Relevant bibliographies by topics / Verlag der Kunst (Dresden, Germany)

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Academic literature on the topic 'Verlag der Kunst (Dresden, Germany)'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Verlag der Kunst (Dresden, Germany)"

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Heisel, Joachim P. "Stefan Bürger (Hrsg.), Werkmeister im Konflikt. Quellen, Beiträge und ein Glossar zur Geschichte der sog. Bauhütten. Stuttgart und Leipzig: S. Hirzel Verlag 2020, 425 S." Mediaevistik 34, no. 1 (2021): 537–39. http://dx.doi.org/10.3726/med.2021.01.153.

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Abstract: Zum 500ten Jahrestag des Bauhüttentags von 1518 in Annaberg veranstalteten das Institut für Kunst- und Musikwissenschaften der TU Dresden und das Institut für Kunstgeschichte der Universität Würzburg im September 2018 ein Kolloquium. Thema: ,,Baumeister im Konflikt – Der Annaberger Hüttenstreit und andere Streitfälle im Bauwesen des 15. und frühen 16. Jahrhunderts“. Die hierfür zusammengetragenen und z.T. neu erschlossenen Quellen zu den organisatorischen und rechtlichen Rahmenbedingungen des Baugewerkes, insbesondere zu den Handwerksordnungen der Steinmetze, ließen es in der Folge a
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Vogel, Gerd-Helge. "Carl August Senff (1770–1838) im Kontext der Deutschen Kunst und sein Wirken in Tartu (Dorpat)." Baltic Journal of Art History 14 (December 27, 2017): 53. http://dx.doi.org/10.12697/bjah.2017.14.03.

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Carl August Senff is among the most important artists of AcademicNeoclassicism in the Baltic region. As drawing master at the University of Tartu, he conveyed the artistic experience he had acquired, primarily during his years in Saxony in Leipzig and Dresden, to a significant number of students. In this way, Senff established the basis for the independent development of the arts in Estonia.This essay examines Senff’s early artistic roots in Germany and draws attention to the close, personal relations with his artist friends who served as a fundamental source, guiding light, and creative impul
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Israel, Uwe. "Defensio oder Die Kunst des Invektierens im Oberrheinischen Humanismus." Zeitschrift für Historische Forschung: Volume 46, Issue 3 46, no. 3 (2019): 408–41. http://dx.doi.org/10.3790/zhf.46.3.407.

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Summary Defensio or The Art of Disparagement in the Upper-Rhenish Humanism In the first years of the 16th century two scholars from the Alsatian province, secular priest Jakob Wimpfeling and Franciscan Thomas Murner, the latter one generation younger than the former, started a quarrel in Strasbourg. Quickly, their friends and students, then the city council, and finally even King Maximilian I got drawn into the polemical debate. At first sight the controversial topic was only a highly charged issue in politically troubled times: Had the Alsace region and its capital always belonged to Germany
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Oswalt, Philipp. "On the necessity of symbolic interventions in dissonant monuments." Protection of Cultural Heritage 2, no. 21 (2024): 103–12. https://doi.org/10.35784/odk.6154.

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The Charter of Venice stipulates that changes to a monument are only permitted on the basis of functional requirements. Changes to the symbolic function are explicitly excluded. However, this principle leads to conceptual problems with dissonant heritage, as illustrated by a number of recent monument conflicts in Germany concerning buildings of National Socialism as well as anti-Semitic, racist, colonial and militaristic monuments. The planned restoration of the Haus der Kunst München (1933-37) to its original state by Chipperfield Architects in accordance with the monument requirements has le
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Köpnick, Gloria, Walther Fuchs, Dominik Imhof, Marie Kakinuma, Bernhard Marx, and Okuda Okuda. "AUTOREN ZM7." Zwitscher - Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee - Studien, no. 7 (July 10, 2019): 67. https://doi.org/10.5281/zenodo.3299363.

