this lengthy work of classical translation, after which I situate Morris within the history of English translations of the Roman epic by means of theory: namely, Antoine Berman’s “retranslation hypothesis”, Lawrence Venuti’s concept of “doubly-abusive fidelity”, and Siobhan Brownlie’s proposal for a post-structuralist retranslation theory. I conclude that a just interpretation of Morris’s achievement will begin with an understanding of his aesthetic, ethnic, and political motivations, and I conclude that his Aeneids are a unique and valuable contribution to late Victorian classical translation praxis.
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SILVA, A. F. "Sistema de Navegação Robótica por Imagens de Pontos de Interesse." Universidade Federal do Espírito Santo, 2012. http://repositorio.ufes.br/handle/10/4258.
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Previous issue date: 2012-08-29As imagens projetadas dentro de nossos olhos mudam o tempo todo por conta do movimento dos olhos ou do nosso corpo como um todo. Contudo, percebemos o mundo retratado nas imagens capturadas pelos olhos como estável. Muito embora, as imagens projetadas nas retinas humanas sejam bidimensionais, o cérebro é capaz de sintetizar uma representação tridimensional estável a partir delas, com informações sobre cor, forma e profundidade a respeito dos objetos no ambiente ao nosso redor, viabilizando nossa navegação no mundo por meio do sentido da Visão. Neste trabalho, investigamos modelos matemático-computacionais de cognição visual (compreensão do mundo e das ideias por meio da Visão), aplicados ao problema de navegação de veículos autônomos. Nós empregamos modelos probabilísticos de navegação exploratória e de localização e mapeamento simultâneos (Simultaneous Localization And Mapping, ou SLAM), e desenvolvemos modelos dos movimentos oculares de busca visual e vergência baseados em Redes Neurais Sem Peso (Virtual Generalizing RAM, ou VG-RAM) para navegar um robô autônomo através de uma caminho definido por uma sequencia de pontos de interesse especificados na forma de simples fotos 2D do ambiente. Nossos resultados mostraram que é possível navegar um robô autônomo de um ponto de origem até um ponto de destino fornecendo apenas imagens não contiguas do caminho.
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CHERRIH, BEATRICE. "Tumeur de buschke-loewenstein : a propos d'un cas localise a la verge et revue de la litterature." Reims, 1988. http://www.theses.fr/1988REIMM049.
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Gajardo, Araos Javiera María. "Variabilidad de la cerámica pintada/engobada El Vergel en el sector septentrional de la Araucanía." Tesis, Universidad de Chile, 2017. http://repositorio.uchile.cl/handle/2250/167795.
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ArqueólogaEn esta memoria se pretende evaluar la variabilidad de la cerámica decorada entre distintos sitios del período Alfarero Tardío adscribibles al Complejo Cultural El Vergel, para conocer cómo se distribuyen a escala regional ciertos modos de hacer. La unidad de análisis corresponde a los fragmentos pintados/engobados de cinco sitios domésticos del sector septentrional de La Araucanía, estudiando los grupos decorativos, las formas y las materias primas utilizadas en su confección (pastas, pinturas y engobes). El enfoque teórico en el cual se sustenta esta memoria es la antropología de la tecnología, la cual permite problematizar el objeto de estudio entendiéndolo como un producto social dinámico y complejo. En el análisis se infirieron categorías de vasija, se caracterizaron las pastas de los fragmentos, y las pinturas y engobes se analizaron mediante LA-ICP-MS, dando cuenta de las “recetas” utilizadas. A partir de lo expuesto, se pudo concluir que las vasijas pintadas/engobadas, si bien se confeccionan a una escala local, poseen ciertas pautas que buscan una forma y apariencia común. Además, en su producción se identifican “recetas” en engobes y pinturas que son compartidas y que pueden corresponder a una circulación de conocimientos, materias primas y/o vasijas, reflejando parte de las relaciones que se desarrollaron entre los distintos grupos de alfareros
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Kendall, Allen Alexander. ""Queen of Kings": Masculinity and Femininity in the Visual Rhetoric of Cleopatra VII and Augustan Distortions Thereof." BYU ScholarsArchive, 2019. https://scholarsarchive.byu.edu/etd/7553.
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To address every aspect in which Cleopatra VII asserted her right to rule and maintain the favor of her own subjects and of Rome would be far too large a task for anything less than a book-length treatment. Rather than attempt to address multiple issues, this thesis addresses just one aspect of Cleopatra's political strategy to visualize her legitimacy as ruler: namely a combination of masculine and feminine elements in her iconography. This thesis will then follow the same themes in elements of Cleopatra's visual rhetoric was seized upon by the poets of Augustan Rome, who used it to the opposite effect, making her out to be unfit to rule. In the case of Cleopatra's visual rhetoric, the emphasis shifts in different periods, as Cleopatra adapted her rhetorical strategy to her personal circumstances and her intended audience, at times emphasizing certain masculine elements and at other times focusing on feminine. The Roman authors, on the other hand, see Cleopatra's status in ruler as a usurpation of the masculine rule and therefore monstrous and unspeakable. In order to take the queen and fit her into a Roman world view, they make use of various types of women customary to Classical literature to confine her to a role appropriate”from their perspective"for a woman. In every case, however, gender is used to demonstrate Cleopatra's legitimacy, or perceived lack thereof.
