Academic literature on the topic 'Vernacular architecture construction'

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Journal articles on the topic "Vernacular architecture construction"

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Roter-Blagojević, Mirjana, and Marko Nikolić. "Introduction of Vernacular Architecture studies at the Faculty of Architecture in Belgrade." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 191–212. http://dx.doi.org/10.5937/saj1901191r.

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The paper examines the work of Aleksandar Deroko at the University of Belgrade's Faculty of Architecture and the inclusion of his rich personal knowledge about the vernacular architecture in the study programme, which he gained from long-term field research. As an assistant professor, he introduced the interpretation of vernacular architecture in the course on Byzantine and Old Serbian Architecture in 1929. After the study programme reform in 1935, a new course - named Old Serbian Architecture - was established, with one semester dedicated to the medieval monumental architecture and the second to rural and urban houses. In 1945/46 academic year, the course was renamed Vernacular Architecture and it incorporated medieval and vernacular architecture of the former Yugoslavia. Practical assignments dealt more with vernacular architecture and, through them the student's discovered the fundamental principles and methods of the vernacular construction. The goal of the studies was for students to comprehend and adopt basic traditional canons of construction and apply them to their own projects of cooperative centers, countryside schools, monasteries, etc. Through illustrations the paper will present, till now unpublished, student projects from the archives of Belgrade's the Faculty of Architecture's office for the architectural heritage of Serbia.
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Khoshnaw, Rebaz. "Sustainable Construction in Kurdish Vernacular Architecture." Periodica Polytechnica Architecture 50, no. 2 (May 23, 2019): 178–85. http://dx.doi.org/10.3311/ppar.13338.

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The Kurdistan region is currently undergoing rapid change and development in many ways. The economy is growing, and the population is increasing. Adopting a modern lifestyle is influencing individuals and social behavior. These factors are collectively affecting the architectural styles and construction techniques of the buildings. Abandoning the vernacular architecture has led to a loss of locality. This research outlines the characteristics and elements of Kurdish vernacular architecture in Erbil city and the villages in mountainous area; it then analyses them in terms of sustainability. A descriptive method is adopted to identify the sustainable aspects of traditional building techniques and designs. Finally, the paper concludes that with developed construction regulations, some of the designs and construction methods of traditional architecture, with the right management, can be adopted in modern buildings.
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Li, Jun Huan, and Na Liu. "Renewal and Development of Vernacular Construction Material and Residence in West China." Advanced Materials Research 450-451 (January 2012): 1567–72. http://dx.doi.org/10.4028/www.scientific.net/amr.450-451.1567.

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Chinese vernacular residence is a unique type of architecture which evolved through time under the special geographical conditions. From the beginning of the traditional residence, it has been constructed using natural materials, forming a set of mature construction methodology with natural material. The article analyzed and reflected on the traditional building material in west China. The construction of traditional villages and residence are taken as object of study to explore the building strategy of constructing vernacular village houses. Efforts have been made to establish a conversational relation between tradition and present world and also to propel the process of renewing the vernacular architectures rationally. Moreover, references can be provided to rebuild regional culture in vast rural area in China, and the sustainable development and creation of vernacular architecture.
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Przesmycka, Natalia. "Icelandic vernacular architecture." Budownictwo i Architektura 14, no. 3 (September 8, 2015): 257–68. http://dx.doi.org/10.35784/bud-arch.1634.

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The article presents the historical determinants and contemporary issues related to the cultural heritage of Iceland - vernacular architecture. This architecture is the result of human activity and very specific conditions of raw environment. The settlement of Iceland historically developed in difficult natural conditions, where the real potential (geothermal energy of the earth) are discovered only in recent years. A small amount of building materials and isolation from other centers of civilization caused that the Icelandic construction has been slightly changed over nearly a thousand years.
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Sani, Rafooneh Mokhtarshahi, and Payam Mahasti Shotorbani. "Symbolic Use of Wind-Catchers in Iran." Open House International 38, no. 2 (June 1, 2013): 76–87. http://dx.doi.org/10.1108/ohi-02-2013-b0008.

