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Relevant bibliographies by topics / Vermeer

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Journal articles

Academic literature on the topic 'Vermeer'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Vermeer"

1

Huang, Kejing. "Beyond the Concept of Genre Painting: Johannes Vermeer and Woman Holding a Balance." Communications in Humanities Research 3, no. 1 (2023): 359–66. http://dx.doi.org/10.54254/2753-7064/3/20220340.

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Though leaving not so many artworks, the Dutch artist Johannes Vermeer has always been known as one of the leading figures of Renaissance art in northern Europe in the seventeenth century. Many of his works are praised for the careful depiction of the daily scenes of the Dutch people, and as a result, being categorized as genre paintings. However, this general comment of reflection of the reality for Vermeer's works has been considered incomplete. The paper focuses on Vermeers masterpiece Woman Holding a Balance, and the main purpose of this paper is to trace Vermeers inner thoughts that he applied in his painting, based on his careful use of underpainting, color, and perspective. The result lies in visual analysis and contextualization of the painting, and it reveals the fact that Vermeer not only wants to present reality but also his artistic invention to form a distant inner world of the painting, with the sense of reverence and privacy of the daily scenes.

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2

Tranströmer, Tomas, and Samuel Charters. "Vermeer." World Literature Today 64, no. 4 (1990): 555. http://dx.doi.org/10.2307/40146863.

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3

Begheyn, Paul. "Johannes Vermeer en de jezuïeten te Delft." Oud Holland - Quarterly for Dutch Art History 121, no. 1 (2008): 40–55. http://dx.doi.org/10.1163/187501708787335910.

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AbstractThis article offers an addition and partial correction to the recent and pioneering research by John Michael Montias on Johannes Vermeer and his milieu. Isaac van der Mije (1602-1656) from Delft, educated as a painter before he became a Jesuit, may very well have been Vermeer's teacher, in view of his closeness to the artist and his family. There is no hard evidence that Vermeer became a Catholic at the occasion of his marriage to Catharina Bolnes in 1653, but it is known that Roeland de Pottere (1584-1675), the Jesuit who performed the marriage, was a rather strict opponent of mixed marriages. The Jesuits in Delft can be considered to have been the patrons who commissioned Vermeer's large painting Allegory of faith (about 1671-1674). Like Jesuits elsewhere in the Republic they will have selected a local painter for their catechetical didactic paintings. Finally two relatives of Vermeer are presented, who were benefactors of the Jesuits.

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4

White, Michael. "Vermeer In Hell." Iowa Review 43, no. 1 (2013): 38–49. http://dx.doi.org/10.17077/0021-065x.7289.

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5

Minor, Kyle, and Lawrence Weschler. "Vermeer in Bosnia." Antioch Review 63, no. 3 (2005): 599. http://dx.doi.org/10.2307/4614875.

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6

Stork, David G. "Tim’s Vermeer, Reconsidered." Optics and Photonics News 32, no. 3 (2021): 42. http://dx.doi.org/10.1364/opn.32.3.000042.

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7

Silver, Larry, Anna Bentkowska Kafel, and Eleanor Tollfree. "Focus on Vermeer." Art Book 8, no. 4 (2001): 3–5. http://dx.doi.org/10.1111/1467-8357.00259.

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8

FORD, C. "Vermeer to Eternity." Oxford Art Journal 20, no. 2 (1997): 86–88. http://dx.doi.org/10.1093/oxartj/20.2.86.

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9

Tyminski, Robert. "Looking at Vermeer." Jung Journal 18, no. 1 (2024): 20–36. http://dx.doi.org/10.1080/19342039.2023.2291759.

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10

Blum, Jessica M. "About Johannes Vermeer Art200246About Johannes Vermeer Art. Internet URL: http://www.about‐vermeer‐art.com/vermeer/index.html: Amsterdam, The Netherlands 2001. Gratis Last visited: September 2001." Reference Reviews 16, no. 1 (2002): 41. http://dx.doi.org/10.1108/rr.2002.16.1.41.46.

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