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Journal articles on the topic 'Vernon E'

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Published: 4 June 2021
Last updated: 1 February 2022

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1

Osborne, Sheila, and Myra Woolfson. "Vernon Smith." BMJ 336, no. 7655 (May 29, 2008): 1255.5–1255. http://dx.doi.org/10.1136/bmj.a152.

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2

Maxwell, Catherine. "Vernon Lee." Women's Writing 20, no. 2 (May 9, 2012): 276–78. http://dx.doi.org/10.1080/09699082.2012.687961.

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3

Ashley Smart, special to C&EN. "Vernon Morris." C&EN Global Enterprise 99, no. 6 (February 22, 2021): 40–41. http://dx.doi.org/10.1021/cen-09906-feature6.

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4

Wilkes, Alison. "Vernon, British Columbia." Raven: A Journal of Vexillology 18 (2011): 209–10. http://dx.doi.org/10.5840/raven201118105.

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5

Houppermans, Sjef. "L'épopée Vernon Subutex." RELIEF - Revue électronique de littérature française 13, no. 1 (July 12, 2019): 67. http://dx.doi.org/10.18352/relief.1034.

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6

McBrien, Kevin. "Gordon Vernon Bayley." British Actuarial Journal 10, no. 2 (June 1, 2004): 433–34. http://dx.doi.org/10.1017/s1357321700002889.

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7

Patterson, Samuel C. "Vernon Van Dyke." PS: Political Science & Politics 31, no. 03 (September 1998): 651–52. http://dx.doi.org/10.1017/s1049096500055062.

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8

Verma, Gajendra K. "P. E. VERNON." British Journal of Educational Psychology 58, no. 1 (February 1988): i—ii. http://dx.doi.org/10.1111/j.2044-8279.1988.tb00873.x.

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9

Pincock, Stephen. "Vernon M Ingram." Lancet 368, no. 9542 (September 2006): 1148. http://dx.doi.org/10.1016/s0140-6736(06)69459-2.

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10

McVernon, S. K. "Vernon Hope Smith." BMJ 326, no. 7383 (February 1, 2003): 286g—286. http://dx.doi.org/10.1136/bmj.326.7383.286/g.

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11

Marmion, V. "Vernon Hope Smith." BMJ 326, no. 7403 (June 19, 2003): 1401—d—1401. http://dx.doi.org/10.1136/bmj.326.7403.1401-d.

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12

Malcolm, Margaret, and James Gallagher. "Denis Vernon Carpy." Psychoanalytic Psychotherapy 15, no. 1 (January 2001): 81–82. http://dx.doi.org/10.1080/02668730100700051.

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13

Miller, S. J. "David Vernon McLellan." Australian Veterinary Journal 70, no. 4 (April 1993): 160. http://dx.doi.org/10.1111/j.1751-0813.1993.tb06117.x.

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14

Rose, David. "Vernon George Dobson." Irish Journal of Psychology 13, no. 4 (January 1992): 389–92. http://dx.doi.org/10.1080/03033910.1992.10557900.

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15

NeSmith, D. Scott, Arlen D. Draper, and James M. Spiers. "'Vernon' Rabbiteye Blueberry." HortScience 40, no. 7 (December 2005): 2200–2201. http://dx.doi.org/10.21273/hortsci.40.7.2200.

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16

Pack, Janet Rothenberg. "The Vernon prize." Journal of Policy Analysis and Management 16, no. 2 (1997): 344. http://dx.doi.org/10.1002/(sici)1520-6688(199721)16:2<344::aid-pam17>3.0.co;2-j.

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17

Pack, Janet Rothenberg. "The Vernon prize." Journal of Policy Analysis and Management 17, no. 2 (March 1998): 368. http://dx.doi.org/10.1002/(sici)1520-6688(199821)17:2<368::aid-pam19>3.0.co;2-e.

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18

Pack, Janet Rothenberg. "The Vernon prize." Journal of Policy Analysis and Management 17, no. 2 (1998): 368. http://dx.doi.org/10.1002/(sici)1520-6688(199821)17:2<368::aid-pam19>3.0.co;2-p.

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19

Pack, Janet Rothenberg. "The Vernon prize." Journal of Policy Analysis and Management 17, no. 2 (1998): 368. http://dx.doi.org/10.1002/(sici)1520-6688(199821)17:2<368::aid-pam19>3.3.co;2-g.

