Journal articles: 'Vernacular landscape'

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Jackson, John Brinckerhoff. "DISCOVERING THE VERNACULAR LANDSCAPE." Landscape Journal 4, no. 1 (1985): 57–60. http://dx.doi.org/10.3368/lj.4.1.57.

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Lowenthal, David, and John Brinckerhoff Jackson. "Discovering the Vernacular Landscape." Geographical Review 75, no. 4 (October 1985): 515. http://dx.doi.org/10.2307/214431.

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Chavez, Mercedes. "Vernacular Landscapes." Afterimage 48, no. 1 (March 1, 2021): 37–53. http://dx.doi.org/10.1525/aft.2021.48.1.37.

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This essay employs Anthropocene frameworks to examine United States independent director Kelly Reichardt’s quiet vignettes of American precarity through the interpretive cinematic apparatus. Reichardt’s slow style and lingering gaze are primarily read as affective interpretations of human exhaustion or as a critique of capital temporalities. However, the critical attention paid toward the human in Reichardt’s films overlooks the primacy of landscape as a site of knowledge in the visual aesthetic. It is the entanglement between the human and the landscape in Reichardt’s films that invites an Anthropocene reading based on core concepts of time, scale, and the disruption of the modernist nature/culture binary. In Old Joy (2006) and Wendy and Lucy (2008), local, global, and planetary scales are made explicit and conflict with human structures such as gender and neoliberal economies. Reichardt’s work explores the manufactured landscape of Oregon and the Florida Everglades (respectively) in Night Moves (2013) and River of Grass (1994), pointing toward larger structural issues at play in traditional conservationism and narratives of progress. Finally, in her Western-influenced films Meek’s Cutoff (2010) and Certain Women (2016), Reichardt’s use of environmental sound provides the critique of American expansionist ideology’s depiction of and attempt to consume Indigeneity. Taken together, Reichardt’s filmography presents a compelling case for cinema’s role as mediator of the Anthropocene crisis.

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Ito, Keitaro. "Vernacular and regional landscape design." Landscape Ecology and Management 21, no. 1 (2016): 49–56. http://dx.doi.org/10.5738/jale.21.49.

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Howard, Peter. "Editorial: designing the vernacular landscape." Landscape Research 13, no. 3 (December 1988): 1–2. http://dx.doi.org/10.1080/01426398808706262.

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Bai, Shu Jun, and Shao Ying Xiao. "Study on Protection and Development of Vernacular Landscape of Small Towns during Urbanization." Advanced Materials Research 726-731 (August 2013): 4987–90. http://dx.doi.org/10.4028/www.scientific.net/amr.726-731.4987.

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Under the background of current Chinese rapid urbanization,the vernacular landscape of small towns is faced with severe challenges.We clearly define the concept of the vernacular landscape of small towns ,analyze its characteristics and constituent elements. Four practical dilemmas are deeply analyzed, which are the constructive destruction of the rapid urbanization, the convergence of planning and design and the loss of local characteristics,despising the value of the vernacular landscape of small towns,the distortion and rupture of the vernacular landscape.Finally the countermeasures for protection and development of the vernacular landscape of small towns come up,which is respectively correctly cognition of small towns and their vernacular landscape value, adding special contents about landscape protection of small towns in the planning and design,building up ideas about overall protection and organic update.

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Pachankoo, Maneerat, and Zhongwei Shen. "The Vernacular Landscape, Developing and Promoting Tourism in ChiangKhong District, Chiang Rai Province." Asian Culture and History 11, no. 1 (February 28, 2019): 52. http://dx.doi.org/10.5539/ach.v11n1p52.

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This study comes from observing and studying about the area based strategy of change in Chiangkhong to be the city that can be balanced and stable in the midst of tourism and economic development. It focuses mainly on using the vernacular landscape. The objectives of this research are (1) to study surrounding areas and the identity of the vernacular landscape in ChiangKhong, Chiang Rai province, (2) to study about the roles of the vernacular landscape that effects the present promotion and development of tourism in ChiangKhong. The methods used in this study are reviewing literatures and related researches; including observing areas to collect data about landscape according to the meaning of the vernacular landscape and information about all 7 sub-districts about the role of landscape to tourism issues, interviewing people who are related, then analyzing and give descriptive summary. The study has shown that the vernacular landscape in ChiangKhong occurred by natural and cultural factors. All factors are connected; the Mae-Khong river, varieties of ethnic groups and Buddhism are the reasons that people’s way of life, culture, tradition, and belief are influenced. Also, this caused the vernacular landscape to have a “combine” form and show the identity of “place” clearly. Bringing out the vernacular landscape to promote and support recent tourism plans can be divided into 3 categories; which includes using original assets, adapting and improving the original assets and creating new activities in forms and types of the vernacular landscape, both in hardscape and softscape.

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Ito, Keitaro. "Vernacular Landscape design and regional planning." Landscape Ecology and Management 21, no. 1 (2016): 1–3. http://dx.doi.org/10.5738/jale.21.1.

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Roth, Erin G., and J. Kevin Eckert. "The vernacular landscape of assisted living." Journal of Aging Studies 25, no. 3 (August 2011): 215–24. http://dx.doi.org/10.1016/j.jaging.2011.03.005.

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Samalavičius, Almantas, and Dalia Traškinaitė. "Traditional Vernacular Buildings, Architectural Heritage and Sustainability." Journal of Architectural Design and Urbanism 3, no. 2 (April 15, 2021): 49–58. http://dx.doi.org/10.14710/jadu.v3i2.9814.

