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Journal articles on the topic 'Vernacular architecture'
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1
Punpairoj, Poomchai. "Recalibrating the New Thai Vernacular Architecture." Journal of Architectural/Planning Research and Studies (JARS) 7, no. 2 (September 3, 2018): 65–80. http://dx.doi.org/10.56261/jars.v7i2.168844.
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The emergence of the new types of vernacular houses shows the evidence of change leaping fromthe popular image of the traditional Thai houses. The change is impacted from many factors includingcontemporary cultural needs. New vernaculars, which are found in the central Thailand, are the transformingThai houses and the reproduction Thai houses. These two occurrences began since the 1960s (forthe first type) and the 1990s (for the second type). The vernacular houses were surveyed in Pak Kranvillage and Bang Pahun area in Phra Nakhon Si Ayutthaya province during the 2000s. These new vernacularhouses have developed from the traditional Thai house among other modern housing developments.However, there is lacking of awareness and understanding of the change. Most of the policies from Thaigovernment, study courses and research topics have focused only on the image in the past. Accordingly,contemporary vernaculars tend to be disregarded. For recalibrating the new vernaculars in this paper, thereare three main subjects: 1. the viewpoints on vernacular architectures both from local and internationalscholars; 2. the definitions and previous studies relating to vernaculars; and 3. the establishment of the newvernacular architectures, which closely relate to the traditional Thai house. This paper involves developingan understanding of vernaculars as well as providing ways to expand the scope of vernacular studies.
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Roter-Blagojević, Mirjana, and Marko Nikolić. "Introduction of Vernacular Architecture studies at the Faculty of Architecture in Belgrade." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 191–212. http://dx.doi.org/10.5937/saj1901191r.
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The paper examines the work of Aleksandar Deroko at the University of Belgrade's Faculty of Architecture and the inclusion of his rich personal knowledge about the vernacular architecture in the study programme, which he gained from long-term field research. As an assistant professor, he introduced the interpretation of vernacular architecture in the course on Byzantine and Old Serbian Architecture in 1929. After the study programme reform in 1935, a new course - named Old Serbian Architecture - was established, with one semester dedicated to the medieval monumental architecture and the second to rural and urban houses. In 1945/46 academic year, the course was renamed Vernacular Architecture and it incorporated medieval and vernacular architecture of the former Yugoslavia. Practical assignments dealt more with vernacular architecture and, through them the student's discovered the fundamental principles and methods of the vernacular construction. The goal of the studies was for students to comprehend and adopt basic traditional canons of construction and apply them to their own projects of cooperative centers, countryside schools, monasteries, etc. Through illustrations the paper will present, till now unpublished, student projects from the archives of Belgrade's the Faculty of Architecture's office for the architectural heritage of Serbia.
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Samalavičius, Almantas, and Dalia Traškinaitė. "Traditional Vernacular Buildings, Architectural Heritage and Sustainability." Journal of Architectural Design and Urbanism 3, no. 2 (April 15, 2021): 49–58. http://dx.doi.org/10.14710/jadu.v3i2.9814.
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The article is focused on vernacular dwellings in different parts of Europe: southern Italy and Lithuania that have their own traditions. The authors note that the attitude towards traditional vernacular architecture has largely changed due to ongoing research in this domail. Nevertheless, despite persistent continuity of traditional architecture, vernacular architecture was affected by the rise and development of modernist ideology that neglected the realm of tradition. The authors discuss some tyoes of vernacular buildings and their relation to local landscape, especially focusing on the traditional vernacular dwelling of Kuršių nerija (coastal regionbordering with Curonian spit and the Baltic Sea. This region was originally an area of fishermen villages and though some of the settlements ceasedf to exist there are a number of vernacula houses that belong to architectural heritage. The issues of dwellings, authenticity, survival and protection as well as some ambiguous issues of sustainability of traditional dwellings arer discussed. The authors conclude by suggesting that multiple assesment perspective should be employed while dealign with vernacular buildings suggesting that buildings of this type can perform functions extending the tourist consumption.
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Zhang, Meng, Lingzhi Wang, and Qingwen Zhang. "Research on Subjective-Cultural Ecological Design System of Vernacular Architecture." Sustainability 14, no. 20 (October 20, 2022): 13564. http://dx.doi.org/10.3390/su142013564.
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With the impact of urbanization and other factors, the vernacular architectural heritage faces the problem of how to carry on and innovate for sustainable development with originality and authenticity in the process of redesigning and planning. Therefore, this study uses the visualization method of quantitative analysis to analyze the research trends and hot spots of domestic vernacular architecture and explore new ways of coexistence between vernacular architecture, subject perception and cultural ecology. The critical challenge of this study is to analyze the theoretical coupling action rule between the socio-cultural structure of emotions and the cultural ecosystem of vernacular architecture, drawing on the concept of cultural ecology and the reasoning method of transmission relations in logical deduction. The main contribution of this study is to propose the concept of a subjective-cultural ecological design system for the sustainable development of vernacular architecture, to establish a three-dimensional structural analysis design paradigm and an evaluation analysis matrix, and to make vernacular architecture present the self-renewal ability of continuous exchange and revision in the dynamic cycle of this design system. This study aims to provide a standardized and flexible design research framework for contemporary vernacular architecture’s innovation and sustainable development.
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Sani, Rafooneh Mokhtarshahi, and Payam Mahasti Shotorbani. "Symbolic Use of Wind-Catchers in Iran." Open House International 38, no. 2 (June 1, 2013): 76–87. http://dx.doi.org/10.1108/ohi-02-2013-b0008.
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In recent decades, Iranian vernacular architecture has defined the local architectural identity by demonstrating distinctive characteristics. Defining such a critical role for vernacular studies has led to different approaches in the design of the contemporary architecture of Iran. The first approach of integrating vernacular and contemporary designs has focused on local people, their needs, local construction, and building materials. The revival of vernacular architectural design and building elements has been at the forefront of this approach in Iran. However, recent use in Iran has concentrated on the symbolic/abstract reuse of vernacular building forms. Vernacular architecture is known to merely provide for the functional requirements of buildings, and not for aesthetic purposes. Conversely, in the second approach, vernacular building elements are considered to be symbols of local identity. This paper will argue that although the symbolic reuse of vernacular features may not uphold the functional expectations of the vernacular form, this reuse is useful in reviving architectural identity. In addition, underscoring such a different role for vernacular building features in contemporary architecture might help to expand the realm of vernacular studies. Thus, the purpose of this paper is to provide an overview of the conversion of vernacular architecture in Iran by focusing on the instance of wind-catchers. Wind-catchers typically were used in residential buildings and are considered potent symbols of climate adaptation. In contemporary architecture, however, a form of wind-catcher has been used as a symbol for local architectural identity. Through this transformation, the essential nature of the wind-catcher has found new life in the contemporary architecture of Iran.
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Lake, Reginaldo Christophori, and Antariksa, Purnama Salura. "Revisiting Architectural Structuralism: Archi-Cultural Pattern as a Method to Read the Meaning of Tamkesi Vernacular Architecture." Journal of Design and Built Environment 21, no. 2 (August 31, 2021): 1–9. http://dx.doi.org/10.22452/jdbe.vol21no2.1.