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<strong>Gloria K&ouml;pnick</strong>, 2007&ndash;2014 Studium der Kunstgeschichte an der Freien Universit&auml;t Berlin; 2014&ndash;2016 wissenschaftliche Volont&auml;rin am Landesmuseum f&uuml;r Kunst und Kulturgeschichte Oldenburg. Seit Ende 2016 wissenschaftliche Mitarbeiterin im Forschungsprojekt &raquo;Das Bauhaus in Oldenburg &ndash; Avantgarde in der Provinz&laquo; am Landesmuseum Oldenburg und Kuratorin der daraus entstehenden Ausstellung &raquo;Zwischen Utopie und Anpassung &ndash; Das Bauhaus in Oldenburg&laquo; (2019). 2017 Beginn der Dissertation zur &raquo;Vereinigung f&uuml;r jun
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Zöllner, Oliver. "Marshall McLuhan: Die magischen Kanäle. Understanding Media. Aus dem Englischen übersetzt von Meinrad Amann. — Dresden, Basel: Verlag der Kunst 1994 (= Reihe: Fundus-Bücher; Bd. 127), 540 Seiten, DM 28,–. Paul Virilio: Cybermonde, la politique du pire. Entretien avec Philippe Petit. — Paris: Les éditions Textuel 1996 (= Reihe: Conversations pour de-main), 108 Seiten, 79,– FF." Publizistik 41, no. 4 (1996): 487–89. http://dx.doi.org/10.1007/bf03653914.

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Eggelhöfer, Fabienne, Walther Fuchs, and Osamu Okuda. "Autorinnen und Autoren ZM10." Zwitscher - Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee - Studien, no. 10 (July 8, 2021): 110–11. https://doi.org/10.5281/zenodo.5082304.

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<strong>Oskar B&auml;tschmann</strong>, 1943 geb. in Luzern, Promotion und Habilitation in Z&uuml;rich, Professuren in Deutschland, 1990/91 Getty Scholar, 1991&ndash;2009 o. Prof. f&uuml;r Kunstgeschichte an der Universit&auml;t Bern, 2001&ndash;2003 Dekan der Phil.-hist. Fakult&auml;t, 2009&ndash;2018 am Schweizerischen Institut f&uuml;r Kunstwissenschaft SIK-ISEA, Z&uuml;rich; 2005 Professeur de France am Institut National d&rsquo;Histoire de l&rsquo;Art, Paris, 2009/10 Wittkower Professor an der Bibliotheca Hertziana Rom (Max Planck-Institut), 2012/13 Samuel H. Kress Professor am Center for
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Vasiliauskas, Ernestas. "Julijus Dioringas – XIX amžiaus Šiaurės Lietuvos tyrėjas." Archaeologia Lituana 14 (January 1, 2013): 129–56. http://dx.doi.org/10.15388/archlit.2013.0.2636.

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JULIUS DÖRING. A 19TH-CENTURY NORTH LITHUANIA INVESTIGATORErnestas Vasiliauskas SummaryAn artist, a painting restorer, an art critic, an art pedagogue, a member of the intelligentsia, a historian, an archaeologist, a regional investigator, a librarian, a museum curator, and a traveller, Julius Friedrich Dцring (1818–1898) (Fig. 1) was born on 19(31) August 1818 in Dresden. He began to study art at the Dresden Academy of Fine Arts in 1830, moving in 1845 to Jelgava (Mitau), the seat of Courland Governorate, where he actively participated in the city’s public and cultural life until his death. H
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Harle, Rob. "Gerard Caris: Pentagonismus/Pentagonism edited by Gregor Jansen and Peter Weibel (bilingual: English/German). ZKM/Museum fuer Neue Kunst Karlsruhe. Verlag der Buchhandlung Walther Koenig, Cologne, Germany, 2007. 160 pp. illus. ISBN: 978-3-8656-0251-0. Gerard Caris: Art and Mathematics. New Reflections on the Pentagon/Kunst und Mathematik. Neue Reflexionen ueber das Fuenfeck by Gerard Caris and Theresia Kiefer (exhibition catalogue) (bilingual: English/German). Wilhelm-Hack-Museum, Ludwigshafen am Rhein, Kuenstler und Ahtoren/Artist and Authors, Germany, 2007. 95 pp., illus. ISBN: 3-0000-4903-7. Tekeningen/Drawings SMA Cahiers by Gerard Caris (bilingual, Dutch/English). Stedelijk Museum Amsterdam, Artist and Authors, 2007. 37 pp., illus. ISBN: 90-5006-124-9. Pentagonisme/Pentagonism. SMA Cahiers. by Gerard Caris (bilingual, Dutch/English). Stedelijk Museum Amsterdam, The Artist and the Authors, 2007. 145 pp., illus. ISBN: 90-5006-154-0." Leonardo 41, no. 4 (2008): 410–11. http://dx.doi.org/10.1162/leon.2008.41.4.410.