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The article is focused on vernacular dwellings in different parts of Europe: southern Italy and Lithuania that have their own traditions. The authors note that the attitude towards traditional vernacular architecture has largely changed due to ongoing research in this domail. Nevertheless, despite persistent continuity of traditional architecture, vernacular architecture was affected by the rise and development of modernist ideology that neglected the realm of tradition. The authors discuss some tyoes of vernacular buildings and their relation to local landscape, especially focusing on the traditional vernacular dwelling of Kuršių nerija (coastal regionbordering with Curonian spit and the Baltic Sea. This region was originally an area of fishermen villages and though some of the settlements ceasedf to exist there are a number of vernacula houses that belong to architectural heritage. The issues of dwellings, authenticity, survival and protection as well as some ambiguous issues of sustainability of traditional dwellings arer discussed. The authors conclude by suggesting that multiple assesment perspective should be employed while dealign with vernacular buildings suggesting that buildings of this type can perform functions extending the tourist consumption.

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Bai, Shu Jun, and Shao Ying Xiao. "Study on Protectional Ideas and Constructed Strategies of Vernacular Landscape during Planning and Design of Small Towns." Applied Mechanics and Materials 357-360 (August 2013): 1966–69. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.1966.

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With urbanization accelerating in China, small-town vernacular landscape has faced severe challenges. Basing on analysis of current situations of protection against small-town vernacular landscape, we deeply analyzed four reasons for them, and then discussed protectional ideas of small-town vernacular landscape from the angle of planning formulation ,which are respectively, analyzing ideas of overall protection from the regional angle, defining the idea of "duality", carrying out the idea of order that protection is superior to heritage and development, and bringing in the concept of "anti-planning". Finally, we put forward constructed strategies from the angle of urban design, and basing on integrated classified research of small-town vernacular landscape, we put forward the constructed strategies from the trinity level of macro-medium-micro.

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Butsykina, Y. O. "VERNACULAR DESIGN AS VISUAL PRACTICE OF URBAN SPACE ORGANIZATION." UKRAINIAN CULTURAL STUDIES, no. 1 (6) (2020): 5–8. http://dx.doi.org/10.17721/ucs.2020.1(6).01.

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Article discusses specific status of the vernacular design in the visual style of the modern Ukrainian city, where indigenous dwellers coexist with those who came recently from the country. The vernacular regions in Ukrainian cities are analyzed as complex, eclectic and grass-roots. The vernacular design is understood within the complex cultural environment, where different traditions and cultural identities coexist. The terms "vernacular life", "vernacular landscape" are explicated. The vernacular landscape is interpreted in the context of the everyday human activities brought into the public urban spaces. The crucial characteristic (amateur, brutal, trying to be visible and being invisible, economical, tactical, irrational, anachronistic) and the main principles (constraint, thrift, durability, commonness) of the vernacular design are studied within the interpretive context of urban culture collective identity.

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CARLSON, Dane. "EMERGING HYBRIDITY AND THE NEW VERNACULAR LANDSCAPE." Landscape Architecture Frontiers 6, no. 3 (2018): 119. http://dx.doi.org/10.15302/j-laf-20180311.

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Soares, José Wellington Lúcio, and Raimundo Freitas Aragão. "PAISAGEM E GEOGRAFIA VERNACULAR NA SERRA DA MERUOCA - CE: FOTOGRAFIA E PINTURA COMO AUTOTESTEMUNHOS." Revista da Casa da Geografia de Sobral (RCGS) 22, no. 1 (April 25, 2020): 93–112. http://dx.doi.org/10.35701/rcgs.v22n1.654.

