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Journal articles on the topic 'Vessels Decoration'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Swift, Ellen. "DECORATED VESSELS: THE FUNCTION OF DECORATION IN LATE ANTIQUITY." Late Antique Archaeology 5, no. 1 (2009): 385–409. http://dx.doi.org/10.1163/22134522-90000115.

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This paper re-integrates decoration with the function of the object and its social context in Late Antiquity. It examines the way that decoration prescribes the function of objects, for example, through the representation upon an object of the activity for which the object is intended to be used. It is suggested that in some instances decoration may also be matched to the interior decor of a room, i.e., to the context within which an object was used. These correlations of decoration with function and context correspond to Roman ideas of appropriateness in decor and, in turn, contribute to th

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Matheson, Carney D., Cory R. Vickruck, Chris J. McEvoy, Kim K. Vernon, and Robert Mason. "Composition of trace residues from the contents of 11th–12th century sphero-conical vessels from Jerusalem." PLOS ONE 17, no. 4 (2022): e0267350. http://dx.doi.org/10.1371/journal.pone.0267350.

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The residues from the internal surface of four archaeological ceramic sherds, excavated from the Armenian Gardens, Jerusalem were analysed to characterise the contents of the original vessel. The sherds derive from four small, thick-walled, sphero-conical vessels recovered from a destruction layer, dating between the 11th and 12th century, Jerusalem. The residue has been analysed using light microscopy, biochemical characterisation, gas chromatography mass spectroscopy, inductively coupled plasma atomic emission spectroscopy and cold vapour atomic fluorescence spectrometry. This analysis estab

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Matheson, Carney D., Cory R. Vickruck, Chris J. McEvoy, Kim K. Vernon, and Robert Mason. "Composition of trace residues from the contents of 11th–12th century sphero-conical vessels from Jerusalem." PLOS ONE 17, no. 4 (2022): e0267350. http://dx.doi.org/10.1371/journal.pone.0267350.

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The residues from the internal surface of four archaeological ceramic sherds, excavated from the Armenian Gardens, Jerusalem were analysed to characterise the contents of the original vessel. The sherds derive from four small, thick-walled, sphero-conical vessels recovered from a destruction layer, dating between the 11th and 12th century, Jerusalem. The residue has been analysed using light microscopy, biochemical characterisation, gas chromatography mass spectroscopy, inductively coupled plasma atomic emission spectroscopy and cold vapour atomic fluorescence spectrometry. This analysis estab

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4

Campos, Paulo, and Marcelo Fagundes. "A cerâmica afrodiaspórica." Vestígios - Revista Latino-Americana de Arqueologia Histórica 19, no. 1 (2025): 55–78. https://doi.org/10.31239/1rxaaw29.

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This paper presents part of the research conducted at the Olhos d’Água site, Alto Araçuaí, MG, focusing on the analysis and interpretation of material traces through Afro-centered categories. The site yielded fragments of ceramic vessels associated with the occupation of the region by Afro-Brazilian groups during the 18th and 19th centuries. At this stage, the Yoruba concepts of Ilutí and Ojú-inú were applied, linking artisans' artistic expertise to the preservation of axé and the transmission of religious and daily-life knowledge. Various patterns of decoration and container production were i

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Popescu, Mariana Cristina. "An oenochoe with Gnathia decoration in the National Museum of Transylvanian History." Acta Musei Napocensis 58 (December 12, 2021): 9–16. http://dx.doi.org/10.54145/actamn.i.58.01.

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An oenochoe with Gnathia decoration, part of the collection of the National Museum of Transylvanian History is here published. Judging by its style, the vase is part of the Alexandria group. The vessels specific to this group are mainly produced in the workshops of Taranto, during the first half of the 3rd century BC. The vessel from the Cluj museum has characteristic ribbing arranged in two vertical registers, on the whole surface of the body and the decoration with stylised geometric and plant motifs, depicted on the neck and in the middle and upper area of the body.