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The widespread tendency to combine vernacular with modern architecture has led to the need for an in-depth understanding of the concepts that underlie the form of vernacular architecture. Unfortunately, there has been no systematic and rigorous research method aimed explicitly at reading the architecture of vernacular settlements that do not have written data on local traditions and culture. This study puts forward the theoretical-methodological steps to read the meaning of architectural patterns in the context of vernacular settlements by elaborating Levi-Strauss' structural analysis of myths with Salura and Alexander architectural theory. This study resulted in structuralist-inductivist steps to describe, analyse, and interpret vernacular architecture. The methodological framework consists as three significant parts: Firstly, to describe the activity and form of vernacular architecture in-depth based on the anatomical scope and architectural composition-properties. Secondly, to explore the surface structure of local myths, activities, and architectural form. Thirdly, to disclose the deep structure that underlies the relationship between local myths - activities - architectural form. These steps can be applied to read the meaning of vernacular settlements with no written sources on cultural traditions. Thus, this research contributes to the development of the theory and methodology of architectural scholarship. This research also acts as a source of knowledge for architectural practitioners and a significant input for the survival strategies of vernacular architecture.
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Ebrahimbaysalami, Omid, and Xiang Ren. "Heritage in Transition: Vernacular Architectural Patterns in Rural Iran." Heritage 7, no. 7 (June 26, 2024): 3393–416. http://dx.doi.org/10.3390/heritage7070160.
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The transition from vernacular architectural patterns to current architecture in rural Iran has led to various socio-cultural and environmental problems in the last decade. This study explores the nature of this transition, which has been overlooked in the studies of vernacular architecture in Iran. Furthermore, this article contributes to the ongoing academic debate on the decline and transformation of vernacular architectural patterns in the context of modernization. It analyzes the forces behind the decline and rise of vernacular settlements in a case study area, the Salami region of the Khaf district in Iran’s Khorasan Razavi province, by exploring how it is possible to reinterpret vernacular architectural patterns in the context of current architecture to utilize the new developments in rural Iran not as an obstacle but as an opportunity for improvement. To this end, this article explores vernacular architectural patterns in a case study area in Iran, supported by socio-cultural aspects and the environmental conditions of the region. This study conducts architectural and anthropological fieldwork on three vernacular houses in a case study area and uses participant observation and informal interview methods to understand the people and their interaction with their built environment. The findings of this article thus contradict previous studies on learning from vernacular architecture by shedding light on vernacular architecture in Iran as a system by demonstrating the inextricable links between different vernacular architectural patterns. Therefore, this study argues that to draw lessons from vernacular architectural patterns for current architecture in rural Iran, it is necessary to limit its communication concerning people’s contemporary needs but not to neglect this communication completely.
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Abdelkader, Hend. "The Vernacular language as a Basis for Thermal Comfort in Contemporary Architecture." International Journal for Research in Applied Science and Engineering Technology 10, no. 1 (January 31, 2022): 844–53. http://dx.doi.org/10.22214/ijraset.2022.39927.
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Abstract: Vernacular architecture takes advantage of environmental and climatic contexts to provide thermal comfort. In response to many microclimate issues, vernacular architecture has found solutions for basic human needs in residential buildings over decades. Vernacular architecture relied on locally available resources considering socio-economic factors, without relying on theories and skills gained from formal architectural education. A renewed interest in vernacular architecture has sparked in recent years because vernacular architecture can achieve thermal comfort with simple techniques. The Egyptian architect, Hassan Fathy, laid the foundations of vernacular language. In this paper, three projects of Fathy in Egypt and Jordan in the post war period were analyzed to identify the vernacular language. These projects show how Fathy achieved the thermal comfort that he wanted to obtain through detailed examination of five vernacular elements that he applied. Referring to the theories of vernacular architecture and their applications, it was found that the elements of vernacular architecture discovered and further developed in contemporary architecture. In short, vernacular language provides higher efficiency of thermal comfort. This was proven by reviewing four contemporary projects in the UAE, France and Egypt. These projects took advantage of the vernacular element that Fathy used in his projects earlier as a basis to achieve thermal comfort Keywords: Vernacular Architecture, Climate, Thermal Comfort, Contemporary architecture, Hassan Fathy
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Ayad, Merna Wagih Naguib, and Michael Zakaria Emil Sharwbiem. "Vernacular Architecture for Enhancing Environmental- A Case Study ofHousing in Abu Al Reesh Village in Egypt." International Journal of Current Engineering and Technology 11, no. 01 (February 10, 2021): 34–41. http://dx.doi.org/10.14741/ijcet/v.11.1.5.
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Vernacular architecture clearly expresses the strong relationship between man and his surrounding environment, as it represented a mirror reflected the material and human requirements and components of the environment that corresponds to it. From the standpoint of vernacular architecture which is compatible with the environment came as a contemporary innate expression of the reality of place and time, we are trying in this paper to come up with a clear definition of vernacular architecture and the features that characterized it as an attempt to add the human touch to modern architecture, and this is done by studying the vernacular architecture of and analyzing factors Influencing its urban formation, then exposure to the vernacular design of residential buildings and the extent of their environmental and cultural compatibility. The paper concludes with analysis, deduction and evidence that vernacular architecture produces a distinctive local character whose built environment is compatible with local nature and cultures and this is what supports the individual's sense of belonging, as it is man's success in adapting to his environment that enables humanity to communicate and continue. Purpose of the study ▪ Determining the features and characteristics of vernacular architecture by analyzing an architectural example of an Egyptian village with a vernacular architectural character ▪ Study the extent to which vernacular architecture is compatible with the environment as an aspect of the natural aspects and the human aspect such as customs, traditions and religion ▪ Emphasize the importance of preserving vernacular housing as it is considered a local heritage ▪ Take advantage of the Vernacular architecture method in dealing with humans and the environment in designing our modern architecture and using technology
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Rajković, Irena, Marija Bojović, Dušan Tomanović, and Lemja Chabbouh Akšamija. "Sustainable Development of Vernacular Residential Architecture: A Case Study of the Karuč Settlement in the Skadar Lake Region of Montenegro." Sustainability 14, no. 16 (August 11, 2022): 9956. http://dx.doi.org/10.3390/su14169956.
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Vernacular architecture and its responses to natural factors through architectural patterns are recognized as expressions of bioclimatic principles and national architectural responses to location. The vernacular architectural heritage of architecture is one of the most important factors in preserving and developing the cultural identity of a nation. Through research on the vernacular architecture of the coastal area of Skadar Lake, our goal is to recognize and potentially valorize the local traditional characteristics of authentic houses as ecological building patterns, which also express the fundamentals of sustainability principles. Although examples of vernacular architecture are disappearing due to contemporary globalization, and a mere imitation of motifs from past periods occurs, the historical specifics of architectural expression remain the inspiration and catalyst for future achievements based on the idea of preserving the local and regional recognizability of architecture. This research resulted in a redefinition of vernacular, bioclimatic concepts in a way that preserves construction techniques, which basically have an ecological approach, and, at the same time, provides modern solutions with bioclimatic concepts. The case study conducted on the village of Karuč in the area of Skadar Lake presented in the paper contributes to revealing the potential of bioclimatic principles and the energy rehabilitation of vernacular architecture in order to revitalize it through a new contemporary architectural expression. This study’s contents propose revitalization solutions at two levels of the following: settlement and typical houses. The study also aims to create a model, that is, a modern expression of a characteristic Karuč house, with improved functionality and energy characteristics for national architecture. Identifying all the basic building patterns, including the positioning of buildings, construction, the application of available materials, and the design of buildings, this paper presents conditions for the adequate valorization and preservation of authentic vernacular architecture and creates guidelines for further upgrades and the bioclimatic revitalization of vernacular architecture in a certain location.
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Mileto, C., F. Vegas, V. Cristini, and L. García-Soriano. "PREFACE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 20, 2020): 1–2. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-1-2020.