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O contexto de análise das paisagens vernaculares para a construção das reflexões deste artigo é a Serra da Meruoca, maciço residual encravado no Sertão cearense, na região Noroeste do estado do Ceará. A metodologia utilizou imagens fotográficas e pinturas artísticas como vetores importantes e essenciais para o aprofundamento do que se entende sobre saberes e Geografia vernaculares. O texto funciona como autotestemunho, dado o fato de os autores pertencerem ao mesmo meio de seu estudo e também atuarem, um como fotógrafo, outro como pintor amador e serem ambos atuantes em Geografia. O objetivo deste artigo é o de contribuir com estudos e possíveis debates acerca desses saberes, destacando como enfoque as paisagens que envolvem os ambientes naturais e culturais. Para isso, usamos abordagem qualitativa direcionada para as realidades espaciais em seus aspectos conceituais, com destaque para a paisagem enquanto conceito essencial nos estudos geográficos. Palavras-chave: Paisagem vernacular. Serra da Meuoca. Imagem. Fotografia. Pintura Artística. ABSTRACT The vernacular landscape analysis to the construction of this article is placed at Meruoca Mountain, a residual mass located in the Northwest region of Ceara state. The methodology used photographic images and artistic paintings as important and essential vectors for understanding about vernacular Knowledge and vernacular Geography. The text is a self-testimony given the fact that the authors belong to the same place of living and research. They are amateur photographer and painting artist as well both are geographers. The purpose of this paper is to contribute to the studies and possible debates about those knowledges, highlighting the landscapes that surround the natural and cultural environments. For this we use qualitative approach directed to spatial realities in their conceptual aspects with emphasis on Landscape as an essential concept in Geography. Key words: Vernacular Landscape. Meruoca Mountain. Image. Photography. Artistic Painting. RESUMEN El contexto de análisis de los paisajes vernáculos para la construcción de las reflexiones de este artículo es la Sierra de la Meruoca, macizo residual enclavada en el agreste cearense, en la región noroeste del estado de Ceará. Cuanto a la metodología, utilizamos imágenes fotográficas y pinturas artísticas como conductores importantes y esenciales para la profundización sobre conocimientos y Geografía vernácula. El texto actúa como testigo propio, dado que los autores pertenecen al mismo medio de su estudio y también actúan, uno como fotógrafo, el otro como pintor aficionado y ambos actúan en la Geografía. El artículo tiene como objetivo contribuir a los estudios y posibles debates sobre estos conocimientos, enfatizando los paisajes que rodean los alrededores naturales y culturales. Para eso, utilizamos un abordaje cualitativo direccionado a las realidades espaciales en sus aspectos conceptuales, destacando el paisaje como un concepto esencial en los estudios geográficos. Palabras clave: Paisaje vernáculo. Sierra de la Meruoca. Imagen. Fotografía. Pintura Artística. RÉSUMÉ Le contexte de l'analyse des paysages vernaculaires pour la construction des réflexions dans cet article est la Serra da Meruoca, une massif résiduelle encastrée dans la confins du Ceará, dans la région nord-ouest de l'état. La méthodologie a utilisé des images photographiques et des peintures artistiques comme vecteurs importants et essentiels pour l'approfondissement de ce qui est compris comme connaissances et géographie vernaculaire. Le texte fonctionne comme un témoignage de soi, étant donné que les auteurs appartiennent au même environmment de leur étude et également agissent, l'un en tant que photographe, l'autre en tant que peintre amateur et tous deux sont actifs en géographie. Le but de cet article est de contribuer aux études et aux débats possibles sur ces connaissances, en soulignant comment se concentrer sur les paysages qui impliquent des environnements naturels et culturels. Pour cela, nous utilisons une approche qualitative orientée vers les réalités spatiales dans leurs aspects conceptuels, en mettant l'accent sur le paysage comme concept essentiel dans les études géographiques. Mots-clés: paysage vernaculaire. Serra da Meruoca. L’Image. La photographie. Peinture artistique.

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Yang, Shuaiqi, and Jinye Wang. "Study on the Conservation Planning of Vernacular Landscape in Village Planning in the Context of Multi-regulation Integration——The Case of Changlong Village in Pinggui District, Hezhou City." E3S Web of Conferences 251 (2021): 02089. http://dx.doi.org/10.1051/e3sconf/202125102089.

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As one of the important concentrated manifestations of Chinese rural culture, vernacular landscape is related to the success or failure of new rural construction and village planning. How to protect the existing vernacular landscape in the practical village planning advocated by “multi-planning” and how to play the role of vernacular landscape in supporting development and protecting cultural heritage is one of the important tasks of village planning. This paper takes Changlong Village in Pinggui District, Hezhou City, Guangxi Province, as an example to explore and study the issue of planning the native landscape of Changlong Village in the multi-planning village planning, so as to provide technical support for the scientific protection and reasonable development and utilization of the native landscape for rural revitalization, and to provide reference and reference for the native landscape planning in the village planning of similar areas in China.

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Alanen, Arnold R., and Michael Koop. "VERNACULAR ARCHITECTURE FORUM." Landscape Journal 11, no. 1 (1992): 90–91. http://dx.doi.org/10.3368/lj.11.1.90.

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Galan, Juanjo, Felix Bourgeau, and Bas Pedroli. "A Multidimensional Model for the Vernacular: Linking Disciplines and Connecting the Vernacular Landscape to Sustainability Challenges." Sustainability 12, no. 16 (August 6, 2020): 6347. http://dx.doi.org/10.3390/su12166347.

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After developing a systematic analysis of the vernacular phenomenon in different disciplines, this paper presents a flexible model to understand the multiple factors and the different degrees of vernacularity behind the many processes that lead to the generation of material culture. The conceptual model offers an open, polythetic and integrative approach to the vernacular by assuming that it operates in different dimensions (temporal, socio-political, sociological, locational, epistemological, procedural, economic and functional), and that the many attributes or characteristics included in those dimensions are all relevant but not strictly necessary. The model is intended to facilitate a more methodical and rigorous connection between the vernacular concept and contemporary discourses on sustainability, resilience, globalization, governance, and rural-urban development. In addition, and due to its transdisciplinary character, the model will enable the development of comparative studies within and between a wide range of fields (architecture, landscape studies, design, planning and geography). A prospective analysis of the use of the model in rural landscapes reveals its potential to mediate between the protective approach that has characterized official planning during the last decades and emergent approaches that advocate the reinterpretation of the vernacular as a new form to generate new collective identities and to reconnect people and place.

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García-Esparza, J. A., and Pablo Altaba. "Time, Cognition, and Approach: Sustainable Tourism Strategies for Abandoned Vernacular Landscapes." Sustainability 10, no. 8 (August 1, 2018): 2712. http://dx.doi.org/10.3390/su10082712.

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The main objective of the study is to challenge previous approaches to heritage, both in terms of management and conceptualization. It aims to highlight the importance and articulation of the different attributes in abandoned vernacular landscapes in search of a sustainable approach. To do so, the study focuses on a specific landscape in the Mediterranean basin where three areas of intensity have been selected for an eventual assessment of the principles of integration and consistency of the landscape. These areas have helped to establish the importance of distance and cognition in determining strategies for sustainable tourism. Geographic Information Systems (GIS) have allowed us to ascertain the extent to which values, previously acquired from participatory fieldwork, can be detected depending on proximity or remoteness, as well as their application in the three cases for assessment. Thus, five criteria have been established to analyse these values: (1) overview of the landscape, (2) dominance or intensity of elements, (3) the aesthetic composition of space, (4) the selective interpretation of the visual variables, and (5) the fragility of specific areas in the landscape. Finally, the discussed criteria provide new insights into the dynamic and static realms of authenticity and integrity, which have helped in the analysis of previous rigid conventions on values, time, perception, and approach.