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In recent decades, Iranian vernacular architecture has defined the local architectural identity by demonstrating distinctive characteristics. Defining such a critical role for vernacular studies has led to different approaches in the design of the contemporary architecture of Iran. The first approach of integrating vernacular and contemporary designs has focused on local people, their needs, local construction, and building materials. The revival of vernacular architectural design and building elements has been at the forefront of this approach in Iran. However, recent use in Iran has concentrated on the symbolic/abstract reuse of vernacular building forms. Vernacular architecture is known to merely provide for the functional requirements of buildings, and not for aesthetic purposes. Conversely, in the second approach, vernacular building elements are considered to be symbols of local identity. This paper will argue that although the symbolic reuse of vernacular features may not uphold the functional expectations of the vernacular form, this reuse is useful in reviving architectural identity. In addition, underscoring such a different role for vernacular building features in contemporary architecture might help to expand the realm of vernacular studies. Thus, the purpose of this paper is to provide an overview of the conversion of vernacular architecture in Iran by focusing on the instance of wind-catchers. Wind-catchers typically were used in residential buildings and are considered potent symbols of climate adaptation. In contemporary architecture, however, a form of wind-catcher has been used as a symbol for local architectural identity. Through this transformation, the essential nature of the wind-catcher has found new life in the contemporary architecture of Iran.
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Erarslan, A. "Timber Construction Systems in Anatolian Vernacular Architecture." Series II - Forestry • Wood Industry • Agricultural Food Engineering 12(61), no. 2 (December 20, 2019): 37–52. http://dx.doi.org/10.31926/but.fwiafe.2019.12.61.2.3.

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Mohamed, Abeer Samy Yousef, and Kholod Moumani. "Bioclimatism through Vernacular Architecture as a Pass for New Sustainable Structure." Academic Research Community publication 3, no. 3 (May 5, 2019): 50. http://dx.doi.org/10.21625/archive.v3i3.522.

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Vernacular architecture typifies a majority of constraints from places where it belongs, where the use of local materials and techniques is one of the key features. In comparison to industrially-produced materials, vernacular materials have low ecological effects, being an alternate for sustainable construction. The expanding utilization of new industrially-produced and standardized materials resulted in the homogenization of the several used construction approaches, and spawned a universal architecture that oftentimes has gone out of the environment context and it is very reliant on energy and other resources. Vernacular architecture predicated on bioclimatism concepts was developed and used through the ages by many civilizations around the world. Different civilizations have produced their own architectural styles predicated on the local conditions.This paper addresses via an analytical study to indicate the relationship between vernacular architecture, locally sourced materials and structure by relating them with bioclimatic zones. To assess the contribution of these materials for sustainability, an evaluation with industrial materials at level of environmental indicators was established. This paper highlights the advantages of using local materials and techniques as a factor of local socio-economic development. Also, indicating different solar passive features that are available in Vernacular architecture, related to temperature control and promoting natural ventilation by using locally available materials in their construction. Through this methodology, this study will introduce a new approach Bioclimatism and Vernacular architecture as a pass for new sustainable structure.
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Shadar, Hadas. "Vernacular values in public housing." Architectural Research Quarterly 8, no. 2 (June 2004): 171–81. http://dx.doi.org/10.1017/s135913550400020x.

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The crisis in modern architecture in the middle of the twentieth century brought about a reaction to total Utopian solutions and ideas and the realization of the importance of ‘place’ and identity. These notions found expression, among others, in a renewed interest in vernacular construction. Vernacular construction is evolutionary and contains key, a priori, aspects of identity and place. As such it constituted a focus of attention and gained special exposure and popularity after the exhibition ‘Architecture without Architects’, held in MoMA, New York in 1964. As a result of this attention, the patio, that external room constituting the heart of the house in the Middle East, in the Mediterranean basin and in the Far East, gained architectural significance. At the same time it found a place in modern housing in the Western world.
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Fang, Ying. "Analysis of the Sustainable Construction Concept of the Vernacular Materials." Advanced Materials Research 893 (February 2014): 694–97. http://dx.doi.org/10.4028/www.scientific.net/amr.893.694.

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Vernacular architecture is a term used to categorize methods of construction which use locally available resources and traditions to address local needs. This paper addresses the relation between Chinese vernacular architecture and locally sourced materials, which shows that the application of the vernacular materials is the primary component of the sustainable value of vernacular architecture. To assess the contribution of these materials for sustainability, a comparison with industrial materials at level of environmental indicators was established. This paper highlights the advantages of using local materials and techniques as a factor of local socio-economic development.
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Korachy, M. "IS THE LOSS OF VERNACULAR ARCHITECTURE REVERSIBLE? THE CASE OF LAHUN VILLAGE IN EGYPT." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 977–84. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-977-2020.