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Abstract. Without a doubt 2020 will be remembered worldwide as the year of risk and emergency, in this case a health emergency, and of new communication technologies. When work began in 2018 on the organisation of “HERITAGE2020 (3DPast | RISK-Terra), International Conference on Vernacular Architecture in World Heritage Sites. Risks and New Technologies”, the new technologies applied to vernacular heritage and risk were on the rise, although nobody could have foreseen how central they would become to everyday life in 2020. “HERITAGE2020 (3DPast | RISK-Terra), International Conference on Vernacular Architecture in World Heritage Sites. Risks and New Technologies” is organised within the framework of two research projects. The first, “3D Past – Living and visiting European World Heritage” (2017–2020), was co-funded by the European Union as part of the Creative Europe Programme, led by Escola Superior Gallaecia (Portugal) in partnership with Universitat Politécnica de València (Spain) and Università degli Studi di Firenze (Italy). The main aim of this project has been to promote the inhabited vernacular heritage declared as World Heritage Sites in Europe by trying to promote its valorization through new technologies, both for local residents and potential visitors. Vernacular heritage, new communication technologies and heritage management for valorization and sustainable tourism are the central themes of this European project. In 2020, these issues have become even more important for the survival, understanding and valorization of heritage, particularly vernacular heritage, which today provides a solid opportunity for cultural and sustainable tourism, where these new technologies make it possible to reach a wider public in search of locations better suited to social distancing. The second project involved in this conference is “RISK-Terra. Earthen architecture in the Iberian Peninsula: study of natural, social and anthropic risks and strategies to improve resilience” (RTI2018-095302-B-I00) (2019–2021), funded by the Spanish Ministry of Science, Innovation and Universities. This project is geared towards the conservation of earthen architecture in the Iberian Peninsula, both monumental and vernacular, which continues to be undervalued and barely recognized. The RISK-Terra project aims to provide scientific coverage of the study of natural threats (floods, earthquakes, climate change), social threats (abandonment, social discredit, demographic pressure, tourist development), and anthropic threats (neglect, lack of protection and maintenance), as well as the mechanisms for deterioration and dynamics and transformation (replacement, use of incompatible techniques and materials, etc.) to which architecture is exposed. The objective of the project is to establish strategies for conservation, intervention and rehabilitation which make it possible to prevent and mitigate possible damage through compatible actions and/or actions to increase resilience.As these two projects have major points of contact with potential for common reflection, their main themes have been combined in this Heritage2020 conference. The topics established for the conference are: vernacular architecture (study and cataloguing of vernacular architecture; conservation and restoration of vernacular architecture; urban studies on vernacular architecture; sustainability in vernacular architecture); new technologies applied to architectural and archaeological heritage (digital documentation and state-of-the-art developments; digital analysis in heritage; digital heritage related to social context; digital heritage solutions and best practices for dissemination); architectural heritage management (management and protection of UNESCO World Heritage Sites; social participation in heritage management; regulations and policies in heritage management; intangible heritage: the management of know-how and local building culture); risks in architectural heritage (studies of natural risks in architectural heritage; studies of social and anthropic risks in architectural heritage, preventive actions in order to improve resilience in architectural heritage; actions and strategies in post-disaster situations); earthen architectural heritage (study and cataloguing of earthen architectures; construction techniques that employ earth; sustainability mechanisms in vernacular earthen architectures; restoration and conservation of earthen architecture).The scientific committee was made up of 98 outstanding researchers from 29 countries from the five continents, specialists in the subjects proposed. All the contributions to the conference, both the abstracts and the final texts, were subjected to a strict peer-review evaluation system by the members of the scientific committee.Out of the over 300 proposals submitted, over 150 papers by 325 authors from 27 countries from the five continents were chosen for publication.
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Aulia, Afina Nisa, and Selly Veronica. "Exploring Indonesia's Vernacular Architecture: Comparison of Environment and Culture Responsiveness." Jurnal Koridor 15, no. 1 (June 30, 2024): 48–59. http://dx.doi.org/10.32734/koridor.v15i1.16519.
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Culture, region, and climate are three fundamental aspects that influence vernacular architecture. As the largest archipelagic country in the world, Indonesia is rich in diversity of vernacular architecture, originating from different cultural backgrounds and natural characteristics. It is interesting to examine whether significant similarities or differences are reflected in two vernacular houses formed from other cultures, regions, and topographies, even though they have the same function: residence. In this research, architectural comparisons were made between Sundanese traditional houses with the natural character of the mountains in West Java and Banjar traditional houses in the coastal region of South Kalimantan. Data was obtained through the literature review and then analyzed using Bentley's theory of three aspects — functional-constructional, environmental, and socio-cultural; as well as seven criteria — permeability, variety, readability, robustness, visual suitability, richness, and personalization. The research results show that the differences between these two vernacular architectures are visible from the use of materials and the type of foundation used. Apart from that, an interesting fact was discovered that even though both of them have different cultures and regions, the shape of the roof, the position of openings such as windows and doors, and the location of the buildings in the same housing complex, these two vernacular architectures have similarities. It is analyzed that this is the response of both communities that is reflected in each of their vernacular architecture to the environment in the same climate, namely the tropical climate.
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Ramdhani, Iga Nur, and Sugini. "Sustainable Architectural Investigations on Bugis Vernacular House: Case Study of Tenun Tourism Village, Samarinda Seberang, East Kalimantan, Indonesia." IOP Conference Series: Earth and Environmental Science 933, no. 1 (November 1, 2021): 012020. http://dx.doi.org/10.1088/1755-1315/933/1/012020.
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Abstract Sustainability is a global problem, and architecture can contribute through vernacular architecture. To find out the potential of vernacular architecture to contribute, it is necessary to study sustainable architecture in vernacular houses. In this study, an investigation of sustainable architecture in Bugis vernacular houses will be carried out with a case study of the Tenun Tourism Village. We find that to contribute to the field of architecture, an approach through the concept of sustainable architecture is needed, one of which is green architecture. Thus, we conclude that there is a need for a sustainable architectural investigation of Bugis vernacular houses with green architecture approach and through the assessment of EDGE indicators. The results of this study indicate that the Bugis vernacular architecture in the Tenun Tourism Village can contribute to the issue of sustainability. However, it needs some renovations and additional technology. In addition, the material efficiency can still be maintained even though the material is replaced with the latest material.
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Han, Pingyi, Shenjian Hu, and Rui Xu. "New Life in the Countryside: Conservation and Sustainability of Vernacular Architectural Facade Characteristics in the Jiangnan Region, China." Sustainability 16, no. 8 (April 19, 2024): 3426. http://dx.doi.org/10.3390/su16083426.
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The facade form of vernacular architecture is an outward manifestation of the building structure, which can easily give people an intuitive impression of the building. Most of the existing studies focus on analyzing the construction process and building materials of vernacular architecture in detail, but there are few studies on the characteristic elements in the form of architectural facades. The main objective of this study is to propose a new methodology for objectively analyzing the morphological characteristics of architectural facades with complex networks to support the sustainable development of vernacular architecture. The results of the study show that the vernacular architectural facades in the Jiangnan region are characterized by the richness of details and distinctive layers and that the formal elements that can show the regional characteristics are preserved in the process of the sustainable development of vernacular architecture. The most crucial part of this is the roof shape, followed by the simplification of the detailing and how the vertical form elements are laid out horizontally. The article addresses the protection and continuity of vernacular architectural facade characteristics and proposes a strategic plan to strengthen the vernacular architectural facade characteristics in the Jiangnan region, aiming to protect the traditional characteristics and continue the traditional culture.