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Chewning, Jay. "PERSPECTIVES IN VERNACULAR ARCHITECTURE, I and PERSPECTIVES IN VERNACULAR ARCHITECTURE, II." Landscape Journal 8, no. 1 (1989): 64–65. http://dx.doi.org/10.3368/lj.8.1.64.

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Palmer, Joni M. "Rural Public Arts: Vernacular Materials, Landscape, and Time." Senses and Society 10, no. 2 (May 4, 2015): 237–55. http://dx.doi.org/10.1080/17458927.2015.1042248.

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Huang, Qiu Yun, and Xue Song Xi. "Vernacular Landscape Leading the Way: The Holistic Protection and Revival of Hani’s Ancient Village under the Background of Yuanyang Terraced Fields’ Register on the World Heritage." Advanced Materials Research 1030-1032 (September 2014): 2468–88. http://dx.doi.org/10.4028/www.scientific.net/amr.1030-1032.2468.

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Ancient village Azheke, located in Yunnan province in China, surrounded by magnificent Yuanyang Terraced Field and lush forested Mountains, is an excellent living model of Hani people’s vernacular landscape reflecting the wisdom of sustainable land use, agricultural cultivation and stewardship. However, the overwhelming globalization and urbanization construction bring about many problems to the ancient village, such as the currently deteriorating of natural environment, the declining of the ancient knowledge and skills of agricultural cultivation, the discarding of traditional life style with meaningful distinctive traits and the oblivion of cultural identity and religious spirits. Targeting on these challenges, this paper proposes a holistic approach to revive and rescue the ancient village. From the perspective of landscape, this study divided the vernacular cultural landscape into four processes, i.e. ecological, productive, daily & social life, spatial & religious landscape processes, considering the ancient village as an organism with its living demands. Based on the methods of scenes recovery and regeneration of vernacular landscape security network, this approach restores the scenes with the critical landscape elements in Hani vulgar life and unique culture, and respectively regenerates the ecological, productive, daily & social life and spiritual & religious vernacular landscape security network, according to the study results from literature and field observation and investigation. Then, after superposing these four networkers, an integrated village conservation framework is generated, with the complete elements, perfect function and distinctive traits. This strategy leads a way for achieving the objective of holistic conservation and revival of ancient village Azheke, which provides a reference for the ancient villages conservation in the World Cultural Heritage areas of Hani Terraced fields.

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Cillis, Giuseppe, Dina Statuto, and Pietro Picuno. "Vernacular Farm Buildings and Rural Landscape: A Geospatial Approach for Their Integrated Management." Sustainability 12, no. 1 (December 18, 2019): 4. http://dx.doi.org/10.3390/su12010004.

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Over the centuries, farm buildings, which accompany the development of agriculture, have played an important role in defining spatial and environmental planning. In some European countries in particular, these rural structures have been built based on traditional agricultural needs and typical land characteristics. Considering the land abandonment that has occurred over the last five decades, with farmers moving to more comfortable residences in neighboring urban settlements, historical farm buildings have often been abandoned, thus causing a leakage of the historical-cultural heritage of the rural landscape. Nowadays, open data and geographic technologies together with advanced technological tools allow us to gather multidisciplinary information about the specific characteristics of each farm building, thus improving our knowledge. This information can greatly support the protection of those buildings and landscapes that have high cultural and naturalistic value. In this paper, the potential of Geographic Information Systems to catalogue the farm buildings of the Basilicata region (Southern Italy) is explored. The analysis of these buildings, traditionally known as masserie, integrates some typical aspects of landscape studies, paving the way for sustainable management of the important cultural heritage represented by vernacular farm buildings and the rural landscape.

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Robins, Roger. "Vernacular American Landscape: Methodists, Camp Meetings, and Social Respectability." Religion and American Culture: A Journal of Interpretation 4, no. 2 (1994): 165–91. http://dx.doi.org/10.1525/rac.1994.4.2.03a00020.

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In 1822, from his Conway home in the shadow of New Hampshire's White Mountains, one Dr. Porter surveyed the nation's religious landscape and prophesied, “in half a century there will be no Pagans, Jews, Mohammedans, Unitarians or Methodists.” The prophecy proved false on all counts, but it was most glaringly false in the case of the Methodists. In less than a decade, Porter's home state became the eighth to elect a Methodist governor. Should Porter have fled south into Massachusetts to escape the rising Methodist tide, he would only have been buying time. True, the citizens of Provincetown, Massachusetts, had, in 1795, razed a Methodist meetinghouse and tarred and feathered a Methodist in effigy. By 1851, however, the Methodists boasted a swelling Cape Cod membership, a majority of the church members on Martha's Vineyard, and a governor in the Massachusetts statehouse.

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Robins, Roger. "Vernacular American Landscape: Methodists, Camp Meetings, and Social Respectability." Religion and American Culture: A Journal of Interpretation 4, no. 2 (July 1994): 165–91. http://dx.doi.org/10.2307/1123848.