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Abstract. In Fayoum, the largest oasis in the Egyptian western desert, the modern Lahun village was developed close by the ancient mud-brick Lahun Pyramid in the 19th Century. The architecture of Lahun village followed its ancestors’ architecture. Until 2003, a mix of mud and stone vernacular houses were dominant in the village. In 2010, 35% of the houses at Lahun main street, which leads to the pyramid site, were of mud brick/stone houses, the rest was replaced by high-rise concrete buildings. By 2019, little traces of the traditional vernacular dwellings survived a massive movement to concrete construction. In the last 15 years, the skyline of the village has completely transformed. Lahun’s loss of its vernacular architecture is not an exception, except in one case: Tunis village where a pottery school for locals, started 30 years ago, to change the future of Tunis, where traditional architectural techniques have taken an important place in contemporary constructions. What are the local needs when they decide to replace their traditional houses with concrete? What is the impact of the pyramid’s recent re-opening on the village? What should be learned from Tunis village? Could what remained from the aspects of the Lahun vernacular heritage be used to reverse the loss of the tangible architectural aspects? Is new architecture that is sympathetic to the traditional vernacular character of the village a solution?
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Dissertations / Theses on the topic "Vernacular architecture construction"

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黃印武 and Yinwu Huang. "The logic of vernacular materials: the relationship of the vernacular materials of wood, earth, stone andlime in Shaxi's vernacular construction system." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B42182979.

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Huang, Yinwu. "The logic of vernacular materials the relationship of the vernacular materials of wood, earth, stone and lime in Shaxi's vernacular construction system /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B42182979.

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Ying, Li. "Renovation of vernacular architecture in rural China." Doctoral thesis, Universitat Politècnica de Catalunya, 2017. http://hdl.handle.net/10803/406043.

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With the rapid progress of urbanization in China, a lot of villages face serious brain-drain. A serious problem of culture deterioration arises except in a few traditional villages. Most newly built rural homes are weak and unsafe due to a lack of professional support and building codes. Many large-scale rural reconstruction projects initiated by the government fail because of corruption and irresponsibility. The rural residents suffer from the lack of infrastructure and the quality of their homes. Presently, there are a few grassroots, activists, architects, architectural critics, media and NGOs working for the renovation of Chinese vernacular architecture and rural settlement. Their works include architectural writing, installation artworks and projects in rural areas. This paper is an attempt to propose sustainable approaches and alternative patterns to settle grounds for Chinese contemporary rural construction, regarding architecture, decorative arts, construction systems and user's organization for promotion, by investigating, analyzing and comparing theories and some represented samples of traditional villages, renovation projects and installation artworks from the standpoints of technology, sociology, politics, art, philosophy, history and sustainability.
Con el rápido progreso de la urbanización en China, muchas aldeas se enfrentan a una seria fuga de cerebros. Existe un grave problema de deterioro de la cultura, excepto en algunas aldeas tradicionales. La mayoría de los hogares rurales de nueva construcción son frágiles e inseguros debido a la falta de apoyo profesional y códigos de construcción. Muchos proyectos de reconstrucción rural a gran escala iniciados por el gobierno fracasan debido a la corrupción y a la irresponsabilidad. Los residentes rurales sufren de la falta de infraestructuras y la baja calidad de sus hogares. En la actualidad, hay unas pocas personas de base, activistas, arquitectos, críticos arquitectónicos, medios de comunicación y ONGs que trabajan para la renovación de la arquitectura vernácula china y los asentamientos rurales. Sus obras incluyen teoría y crítica arquitectónica, instalaciones artísticas y proyectos en zonas rurales. Este trabajo es un intento de proponer enfoques sostenibles y modelos alternativos para sentar las bases de la construcción rural contemporánea china, con respecto a la arquitectura, las artes decorativas, los sistemas constructivos y la organización de los usuarios para la promoción. La investigación analiza y compara teorías y muestras representativas de aldeas tradicionales, Proyectos de renovación e instalaciones artísticas desde los puntos de vista de la tecnología, la sociología, la política, el arte, la filosofía, la historia y la sostenibilidad.
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Desai, Nitin. "Retrospecting vernacular : a journey into the timeless." CardinalScholar 1.0, 2009. http://liblink.bsu.edu/uhtbin/catkey/1499269.