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Dalpati, Rachita. "A Study of Vernacular Architecture of Tamil Nadu." INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 08, no. 04 (April 4, 2024): 1–5. http://dx.doi.org/10.55041/ijsrem30030.
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This research study examines the rich legacy of vernacular architecture in Tamil Nadu, India, with an emphasis on its historical relevance, architectural features, and sustainable practices. Tamil Nadu's vernacular architecture has a wide spectrum of forms, from major Dravidian temples to simple the village houses. These structures provide not just functional needs, but also represent the communities' cultural identity and religious values. Furthermore, vernacular architecture in Tamil Nadu is highly sensitive to the local environment, with buildings planned to maximize natural ventilation, lighting, and thermal comfort. Traditional building materials like lime, timber, and terracotta are supplied locally, reducing environmental effects, and encouraging sustainability. Focusing on historical documents and academic research this study investigates the cultural, socioeconomic, and environmental influences that have impacted Tamil Nadu's vernacular architecture throughout the centuries. It also examines the current relevance of traditional architectural techniques in the context of growing urbanization and industrialization, highlighting the importance of maintaining and incorporating indigenous knowledge into sustainable development initiatives. Through case studies and comparative research, the article emphasizes the adaptability of Tamil Nadu's vernacular architecture, as well as its potential contributions to modern architectural discourse and sustainable design practices. Keywords- Vernacular, architecture, climate responsiveness, sustainability, Tamil Nadu, South India, courtyard, Chettinad.
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Wei, Duan, Yang Xinyu, Zhang Ting, and Cai Haoxian. "From Home to Inn: The Evolution of Rural Dwellings in the Taihang area of Northern Henan." Sustainability 15, no. 3 (January 26, 2023): 2293. http://dx.doi.org/10.3390/su15032293.
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With the rapid development of China’s economy, rural tourism is developing in full swing throughout the country, attracting significant capital inflow with its unique historical features and natural landscapes. In recent years, vernacular architectures are experiencing a spontaneous transformation. The evolution of vernacular architecture presents a development trend of “self-organization”. In order to study the evolution of vernacular architecture in the context of tourism development, the authors consider tourism villages in the southern Taihang area. Samples of rural vernacular architecture were selected, analysing spatial typologies and the theory of self-organization in the development process. Finally, the article finds that the evolving development mechanisms are considered as vernacular architecture of the region shifts from disorder to order.
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Przesmycka, Natalia. "Icelandic vernacular architecture." Budownictwo i Architektura 14, no. 3 (September 8, 2015): 257–68. http://dx.doi.org/10.35784/bud-arch.1634.
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The article presents the historical determinants and contemporary issues related to the cultural heritage of Iceland - vernacular architecture. This architecture is the result of human activity and very specific conditions of raw environment. The settlement of Iceland historically developed in difficult natural conditions, where the real potential (geothermal energy of the earth) are discovered only in recent years. A small amount of building materials and isolation from other centers of civilization caused that the Icelandic construction has been slightly changed over nearly a thousand years.
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Kovács, K. "BEYOND VERNACULAR ARCHITECTURE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 767–72. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-767-2020.
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Abstract. When John Ruskin “discovered” vernacular architecture, it was a rich heritage still in the making. Contrary to most of the other kinds of valuable built remains of cultures gone, vernacular architecture has been well alive, vigorously creative and yet ancient. Besides being continuously inhabited, it has been conserved in open-air museums and reinterpreted through national styles seeking inspiration from it. The former usually resulted in houses turned into museum exhibits; the latter inevitably resulted in compositions designed by trained architects. Alongside this process, there occurred progressive disappearance of vernacular crafts and ways of life. There is, however, a lesson that built vernacular heritage can still teach us: better integration of human settlements to the environment. What lies beyond vernacular architecture or the theory and practice of its preservation, is the reinvention of the boundaries of localness.
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Alanen, Arnold R., and Michael Koop. "VERNACULAR ARCHITECTURE FORUM." Landscape Journal 11, no. 1 (1992): 90–91. http://dx.doi.org/10.3368/lj.11.1.90.
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Salura, Purnama, Stephanie Clarissa, and Reginaldo Christophori Lake. "The Application of Sundanese Vernacular Concept to The Design of Modern Building - Case Study: Aula Barat (West Hall) of Bandung Institute of Technology, West Java, Indonesia." Journal of Design and Built Environment 20, no. 1 (April 30, 2020): 1–12. http://dx.doi.org/10.22452/jdbe.vol20no1.1.
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As a reaction to the monotonous expression of typical International Style architecture, vernacular architecture is often applied to the design of modern buildings. Unfortunately, most of these applications are limited to copy existing vernacular architectural elements. This research aims to elucidate the application of Sundanese vernacular concepts in modern building designs. In line with this purpose, the Aula Barat (West Hall) Bandung Institute of Technology designed by Maclaine Pont was chosen as the case study. The analysis showed that the Sundanese vernacular concept was presented through the shape of the roof, which is similar to the vernacular house and mosque in the Sundanese village; while the modern lamella construction provides a wide-span structural system. This research complement existing research about Sundanese vernacular architecture, by exploring in-depth how to designed modern buildings that fit new functions and to its zeitgeist, but at the same time embodied the local expressions. It is expected that in the future modern buildings are no longer designed in the form of frozen vernacular architecture. The results of this research can also be a valuable input for stakeholders and architectural conservationists, as well as a source of knowledge for the laypeople.
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Mandrapa, Đorđe, and Vladimir Parežanin. "Vernacular architecture in Serbia in the 19th and first half of the 20th centuries: Transformation and disappearance." SAJ - Serbian Architectural Journal 8, no. 1 (2016): 1–22. http://dx.doi.org/10.5937/saj1601001m.
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The purpose of this study is to reevaluate general theoretical and practical interpretation of vernacular architecture in Serbia in the 19th and the first half of 20th century. This incorporates the understanding of vernacular architecture in a wider context, through interpretations of various authors, who do not only observe its design value, but also the cultural and spiritual values. Since vernacular architecture cannot be recognized as a singular discipline, but within the area of many disciplines, the wider interpretation is mandatory. Although celebrated and recognized as archetypal, vernacular architecture in the studied period is fading away and gradually disappears, faced with modern building techniques and architectural styles, brought by formally educated builders. The goal of this study is to examine the processes within which mentioned transformation is occurring and, accordingly, to understand the vernacular architecture which developed in practice. Since vernacular architecture in Serbian historiography has up to now only been examined in the context of traditional rural architecture, or of, so called national style, the main premise of the study is to offer another approach to this kind of creation, so as to examine and critically view the recent dominant understanding of application of vernacular principles and elements in the architecture of the mentioned period.
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Dada, A. D., and H. Z. Alibaba. "Comparison analysis between the components of vernacular and modern architectures for sustainable housing in Niger State." IOP Conference Series: Earth and Environmental Science 1210, no. 1 (July 1, 2023): 012011. http://dx.doi.org/10.1088/1755-1315/1210/1/012011.