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Kavanaugh, Maria T., Matthew J. Oliver, Francisco P. Chavez, Ricardo M. Letelier, Frank E. Muller-Karger, and Scott C. Doney. "Seascapes as a new vernacular for pelagic ocean monitoring, management and conservation." ICES Journal of Marine Science 73, no. 7 (July 1, 2016): 1839–50. http://dx.doi.org/10.1093/icesjms/fsw086.

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Abstract For terrestrial and marine benthic ecologists, landscape ecology provides a framework to address issues of complexity, patchiness, and scale—providing theory and context for ecosystem based management in a changing climate. Marine pelagic ecosystems are likewise changing in response to warming, changing chemistry, and resource exploitation. However, unlike spatial landscapes that migrate slowly with time, pelagic seascapes are embedded in a turbulent, advective ocean. Adaptations from landscape ecology to marine pelagic ecosystem management must consider the nature and scale of biophysical interactions associated with organisms ranging from microbes to whales, a hierarchical organization shaped by physical processes, and our limited capacity to observe and monitor these phenomena across global oceans. High frequency, multiscale, and synoptic characterization of the 4-D variability of seascapes are now available through improved classification methods, a maturing array of satellite remote sensing products, advances in autonomous sampling of multiple levels of biological complexity, and emergence of observational networks. Merging of oceanographic and ecological paradigms will be necessary to observe, manage, and conserve species embedded in a dynamic seascape mosaic, where the boundaries, extent, and location of features change with time.

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Arnold, John D. M., and Donald Lafreniere. "The Persistence Of Time: Vernacular Preservation of the Postindustrial Landscape." Change Over Time 7, no. 1 (2017): 114–33. http://dx.doi.org/10.1353/cot.2017.0006.

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Fry, Matthew. "Mexico’s Concrete Block Landscape: A Modern Legacy in the Vernacular." Journal of Latin American Geography 7, no. 2 (2008): 35–58. http://dx.doi.org/10.1353/lag.0.0002.

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Sáez, E., and J. Canziani. "VERNACULAR ARCHITECTURE AND CULTURAL LANDSCAPES IN THE SONDONDO VALLEY (PERU)." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 175–80. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-175-2020.

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Abstract. Sondondo is an inter-Andean valley located between 3,500 and 4,500 meters above sea level. Inhabited, transformed and modelled since ancient times by the local rural communities, an extraordinary cultural landscape has been created through their particular relationship with the environment. Since the pre-Hispanic settlements (Wari 600 AD), through colonial indigenous “reductions”, to the villages of vernacular architecture, which are at the foundation of contemporary populated centres, the territory has been variously and successively settled, inhabited and transformed. Its vernacular architecture has evolved at multiple scales, from domestic architecture to urban structures. It has created spaces for agriculture and livestock herding, and the spectacular agricultural andenerías (farming platforms and terraces) that have shaped the territory for centuries. The latter simultaneously developed irrigation infrastructures and techniques. The result is a landscape of great plastic effects, in a geographical setting bordered by the apus – tutelar mountains – traditionally “sacralized” by the Andean cultures. Such enormous architectural-landscape legacy is now threatened by imported global models of false modernity disrupting the fragile balance of lifestyles and territories. The objective of this research project, ongoing since 2016, is to assess this territory, catalogue its vernacular architecture and landscape units. It also aims to propose projects and initiatives for sustainable local development. The work has been made available to the Ministry of Culture of Peru to support its request before UNESCO to include the site in its World Heritage List.

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Bluestone, Daniel. "Framing Landscape While Building Density:." Journal of the Society of Architectural Historians 76, no. 4 (December 1, 2017): 506–31. http://dx.doi.org/10.1525/jsah.2017.76.4.506.

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In the late nineteenth and early twentieth centuries, Chicago developers, architects, and residents defined a new residential vernacular: brick courtyard apartments, which massed units in low-rise buildings around landscaped courtyards, often open to the street. These buildings accommodated higher levels of residential density and seemingly did the opposite as well—preserved and cultivated nature. The Chicago courtyard apartment creatively negotiated the social and cultural tension between reverence for the iconic single-family house and an urban society increasingly occupying multiple-unit dwellings. The designs drew upon the interest in sunlight, air circulation, and natural landscape that influenced contemporary tenement house reform, urban hospital design, the small park and playground movement, and the rethinking of the dimensions and possibilities of residential lawns and gardens. In Framing Landscape While Building Density: Chicago Courtyard Apartments, 1891–1929, Daniel Bluestone looks closely at specific Chicago courtyard apartments, unpacking the design and cultural logic at play in their construction.

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Karsan Ayanoğlu, Selin, and Yegan Kahya. "The Characteristics of Büyükada as a Cultural Landscape." Heritage 2, no. 1 (January 4, 2019): 86–103. http://dx.doi.org/10.3390/heritage2010007.

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This paper addresses the cultural landscape characteristics of Büyükada, the largest of Istanbul’s Princes’ Islands, with regard to the universal definition of the content and extent of the cultural landscape, to provide background to the site’s history and its socio-cultural and urban development. It focuses on the relationship between the built and natural environment in terms of vernacular architecture and organic landscape, and is based on survey studies and research conducted as part of a PhD Thesis.[...]

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Carlson, Alvar W. "COMMON PLACES: READINGS IN AMERICAN VERNACULAR ARCHITECTURE." Landscape Journal 6, no. 2 (1987): 162–63. http://dx.doi.org/10.3368/lj.6.2.162.

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Shi, Yongting, Anna Mária Tamás, and Gergely Sztranyák. "Restoring Rural Landscape: a Case Study in Chongqing China." Pollack Periodica 15, no. 3 (November 7, 2020): 232–42. http://dx.doi.org/10.1556/606.2020.15.3.22.