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Walther, Michael [Verfasser], and Alexander [Akademischer Betreuer] Verl. "Antriebsbasierte Zustandsdiagnose von Vorschubantrieben / Michael Walther. Betreuer: Alexander Verl." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2011. http://d-nb.info/1015681743/34.
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Brix, Jonathan [Verfasser], and Alexander [Akademischer Betreuer] Verl. "Entwicklung eines verteilten Energiemanagementsystems / Jonathan Brix. Betreuer: Alexander Verl." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2015. http://d-nb.info/107677587X/34.
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Bock, Hans-Peter [Verfasser], and Alexander [Akademischer Betreuer] Verl. "Fehlertolerante numerische Steuerung / Hans-Peter Bock. Betreuer: Alexander Verl." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2015. http://d-nb.info/1076775829/34.
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Teichert, Andreas Verfasser], and Alexander [Akademischer Betreuer] [Verl. "Handhabung von oberflächensensitiven Glasobjektträgern / Andreas Teichert. Betreuer: Alexander Verl." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2013. http://d-nb.info/1032171251/34.
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Engel, Tobias [Verfasser], and Alexander [Akademischer Betreuer] Verl. "Reibadaptive Gleitführungen für Vorschubantriebssysteme / Tobias Engel ; Betreuer: Alexander Verl." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2017. http://d-nb.info/1135608458/34.
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Teichert, Andreas [Verfasser], and Alexander [Akademischer Betreuer] Verl. "Handhabung von oberflächensensitiven Glasobjektträgern / Andreas Teichert. Betreuer: Alexander Verl." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2013. http://d-nb.info/1032171251/34.
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Alina, Zaulet Adnana. "On the verge of bioorganic and inorganic chemistry: metallacarboranes in nanomedicine." Doctoral thesis, Universitat Autònoma de Barcelona, 2015. http://hdl.handle.net/10803/323097.
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La investigación presentada en esta tesis describe la síntesis y caracterización de derivados aniónicos de metalacarboranos y las aplicaciones posteriores.
La primera sección de la tesis se centra en la síntesis y caracterización de derivados metilados del cobaltacarboranos. La reacción de alquilación se ha logrado con éxito mediante acoplamiento cruzado entre el vértice BI y un reactivo de Grignard en presencia de [PdCl2(PPh3)2] como catalizador y CuI como cocatalizador.
La determinación y la modulación del potencial redox de metalacarboranos con diferentes sustituientes ha sido estudiado con gran interés en nuestro grupo. Por lo tanto, se ha desarrollado con éxito una ruta sintética eficiente para obtener derivados clorados de metalacarboranos y el posterior estudio de las propiedades electroquímicas de los compuestos que se han sintetizado. El E1/2 (MIII/MII, M=Co, Fe) de los aniones B-halogenado y B-metilado de los metalacarboranos que se determinaron experimentalmente por voltametría cíclica indican que cada halógeno (Cl o I) introducido produce un efecto mayor y contrario al que produce el grupo alquilo. Basándose en su E1/2 potencial, ciertos compuestos seleccionados han sido probados como electrolitos en los dispositivos DSSC.
Un logro importante reportado en esta tesis fue el aislamiento de diferentes sales de calcio, plata y hierro del cobaltacarboranos [3]- y sus derivados yodados. La posible aplicación de moléculas aniónicas altamente yodadas como agentes de contraste radiopacos para diagnóstico mediante imágenes de rayos X, requiere la síntesis y caracterización de Ca[I4-3]2 y Ca[I8-3]2. Las sales de plata derivadas del cobaltacarborano se han utilizado como precursoras para preparar las correspondientes sales de Fe(II) y Fe(III) que pueden formar nanopartículas magnéticas.
La capacidad de los metalocarboranos individuales para el autoensamblaje y el agregado en soluciones acuosas se ha estudiado en los últimos años. Más recientemente, se ha demostrado que pequeños cambios en la estructura molecular de [3]- provocan modificaciones importantes en su comportamiento en disolución. Cuando se trabaja a altas concentraciones, la sustitución de dos BH por dos BI en la estructura de [3]- conduce a una fase liotrópica lamelar, mientras que las vesículas se forman a concentraciones bajas (1-9mM). Hemos preparado, aislado y caracterizado diferentes sales de cobaltacarborano y algunos derivados para los cuales se ha estudiado su comportamiento en D2O a diferentas concentraciones mediante 1H{11B}-RMN y 11B{1H}-RMN.