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Olcay, B. Yelda. "Ancient glass vessels in Eskişehir Museum." Anatolian Studies 51 (December 2001): 147–58. http://dx.doi.org/10.2307/3643031.

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The aim of this study is to introduce the glass vessels housed in Eskişehir Archaeological Museum. Thirty vessels are housed in the museum, out of which 19 are currently exhibited. Most of the vessels entered the collection by purchase. One vessel (no 5) was found during a rescue excavation of a Roman tomb in Bilecik in 1985, although unfortunately we do not have detailed information about the tomb. Another vessel found during a rescue excavation at the tumulus of Alpu Kocakizlar and a further one from the Pessinus excavations are not included in this article.The vessels in the museum are very

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Shchepachenko, Vladyslav. "The Glassware of Late Roman Time from Viitenky: the Technological Aspect." Arheologia, no. 1 (March 23, 2022): 121–53. http://dx.doi.org/10.15407/arheologia2022.01.121.

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This article is devoted to the study of the technological features of the manufacturing and decoration of glass vessels from archaeological complex of late Roman time – early Great Migrations period at Viitenky in the East of Ukraine. The observations of the evolution of shapes, decor and individual morphological features of Roman glassware has reached almost a century in their development now. During this time, researchers have repeatedly emphasized their information potential in chronological constructions and searches for production centres of certain types. The technical and technological

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Negru, Mircea. "A ROMAN FACE POT DISCOVERED IN REȘCA-ROMULA." Arhivele Olteniei 38 (December 20, 2025): 7–16. https://doi.org/10.59277/ao.38.01.

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Archaeological research has identified, starting in 1965, a large ceramic production district in the northern part of the Romanian city of Romula. Most clay material burning furnaces were used for firing vessels. Face can be discovered in 2018, in the pit of potter's kiln no. 25, is an almost whole vessel. The vessel indicates a male character, with a tap-shaped chin, with bushy eyebrows and an elongated nose. The decoration was made by adding material, by impresion and by incising. The vessel was intended for funerary practices, an argument in this sense being the fact that the character had

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Paraschiv-Talmațchi, Cristina. "Considerations on the production and distribution of pottery in Dobruja at the beginning of the Middle Ages." Communicationes Archaeologicae Hungariae 2024 (December 19, 2024): 237–53. https://doi.org/10.54640/cah.2024.237.

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The paper draws attention to data that confirm the establishment of craft areas and commercial activity providing evidence of the production and diffusion of pottery in the territory of Dobruja (southeastern Romania) in the 10–12th century. So far, local pottery production has been proven by four pottery workshops, two tools used to create decorations, fifteen single- or dual-chamber pottery kilns, a few semi-finished vessels, and production waste. Some clues on the distribution area of pottery made in Dobruja were obtained by analysing the decoration and fabric of vessels with potter’s marks.

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Andriiovych, Martha. "A sign of mobility and cultural exchange? The ceramics with scribble line ornamentation from Lysa Hora cemetery." VITA ANTIQUA 10 (December 20, 2018): 43–47. https://doi.org/10.37098/2519-4542-2018-1-10-43-47.

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From four types of the Neolithic ceramics that were determined for the Dnieper-Donetsk culture region, only the fourth type after D.Y. Telegin typology has been found in the Lysa Gora cemetery. This type is represented by biconical vessels with the flat bottom and straight «collar» rim. Inside of this type, we are able to identify subtypes by their size, type and ornament disposition on the body of a vessel. The vessels with the flat bottom, straight vertical walls and cut to the middle rim are most common. In the second period biconical vessels with the big fla

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Towers, Roy, and Nick Card. "Technological adaptation in Grooved Ware pottery from the Ness of Brodgar, Orkney, or how to make your cordons stick." Scottish Archaeological Journal 36-37, no. 1 (2015): 51–63. http://dx.doi.org/10.3366/saj.2014.0050.