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AbstractBased on the consensus that the rural cultural landscape with regional characteristics is conducive to promoting the sustainable development of rural areas, this study explores how to use multiple means to restore the countryside with insufficient or severely damaged landscape resources and rebuild the contemporary rural landscape with regional characteristics. Combining the design of practical cases, the article proposes the use of low-tech, low-interference vernacular technology, and the integration of artistic intervention methods can more effectively restore landscape characteristics and stimulate rural development vitality.

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Fiore, E., and S. Iaccarino. "AN HISTORICALLY-INFORMED APPROACH TO THE CONSERVATION OF VERNACULAR ARCHITECTURE: THE CASE OF THE PHLEGREAN FARMHOUSES." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 153–58. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-153-2020.

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Abstract. Landscape is always the object of countless mutations: some of them disrupt its identifying features; others leave intact its original traits. Vernacular architecture is linked closely to the vocation of its landscapes, especially agricultural ones: this is the case of Pianura, a neighbourhood in the Phlegrean western suburban area of Naples, where the remains of vernacular architecture and its connections to agriculture are still traceable among the unstoppable process of building speculation which, since the 1960s, has torn up the rural fabric. In this uncontrolled development of the modern city, the architectural heritage of the farmhouse has shown its resilience: although parts of it appear to have been completely engulfed by the uncontrolled expansion of the city, in as many cases farmhouses have endured time, degradation, and indifference towards their historical value. In the heart of the neighbourhood, the masseria, with all its recurring features, remains the most widespread housing model, despite more recent interventions. Through the study of the history and architectural features of Masseria S. Lorenzo, this contribution aims to identify possible guidelines and strategies for the conservation of the material and immaterial values of these examples of vernacular architecture, putting them on a restoration and re-functionalisation path that is mindful of their past heritage and future potential.

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Danaci, Hacer Mutlu. "An ecological assessment of vineyard houses: a case study from Bucak." Environment Conservation Journal 15, no. 3 (December 20, 2014): 55–62. http://dx.doi.org/10.36953/ecj.2014.15309.

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Within cultural landscapes, there exists vernacular architecture that is characteristic in design of its region, construction techniques and materials, but is currently rarely used. Anatolia, a region that encompasses various regions with differing climates and cultures, is considerably rich in architectural splendor. In Southern Turkey, a part of Anatolia, vineyard houses in the Mediterranean Region’s Bucak Borough of Burdur Province are prototypical authentic vernacular architecture samples. Vineyard House use is becoming obsolete and these structures are disappearing. These vineyard houses are a cornerstone of the culture that built them, yet they have not attracted sufficient attraction in literature. Examination of sample relief works of vineyard houses within the borders of Bucak Borough placed their importance in an ecological context. Our goal is to ultimately protect these structures for both planning principles and to preserve the material, construction technique and cultural landscape to make vineyard houses usable to summer vacationists coming from the Antalya Province. This study is to ensure the vernacular architecture of vineyard houses in Bucak, they do not have any official protection status, are processed into literature, and to be a guide to any new designs. Vineyard houses’ have ecological properties in the framework of ecological criteria encompassing regional architecture, settlement structure, building form, place organization, and material choice.

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Marcolin, Paolo, Joaquim Flores, and Isabel Matias. "Building the Modernist rural landscape in the Salazar’s Regime: The agricultural colony of Boalhosa." SHS Web of Conferences 63 (2019): 07002. http://dx.doi.org/10.1051/shsconf/20196307002.

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The construction of the modernist rural landscape in Portugal bears the mark of the Junta de Colonização Interna, an institution created in 1936 during the Salazar regime within the Ministry of Agriculture. The colonies which were actually completed and whose original structures remain until today are regarded as singular experiences that, having assumed the assumptions of modernity, have sought to establish continuity with certain aspects of landscape and vernacular architecture. This research aims to test the methodology proposed for the analysis of the physical legacies of these colonies, applying it on the Agricultural Colony of Boalhosa. The methodology combines GIS and mapping analysis, covering several layers of information embarking natural and anthropogenic spatial data, which allow understanding the landscape transformation since the settlement of the colony. From the reading of the landscape structure of this colony, it was verified that these legacies were accomplished through the use of an autonomous design methodology, which considers the local culture and respects both the morphological and physiographic characteristics of the existing site, leading to the creation of modern landscapes strongly tied to the local identities.

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Akbar, Rahima, Hanan Taqi, and Nada Al-Gharabally. "The Linguistic Landscape on the Streets of Kuwait: A Challenge to the Concept of Diglossia." Studies in Linguistics and Literature 4, no. 4 (September 26, 2020): p65. http://dx.doi.org/10.22158/sll.v4n4p65.

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Linguistic landscape (LL) is a representation of language(s) visibility in public space. This study aims to draw a comprehensive profile of LL as adopted by private firms on billboards alongside the main streets of Kuwait, shedding light on the status of Kuwaiti vernacular, Standard Arabic (SA), and English in the country. The study utilises a quantitative approach through which billboards on the main streets of Kuwait were photographed, categorised based on the language of the script, then quantified to assess the popularity of the language. Billboards representing the main displayed language varieties were presented to a heterogeneous sample of respondents to assess their views across the two dimensions of status and solidarity through a digital questionnaire. The study also utilised a qualitative approach through informal interviews to gain the language specialists’ perspective on the issue. The results indicate that Kuwaiti vernacular has a growing positive attitude because of its perceived charisma and promotion of solidarity. When SA is mixed with English, or when English is transliterated into SA orthography, it tends to appeal to the public eye. Kuwaiti sociolinguists reflected a strong rejection of the trendy Kuwaiti vernacular over SA. Yet, English has not been viewed as a threat to SA.