Otro objetivo importante fue la reacción de apertura de anillo de los derivados de metalacarboranos functionalizados con un anillo de dioxano con biomoléculas, tales como vitaminas, ácidos grasos y azúcares a través de una reacción nucleófila. La reacción de yodación de estas biomoléculas con I2 natural, se realizó con éxito y con buenos rendimientos. Hemos diseñado nuevos derivados bioactivos de metalacarboranos que contienen dos posiciones reactivas diferentes: un átomo yodado para ser radiomarcado y una rama de PEG que se une al vector biológico. Las soluciones inyectables de compuestos química y radioquímicamente puras se han obtenido después de las reacciones de radiomarcaje, ya sea con 125I o 124I a través de la reacción de intercambio isotópico empleando un complejo de paladio como catalizador. Posteriormente se han realizado estudios de biodistribucion in vivo mediante Tomografía por Emisión de Positrones (PET) en ratones sanos y una vez confirmada la bioacumulation se estudió para ratones con cáncer de páncreas y pulmón.The research presented in this thesis describes the synthesis and characterization of anionic metallabis(dicarbollide) derivatives and the posterior applications. The first section of the thesis is focused on the synthesis and characterization of methylated cobaltabis(dicarbollide) derivatives. The alkylation reaction has been successfully accomplished by cross-coupling reaction between the B-I vertex and Grignard reagent in the presence of [PdCl2(PPh3)2] as catalyst and CuI as cocatalyst. The redox potential determination and modulation of differently substituted metallacarboranes is a matter of interest in our group. So, an efficient synthetic pathway to obtain chlorinated metallabis(dicarbollide) derivatives has been successfully developed and the posterior study of electrochemical properties of the compounds has been accomplished. The E1/2 (MIII/MII, M=Co, Fe) for B-halogenated and B-methylated metallabis(dicarbollide) anions were experimentally determined by Cyclic Voltammetry indicating that each halogen atom (Cl or I) produces an opposite and larger effect than each alkyl moiety. Based on their E1/2 potential, selected compounds have been tested as electrolytes in the DSSC devices. An important achievement reported in this thesis was the isolation of different calcium, silver and iron salts of cobaltabis(dicarbollide) [3]- and its iodinated derivatives. The possible application of such highly iodinated anionic molecules as radiopaque contrast agent for X-ray diagnosting imaging, required the synthesis and characterization of Ca[I4-3]2 and Ca[I8-3]2. Silver set of cobaltabis(dicarbollide) derivatives have been used as precursor to prepare the corresponding Fe(II) and Fe(III) salts that can form magnetic nanoparticles. The ability of single metallacarboranes to self-assembly and aggregate in aqueous solutions has been demonstrated in the last few years. More recently, it has been proven that minor changes in the molecular structure of [3]- provoke major modifications in the solution behavior. The substitution of two B-H by two B-I in the structure of [3]- leads to a lamellae lyotropic phase at high concentration, while vesicles are formed at small concentration (1-9mM). We prepared, isolated and characterized a set of different salts of the parent cobaltabis(dicarbollide) and some of its derivatives and we studied by 1H{11B}-NMR and 11B{1H}-NMR in D2O their behavior at different concentrations. Another important goal was the ring opening reaction of the zwitterionic metallabis(dicarbollide) derivatives with biomolecules, such as vitamins, fatty acids and sugars via a nucleophilic reaction. The iodination reaction of this biomolecules with natural I2 was successfully performed in good yields. We have designed new bio-functional metallabis(dicarbollide) derivatives which contain two different reactive sites: a suitable iodinated moiety ready to be radiolabeled and a PEG branch that can carry the vector. Injectable solutions of chemically and radiochemically pure compounds have been obtained after the radiolabelling reactions with either 125I or 124I via palladium catalyzed isotopic exchange reaction. In vivo Positron Emission Tomography (PET) biodistribution studies were performed on healthy mice and also in tumor model.
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Özdemir, Oya Armağan Ramazan. "Gider vergileri alanında Türk vergi sisteminin Avrupa Birliği müktesebatı ile uyumlaştırılması /." Isparta : SDÜ Sosyal Bilimler Enstitüsü, 2008. http://tez.sdu.edu.tr/Tezler/TS00665.pdf.
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Heil, Andreas. "Maronis Mentula: Vergil als Priapeen-Dichter bei Martial (Mart. 9, 33)." De Gruyter, 2013. https://tud.qucosa.de/id/qucosa%3A71058.
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Ordoñez, Guerrero Iris Cecilia 1977. "(In)segurança alimentar no assentamento rural Horto Vergel, Mogi Mirim,SP." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/256967.