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Long, Christopher. "Christian Brandstätter,Wiener Werkstätte: Design in Vienna, 1903-1932. New York: Harry N. Abrams, 2003. 400 pp., 450 color ills, 100 b/w ills., bibliog., index. $40.Manu von Miller,Sonja Knips und die Wiener Moderne: Gustav Klimt, Josef Hoffmann und die Wiener Werkstätte gestalten eine Lebenswelt. Vienna: Christian Brandstätter, 2004. 112 pp., 60 color pls., 57 b/w ills., bibliog. EUR 36.Herta Neiß,Wiener Werkstätte: Zwischen Mythos und wirtschaftlicher Realität. Vienna: Böhlau, 2004. 311 pp., 60 b/w ills., bibliog., index. EUR 39.Waltraud Neuwirth, ed.,Wiener Werkstätte Katalog 1928. Vienna: Selbstverlag Dr. Waltraud Neuwirth, 2004. 106 pp., 9 color ills., 282 b/w ills. EUR 30.Peter Noever, ed.,Yearning for Beauty: The Wiener Werkstätte and the Stoclet House, exh. cat. Ostfildern-Ruit, Germany: Hatje Cantz for Museum für angewandte Kunst, Vienna, and Centre for Fine Arts, Brussels, distr. in U.S. by Distributed Art Publishers, New York, 2006. 452 pp., 418 color ills., 267 b/w illus., 1 appendix, bibliog., index. $95, EUR 60.Renate Ulmer,Emanuel Josef Margold: Wiener Moderne, Künstlerkolonie Darmstadt, Corporate Design für Bahlsen, Neues Bauen in Berlin, exh. cat. Stuttgart: Arnoldsche, for Museum Künstlerkolonie Darmstadt, distr. in U.S. by Antique Collectors' Club, Easthampton, Mass., 2004. 192 pp., 172 color pls., 132 b/w ills., bibliog., index. $75, £45, EUR 49.80.Die Wiener Werkstätte 1903-1928: Modernes Kunstgewerbe und sein Weg, epilogue by Graham Dry in German and English, facsimile repr. of Krystall-Verlag ed., Vienna, 1929. Munich: Ketterer Kunst, 1994. 155 pp. (n.p.), 9 color pls., 167 b/w ills. EUR 60." Studies in the Decorative Arts 14, no. 2 (2007): 166–70. http://dx.doi.org/10.1086/652883.

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Dissertations / Theses on the topic "Verlag der Kunst (Dresden, Germany)"

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Mock, Markus Leo. "Kunst unter Erzbischof Ernst von Magdeburg." Berlin : Lukas, 2007. http://catalog.hathitrust.org/api/volumes/oclc/85842098.html.

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Jentschura, Ulrich. "Quantum Electrodynamic Bound-State Calculations and Large-Order Perturbation Theory. - (This manuscript is also available - in the form of a book - from Shaker Verlag GmbH, Postfach 101818, 52018 Aachen, Germany world-wide web address: http://www.shaker.de, electronic-mail address: info@shaker.de. It has been posted on the web sites of Dresden University of Technology with the permission of the publisher.)." Aachen : Shaker, 2003. http://deposit.d-nb.de/cgi-bin/dokserv?idn=968750435.

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Jentschura, Ulrich. "Quantum Electrodynamic Bound-State Calculations and Large-Order Perturbation Theory. - (This manuscript is also available - in the form of a book - from Shaker Verlag GmbH, Postfach 101818, 52018 Aachen, Germany world-wide web address: http://www.shaker.de, electronic-mail address: info@shaker.de. It has been posted on the web sites of Dresden University of Technology with the permission of the publisher.)." Doctoral thesis, Technische Universität Dresden, 2002. https://tud.qucosa.de/id/qucosa%3A24235.