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Salura, Purnama, Stephanie Clarissa, and Reginaldo Christophori Lake. "The Application of Sundanese Vernacular Concept to The Design of Modern Building - Case Study: Aula Barat (West Hall) of Bandung Institute of Technology, West Java, Indonesia." Journal of Design and Built Environment 20, no. 1 (April 30, 2020): 1–12. http://dx.doi.org/10.22452/jdbe.vol20no1.1.

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As a reaction to the monotonous expression of typical International Style architecture, vernacular architecture is often applied to the design of modern buildings. Unfortunately, most of these applications are limited to copy existing vernacular architectural elements. This research aims to elucidate the application of Sundanese vernacular concepts in modern building designs. In line with this purpose, the Aula Barat (West Hall) Bandung Institute of Technology designed by Maclaine Pont was chosen as the case study. The analysis showed that the Sundanese vernacular concept was presented through the shape of the roof, which is similar to the vernacular house and mosque in the Sundanese village; while the modern lamella construction provides a wide-span structural system. This research complement existing research about Sundanese vernacular architecture, by exploring in-depth how to designed modern buildings that fit new functions and to its zeitgeist, but at the same time embodied the local expressions. It is expected that in the future modern buildings are no longer designed in the form of frozen vernacular architecture. The results of this research can also be a valuable input for stakeholders and architectural conservationists, as well as a source of knowledge for the laypeople.

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Charlesworth, Michael. "TRANSITORY GARDENS, UPROOTED LIVES and THE VERNACULAR GARDEN." Landscape Journal 14, no. 1 (1995): 93–95. http://dx.doi.org/10.3368/lj.14.1.93.

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Brown, Mason. "We Drew a Swastika of Grain: Vernacular Religion in the Tibetan Songs of Nubri, Nepal." Religions 11, no. 11 (November 9, 2020): 593. http://dx.doi.org/10.3390/rel11110593.

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The academic study of Tibetan Buddhism has long emphasized the textual, philological, and monastic, and sometimes tended to ignore, dismiss, or undervalue the everyday practices and beliefs of ordinary people. In this article, I show that traditional folk songs, especially changlü, are windows into the vernacular religion of ethnically Tibetan Himalayans from the Nubri valley of Gorkha District, Nepal. While changlü literally means “beer song”, and they are often sung while celebrating, they usually have deeply religious subject matter, and function to transmit Buddhist values, reinforce social or religious hierarchies, and to emplace the community in relation to the landscape and to greater Tibet and Nepal. They do this mainly through three different tropes: (1) exhortations to practice and to remember such things as impermanence and death; (2) explications of hierarchy; and (3) employment of spatialized language that evokes the maṇḍala. They also sometimes carry opaque references to vernacular rituals, such as “drawing a swastika of grain” after storing the harvest. In the song texts translated here, I will point out elements that reproduce a Buddhist worldview, such as references to deities, sacred landscape, and Buddhist values, and argue that they impart vernacular religious knowledge intergenerationally in an implicit, natural, and sonic way, ensuring that younger generations internalize community values organically.

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Tufi, Stefania. "Shared places, unshared identities: vernacular discourses and spatialised constructions of identity in the linguistic landscape of Trieste." Modern Italy 18, no. 4 (November 2013): 391–408. http://dx.doi.org/10.1080/13532944.2013.802411.

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Language as it appears in the public space is at the centre of investigations into linguistic landscapes. Language agents immersed in a given geo-historical context contribute to the construction of spatialised meaning and to the transformation of space into place. The visibility of a language in a linguistic landscape does not just index a reality, i.e. the use of one or more languages within a community, but contributes to the symbolic construction of a given space. The current study aims to investigate the peculiarities of place-making and -marking of the Slovenian-speaking community in the area of Trieste via an analysis of written signs displaying the minority language. The paper will show that the tension resulting from achieved equality in the legal status of Slovenian and the perception of unequal power relations between different ethnic groups is reproduced in the construction of the local linguistic landscape. The final part of the discussion will suggest that public use of the Slovenian language is central to the performance of a material border.

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Sánchez Suárez, Aurelio. "Paisaje cultural efímero. El patrimonio vernáculo maya en su relación con el territorio." Arquitecturas del Sur 38, no. 57 (January 31, 2020): 74–89. http://dx.doi.org/10.22320/07196466.2020.38.057.04.

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Krase, Jerome, Jordi Ballesta, and Eliane de Larminat. "Visual Sociology of the Vernacular Urban Landscape: An Interview with Jerome Krase." Interfaces, no. 44 (December 15, 2020): 145–67. http://dx.doi.org/10.4000/interfaces.1856.

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Eben Saleh, Mohammed A. "A Transformation in the Vernacular Landscape of Highlands of Southwestern Saudi Arabia." International Journal of Environmental Studies 59, no. 1 (January 2002): 33–58. http://dx.doi.org/10.1080/00207230211966.

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Altaba Tena, Pablo, and Juan A. García-Esparza. "The Heritagization of a Mediterranean Vernacular Mountain Landscape: Concepts, Problems and Processes." Heritage & Society 11, no. 3 (September 2, 2018): 189–210. http://dx.doi.org/10.1080/2159032x.2019.1670533.