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Orientador: Sonia Maria Pessoa Pereira BergamascoDissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Engenharia Agricola
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Resumo: Esta pesquisa desenvolveu-se no Assentamento Rural Horto Vergel, localizado entre os municípios de Mogi Mirim e Itapira - Estado de São Paulo e teve como universo de estudo às 90 famílias titulares do assentamento. O objetivo principal foi identificar os principais entraves e potencialidades que as famílias do assentamento Horto Vergel têm para alcançar a Segurança Alimentar entendida como a realização do direito de todos ao acesso regular e permanente a alimentos de qualidade, em quantidade suficiente, sem comprometer o acesso a outras necessidades essenciais, tendo como base práticas alimentares promotoras da saúde que respeitem a diversidade cultural e que sejam ambiental, cultural, econômica e socialmente sustentáveis. Para tal fim, utilizou-se, como principal instrumento de coleta de dados, o questionário de "(In)segurança Alimentar para grupos de Agricultores Familiares do Brasil", questionário testado e validado para a realidade Brasileira e que contem alem da metodologia da Escala Brasileira de Insegurança Alimentar (EBIA), indicadores sócio-demográficos, renda familiar, escolaridade, trabalho, saúde, dentre outros. A EBIA é um método que consiste na formulação de 15 perguntas à pessoa responsável da família com a finalidade de captar, através das respostas, as distintas dimensões da (In)segurança Alimentar do seu domicílio, classificando-as em quatro categorias: Segurança Alimentar (SA), Insegurança Alimentar Leve (IL), Insegurança Alimentar Moderada (IM), e Insegurança Alimentar Grave (IG). Finalmente, chegou-se à conclusão que no Assentamento Horto Vergel predomina a Insegurança Alimentar em um 65,5% das famílias, sendo que os principais entraves que as limitam a alcançar sua segurança alimentar são: a baixa renda, o elevado número de integrantes por família, problemas de saúde, baixa escolaridade e rendimento agropecuário abaixo da meia nacional. As principais potencialidades que apresentam são: produção agropecuária diversificada, iniciativas de processamento da produção, prática de atividades não agrícolas dentre outras.
Abstract:This research was developed in the Rural Settlement Horto Vergel, located between the municipalities of Mogi Mirim and Itapira - State of São Paulo and was to study the 90 families who live in the settlement. The main objective was to identify the obstacles and opportunities that families of the settlement Horto Vergel face, in order to achieve food security, that being- the right of regular and permanent access to quality foods, in sufficient quantity, without compromising access to other essential needs, based on promoting health food practices that respect cultural diversity and such as environmental diversity, cultural, economic and social sustainability. To achieve this objective, the main tool that was used for data collection was the questionnaire "(In) Food Security for groups of farmers in Brazil", tested and validated for Brazil's reality and that contains the methodology of the German Scale Brazil's Food Insecurity (EBIA), socio-demographic indicators, family income, education, work and health, among others. The EBIA is a method that consists of formulating 15 questions to a person in the family with the purpose of capturing, through the responses, the different dimensions of (In) Food Security of your home, classifying them into four categories: food security ( SA), Food Insecurity Light (IL), Moderate Food Insecurity (IM), and insecurity Food Record (IG). Finally, it was concluded that the settlement Horto Vergel food insecurity prevails in 65,5% of households, and the main barriers that limit their achievement of food security are: poverty, the high number of members per family, health problems, poor, education and agricultural income below the national average. Their greatest potential are: diversified agricultural production, processing initiatives for the production, circulation of nonagricultural activities, among others.
Mestrado
Planejamento e Desenvolvimento Rural Sustentável
Mestre em Engenharia Agrícola
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Mahmoud, Aida Gamal Eldin. "Transição agroecológica: estudo de caso da associação das mulheres AMA Vergel." Universidade Federal de São Carlos, 2011. https://repositorio.ufscar.br/handle/ufscar/104.
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Previous issue date: 2011-02-03Financiadora de Estudos e Projetos
The agriculture modernization and industrial growth coupled with the implementation of public policies has led to a major exodus from the country, notably between the 60 s and 80 s when around 13 million people have fled the field and headed towards the urban centers. This equates to 33% of rural population in the early 60's. The rural settlements emerge as an opportunity to return to work the land, and in addition to that, the application of agroecological principles emerges as a great option to conventional agriculture. The objective of this research was to analyze the association of agroecology women of Vergel (AMA Vergel) during a process of agroecological transition, rescuing the life history of the group members and the history of the group emergence as well. The possibilities and limitations that exist within the group were analyzed from the perspective of solidary economy. We studied the ownership and involvement of research actors on learning concepts in agroecology. There was a strengthening of group work which enhances the autonomy and recognition of that, and moreover, the self-esteem of female members of the group is higher, despite facing opposition inside and outside the family. The performance of various institutions working with the group resulted in a large accumulation of information, but as they are not attuned to each other and had different temporal perspective from the group, they did not achieve the expected success. In recent years the group has expanded their contacts with other agroecology realities. An example of good association of agroecological knowledge, related to agricultural practices and life in society, could be seen on small farm Nova Vida . Women who join to work in group look for strength to face the adversities and an opportunity to improve the quality of their lives and of their families.