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20

Little, C. Gordon. "Vernon Ellsworth Derr." Physics Today 57, no. 4 (April 2004): 103–4. http://dx.doi.org/10.1063/1.1752435.

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21

Gallagher, J., and M. Malcolm. "Denis Vernon Carpy." Psychiatric Bulletin 25, no. 1 (January 2001): 36. http://dx.doi.org/10.1192/pb.25.1.36-a.

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22

Adair, Robert K., and Michael E. Zeller. "Vernon Willard Hughes." Physics Today 57, no. 2 (February 2004): 77–78. http://dx.doi.org/10.1063/1.1688080.

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23

Thurston, A. "John Vernon Thurston." BMJ 343, aug26 3 (August 26, 2011): d5490. http://dx.doi.org/10.1136/bmj.d5490.

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24

Ward, Frances. "Vernon White, Identity." Political Theology 5, no. 4 (February 11, 2004): 508–10. http://dx.doi.org/10.1179/pol.5.4.220u74054l1l1857.

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25

COURT, JOHN M. "VERNON LESLIE COLLINS." Journal of Paediatrics and Child Health 10, no. 5 (March 10, 2008): 253–54. http://dx.doi.org/10.1111/j.1440-1754.1974.tb02776.x.

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26

Southby, Robert. "PROFESSOR VERNON COLLINS." Journal of Paediatrics and Child Health 10, no. 5 (March 10, 2008): 255–57. http://dx.doi.org/10.1111/j.1440-1754.1974.tb02777.x.

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27

NeSmith, D. Scott, Arlen D. Draper, and James M. Spiers. "`VERNON': A NEW EARLY SEASON RABBITEYE BLUEBERRY CULTIVAR." HortScience 40, no. 3 (June 2005): 886b—886. http://dx.doi.org/10.21273/hortsci.40.3.886b.

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Released in 2004 by the University of Georgia and U.S. Dept. of Agriculture, `Vernon' is an early season rabbiteye blueberry (Vaccinium ashei Reade), having large fruit size, good yields and excellent plant vigor. `Vernon', tested as T-584, was selected in 1990 at the Coastal Plain Experiment Station in Tifton, Ga. from a cross of T-23 × T-260. `Vernon' fruit ripens early with the cultivar Climax in south Georgia, and few days before `Premier'; however, `Vernon' flowers 5 to 10 days after the standard cultivars. On average over a 6 year period, `Vernon' yielded 5.8 kg/plant per season, compared to 3.1 and 4.5 kg/plant for `Climax' and `Premier', respectively. Berry stem scar, color, firmness, and flavor of the new cultivar are good to excellent. Berry size of `Vernon' is considerably large, averaging 2.05 g/berry over 4 locations in 2003, compared to only an average weight of 1.56 g/berry for `Climax'. `Vernon' berries are firmer than `Premier'. Propagation of the new cultivar is easily accomplished from softwood cuttings. Chill hour requirement is estimated to be in the range of 500 to 550 hours (<7 °C). `Vernon' should be planted with other rabbiteye blueberry cultivars with a similar time of bloom to provide optimum pollination. Propagation rights are controlled by Georgia Seed Development Commission, 2420 S. Milledge Avenue, Athens, GA 30606 (for more information go to www.gsdc.com).
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28

Connor, Ed. "Vernon Mountcastle: In Memoriam." Neuron 85, no. 5 (March 2015): 899–900. http://dx.doi.org/10.1016/j.neuron.2015.02.012.

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29

Golec, Joseph. "Professor John Andrew Vernon." Pediatric Drugs 14, no. 5 (October 2012): 281. http://dx.doi.org/10.2165/11640030-000000000-00000.

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30

Handley-Derry, Elizabeth. "Sam Vernon, Rage Wave." Public 30, no. 59 (June 1, 2019): 200–203. http://dx.doi.org/10.1386/public.30.59.200_5.

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31

Handley-Derry, Elizabeth. "Sam Vernon, Rage Wave." Public 31, no. 59 (June 1, 2019): 200–203. http://dx.doi.org/10.1386/public.31.59.200_5.

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32

Gray, D. P. "Robert Vernon Holmes Jones." BMJ 326, no. 7384 (February 8, 2003): 339h—339. http://dx.doi.org/10.1136/bmj.326.7384.339/h.