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The accurate calculation of atomic spectra, including radiative corrections, is one of the rather challenging tasks in theoretical physics. The entire formalism of quantum (gauge) field theory, augmented by the difficulties of the bound-state formalism, is needed for an accurate understanding of the relevant physics at the level of current high-precision spectroscopy. In this thesis, several calculations in this area are described in detail. Investigations on large-order perturbation-theory effects (and predictive limits of perturbation theory) supplement these investigations. In the context o
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Books on the topic "Verlag der Kunst (Dresden, Germany)"

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Kunst, VEB Verlag der. Dezennium 3. VEB Verlag der Kunst, 1986.

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Manuela, Ammer, ed. Monika Brandmeier: Sachverhalt : Arbeiten = Works, 1982-2009 : Leonhardi-Museum Dresden ; Museum für Konkrete Kunst, Ingolstadt ; Verlag für moderne Kunst Nürnberg. Verlag für moderne Kunst, 2009.

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Verlag der Kunst (Dresden, Germany), ed. Dezennium 3: VEB Verlag der Kunst Dresden. VEB Verlag der Kunst, 1986.

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Michael, Bartsch. Sächsisches Staatsministerium für Wissenschaft und Kunst. Sächsisches Staatministerium der Finanzen, Referat Presse-/Öffentlichkeitsarbeit, 2001.

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Harald, Marx, Spielmann Heinz, Göring Michael, Gemäldegalerie Alte Meister (Dresden, Germany), Bucerius Kunst Forum (Series), and Ausstellung Meisterwerke aus Dresden zu Gast im Bucerius Kunst Forum Hamburg (Hamburg), eds. Meisterwerke aus Dresden zu Gast im Bucerius Kunst Forum Hamburg: Staatliche Kunstsammlungen Dresden, Gemäldegalerie Alte Meister ; eine Ausstellung des Bucerius Kunst Forums in Zusammenarbeit mit den Staatlichen Kunstsammlungen Dresden, 25. Oktober bis 19. November 2002. Hauschild, 2002.

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Sächsische, Landesbibliothek (Dresden Germany). Die Wettiner als Förderer von Kunst und Wissenschaft: Handschriften, Stiche, Zeichnungen, Druckwerke aus dem Bestand der Sächsischen Landesbibliothek Dresden : Ausstellung vom 1. Februar bis 30. Juni 1989, Sächsische Landesbibliothek Dresden. Die Landesbibliothek, 1989.

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Harald, Marx, Hipp Elisabeth, and Altes Museum (Berlin Germany), eds. Meisterwerke der Dresdener Gemäldegalerie in Berlin: Nach der Flut. E.A. Seemann, 2002.

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1845-1929, Bode Wilhelm von, Maaz Bernhard, Winter Petra 1972-, and Staatliche Museen zu Berlin--Preussischer Kulturbesitz. Zentralarchiv, eds. Kunst-, Welt- und Werkgeschichten: Die Korrespondenz zwischen Hans Posse und Wilhelm von Bode von 1904 bis 1928. Böhlau Verlag, 2012.

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Baselitz, Georg. Georg Baselitz: The women of Dresden. Pace Gallery, 1990.

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Anthony, Hyman R., ed. Gentle bridges: Architecture, art and science = Zwischen den Räumen : Architektur, Kunst und Wissenschaft. Birkhäuser, 2003.

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Book chapters on the topic "Verlag der Kunst (Dresden, Germany)"

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Wittkowski, Hartmut. "Peter Hannig, Bildwerke des Mittelalters und des Barocks aus der Albrechtsburg. VEB Verlag der Kunst, Dresden 1985." In 1988. De Gruyter, 1988. http://dx.doi.org/10.1515/9783112532966-088.

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Conference papers on the topic "Verlag der Kunst (Dresden, Germany)"

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Meister, C. "POSSIBLE OR NOT: PARIETAL IN THE SWABIAN JURA?" In Знаки и образы в искусстве каменного века. Международная конференция. Тезисы докладов [Электронный ресурс]. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-308-4.18-19.

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The Swabian Alb is known for its caves, in which figural ivory carvings and flutes from the Aurignacian period were found. Parietal art, on the other hand, as known from sites in France, Spain, Romania or Russia, has not been discovered in this region so far. In fact, up to now, there are no documented caves with Pleistocene wall paintings in Germany. Nevertheless, the presence of ochre traces on mobile artefacts indicates the purposeful application of pigments by humans during the Pleistocene in the region, for example stone pebbles or possible wall fragments from Magdalenian occupations bear
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