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Stangl, Paul. "The vernacular and the monumental: memory and landscape in post-war Berlin." GeoJournal 73, no. 3 (September 19, 2008): 245–53. http://dx.doi.org/10.1007/s10708-008-9206-0.

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Altaba Tena, Pablo. "The perception of heritage values and their analysis by using GIS tools in vernacular heritage landscapes." VITRUVIO - International Journal of Architectural Technology and Sustainability 3, no. 1 (July 2, 2018): 12. http://dx.doi.org/10.4995/vitruvio-ijats.2018.10143.

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<p class="Abstracttext-VITRUVIO">The main objective of the study is to assess, independently of the scenic beauty, the importance and composition of the different attributes within a given landscape. For this purpose, the study focuses on Penyagolosa where we have selected three areas of evaluation to determine the importance of distance in the determination of heritage values of the landscape. Using Geographic Information Systems (GIS) determines what values are detectable on the basis of the terms of proximity and remoteness and how they are applied in three cases of assessment. Thus, 5 criteria have been set to analyze these values: 1. the overview of the landscape, 2. dominance or intensity of elements, 3. the aesthetic composition of space, 4. The selective interpretation of the visual and 5 variables. The fragility or alterations induced in the landscape. Ultimately, criteria are discussed from dynamic and static fields of the authenticity and integrity of the landscape and they affect how they neglect.</p>

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Olukoya, Obafemi A. P., and Jubril O. Atanda. "Assessing the Social Sustainability Indicators in Vernacular Architecture—Application of a Green Building Assessment Approach." Environments 7, no. 9 (September 1, 2020): 67. http://dx.doi.org/10.3390/environments7090067.

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Although a growing body of research has debated the array of sustainability lessons of vernacular architecture, social sustainability discussions remain less advanced in comparison to the other pillars of sustainability. This has narrowed the plural lessons of vernacular architecture and limited the broad concept of sustainability to a partial one. Against this research gap, this study aims to conduct an assessment of the social sustainability of residential vernacular architecture through the application of a proposed Social Criteria of Green Building Assessment Tool (SCGBAT) assessment method. The SCGBAT proposes eight sets of social criteria categories namely; health and safety; participation and control; education; equity, accessibility and satisfaction; social cohesion; cultural values; physical resilience and also, 37 indicators for the evaluation of social sustainability. To empirically operationalize the proposed SCGBAT, this study utilizes the vernacular architecture typologies in the vernacular landscape of Louroujina village in Cyprus as a case study. Methods for data collection are desk review for secondary data while 135 close-ended questionnaires were used for primary data. The data are statistically presented based on Linkert scale and interpreted using both quantitative and descriptive analysis. The results demonstrated that the investigated vernacular architecture ranked lowly in Physical Resilience Indicator (PRI), Environmental Education Indicator (EEI), Accessibility and Satisfaction Indicator (ASI) but demonstrated sufficient lessons in the context of Health and Safety Indicator (HSI); Participation and Control Indicator (PCI); Social Equity Indicator (SEI); Social Cohesion Indicator (SCI); and Cultural Value Indicator (CVI). To this end, this paper contribute to the advancement of knowledge on the assessment of the social sustainability of vernacular architecture by innovatively applying a green building assessment approach and identifying the strengths and weaknesses of such approach in a vernacular setting.

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Roberts, Judith. "Researching the vernacular garden." Landscape Research 21, no. 2 (July 1996): 175–87. http://dx.doi.org/10.1080/01426399608706484.

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Ivanova, Alina, and Andrey Kovalevsky. "Architectural landscape in the Jewish autonomous region." проект байкал, no. 65 (January 5, 2021): 104–11. http://dx.doi.org/10.51461/projectbaikal.65.1686.

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The article is based on the field studies carried out in 2018-2019. The authors tried to find assimilation of Jewish culture inside the experimental space of the Soviet period. However, after coming to the conclusion that the development of the settlements of the Jewish autonomous region had ‘international’ features, they turned their focus on the description of vernacular architecture (individual low-storey housing, customized governmental accommodation facilities in the form of barracks, etc.). The attempt to comprehend the specific features of the development of the artificially designed territory of the settlements with national Jewish colour in the context of Soviet industrial colonization of the Far East is an important key to understanding the regional identity and preservation of cultural heritage.

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Yang, Zhi-wei, Jihuan Chen, Jia-yuan Duan, and Ben-teng Liu. "Evaluation of vernacular landscape attraction for traditional village tourism: A case study of Yongfeng Village in Lanzhou." E3S Web of Conferences 292 (2021): 03058. http://dx.doi.org/10.1051/e3sconf/202129203058.

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In the context of rural revitalization, the benign development of traditional village tourism is of great significance to the implementation of Rural Revitalization Strategy in China. Taking Yongfeng Village in Lanzhou as the research object, this paper discusses the evaluation method of vernacular landscape attraction. Through the research on the internal and external environment and historical culture of Yongfeng village, this paper constructed the rural landscape attraction system and evaluation index. With the help of the effective data of the questionnaire survey, this paper made an empirical calculation of the rural landscape attraction intensity of Yongfeng Village by using the methods of AHP and factor analysis. The results show that: (1) the protection and rational use of historical and cultural resources is the core content to improve the attractiveness of rural tourism landscape; (3) the internal space is the connotation externalization of the attraction of rural landscape, Renovating the historical built-up environment is the material basis for attracting tourists’ in-depth experience. Therefore, the effective way to enhance the attraction is to activate and integrate the material and non-material rural landscape resources of traditional villages.

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Journal articles on the topic 'Vernacular landscape'

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