A modernização da agricultura aliado ao crescimento industrial e a implementação de políticas públicas levou à ocorrência de um grande êxodo rural no país, notadamente entre as décadas de 60 e 80 quando aproximadamente 13 milhões de pessoas abandonaram o campo e rumaram em direção aos centros urbanos. Isso equivale a 33% da população rural do início da década de 60. Os assentamentos rurais surgem como uma oportunidade de retorno ao trabalho na terra e, para fazer frente á agricultura convencional altamente demandante de insumos e capital, a aplicação dos princípios agroecológicos destaca-se como uma grande opção entre os assentados. O objetivo desta pesquisa foi analisar a Associação das Mulheres Agroecológicas do Vergel (AMA Vergel) no processo de transição agroecológica. Resgatou-se a história de vida das integrantes do grupo, bem como o histórico do surgimento do grupo. As possibilidades e os limites existentes dentro do grupo foram analisados dentro da perspectiva da economia solidária. Foi estudada a apropriação e envolvimento dos atores da pesquisa com os conceitos trabalhados na agroecologia. Verificou-se um fortalecimento do trabalho em grupo, o que melhora a autonomia e o reconhecimento do mesmo, além disso, a auto-estima das mulheres integrantes do grupo está mais elevada, apesar do enfrentamento de resistência dentro e fora do núcleo familiar. A atuação de várias instituições trabalhando com o grupo resultou em um grande acúmulo de informações, mas que por não estarem sintonizadas entre si e com perspectiva temporal diferente do grupo, não obtiveram o êxito esperado. Nos últimos anos o grupo AMA Vergel vem ampliando seus contatos com outras realidades agrícolas de vertente agroecológica. No Sítio Nova Vida pôde ser observado um exemplo de boa associação do conhecimento de base agroecológica, tanto referentes às práticas agrícolas como à vida em sociedade. As mulheres ao se unirem no trabalho em grupo buscam força para enfrentar as adversidades do dia a dia e oportunidade de melhorar a qualidade de suas vidas e da de seus familiares.
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Quilodrán, Vega Rodrigo. "Conservación y restauración de un contexto fúnebre del Complejo El Vergel." Tesis, Universidad de Chile, 2013. http://www.repositorio.uchile.cl/handle/2250/114916.
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Postítulo en restauración del patrimonio cultural muebleLa presente tesis es el resultado de 7 meses de práctica como ayudante en el Laboratorio de Conservación del Museo Mapuche de Cañete, Región del Bío-Bío. Se trabajó apoyando a Patricia Muñoz, Encargada de Colecciones de dicha institución, en varias labores propias del Museo, que tenían o no que ver con el manejo del depósito. Gracias al apoyo brindado por parte de la Directora de este Museo, Juana Paillalef, se me dio la oportunidad de vivir durante esos meses en una instalación habilitada como hospedaje a un costado del Museo. Por lo que prácticamente se dedicó la mayor parte de las horas del día, entre enero y julio del 2013, a la práctica. En ésta se desarrollaron labores de diversa índole, desde el rescate arqueológico en terreno, conservación y restauración en Laboratorio, hasta turnos de nochero, recepcionista en la entrada del Museo, realización de talleres comunitarios, recepción de público y guiaturas; y principalmente, la experiencia del contacto directo y cotidiano con comunidades Mapuche del sector.
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Merkley, Kyle Glenn. "Quis Tantus Furor? The Servian Question, Gallus, and Orpheus in Georgics 4." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/6238.
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In Servius' commentary, there are two elusive statements concerning the ending of the Georgics. Both of these statements seem to imply that Vergil changed the ending of the Georgics and that the Orpheus epyllion as it now stands was a later edition to the poem. The question of whether or not Servius is correct in this assertion is a central question in Vergilian studies. By focusing on the reception of Orpheus prior to Vergil, the Roman Orpheus of Vergil's time, and Vergil's own use of the Orpheus figure, a potential answer emerges to the Servian question. In order to answer this question, the primary inquiry of this paper seeks to find from where Vergil received his Orpheus story. A comprehensive analysis of references to Orpheus in ancient literature leads to the conclusion that before the first-century B.C.E. the primary narrative of Orpheus is not one of failure. Rather, Orpheus appears to successfully retrieve his wife from the underworld. Orpheus does not appear as an important figure in Roman literature until the second half of the first-century when nearly at the same time as Vergil is writing the Georgics Orpheus' popularity explodes in Roman art and literature. Yet, Vergil does not seem to be the source of Orpheus' popularity in Rome, nor does Vergil seem to be inventing a new narrative in which Orpheus fails. The missing source for Vergil's Orpheus figure appears to belong to the first-century. Orpheus appears as a central figure in the Georgics, the Eclogues, the poems of Propertius, and the Culex. Each of these works is rife with references to the poetry of Cornelius Gallus. Given Gallus' prominence in first-century Roman poetry, his close association with Orpheus, the Servian claims of a laudes Galli in the fourth Georgic, and the rise of Orpheus' popularity in the second half of the first-century, Gallus seems a likely source for Vergil's Orpheus.