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Abstract Modern architecture has its roots in the vernacular type. Globally, every cultural group has its own form of vernacular architecture, though the approach may vary from region to region and also among the individuals. The traditional and modern architectural styles in Minna Niger State, Nigeria are examined in this paper since these styles possess distinct climatic, economic, and socio-cultural practices. A typical vernacular architecture was sited at Tudun Fulani Extension whereas a typical modern architecture was sited at GidanMatasa. The study examined the buildings in terms of physical features, thermal comfort and cost analysis. EnergyPlus, a simulation program, was used in this study to assess and forecast the thermal comfort. To affirm, local construction materials were used to meet the housing demands without harming the environment. The study outcomes found that the traditional housing units outperformed the modern ones by a wide margin. The findings of the study revealed the following features as part of vernacular architecture such as the presence of a courtyard, vegetation, connection to nature and construction using natural materials. On the other hand, the modern architecture does not have any courtyards, inadequate vegetation and isolation from the nature. It is also constructed using the imported building materials, although the modern architecture enables the windows to be of large size. The findings also disclose that the vernacular architecture provides more thermal comfort than the modern architecture since the latter has a heavy heating load density i.e., 9,571 (Watt). This value is 50 percent more than the peak heating load of the traditional architectural structure i.e., 2,109 (Watt). Finally, the study was able to ascertain the high-cost implication of the modern architecture compared to vernacular architecture. Furthermore, the study also proved that the vernacular housing units are much better than the modern ones in terms of thermal comfort, usage of cost-effective and natural materials and the building’s thermal properties. The researcher recommends that the components of both vernacular and modern architecture must be properly integrated for the development of the sustainable homes in Northern Nigeria.
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Flaiban, Vanessa. "The Vernacular Roots Vernacular Architecture as a Leader to the New Sustainable Dwelling." Journal of A Sustainable Global South 3, no. 2 (August 31, 2019): 6. http://dx.doi.org/10.24843/jsgs.2019.v03.i02.p02.
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In today's world, sustainability is gaining importance primarily in architecture; it should be possible to build it sustainably in the tropics. An example of this is the vernacular architecture, local materials and an adaptation to the environment, which enable the design of outstanding dwellings, which do not rely on technical tools. Unfortunately there is a great imbalance in Bali, and the local population is still strongly dependent on the building of the vernacular. The tourism industry has created its own high-tech architecture. Apart from a few exceptions, the luxury tourism industry nowadays has to deal with climatic factors instead of adapting them. Now I would like to research in a case study which aspects make the Balinese house so adapted and whether these aspects are still valid for today's claims. Basically, I asked myself these four questions: What are the characteristics of a contemporary tropical house in Bali? What aspects make these houses a tropical house without a negative impact on the Balinese vernacular architecture? What architectural means can help to create a local identity? Which architectural instrument makes it possible to integrate into Balinese urbanity? I would like to try to answer these questions using the case study of two examples and my gained knowledge.
Index Terms— sustainability, vernacular, architecture
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Salih, Amna Bassim Mohamed. "The Characters of the Form in the Vernacular Architecture A comparative study of the form's characters of facades of individual houses and commercial buildings in the City of Baghdad after 2003–Zayoona district as a case study." Journal of Engineering 25, no. 7 (July 1, 2019): 145–64. http://dx.doi.org/10.31026/j.eng.2019.07.09.
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The characters of facades' form of the Iraqi building after 2003 have been changed, it has been described by many names. The problem of the research is that what are the features of the characters of the form in the façades of the buildings in Baghdad city after 2003? Are the façade of the individual houses or the commercial buildings is the heaviest in the visual weight? The research aims to answer those questions by choosing the vernacular architecture as a measurement tool. It is the informal image of the architecture, which is built by people informally and spontaneously, without official control and legislation to be organized. This is smellier to what has happened in Baghdad, after 2003 according to previous study submitted by the same researcher (The phenomenon of trespassing the architectural design regulation in the Iraqi cities 2003-2016- case study Baghdad) the individual houses as a case study. The research method has dealt with the previous studies, and with the terms and the vernacular architecture in some Arabic countries. The research determines the features of the form's characters in the façades of the vernacular architecture in Egypt, Yemen, and Palestine as the generic features of the vernacular taste in Arabic societies. The researcher examines these features by checking list and Excel program and by selecting samples in Zayoona district after 2003 as a case study. The research's hypothesis has proved that the form's characters of local façades in Baghdad after 2003 are a rural vernacular. The facades of the individual houses have had the heaviest influences at the visual weight. The research has concluded that the characters of the vernacular architecture's form have common and basic styles among societies. when it has manifested in cities, showed their architectural style and identity, it indicates a decline in both architectural style and identity. The heavy influences of the visual weight in Iraqi architecture after 2003 depends on the decoration included two types: the rhythmic and geometric decoration, being important elements in the facades.
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Chewning, Jay. "PERSPECTIVES IN VERNACULAR ARCHITECTURE, I and PERSPECTIVES IN VERNACULAR ARCHITECTURE, II." Landscape Journal 8, no. 1 (1989): 64–65. http://dx.doi.org/10.3368/lj.8.1.64.
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Satwiko, Fairuz, Maria Immaculata ririk Winandari, and Julindiani Iskandar. "Mosque Typology in Indonesia Based on Vernacular Architecture." Sinektika: Jurnal Arsitektur 20, no. 1 (January 28, 2023): 48–55. http://dx.doi.org/10.23917/sinektika.v20i1.19540.
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The mosque which was built in various regions in Indonesia has a variety of its uniqueness. People in Indonesia in general only see that people understand architecture in a mosque only as a domed building or apply Middle Eastern elements only. However, many mosques in Indonesia have applied various Vernaculars to their architectural applications and experienced significant changes to the concept and form of the building. This study aims to find the application of Vernacular facades to 4 mosques in Indonesia, namely the Great Mosque of West Sumatra, the Sunan Ampel Mosque, the Great Mosque of Central Java, and the Grand Mosque of K.H. Hasyim Asyari. The method used is descriptive qualitative with data collection techniques based on journals and articles from the Internet and processed using tables in the form of variables with variables in the form of roofs and mosque wall ornaments. The results of this study are the application of vernacular roof architecture to the mosque in the form of modifications of the local form of each mosque that originates and the application of ornaments on the walls of the mosque which is an adaptation of the local architecture of the local area.
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Samalavičius, Almantas Liudas, and Arnoldas Gabrėnas. "The Legacy of Lithuanian Urban and Semi-Urban Vernacular Architecture and Possibilities of Its Preservation." Buildings 12, no. 12 (November 28, 2022): 2087. http://dx.doi.org/10.3390/buildings12122087.
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Interest in vernacular architecture and vernacular buildings has grown significantly during recent decades. Nevertheless, despite the number of important studies that have been proliferating, there is a lot of material in various geographic localities that still requires further scrutiny. Vernacular architecture in the post-Soviet/post-communist space is one such area. In the Lithuanian context, vernacular buildings have been long neglected and marginalized in research projects, even though traditional Lithuanian architecture (previously often referred to as “folk architecture”) has been quite well-researched and remains an object of interest. There are, however, certain particular forms of contemporary vernacular architecture—urban and suburban in particular—that have rarely been scrutinized for numerous reasons. The former suburb of Šnipiškės, now being converted into a new center of the city of Vilnius, is an area where modern housing and office towers co-exist with older vernacular buildings. Having been constructed in different historical periods and socio-cultural contexts, they represent the features of local vernacular architecture as well as certain relations to rural vernacular architecture. As an urban quarter, Šnipiškės is comparable to the kampungs (or urban villages) that exist in Indonesia and some other countries. The peculiarities of vernacular buildings in Šnipiškės are discussed in this article. The other type of vernacular discussed is the suburban “collective garden” house, largely constructed during the Soviet period when city-dwellers were allowed to maintain small pieces of land for individual semi-urban farming and erect simple structures on their sites. After the fall of the regime, this type of house underwent numerous changes: some of them, designed with the help of architectural professionals, were eventually reshaped and reconstructed by their owners according to the “Do it yourself” principle. Both types represent a culture of contemporary urban and semi-urban vernacular architecture. As cities in the eastern part of Europe, including Lithuania, are undergoing rapid and often heedless transformations, understanding the value of vernacular buildings and preserving some legacy of surviving vernacular structures of various types is culturally important.