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Access to abstract permanently restricted to Ball State community only
Housing crisis in India -- What is vernacular? -- Vernacular as timeless -- Vernacular aesthetics : the legacy of craft -- Disengagement of vernacular from architectural practice in India -- Revisiting architectural academics -- Conclusion : applicability of vernacular studies -- Vernacular studies at Auroville Earth Institute, Auroville, India -- Low cost building technologies at Auroville Earth Institute, India -- Vernacular architecture : exemplary projects -- The joy of building.
Access to thesis permanently restricted to Ball State community only
Accompanying CD-ROM contains additional copy of chapters 8-10.
Department of Architecture
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Koduveliparambil, Jacob Joseph. "Construction practices in traditional dwellings of Kerala, India." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0005/MQ37246.pdf.

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Guo, Jing. "Freeform Rammed Earth Shell Construction." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491312964445038.

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Viar, Kristin D. "Rural vernacular building tradition: the design, construction, and use of springhouses in Montgomery County, Virginia." Thesis, Virginia Tech, 1993. http://hdl.handle.net/10919/41999.

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Hamard, Erwan. "Rediscovering of vernacular adaptative construction strategies for sustainable modern building : application to cob and rammed earth." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSET011/document.

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L'utilisation de matériaux locaux, naturels et non transformés offre des solutions prometteuses de construction à faible impact environnemental. La grande variabilité spatiale de ces matériaux est cependant un obstacle à une utilisation à plus grande échelle. Les stratégies de construction développées par les anciens bâtisseurs ont été dictées par le climat local et la qualité ainsi que la quantité de matériaux de construction disponibles localement. Ces stratégies de construction peuvent être considérées comme une gestion optimisée des ressources locales, naturelles et variables et sont une source d'inspiration pour la construction durable moderne. Malheureusement, cette connaissance a été perdue dans les pays occidentaux au cours du 20ème siècle. La redécouverte des savoir-faire traditionnels requiert le développement de moyens rationnels d’analyse du patrimoine. Un autre problème concernant l'utilisation de matériaux de construction naturels et variables est leur conformité vis-à-vis de la réglementation du secteur du bâtiment. Le développement de procédures d’essais performantiels est proposé comme solution pour faciliter l'utilisation des techniques de construction en terre. Une approche multidisciplinaire est proposée, combinant micromorphologie, pédologie, géotechnique et étude du patrimoine pour analyser le bâti vernaculaire en terre. Cette approche fournit des outils complémentaires pour évaluer la source des matériaux de construction et identifier les caractéristiques géotechniques de la terre employées dans le patrimoine. Il fournit également une description détaillée des processus vernaculaires de construction. En utilisant ces résultats, il a été possible d'élaborer des cartes de ressources et d’estimer l’ordre de grandeur de la disponibilité des ressources à l'échelle d’une région. Deux procédures d’essais performantiels ont été proposées afin de tenir compte de la variabilité naturelle des terres dans le contexte réglementaire actuel. La construction en terre jouera un rôle important dans la construction durable du 21ème siècle si les acteurs du secteur adoptent des procédés de construction capables de répondre à la demande sociale, avec un faible impact environnemental et à un coût abordable. L'étude du patrimoine en terre a démontré la capacité des anciens bâtisseurs à innover afin de se conformer aux variations de la demande sociale et aux développements techniques. La construction en terre bénéficie d'un passé ancien et riche et il convient de tirer profit de ce retour d’expérience. L'analyse du patrimoine en terre et la redécouverte des techniques de construction vernaculaire est une source d'inspiration précieuse pour la construction contemporaine. La valorisation des connaissances vernaculaires permettra d’économiser du temps, de l'énergie et d'éviter de répéter les erreurs passées. L'avenir de la construction de la terre doit s’inscrire dans la continuité de la construction en terre vernaculaire
The use of local, natural and unprocessed materials offers promising low impact building solutions. The wide spatial variability of these materials is, however, an obstacle to a large-scale use. The construction strategies developed by past builders were dictated by the local climate and the quality and the amount of locally available construction materials. These construction strategies can be regarded as an optimized management of local, natural and variable resources and are a source of inspiration for modern sustainable building. Unfortunately, this knowledge was lost in Western countries during the 20th century. Vernacular earth construction know-how rediscovering requires the development of rational built heritage investigation means. Another issue regarding the use of natural and variable building material is their compliance with modern building regulation. The development of performance based testing procedures is proposed as a solution to facilitate the use of earth as a building material. A multidisciplinary approach is proposed, combining micromorphology, pedology, geotechnics and heritage disciplines to study vernacular earth heritage. It provides complementary tools to assess pedological sources of construction material and geotechnical characteristics of earth employed in vernacular earth heritage. It also provides a detailed description of the construction process of vernacular earth heritage. Using these results, it was possible to draw resource maps and provide a scale of magnitude of resource availability at regional scale. Two performance based testing procedures were proposed in order to take into account the natural variability of earth in a modern building context. Earth construction will play an important role in the modern sustainable building of the 21st century if the actors of the sector adopt earth construction processes able to meet social demand, with low environmental impact and at an affordable cost. The study of earth heritage demonstrated the ability of historical earth builders to innovate in order to comply with social demand variations and technical developments. Earth construction benefits of an old and rich past and it would be a non-sense to leave this past behind. The analysis of earth heritage and the rediscovering of vernacular construction techniques is a valuable source of inspiration for modern earth construction. The valorisation of vernacular knowledge will save time, energy and avoid repeating past mistakes. The future of earth construction should be a continuation of past vernacular earth construction
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Villanueva, Ponce Melita. "Arquitectura Vernácula en la Selva." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/650361.