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33

Brandt, Lydia Mattice. "Re‐creating Mount Vernon." Winterthur Portfolio 43, no. 1 (March 2009): 79–114. http://dx.doi.org/10.1086/597174.

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34

Bloom, Howard, Carolyn Hill, and James Riccio. "2003 Vernon Prize Award." Journal of Policy Analysis and Management 23, no. 2 (2004): 403–4. http://dx.doi.org/10.1002/pam.20017.

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35

Haulman, K. "George Washington's Mount Vernon." Journal of American History 101, no. 3 (December 1, 2014): 861–66. http://dx.doi.org/10.1093/jahist/jau582.

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36

Scott-Orr, Helen. "Robert Vernon Stewart Bain." Australian Veterinary Journal 79, no. 1 (January 2001): 63. http://dx.doi.org/10.1111/j.1751-0813.2001.tb10645.x.

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37

Yamboliev, Irena. "Vernon Lee’s Novel Construction." Nineteenth-Century Literature 75, no. 3 (December 2020): 346–71. http://dx.doi.org/10.1525/ncl.2020.75.3.346.

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Irena Yamboliev, “Vernon Lee’s Novel Construction” (pp. 346–371) This essay proposes that we understand Vernon Lee’s debut novel, Miss Brown (1884), as enacting a theory of literary language’s constructive potency that Lee develops in her critical essays. Those critical essays offer a vibrant nineteenth-century formalism, suggesting how fiction constructs and formalizes our realities, shaping readers’ mental and emotional circuits as it arranges phrases, sentences, and paragraphs. In Miss Brown, Lee crafts a prose style that meticulously tracks the protagonist’s formation—the “little dramas of expectation, fulfilment and disappointment,…of tensions and relaxations”—rendering that formation as a drama of sentence-level structuration. The resulting “representation” of Anne Brown is interrupted with adjective-rich stretches conspicuously geared toward defining, formulating, and theorizing what is being represented, essay-like. By treating the protagonist as an occasion to foreground syntax’s active building and abstracting, Miss Brown’s prose partakes in the kind of literary practice that has recently been described as nonmimetic realism—realism that does more than denote and refer and reflect what is, and instead performs, meditating on form’s process, to project and inform new potentialities.
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38

McCarthy, Sarah Fay. "Vernon God Little (review)." Missouri Review 27, no. 1 (2004): 183–85. http://dx.doi.org/10.1353/mis.2004.0023.

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39

Hoy, Pat C. "I Sing of Vernon." Sewanee Review 115, no. 4 (2007): 572–86. http://dx.doi.org/10.1353/sew.2007.0107.

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40

Stark, Gary D., and Lawrence D. Stokes. "Vernon Lidtke: A Tribute." Central European History 37, no. 2 (June 2004): 189–201. http://dx.doi.org/10.1163/156916104323121447.

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On9 October 2001 Vernon Lidtke delivered his valedictory lecture at The Johns Hopkins University on the topic of “Die Abstrakten,” a left-wing group of artists in Germany during the Weimar Republic. With this address before an appreciative audience comprising students, colleagues, and friends, Vernon concluded almost forty years of a distinguished scholarly career in the field of modern European and German history. In his scholarship Vernon is most widely identified with the study of the German labor movement in general and especially the Social Democratic Party, on which subjects he has thus far published two major books along with numerous journal articles and chapters. His formal retirement from academic life was also marked a few months earlier by a testimonial dinner held in Baltimore and attended by a large proportion of the twenty-five doctoral graduates whose dissertations he had supervised over more than three decades at Johns Hopkins. On both occasions he was fondly remembered as an accomplished historian, an inspiring teacher, and a generous mentor. In this and the four essays that follow, some of his former students wish also to commemorate Vernon's scholarly and teaching career.
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41

Jones, S. G. "Arthur Cyril Vernon Jones." BMJ 338, feb23 1 (February 23, 2009): b700. http://dx.doi.org/10.1136/bmj.b700.

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42

Kandola, Sondeep. "Vernon Lee: New Woman?" Women's Writing 12, no. 3 (October 2005): 471–84. http://dx.doi.org/10.1080/09699080500200264.