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Davidson, James. "A Proposal for the Future of Vernacular Architecture Studies." Open House International 38, no. 2 (June 1, 2013): 57–65. http://dx.doi.org/10.1108/ohi-02-2013-b0006.
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Given the broad scale and fundamental transformations occurring to both the natural environment and human condition in the present era, what does the future hold for vernacular architecture studies? In a world where Capital A (sometimes referred to as ‘polite’) architectural icons dominate our skylines and set the agenda for our educational institutions, is the study of vernacular architecture still relevant? What role could it possibly have in understanding and subsequently impacting on architectural education, theory and practice, and in turn, professional built environment design? Imagine for a minute, a world where there is no divide between the vernacular and the ‘polite’, where all built environments, past and present are open to formal research agendas whereby the inherent knowledge in their built histories inform the professional design paradigm of the day – in all built settings, be they formal or informal, Western or non-Western. In this paper, the author is concerned with keeping the flames of intellectual discontent burning in proposing a transformation and reversal of the fortunes of VAS within mainstream architectural history and theory. In a world where a social networking website can ignite a revolution, one can already see the depth of global transformations on the doorstep. No longer is there any excuse to continue intellectualizing global futures solely within a Western (Euro-American) framework. In looking at the history of VAS, the purpose of this paper is to illustrate that the answers for its future pathways lie in an understanding of the intellectual history underpinning its origins. As such, the paper contends that the epistemological divide established in the 1920s by art historians, whereby the exclusion of so-called non-architect architectures from the mainstream canon of architectural history has resulted in an entire architectural corpus being ignored in formal educational institutions and architectural societies today. Due to this exclusion, the majority of mainstream architectural thinkers have resisted theorizing on the vernacular. In the post-colonial era of globalization the world has changed, and along with it, so have many of the original paradigms underpinning the epistemologies setting vernacular environments apart. In exploring this subject, the paper firstly positions this dichotomy within the spectrum of Euro-American architectural history and theory discourse; secondly, draws together the work of scholars who have at some point in the past called for the obsolescence of the term ‘vernacular’ and the erasure of categorical distinctions that impact on the formal study of what are perceived as non-architectural environments; and finally, sets out the form by which curricula for studies of world architecture could take.
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Baskaya, Öznur. "Traditional and Vernacular Architecture in Bali." Journal of A Sustainable Global South 8, no. 1 (March 25, 2024): 29. http://dx.doi.org/10.24843/jsgs.2024.v08.i01.p05.
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The study of Bali's traditional and vernacular architecture requires a comprehensive interdisciplinary approach to reveal the complex expressions of this culturally diverse island. Influenced by Hindu, Buddhist and indigenous beliefs, Bali's architecture is closely interwoven with its lush landscape, characterised by terraced rice fields, volcanic mountains and a tropical climate. The theoretical foundations are based on vernacular architecture and emphasise the importance of indigenous knowledge, local materials and cultural, social and environmental factors. The study focuses on the classification and functions of more than 20,000 Hindu temples or "pura", which reflect the island's deep cultural roots and rituals based on the Balinese calendar. An examination of small villages such as Pengotan reveals a nuanced architecture with sacred and profane zones clustered around temple areas, residential areas and cemeteries. The concentration of family units in sacred spaces and the meticulous adherence to the luan concept reveal the intricacies of traditional Balinese architecture. However, the preservation of this architectural heritage is being challenged by rapid modernisation and a booming tourism industry. The influx of tourists, which has increased from 2.5 million in 2010 to 14 million in 2017, poses a threat to Bali's traditional building practices and materials. The environmental impact of increasing waste and inadequate infrastructure, exacerbated by the growing number of foreign visitors, requires sustainable planning. The government's ambitious goal of creating '10 new Balis' to double the number of tourists raises concerns about environmental protection and proper waste management. The methodological approach of this study is deeply rooted in vernacular architecture and aims to decipher the nuances and preserve Bali's architectural heritage. Balancing the demands of modernisation and tourism with the need for environmental sustainability is critical to the protection of the heritage.
Index Terms— Vernacular Architecture, Bali, Tourism, Traditions
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Petruccioli, Attilio. "Vernacular architecture and typology." A/Z : ITU journal of Faculty of Architecture 13, no. 1 (2016): 5–13. http://dx.doi.org/10.5505/itujfa.2016.60252.
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Fields, Dorothy Jenkins. "Tracing Overtown's Vernacular Architecture." Journal of Decorative and Propaganda Arts 23 (1998): 322. http://dx.doi.org/10.2307/1504175.
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Dyer, Christopher. "History and Vernacular Architecture." Vernacular Architecture 28, no. 1 (June 1997): 1–8. http://dx.doi.org/10.1179/030554797786050428.
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Naing, Naidah, and Karim Hadi. "Vernacular Architecture of Buginese:." International Review for Spatial Planning and Sustainable Development 8, no. 3 (July 15, 2020): 1–15. http://dx.doi.org/10.14246/irspsd.8.3_1.
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Misra, Manjusha. "South Asian vernacular architecture." International Journal of Environmental Studies 73, no. 4 (July 3, 2016): 481–83. http://dx.doi.org/10.1080/00207233.2016.1199400.
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Roaf, Sue. "Lessons from vernacular architecture." Journal of Architectural Conservation 20, no. 1 (January 2, 2014): 67–68. http://dx.doi.org/10.1080/13556207.2014.897432.
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Patricia, D., and D. Manuel. "VERNACULAR ARCHITECTURE AND SUSTAINABILITY." International Journal of Advanced Research 11, no. 01 (January 31, 2023): 259–62. http://dx.doi.org/10.21474/ijar01/16015.
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This research project implies the participation in the reflectionof the issue of vernacular architecture, systems of representation, international charters and conventions, recovery systems linked to recovery and asset protection, in order to disseminate and collect scientific knowledge that contributes to value and mobilize their development process in our study area in Matosinhos Municipality.
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Amine Rais, Mohamed El, and Ricardo Tendero Caballero. "Vernacular architecture en algeria “M’zab” = Arquitectura vernacula en argelia “M’zab”." Building & Management 3, no. 1 (April 29, 2019): 49. http://dx.doi.org/10.20868/bma.2019.1.3876.
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Hu, Ming, Junghwa Suh, and Camryn Pedro. "An Integrated Framework for Preservation of Hawaii Indigenous Culture: Learning from Vernacular Knowledge." Buildings 13, no. 5 (April 29, 2023): 1190. http://dx.doi.org/10.3390/buildings13051190.
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Vernacular architecture represents the traditional architecture that developed over time within a particular culture or region that embodied indigenous knowledge. These buildings provide an invaluable cultural heritage, and learning from them is an important way to preserve indigenous culture. However, the negative view commonly held about indigenous knowledge in architectural theory and historical research that developed during the colonial era has not begun to change; the indigenous knowledge embedded in vernacular architecture has been ignored. This article discusses a proposed framework in which we can learn from vernacular architecture to preserve indigenous culture, including studying traditional building techniques, incorporating traditional materials and designs, adapting traditional designs to contemporary needs, involving local communities, and encouraging sustainable building practices. This proposed framework is applied to learning from Native Hawaiian architecture as a way to demonstrate its practicality and necessity. By studying the designs, materials, and techniques used in vernacular buildings, we can gain a deeper understanding of the cultural, environmental, and social contexts in which they were created.