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La arquitectura vernácula en la selva tiene mucho valor histórico, ya que son las primeras construcciones de los primeros pobladores que habitaron en esta zona del Perú. En la región de Ucayali, las construcciones tradicionales están basadas en madera, bambú y hojas de palma, ya que son estos los materiales predominantes de la selva ucayalina. Así mismo, cabe recalcar que esta región era y es ocupada por la etnia Shipibo Conibo, quienes mantienen una cultura selvática con importancia a los dioses cósmicos, así también poseen mucha reverencia hacia la serpiente mítica el Yacumama. Pues, realizan ceremonias dirigido a estos personajes dentro de un ambiente con mucha importancia para estos, la cual es la maloca. Quien es una arquitectura de luz amplia con forma circular o rectangular y como concepto albergar a las principales autoridades de la etnia y/o todos los integrantes del grupo para realizar un evento; siendo este ambiente un espacio público. Por otro lado, el sistema constructivo empleado en épocas iniciales para la región está siendo desvalorizadas por los mismos ciudadanos en la actualidad. Ya que, lo califican como construcciones precarias, sin valor y de poca duración; por lo que se puede deducir que esta arquitectura antigua está en extinción en la ciudad. Por ese motivo se busca promover e incentivar; a través de arquitectura vernácula; a los ciudadanos, para que estos puedan usar materiales más accesibles y económico con un empleo de sistema constructivo reforzado, siendo la combinación de materiales industriales y naturales.
Vernacular architecture in the jungle has a lot of historical value, since they are the first constructions of the first settlers that inhabit this area of ​​Peru. In the Ucayali region, traditional buildings are based on wood, bamboo and palm leaves, since these are the predominant materials of the Ucayalina jungle. Likewise, it should be noted that this region was and is occupied by the Shipibo Conibo ethnic group, who have a jungle culture with importance to the cosmic gods, so we also have much reverence for the mythical serpent the Yacumama. Well, the ceremonies aimed at these characters in an environment that is very important for them, which is the maloca. Who is a wide light architecture with a circular or rectangular shape and as a concept to house the main authorities of the ethnic group and / or all the members of the group to carry out an event; this environment being a public space. On the other hand, the construction system used in early times for the region is currently being devalued by the same citizens. Since, what last as precarious constructions, without value and of short duration; so it can be deduced that this ancient architecture is in extinction in the city. For that reason it seeks to promote and encourage; through vernacular architecture; to citizens, so that they can use more accessible and economical materials with a use of reinforced construction system, being the combination of industrial and natural materials.
Trabajo de investigación
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Daher, Rania. "L’architecture en terre crue dans la vallée du Jourdain ; une filière en reconstruction…temporaire." Thesis, Université Paris-Saclay (ComUE), 2015. http://www.theses.fr/2015SACLV003/document.