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Friedrich, Christian [Verfasser], and Alexander [Akademischer Betreuer] Verl. "Robotermanipulationsfähigkeiten zur Automatisierung von Instandhaltungsaufgaben / Christian Friedrich ; Betreuer: Alexander Verl." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2019. http://d-nb.info/1196624259/34.
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Wohlfeld, Andreas [Verfasser], and Alexander [Akademischer Betreuer] Verl. "Fertigungstechnische Simulationsmethoden für medizinische Assistenzsysteme / Andreas Wohlfeld ; Betreuer: Alexander Verl." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2020. http://d-nb.info/1217658459/34.
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Browatzki, Björn Verfasser], and Alexander [Akademischer Betreuer] [Verl. "Multimodal object perception for robotics / Björn Browatzki. Betreuer: Alexander Verl." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2015. http://d-nb.info/1076775705/34.
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Eberspächer, Philipp [Verfasser], and Alexander [Akademischer Betreuer] Verl. "Zustandsmodellbasierte, steuerungsnahe Energieverbrauchsoptimierung von Werkzeugmaschinen / Philipp Eberspächer ; Betreuer: Alexander Verl." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2017. http://d-nb.info/1129174662/34.
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Browatzki, Björn [Verfasser], and Alexander [Akademischer Betreuer] Verl. "Multimodal object perception for robotics / Björn Browatzki. Betreuer: Alexander Verl." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2015. http://d-nb.info/1076775705/34.
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Inglis, Bruce. "Leading on the verge of peril : a creative journey of vice-principalship." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/7893.
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This work comprises both artistic expression and self-inquiry to tell the story of a Vice-Principal’s apprenticeship and his travels in the narrative landscape of public school. Using creative non-fiction methods, the lived experiences of a Vice-Principal are told through a collection of vignettes, adventures and mishaps that occur to the characters in and across the community arena of a typical Vancouver school called Kitsilano Elementary. Much of what is presented describes the struggle for meaning and professional development which the main character must experience to learn leadership. Angus Bruce, the apprenticing Vice-Principal undergoes training for leadership, taking guidance from a mentor, and attempts to avoid the perils and pitfalls that dot his landscape and challenge his authority and identity. In this narrative Angus shares his experiences, creative expression and practices of school administration, his personal angst and educational joy in caring for young people and the transformations that are experienced in gaining a professional knowledge required to be promoted to a Principalship. The narrative is written using creative non-fiction to portray a work of truthful representations in a fictionalized work of art. This arts-informed inquiry uses narrative structures, poetry, and a/r/tography to situate the self-study of administrative service and servant leader in a fictionalized work of art, while creatively portraying the researcher’s inner voices of unease, humility and gratitude.
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Öztürk, Neslihan Aslan Armağan Ramazan. "1990 sonrası Türkiye'de uygulanan vergi politikaları ve kayıt dışı ekonomiyi önleyici etkisi /." Isparta : Süleyman Demirel Üniversitesi Sosyal Bilimler Enstitüsü, 2007. http://tez.sdu.edu.tr/Tezler/TS00585.pdf.
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Rizzo, Alessandra. "Realism in transition : a comparative study of cultural translations - Bennet, Lawrence, Verga." Thesis, University of Essex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400981.
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Clayton, M. G. "'Tempests, and such like drolleries' : Jonson, Shakespeare and the figure of Vergil." Thesis, University of Cambridge, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.373666.
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Petrini, Mark. "The child and the hero : coming of age in Catullus and Vergil /." Ann Arbor : University of Michigan press, 1997. http://catalogue.bnf.fr/ark:/12148/cb371824133.
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BALDAN, PERROT JOCELYNE. "Les différents visages du désir dans l'œuvre de Maupassant et de Verga." Dijon, 1991. http://www.theses.fr/1991DIJOL005.
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Cette thèse est essentiellement consacrée à l'aspect intimiste de l'œuvre de Maupassant et de Verga; elle s'efforce de montrer qu'au réalisme de certains récits se superpose un langage plus mystérieux et plus profond, relié à la vie intérieure et imaginaire de l'esprit. Elle cherche ainsi à découvrir la signification des images et des symboles poétiques contenus dans le texte, à travers l'étude comparée de six nouvelles, réunies par de grandes similitudes au niveau thématique : Une partie de campagne et Di la del mare, regret et la coda del diavolo, Miss Harriet et ii canarino del numero quindici. Le désir est un des fils conducteurs qui unit l'univers fictif de Maupassant et celui de Verga; ce mot désir ne doit pas être compris dans un sens restrictif qui le limiterait à son aspect charnel et superficiel. Energie vitale d'où peut naitre l'amour, ou puissance bloquée qui peut conduire à une angoisse mortelle, il soulève des questions qui passent, grâce à la psychanalyse, par les profondeurs les plus secrètes de l'inconscient, et s'élèvent jusqu'aux plus hauts niveaux de la conscience; se trouvent ainsi poses les grands problèmes éthiques, psychologiques, et spirituels qui concernent la science du cœur humainThis thesis is essentially consecrated to the intimism aspect of the work of Maupassant and Verga; it tries to show that a deeper and more mysterious language is linked with the inward and imaginary life of the spirit, and superimposed to the realism of certain narratives. It attempts to discover the signification of the images and of the poetical symbols of the text, through the comparative study of six short stories: une partie de campagne and Di la del mare, regret and la coda del diavolo, mMss Harriet and ii canarino del numero quindici. Desire is the clue which connects the fictitious universe of Maupassant and Verga; this word desire is not to be understood in a restrictive sense which should limit it to a carnal and shallow aspect. Vital energy from which love can born, or blocked force force which can lead to a mortal anguish, it raises questions which, thanks to the psychoanalysis pass by the darkest profundities of the conscience; so are laid down the great ethical, psychological and spiritual problems concerning the science of the human heart
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Xinyue, B. "The divinity of Augustus in the poetry of Vergil, Horace, and Propertius." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1461318/.