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This paper describes a hitherto unidentified adaptation in Grooved Ware pottery at the Ness of Brodgar, Orkney ( Fig. 1 ). The technological technique adopted appears designed to cope with a common problem of Grooved Ware potters at the Ness: that of detached cordons, where applied decorative cordons on the exterior surface of the vessels are knocked off or simply fall off. The evidence shows that, in the case of one large pottery deposit from the site, some vessel exteriors were specially prepared in order to ensure cordon adhesion. The Ness of Brodgar site is introduced, issues surrounding p

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Onnis, Francesca. "The Nimrud bowls: New data from an analysis of the objects." Iraq 71 (2009): 139–50. http://dx.doi.org/10.1017/s0021088900000796.

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AbstractThe metal vessels known as the “Nimrud bowls” were discovered in the North-West Palace at Nimrud. Despite their clear archaeological context, the style and the iconographic themes of their decoration clearly betray that they are not the work of Assyrian craftsmen. Traditionally, they have been connected to the so-called “Phoenician bowls”. Today, a more general Levantine origin for the Nimrud bowls is proposed, although it has hitherto not been possible to determine their exact provenance. A review of the Nimrud bowls focusing specifically on their shape and decoration techniques provi

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К.И., Панченко. "ПОЛИВНЫЕ КЕРАМИЧЕСКИЕ ЧАШКИ ИЗ РАСКОПОК 2019–2021 гг. В МОСКОВСКОМ КРЕМЛЕ". Краткие сообщения Института археологии (КСИА), № 275 (13 листопада 2024): 406–15. http://dx.doi.org/10.25681/iaras.0130-2620.275.406-415.

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В статье дано описание найденных во время раскопок в Московском Кремле поливных керамических чашек (елейниц). Сосуды были обнаружены в сло ях усадебной застройки середины – последней четверти XV в. В первую очередь отмечается бытовой, а не ритуальный характер чашек. Даются их морфологические и технологические характеристики. Особое внимание уделено чашке с уникальным штампованным декором на поверхности изделия. Рассматривается один из возмож ных вариантов символического значения изображенного на этом сосуде хищного зверя. Тhe paper describes glazed ceramic vessels (ampullae for holding holy oi

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Шалапинин, А. А., and О. В. Андреева. "TYPOLOGICAL, TECHNICAL AND TECHNOLOGICAL CHARACTERISTICS OF THE EARLY VOLOSOVO CERAMICS IN THE MARI VOLGA REGION." Краткие сообщения Института археологии (КСИА), no. 263 (November 15, 2021): 394–408. http://dx.doi.org/10.25681/iaras.0130-2620.263.394-408.

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В статье представлены новые результаты изучения керамики волосовской культуры территории Среднего Поволжья. В ходе обобщающего исследования было выявлено, что в ранней волосовской керамике преобладают прямые и утолщенные венчики. Преимущественно прямая профилировка сосудов. Высок процент орнаментированной посуды, общая схема орнаментации горизонтальная и вертикальная. В качестве элемента орнамента превалируют оттиски гребенчатого штампа. При подсчете коэффициента сходства 9 рассмотренных в работе памятников, относящихся к ранней волосовской культуре, было выявлено, что наиболее высокие коэффиц

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15

Serrano Arnáez, Begoña, Mª Isabel Fernández García, and José Antonio Esquivel Guerrero. "Hacia una reconstrucción tridimensional de la terra sigillatahispánica decorada y los moldes del alfar Los Villares de Andújar (Jaén)." Virtual Archaeology Review 4, no. 9 (2013): 100. http://dx.doi.org/10.4995/var.2013.4254.