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Nabil, Kari, and Mohammed Nabil Ouissi. "Identifying and documenting the Traras mountains(Northwest-Algeria) rural heritage architectural features: an architectural survey." PASOS. Revista de Turismo y Patrimonio Cultural 19, no. 2 (2021): 271–84. http://dx.doi.org/10.25145/j.pasos.2021.19.018.
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In the extreme northwest of the Algerian territory the Traras Mountain the vernacular architecture of the houses is facing natural and human threats. with its loss, a synthesis of traditional rural life, imminent. This article is aimed at identifying and recording the characteristics of traditional vernacular architecture in housing to safeguard the knowledge and promote community awareness with respect to this architectural resource, thereby providing a context for future conservation work. The study involved an architectural survey to identify and document the architectural resources of the Traras mountains vernacular rural buildings. The survey included collection of relevant historical and geographic information, building description and analysis together with other data relating to spatial and functional organisation, construction methods and materials. The final product of this study is a conservation‑support plan detailing all the characteristic features of the Traras mountains rural vernacular buildings.
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Khoshnaw, Rebaz. "Sustainable Construction in Kurdish Vernacular Architecture." Periodica Polytechnica Architecture 50, no. 2 (May 23, 2019): 178–85. http://dx.doi.org/10.3311/ppar.13338.
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The Kurdistan region is currently undergoing rapid change and development in many ways. The economy is growing, and the population is increasing. Adopting a modern lifestyle is influencing individuals and social behavior. These factors are collectively affecting the architectural styles and construction techniques of the buildings. Abandoning the vernacular architecture has led to a loss of locality. This research outlines the characteristics and elements of Kurdish vernacular architecture in Erbil city and the villages in mountainous area; it then analyses them in terms of sustainability. A descriptive method is adopted to identify the sustainable aspects of traditional building techniques and designs. Finally, the paper concludes that with developed construction regulations, some of the designs and construction methods of traditional architecture, with the right management, can be adopted in modern buildings.
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Zhao, Mei, and Wei Gao. "Design Languages of Contemporary Neo-Vernacular Architecture in China." Applied Mechanics and Materials 253-255 (December 2012): 75–80. http://dx.doi.org/10.4028/www.scientific.net/amm.253-255.75.
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The paper states the developmental background of neo-vernacular architecture in China, and introduces the concepts of vernacular architecture and neo-vernacular architecture. From the four aspects, form language, material language, technology language and space language, the paper expounds the design methods and ideas of contemporary neo-vernacular architecture of China with some building examples. In the end of the paper, the author points out that we should encourage the development of the neo-vernacular architecture in China.
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Mohamed, Abeer Samy Yousef, and Kholod Moumani. "Bioclimatism through Vernacular Architecture as a Pass for New Sustainable Structure." Academic Research Community publication 3, no. 3 (May 5, 2019): 50. http://dx.doi.org/10.21625/archive.v3i3.522.
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Vernacular architecture typifies a majority of constraints from places where it belongs, where the use of local materials and techniques is one of the key features. In comparison to industrially-produced materials, vernacular materials have low ecological effects, being an alternate for sustainable construction. The expanding utilization of new industrially-produced and standardized materials resulted in the homogenization of the several used construction approaches, and spawned a universal architecture that oftentimes has gone out of the environment context and it is very reliant on energy and other resources. Vernacular architecture predicated on bioclimatism concepts was developed and used through the ages by many civilizations around the world. Different civilizations have produced their own architectural styles predicated on the local conditions.This paper addresses via an analytical study to indicate the relationship between vernacular architecture, locally sourced materials and structure by relating them with bioclimatic zones. To assess the contribution of these materials for sustainability, an evaluation with industrial materials at level of environmental indicators was established. This paper highlights the advantages of using local materials and techniques as a factor of local socio-economic development. Also, indicating different solar passive features that are available in Vernacular architecture, related to temperature control and promoting natural ventilation by using locally available materials in their construction. Through this methodology, this study will introduce a new approach Bioclimatism and Vernacular architecture as a pass for new sustainable structure.
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Rong, Weihan, and Azizi Bahauddin. "A Bibliometric Review of the Development and Challenges of Vernacular Architecture within the Urbanisation Context." Buildings 13, no. 8 (August 10, 2023): 2043. http://dx.doi.org/10.3390/buildings13082043.
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An effective strategy for sustainable development is to conduct research on vernacular architecture in response to urbanisation as well as environmental and climate change challenges. However, focused discussion has been limited to date due to the diverse range of disciplines involved in vernacular architecture and the unique examples in practice. Scopus, one of the largest literature databases, was used to find and select a total of 1403 documents for this paper. Techniques for both quantitative and qualitative literature analysis were employed using Microsoft Excel (Version 16.75.2) and the visualisation tool VOSviewer (Version 1.6.19). Using bibliometric analysis, more academic publications were reviewed, aiming to analyse the current situation, influence, and future direction of the literature related to vernacular architecture. The current issues have been obtained from the statistical results, and the opportunities and challenges of vernacular architecture in today’s cities are discussed. The twenty most frequently referenced publications, keywords, and correlations between co-occurrences were all examined in this bibliometric analysis, along with annual publishing trends and the most influential nations, institutions, sources, and authors. The analysis showed a rising trend in vernacular architectural publications, with China, Italy, and Spain being the most prolific nations whose institutions have a high academic impact. However, the degree of international author collaboration remains insignificant. Future themes could focus on energy, comfort, earthquake resilience, and sustainability, with cultural heritage and vernacular communities still receiving little research attention. This study is a comprehensive bibliometric analysis of vernacular architecture, as well as an important study of sustainability and resilience, affirming the importance of vernacular architecture in terms of future urban form and drawing on the lessons of history. Also, the proposed research framework could be a strong reference for future researchers looking for inspiration.
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Korachy, M. "IS THE LOSS OF VERNACULAR ARCHITECTURE REVERSIBLE? THE CASE OF LAHUN VILLAGE IN EGYPT." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 977–84. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-977-2020.
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Abstract. In Fayoum, the largest oasis in the Egyptian western desert, the modern Lahun village was developed close by the ancient mud-brick Lahun Pyramid in the 19th Century. The architecture of Lahun village followed its ancestors’ architecture. Until 2003, a mix of mud and stone vernacular houses were dominant in the village. In 2010, 35% of the houses at Lahun main street, which leads to the pyramid site, were of mud brick/stone houses, the rest was replaced by high-rise concrete buildings. By 2019, little traces of the traditional vernacular dwellings survived a massive movement to concrete construction. In the last 15 years, the skyline of the village has completely transformed. Lahun’s loss of its vernacular architecture is not an exception, except in one case: Tunis village where a pottery school for locals, started 30 years ago, to change the future of Tunis, where traditional architectural techniques have taken an important place in contemporary constructions. What are the local needs when they decide to replace their traditional houses with concrete? What is the impact of the pyramid’s recent re-opening on the village? What should be learned from Tunis village? Could what remained from the aspects of the Lahun vernacular heritage be used to reverse the loss of the tangible architectural aspects? Is new architecture that is sympathetic to the traditional vernacular character of the village a solution?
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Erarslan, Alev. "A Contemporary Interpretation of Vernacular Architecture. The Architecture of Nail Çakirhan, Turkey." YBL Journal of Built Environment 7, no. 1 (February 1, 2019): 5–25. http://dx.doi.org/10.2478/jbe-2019-0001.