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This doctoral dissertation investigates poetic representations of Augustus as divine during the formative stages of the Roman imperial cult. The dissertation takes the form of a philological study of poetry, but the intersection between literature and material culture (such as coinage, art, and architecture) runs through the project. Methodologically, this thesis falls within the framework of new historicism – finding meaning for poetic images in their relation to the world outside the text; and the thesis seeks to make connections between poetic texts and political and religious history. This dissertation, in short, challenges the prevalent view of White (1993: 169- 70) and Gradel (2002: 110) that poetry does not meaningfully engage with the development of the divine status of Augustus. I argue that the works of Vergil, Horace, and Propertius provide important insights into the way Octavian/Augustus fashioned divine images for himself, and that poetry elicits near-contemporary discussions of the prospect of Augustus’ deification. This dissertation does not purport to be a study of the textual sources for the cult of Augustus, but rather an attempt to reassert the full integration of poetry into political debate and cultural activity. In this reading, poetry itself becomes a cultural technology for, or a challenge to, deification. Chapters 1 and 2 focus on Octavian’s various divine personae during the civil war period through the lens of Vergil’s Eclogues and Georgics. Chapters 3 and 4 concentrate on Horace’s Odes 1-3 and Propertius 1-3, and argue that the poets in the early years of the Principate continued to conceptualise Augustus’ power in divine terms, even though the practice of depicting Augustus as divine came to a halt in official art. Chapters 5 and 6 study the dynamic between Aeneas, Apollo and Augustus in Vergil’s Aeneid and Horace’s Carmen Saeculare. Finally, Chapters 7 looks at book 4 of Propertius, examining in particular the elegist’s response to the connection between Apollo and Augustus in contemporary literature and elsewhere, as well as the poet’s anticipation of the formal deification of Augustus.
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Mantegna, Elisabetta. "Syntaxe descriptive dans mastro-don gesualdo. Espaces urbains, ruraux et de travail entre réalités et "Fantasticheria"." Thesis, Pau, 2016. http://www.theses.fr/2016PAUU1039/document.
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Notre analyse se concentre sur la représentation narrative des lieux et des paysages dans les deux versions du Mastro-don Gesualdo de Giovanni Verga (1888 et 1889) en ajoutant à l'approche littéraire traditionnelle celle des études stylistiques et de la typologie textuelle. Partant du principe historico-critique selon lequel l'espace est l'élément clé dans la relation entre syntaxe, lexique d'auteur, thèmes et contenus dans le roman moderne, nous avons élaboré et analysé un corpus contenant une centaine de passages descriptifs. Nous avons confronté tout d'abord les solutions textuelles adoptées par l'auteur dans les deux éditions du roman, et nous avons ensuite essayé de caractériser, sur la base de ces données objectives, les dynamiques de textualisation et de structuration des facteurs spatiaux et paysagers dans le Mastro-don Gesualdo. En comparant les rares énonciations théoriques de Verga avec des extraits du texte narratif, nous avons pu remarquer que dans la représentation de la réalité du Mastro-don Gesualdo, l'auteur a bien présent à l'esprit l'idée de Zola de faire participer les descriptions de l’environnement d’un personnage à sa caractérisation, mais qu'il ne renonce pas pour autant à un descriptivisme littéraire et imprégné de lyrisme. La présence des stratégies syntaxiques, stylistiques et élocutoires - au niveau des allitérations et des onomatopées jusqu'à celui des anaphores, des comparaisons, des antithèses et des métonymies - confirme le lien constant entre grammaire et rhétorique en tant que caractéristique stylistique des chefs-d’œuvre véristesOur analysis concentrates on the narrative representation of places and landscapes in both versions of Giovanni Verga's Mastro-don Gesualdo (on 1888 and 1889) by adding to the traditional literary approach that of the stylistic studies and the textual typology. Runner of the principle historico-criticizes according to which one(which) the space is the key element in the relation between syntax, author's lexicon, themes and contained in the modern novel, we developed and analyzed a corpus containing hundred descriptive passages. We confronted first of all the textual solutions adopted by the author in both publishing(editions) of the novel, and we then tried to characterize, on the basis of these objective data, the dynamics of textualisation and of structuring of the spatial factors