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43

Kandola, Sondeep. "Vernon Lee: New Woman?" Women's Writing 12, no. 3 (March 1, 1992): 471–84. http://dx.doi.org/10.1080/09699080500200350.

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44

Horne, Robert W. "Dr Vernon Ellis Cosslett." Micron and Microscopica Acta 21, no. 4 (January 1990): 205–6. http://dx.doi.org/10.1016/0739-6260(90)90117-x.

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45

Yamboliev, Irena. "Vernon Lee’s Novel Construction." Nineteenth-Century Literature 75, no. 3 (December 2020): 346–71. http://dx.doi.org/10.1525/ncl.2020.75.3.346.

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Irena Yamboliev, “Vernon Lee’s Novel Construction” (pp. 346–371) This essay proposes that we understand Vernon Lee’s debut novel, Miss Brown (1884), as enacting a theory of literary language’s constructive potency that Lee develops in her critical essays. Those critical essays offer a vibrant nineteenth-century formalism, suggesting how fiction constructs and formalizes our realities, shaping readers’ mental and emotional circuits as it arranges phrases, sentences, and paragraphs. In Miss Brown, Lee crafts a prose style that meticulously tracks the protagonist’s formation—the “little dramas of expectation, fulfilment and disappointment,…of tensions and relaxations”—rendering that formation as a drama of sentence-level structuration. The resulting “representation” of Anne Brown is interrupted with adjective-rich stretches conspicuously geared toward defining, formulating, and theorizing what is being represented, essay-like. By treating the protagonist as an occasion to foreground syntax’s active building and abstracting, Miss Brown’s prose partakes in the kind of literary practice that has recently been described as nonmimetic realism—realism that does more than denote and refer and reflect what is, and instead performs, meditating on form’s process, to project and inform new potentialities.
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46

Boeger, Walter A. "Vernon Everett Thatcher: 1929-2011." Zoologia (Curitiba) 28, no. 5 (October 2011): 690–91. http://dx.doi.org/10.1590/s1984-46702011000500020.

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47

Murphy, William L., and Jean-Claude Vala. "Lloyd Vernon Knutson, 1934-2018." Proceedings of the Entomological Society of Washington 122, no. 1 (February 11, 2020): 251. http://dx.doi.org/10.4289/0013-8797.122.1.251.

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48

Filip-Fröschl, Johanna. "William Vernon Harris, Ancient literacy." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte. Romanistische Abteilung 111, no. 1 (August 1, 1994): 510–19. http://dx.doi.org/10.7767/zrgra.1994.111.1.510.

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49

Leighton, Angela. "GHOSTS, AESTHETICISM, AND “VERNON LEE”." Victorian Literature and Culture 28, no. 1 (March 2000): 1–14. http://dx.doi.org/10.1017/s1060150300281011.

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“TO RAISE A REAL SPECTRE of the antique is a craving of our own century” (104) writes “Vernon Lee” in her early collection of essays on aesthetics, Belcaro. The nineteenth century is indeed, as Julia Briggs has pointed out, an age which craves ghost stories of all kinds. Sceptical of the supernatural yet nostalgic for it (Briggs 19), the age turns to ghost stories to assuage its lost faith. Ghosts, if nothing else, might still glimmer in the empty spaces of a universe vacated by the gods but not yet filled with the space journeys of science and science fiction. Their questionable shapes thus continue to shape the questions of an age seeking reassurance, even if that reassurance comes in a spasm of terror. And terror, however subtly or ingeniously aroused, whether by the self-induced fantasies of James’s governess or the calculated self-hauntings of Stevenson’s Jekyll, remains the primary motivation and aim of the ghost story. Fear of the unknown, whether within or without, provides the last bastion of a supernaturalism under threat from the encroaching “materialism” (Briggs 24) of the modern world. The ghost story not only indulges the unstable, if sometimes deeply conventional order of fantasy at the expense of “naturalistic art” (Cavaliero 7); it also indulges the wish to believe in another, more fearful world, beyond the material order of things. The specter focuses this trouble of belief. It is there and not there. It outlines emptiness but also fills it up, embodying and disembodying its own reality at the same time.
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50

Zaret, Milton M. "Down's Syndrome in Vernon Township." Journal of Bioelectricity 6, no. 1 (January 1987): 137–38. http://dx.doi.org/10.3109/15368378709027733.

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