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Le but de ce travail de recherche est de démontrer que la ré-exploitation des matériaux locaux de construction dans la vallée du Jourdain, peut contribuer à une autonomie des communautés rurales palestiniennes. Pour ce faire, cette thèse questionne le développement de la filière terre dans ces territoires. Nous posons l’hypothèse qu’il existe un lien étroit entre les transformations de la société rurale, de sa structure économique et politique, et les transformations de la filière constructive en terre. ‘Trois temps’ de cette filière ont été relevés et ont permis de vérifier cette hypothèse. Le cas de la Palestine avant 1920, l’habitat en terre crue entre 1920 et 1970 et finalement la situation actuelle. Ces évolutions nous ont permis de comprendre que la ré-exploitation des matériaux locaux permet une véritable autonomie lorsque la filière est intégrée aux pratiques économiques et sociales en cours. Cette idée a été vérifiée par l’étude du contexte actuel où la filière est en reconstruction temporaire car déconnectée des pratiques sociales et économiques. Ce travail de recherche se divise en trois parties, à l’image de ces ‘trois temps’. La première détaille la relation entre la filière terre et la notion de développement durable pour faire le lien ensuite au cas de la Palestine avant 1920. La seconde précise le changement de valeurs qui s’est opéré entre 1920 et 1970 dans la société rurale et les transformations de l’habitat qui y sont liées. Enfin, la dernière partie tente d’évaluer la reconstruction de cette filière en détaillant le contexte politique et économique actuel pour le confronter ensuite aux actions des nouveaux acteurs sur le terrain
This research aims to demonstrate that the re-use of local building materials in the Jordan Valley can contribute to the autonomy of rural Palestinian communities. To achieve this, we question the evolution of the earthen building sector in these territories. We assume that there is a close link between the transformations of the rural society, its economic and political structure and the transformations that appeared in the earthen building sector. Three historical periods have been identified and have verified this hypothesis: the case of Palestine before 1920, the period between 1920 and 1970 and finally the current situation. Through these evolutions, we understood that the re-use of local materials allows real autonomy when the earthen building sector is integrated to the ongoing social and economic practices. This idea was verified by studying the current context where this building sector knows a temporary reconstruction. This research is divided into three parts. The first part details the relation that exists between earthen architecture and the concept of sustainable development; we will be explaining the case of Palestine before 1920. The second part specifies the changing values of rural society that have taken place between 1920 and 1970 and the transformations of the habitat linked to it. Finally, the last section attempts to assess the reconstruction of this building sector by detailing the current political and economic context and confronting it with the projects led by the “new actors” on the ground
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Books on the topic "Vernacular architecture construction"

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Parkinson, Audrey Stewart. Earth, mud, and clay: West African vernacular architecture. Mineral Point, Wis: Preservation Works, 2010.

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Gottfried, Herbert. American vernacular design, 1870-1940. Ames: Iowa State University Press, 1988.

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Walker, Bruce. The Hebridean blackhouse: A guide to materials, construction, and maintenance. Edinburgh: Historic Scotland, 1996.

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Majed, Ebrahim Issa. The traditional construction of early twentieth century houses in Bahrain. Doha, State of Qatar: Gulf State Folklore Centre, 1987.

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Bill, Steen, and Komatsu Eiko, eds. Built by hand: Vernacular buildings around the world. Layton, Utah: Gibbs Smith, 2003.

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Morgan, William N. Earth architecture: From ancient to modern. Gainesville: University Press of Florida, 2008.

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Morgan, William N. Earth architecture: From ancient to modern. Gainesville: University Press of Florida, 2008.

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Earth architecture: From ancient to modern. Gainesville: University Press of Florida, 2008.

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1946-, Jennings Jan, ed. American vernacular design, 1870-1940: An illustrated glossary. New York: Van Nostrand Reinhold, 1985.

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Hanafi, Zulkifli. Pembinaan bangunan tradisional Melayu. [Kulim, Kedah Darulaman]: Amber-Solara Publication, 1996.

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Book chapters on the topic "Vernacular architecture construction"

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Lourenço, P. B., H. Varum, G. Vasconcelos, and H. Rodrigues. "Structural conservation and vernacular construction." In Seismic Retrofitting: Learning from Vernacular Architecture, 37–42. CRC Press, 2015. http://dx.doi.org/10.1201/b18856-6.

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Costa, P. "Earthen architecture, culture of transition and self-construction." In Vernacular Heritage and Earthen Architecture, 797–802. CRC Press, 2013. http://dx.doi.org/10.1201/b15685-137.

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Romão, X., E. Paupério, and A. Costa. "Managing data on construction techniques and damage using digital media." In Vernacular Heritage and Earthen Architecture, 815–20. CRC Press, 2013. http://dx.doi.org/10.1201/b15685-140.

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Yergün, U., C. Gençer, B. Çelebio_lu, and A. Çiftçi. "Architectural morphology and construction techniques of traditional Yoran houses, Turkey." In Vernacular Heritage and Earthen Architecture, 337–42. CRC Press, 2013. http://dx.doi.org/10.1201/b15685-60.