L’analisi condotta in questa tesi di dottorato si incentra sulla rappresentazione narrativa di luoghi e paesaggi nelle due stesure del Mastro-don Gesualdo di Giovanni Verga (1888 e 1889), e integra al tradizionale approccio letterario un’osservazione linguistico-stilistica e tipologico-testuale. A partire dal presupposto storico-critico che nel romanzo moderno lo spazio è il cardine della relazione tra sintassi, lessico d’autore, temi e contenuti, si è costruito e indagato un corpus di un centinaio di inserti descrittivi. Si sono raffrontate innanzitutto le soluzioni testuali adottate dall’autore nelle due edizioni del romanzo, e si è poi tentato di caratterizzare, in base a dati attendibili e oggettivi, le dinamiche di testualizzazione e di strutturazione dei fattori spaziali e paesistici nel Mastro-don Gesualdo. Confrontando le rare enunciazioni teoriche verghiane con il testo narrativo, si è potuto appurare come nella rappresentazione della realtà gesualdesca l’autore abbia ben presente il mandato zoliano di attagliare realisticamente le descrizioni alla caratterizzazione ambientale del personaggio, ma non rinunci a un descrittivismo liricheggiante e letterario. L’articolata gamma di strategie sintattico-stilistiche ed elocutive - dal livello minimo di allitterazioni e onomatopee al livello più elevato di anafore, similitudini, antitesi, metonimie - conferma il costante connubio tra grammatica e retorica come cifra stilistica dei capolavori veristi
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López, Crisosto Manuela Sofía. "Integración social a nivel supra doméstico de las comunidades presentes en Isla Mocha durante el período Alfarero Tardío: Una aproximación a partir de los estilos tecnológicos de producción cerámica." Tesis, Universidad de Chile, 2017. http://repositorio.uchile.cl/handle/2250/167837.
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ArqueólogaEn esta memoria se aborda el problema de la integración social entre las comunidades domésticas presentes en Isla Mocha durante el período Alfarero Tardío, en lo que conocemos como el Complejo El Vergel (1000 d.C. - 1550 d.C.). Este estudio fue realizado con material cerámico proveniente de siete sitios de carácter doméstico presentes en la isla, y el enfoque teórico en el que se enmarca sienta sus bases en la antropología de la tecnología. De acuerdo a este enfoque, la tecnología va a ser entendida como un proceso de transformación no sólo material, sino que también social, donde va a existir una “manera correcta” de hacer las cosas que se verá reflejada en las elecciones que los artesanos realizan en cada etapa de la cadena de manufactura de las vasijas. De esta manera, la identificación de ciertos patrones o estilos tecnológicos nos va a permitir evaluar si la proximidad o distancia entre los conjuntos residenciales encuentra un correlato en algún tipo de semejanza o diferencia entre sus tradiciones tecnológicas, aludiendo en definitiva a la escala espacial en la que se comparten las tradiciones tecnológicas alfareras y aportando, por ende, a la comprensión de la integración social en la que se configuran los sitios o comunidades domésticas que habitan la isla. A partir de la reconstrucción de ciertos pasos de la cadena operativa, fue posible concluir que: a) existe una tradición alfarera macro compartida por todas las comunidades domésticas que habitan la isla, b) se observan tres configuraciones espaciales de los estilos tecnológicos: existe una mayor semejanza entre los sitios del sector “norte” versus los sitios del sector “sur”; los sitios P29-1 y P25-1, emplazados en la punta norte de la isla, se comportan de manera bastante similar; y destacan los sitios P5-1 y P23-2 por comportarse de manera distinta a los restantes sitios de su sector
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Delgado, Orellana Ayelén. "El registro antracológico en contextos El Vergel Y Reche-Mapuche de Isla Mocha. Una aproximación a la gestión de los paisajes vegetales leñosos." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/152302.
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ArqueólogaLa presente memoria caracteriza la gestión del paisaje vegetal leñoso a partir de los espectros antracológicos obtenidos de contextos arqueológicos El Vergel y Reche-Mapuche de Isla Mocha, para lograr así, una aproximación a la relación entre sociedad y paisaje. Se analizaron 2.028 fragmentos de carbón vegetal recuperados mediante columnas de flotación realizadas en los sitios P05-1 y P31-1 de Isla Mocha. Los resultados obtenidos señalarían que si bien se observan diferencias entre los sitios analizados, estos no dan cuenta de una gestión diferencial del paisaje vegetal leñoso en una escala de unidad doméstica, si no que más bien reflejaría grados de autonomía de las mismas. Esto implica que aún cuando cada unidad habría accedido y utilizado las diferentes asociaciones vegetales leñosas de la Isla de manera independiente, las actividades en relación al paisaje leñoso responderían a una pauta cultural compartida entre los grupos que habitaron la Mocha entre el 1.000 y 1.685 d.C