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Abstract As a product of native masters of the vernacular and the accumulation of thousands of years of tradition, local architecture embodies the physical and sociocultural characteristics of the environment of which it is a part. This is an indigenous architecture that displays the character of multiple and unknown local contributors and openly reflects the traditions, culture, experience and customs of the people it serves. Vernacular architecture differs according to the physical conditions of each region, becoming an expression of the culture of that area. Underlying it is the ancient wisdom, experience, skills and mastery that is transferred from generation to generation. The vernacular in architecture is the direct and unconscious translation of a society’s culture into physical substance within the framework of specified needs. It draws from tradition and with time, provides a social and cultural documentation that is passed on from one generation to the next. The aim of the study is to examine the residential works of the self-taught architect Nail Çakırhan, one of the most adamant defenders of vernacular architecture in Turkey and a recipient of the Aga Khan award in 1983, in the context of the house he built for himself using the local architectural materials of the region of Ula, where he was born, and the residential buildings he created in Akyaka, in an attempt to analyze Çakırhan’s contemporary interpretation of local architecture.
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Novrial and Nila Rahmaini Siregar. "Characteristics of Vernacular Architecture Malay Deli Traditional House Based on Technical Aspects of Building Structure." International Journal of Architecture and Urbanism 5, no. 2 (August 26, 2021): 148–60. http://dx.doi.org/10.32734/ijau.v5i2.6834.
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Local wisdom in an architectural context is part of cultural heritage, passed down from generation to the next generation and gone through a long process of gaining community recognition as a reflection of the region's culture, also known as vernacular architecture. Vernacular architecture can be found in almost every region, as is the city of Medan. Medan city is famous for its culture, especially its Malay culture, formed by the Sultan of Deli's influence so that Malay Deli emerged. In its formation, aspects of the creation of vernacular architecture also influenced the development of Malay Deli, mainly traditional houses. These traditional houses is visible from one of its forming aspects in the form of technical aspects such as building structure systems. This study discusses the characteristic of system structure in the Malay Deli traditional house and aims to identify and examine these problems. This study adopted a qualitative descriptive method approach to collect and analyze data so that the results obtained in the form of technical aspects of the structure of vernacular building structures from traditional Malay. This study's findings are a reference source for traditional Malay houses' vernacular architecture, specifically Malay deli or design considerations.
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Rodriguez, A. C. "RECOVERY OF THE FORMAL AND SPATIAL CHARACTERISTICS OF NONO'S VERNACULAR DWELLINGS (ECUADOR) IN CONTEMPORARY CONTEXTS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 81–86. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-81-2020.
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Abstract. Vernacular architecture contains essential features of identity and customs of a town. Talking about housing, referred as the intimate space of development of a human group, it is understood its cultural significance. Architectural globalization, with features extracted from the outside, adapted without studies in any kind of territory, threatens to absorb those essential qualities of the various villages. Ecuador, as a multicultural country, conceive in the law the conservation of cultural heritage as primordial, however, there are few solutions to the problem of the heritage destruction. Lack of studies avoids the recovery of the built heritage, ignorance of the people downplays the vernacular, where forms and spaces of this architecture have been relegated, despite being the perfect and unique solution for each site. This article expresses the importance of vernacular architecture, its value in memory, and the fight against oblivion. It proposes a solution to curb its disappearance, trying to establish a model for architectural design that revalue the vernacular through an analysis of forms and spaces to suit contemporary contexts. A vision of the present influenced by the past, properly integrated.
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Vellinga, Marcel. "“How Other Peoples Dwell and Build”." Journal of the Society of Architectural Historians 78, no. 4 (December 1, 2019): 409–21. http://dx.doi.org/10.1525/jsah.2019.78.4.409.
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In 1953, architect, planner, and historian Erwin Anton Gutkind published a series of articles collectively titled “How Other Peoples Dwell and Build” in Architectural Design. At a glance, the series seems an anomaly in Gutkind's extensive oeuvre, and it remains little known in the field of vernacular architecture. In “How Other Peoples Dwell and Build”: Erwin Anton Gutkind and the Architecture of the Other, Marcel Vellinga aims to place the series within the broader context of Gutkind's writings. Running through Gutkind's work—and underlined in Vellinga's article—is the thesis that the historical development of human settlements mirrors the degenerating relationships between individuals and their communities, and between human beings and the natural environment. Thus, the Architectural Design series is an integral part of Gutkind's writings on the history of urban development. The series is one of the first architectural publications to focus on vernacular traditions from an international perspective and to emphasize the importance of studying vernacular architecture in its larger cultural and environmental contexts.
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Benghida, Nassiba, Leila Sriti, Asma Femmam, Sarra Saouli, and Sana Mekki. "A Stylistic Analysis of the Saharan French colonial architecture in southern Algeria." Technium Social Sciences Journal 39 (January 8, 2023): 574–90. http://dx.doi.org/10.47577/tssj.v39i1.8288.
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This work undertakes a study of the colonial architecture produced in southern Algeria during the 19th and 20th centuries. The comparison of the colonial architecture as it is manifested in public buildings in the north and south of the country will make it possible to grasp the specific characteristics of the architectural language developed in Saharan cities during the colonial period from 1832 to 1962. More precisely, the research endeavours to reconstruct, in a chronological manner, the conditions of production, the modalities of evolution of this architecture and the diversity of its formal attributes. To this end, a historical-analytical approach has been applied to a sample of buildings representative of the French presence in Algeria. In particular, the analysis focused on their architectural features with the intention of characterising the French imperialism formal and stylistic expressions which are rooted in eighteenth-century orientalism. The results show that the emphasis on 'indigenous' culture promoted by Governor Jonnart in the early 20th century, which was crowned by the adoption of the architectural orientalism as an official style often emanated from a concerted policy to symbolise France’s presence, power, and domination in the colonised territory. Additionally, the study highlighted the features related to the stylistic expression of the public facades through the identification of the architectural and decorative elements used in their design. Finally, it appeared that official architecture in the north was generally expressed through a single style that was successively neo-classical, art deco and neo-Moorish. In the south, however, colonial architecture was more nuanced and clearly influenced by the local Saharan context and the vernacular built environment, although the concept of vernacular architecture has been implemented just as mere rhetoric. Therefore, the colonial architecture generated in the southern territories cannot be considered as strictly imported or exogenous, as was the case for the north, but rather as the result of crossbreeding between vernacular, occidental and sub-Saharan African architectures.
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Faycal, Boubenia, S. V. Ilvitskaya, and T. V. Lobkova. "Vernacular architecture in kabylia and its characteristics in the context of visual restoration of architectural heritage." E3S Web of Conferences 389 (2023): 06003. http://dx.doi.org/10.1051/e3sconf/202338906003.
Full textAbstract:
This article is a study on Kabylian vernacular architecture in the district of Ammal, Kabylia. In an era marked by an absence of architectural identity, we want to focus on a presentative sense of the architecture of the past, which should remain engraved in memory and which is a cultural wealth of this time. As an object of study, we focus on the analysis of individual houses built from soil and stone and other local materials. The Kabylian vernacular house, which reflects the principles of vernacular architecture, bioclimatic architecture and is part of the fundamentals of sustainable development, represents architectural know-how that should be used in new contemporary architectural projects in the Kabylian region, on the one hand, and on the other, it is an architecture that should be conserved and preserved, given the historical and distinctive role it plays in the rich heritage of Kabylia. The research involves measuring work at the site of the objects, researching and classifying materials, interviewing people in the region and specialists who are interested in history in order to have reliable explanations for the methods used in construction, the different construction processes and justification for the choice of materials. Part of the research is historical and demographic in nature, and relates to the changes that have led to a lack of interest in Kabylian vernacular architecture, and village life in general. The article focuses on illustrating an image of the past that can be reconstructed as an identity for the modern world, that participates in its evolution.