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Cossío, F., and I. Azevedo. "Understanding landscape and the values of traditional architecture and construction." In Vernacular Heritage and Earthen Architecture, 435–40. CRC Press, 2013. http://dx.doi.org/10.1201/b15685-76.

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Efeoğlu, M., and A. Çiftçi. "Traditional materials and construction techniques in the rural settlement Baspinar, Turkey." In Vernacular Heritage and Earthen Architecture, 307–12. CRC Press, 2013. http://dx.doi.org/10.1201/b15685-55.

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Mestre, V. "(Re) using adobe—from survey to conservation, from restoration to new construction." In Vernacular Heritage and Earthen Architecture, 105–10. CRC Press, 2013. http://dx.doi.org/10.1201/b15685-21.

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Güler, K., and A. Bilge. "Construction techniques of the vernacular architecture of the Eastern Black Sea Region." In Vernacular Heritage and Earthen Architecture, 295–300. CRC Press, 2013. http://dx.doi.org/10.1201/b15685-53.

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Guillaud, H. "Markers of earthen construction modern revival." In Vernacular and Earthen Architecture: Conservation and Sustainability, 3–8. CRC Press, 2017. http://dx.doi.org/10.1201/9781315267739-1.

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Fernández Palicio, A. "Earthen construction in Ourense, Galicia (Spain)." In Vernacular and Earthen Architecture: Conservation and Sustainability, 101–6. CRC Press, 2017. http://dx.doi.org/10.1201/9781315267739-17.

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Conference papers on the topic "Vernacular architecture construction"

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Fan Xiaopeng and Li Yang. "Belief - The context of Tibetan vernacular dwellings and settlements construction." In 3rd International Conference on Contemporary Problems in Architecture and Construction. IET, 2011. http://dx.doi.org/10.1049/cp.2011.1135.

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Li, Bing, and Wenbin Liu. "Discussion on the Vernacular Architecture Construction in the View of Architectural Typology." In 5th International Conference on Civil Engineering and Transportation. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/iccet-15.2015.185.

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Ahmed, R. M. "Lessons Learnt from the Vernacular Architecture of Bedouins in Siwa Oasis, Egypt." In 31st International Symposium on Automation and Robotics in Construction. International Association for Automation and Robotics in Construction (IAARC), 2014. http://dx.doi.org/10.22260/isarc2014/0123.

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Zivkovic, Sasa, and Leslie Lok. "Beyond the Ecology of Concrete Sausages." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.50.

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With the advancement of full scale 3d printing technology, industrialized building construction is rapidly moving towards a highly process-idiosyncratic and expressionist architecture of material sausages. Drawing connections between local vernacular (ancient modern) earth construction techniques and automated additive manufacturing strategies, this paper explores the potential for 3d printed architecture across the Americas, dissecting the technology’s ecological advantages and architectural possibilities in the process.
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Darge Dalbiso, Alemayehu, and Denamo Addissie Nuramo. "Ethiopian vernacular bamboo architecture and its potentials for adaptation in modern urban housing: A case study." In Fifth International Conference on Sustainable Construction Materials and Technologies. Coventry University and The University of Wisconsin Milwaukee Centre for By-products Utilization, 2019. http://dx.doi.org/10.18552/2019/idscmt5040.

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Канокова, Ф. Ю. "VERNACULAR ARCHITECTURE OF NOGAYS OF THE PERIOD OF NOMADIC CATTLE BREEDING." In «АКТУАЛЬНЫЕ ВОПРОСЫ СОВРЕМЕННОЙ НАУКИ: ТЕОРИЯ, ТЕХНОЛОГИЯ, МЕТОДОЛОГИЯ И ПРАКТИКА». Международная научно-практическая онлайн-конференция, приуроченная к 60-ти летию член-корреспондента Академии наук ЧР, доктора технических наук, профессора Сайд-Альви Юсуповича Муртазаева. Crossref, 2021. http://dx.doi.org/10.34708/gstou.conf..2021.89.10.034.

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В настоящем исследовании рассматриваются особенности вернакулярной архитектуры ногайцев. Выделяется культурно-бытовой комплекс, характерный для скотоводческо-кочевой формы производственно-хозяйственной деятельности этноса. На примере неразборных юрт «отав» и сборно-разборных юрт «терме» выявляются технологические и художественно-конструктивные особенности внешней и внутренней структуры каждого типа и подтипа мобильного жилища, а также архитектурного комплекса в целом. This study examines the features of the vernacular architecture of the Nogai. The cultural and household complex, characteristic of the pastoral-nomadic form of production and economic activity of the ethnos, is distinguished. On the example of non-collapsible yurts «otav» and collapsibleyurts «terme», technological and artistic-constructive features of the external and internal structure of each type and subtype of a mobile dwelling and the architectural complex as a whole are revealed.
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Zivkovic, Sasa, and Leslie Lok. "Ladakh Dental Clinic: The Local-Imported Modulars Negotiating Contradictory Material Practices in Remote Cities." In 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.25.

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This paper outlines the design and construction of the Ladakh Dental Clinic project as a case study for hybrid local imported material building practices. Referencing local vernacular types as well as comparable rapid assembly systems deployed in India and beyond for other development projects, the paper discusses opportunities and shortcomings of such building strategies. In admirably positivistic modernist spirit, modular construction is often praised as the harbinger or exporter of progress and, at times, architectural advancement. Regularly choking on its own ambitions, successful modular construction largely remains an architectural fantasy as it often struggles to overcome its totalitarian spatial tendencies and inherent inflexibility. Compared to local techniques and perhaps contradictory to its intent, modular construction has a tendency to operate top-down instead of bottom-up. The Ladakh Dental Clinic project can be characterized as a result of its contradictory constraints and multi-client requirements. Necessitating both local construction and imported modular systems due to financial limitations, sponsorship opportunities, future expandability, and a tight schedule, the clinic emerges as a strange hybrid oscillating between local (de-facto imported) Indian cast-in-place concrete construction and (imported) German prefabrication.
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Gutierrez-Calderon, Pablo Jesus. "Maestro y discípulos: Japón y el pabellón para la Exposición Internacional de París de 1937." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.648.

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Resumen: En 1937, Japón presentaba para la Exposición Internacional de París un pabellón que rompía con los modelos de arquitectura tradicional y vernácula que había construido en anteriores exposiciones. El descaro de la propuesta generó no poca controversia en el país nipón debido al lenguaje empleado, alejado de las tipologías y sistemas constructivos autóctonos para introducir un nuevo modelo, aplicando nuevos materiales como acero y vidrio. Entre el primer proyecto presentado a concurso, obra de Kunio Mayekawa y el proyecto finalmente construido, obra de Junzo Sakakura, aparecerá un común denominador en la figura del maestro: Le Corbusier. El artículo analiza la influencia que supuso el maestro en la realización de los proyectos. Mientras Mayekawa evolucionaba buscando su propio camino, Sakakura diseñará el pabellón en el estudio de la calle de Sèvres, influenciado por las enseñanzas y sugerencias de Le Corbusier, para conseguir aunar en su arquitectura la profunda tradición japonesa con la modernidad. El pabellón puede considerarse pionero de la arquitectura moderna japonesa que entra a formar parte de la escena internacional, alzándose con uno de los premios de arquitectura otorgados por la organización francesa, junto a los pabellones de Aalto y J. L. Sert. Abstract: In 1937, a Japanese Pavilion was presented to the International Exhibition in Paris. This pavilion broke with the traditional and vernacular architecture that Japan had built in previous exhibitions. The audacity of the proposal generated a lot of controversy in the japanese country, due to its language, away from the native typologies and constructive systems. Indeed, the approach introduced a new model, using new materials such as steel and glass. The first project submitted to the competition, designed by Kunio Mayekawa, and the final built project, designed by Junzo Sakakura, have a common denominator represented by the figure of the Master: Le Corbusier. The article analyzes the influence of the Master in the ejecution of the projects. While Mayekawa progressed looking for its own way, Sakakura designed the pavilion in Sèvres Street Studio, influenced by the training and suggestions of Le Corbusier. Then, he managed to combine in its architecture deep Japanese tradition with modernity. The pavilion can be considered as a pioneering work of modern Japanese architecture that becomes part of the international scene ,indeed, it was awarded with one of the architectural prizes granted by the French organization, together with the pavillions designed by Aalto and J.L.Sert. Palabras clave: Mayekawa; Sakakura; Le Corbusier; Pabellón japonés; Arquitectura moderna. Keywords: Mayekawa; Sakakura; Le Corbusier; Japanese Pavilion; Modern Architecture. DOI: http://dx.doi.org/10.4995/LC2015.2015.648
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