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<p>The aim of this paper is the recreation and the measurement of the fragments of terra sigillata and molds which have the same decoration documented in the landfill court 30 of the 1999 campaign of Los Villares de Andújar. To carry it out, we have used the 3D laser technology for the reconstruction of the materials, using an ARTEC Scanner, which it carried out a metrological study recording the dimensions of the variables that appear in several decorative minimal units. In conclusión, we intented to associate the vessels to the tools, that is, the molds that were used for the elaborati

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Buiskikh, Alla V. "A Sub-Geometric Skyphos from Borysthenes." Ancient Civilizations from Scythia to Siberia 22, no. 1 (2016): 1–17. http://dx.doi.org/10.1163/15700577-12341292.

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In the Borysthenes collection a fragment of Sub-Geometric skyphos has come to light, which is most likely to have been manufactured in Miletus. The shape of the vessel and the stylistic features of its painted decoration enable us to date it to the second quarter of the 7th century bc. This skyphos, like other vessels in the Sub-Geometric style from barbarian sites in the North Pontic region, was taken there by colonists, who had founded the early apoikiai of Histria and Borysthenes. For this reason, vessels dating from the first half of the 7th century bc cannot be cited as evidence for pre-c

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Szabó, Nóra. "From vessel to community : Possibilities of investigating the function of a special Bronze Age vessel type." Hungarian Archaeology 12, no. 1 (2023): 1–9. http://dx.doi.org/10.36338/ha.2023.1.1.

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This paper attempts to reconstruct the use of fermenting vessels and their role in Middle Bronze Age communities. Vessels of this type can be found in the record of several periods of the Bronze Age in the Carpathian Basin but seem to be the most widespread in the Middle Bronze Age (2000/1900–1500/1400 cal BC). Storage vessels with internal knobs and special decoration have been associated with the production of dairy products or the fermentation of alcoholic beverages, but it is not possible to reconstruct their function based on typological and ethnographic analogies alone. Clarifying the ac

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Droux, Xavier. "Chiefs, bound captives, and harpooned hippopotamuses: an exceptional unpublished C-ware vessel in the Royal Ontario Museum, Toronto (inv. 900.2.13)." Archéo-Nil. Revue de la société pour l'étude des cultures prépharaoniques de la vallée du Nil 31, no. 1 (2021): 41–59. http://dx.doi.org/10.3406/arnil.2021.1356.

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This article presents a Predynastic C-ware beaker currently in the Royal Ontario Museum, Toronto (inv. 900.2.13). The exterior is decorated with two mirrored scenes containing an exceptional series of bound captives under the domination of two ‘victorious figures’, as well as several tassel-like motifs which we propose to (re)interpret as powerfacts perhaps representing flails, an artefact common in later royal iconography that has not previously been identified prior to the time of king Narmer. On the interior, the beaker is decorated with two depictions of hunted hippopotamuses set among geo

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Treister, Mikhail Yu. "The Toreutics of Colchis in the 5th-4th Centuries BC Local Traditions, Outside Influences, Innovations." Ancient Civilizations from Scythia to Siberia 13, no. 1-2 (2007): 67–107. http://dx.doi.org/10.1163/157005707x212689.

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Abstract Two silver vessels: a silver aryballos from the mid-5th century BC burial No. 11/1969 in Vani and a silver goblet from the ritual complex No. 1 of the Ulyap barrow No. 1 in the Kuban basin, dated to the late 5th-early 4th century BC, are discussed. e similarities in details of the vessels and their decoration with those of the silver vessels found in Lydia and the vicinity of Sinope are pointed out. A group of items of toreutics from the 5th-4th centuries BC complexes in Colchis and outside it is singled out: they are decorated with incised animal or mythological images, the bodies of

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Demakopoulou, K., E. Mangou, R. E. Jones, and E. Photos-Jones. "Mycenaean black inlaid metalware in the National Archaeological Museum, Athens: a technical examination." Annual of the British School at Athens 90 (November 1995): 137–53. http://dx.doi.org/10.1017/s0068245400016117.

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Current technical interest in the nature of the black inlaid decoration on ancient metalware has stimulated an examination of some of the well-known bronze daggers, silver vessels, and other fragments, all with inlaid decoration and dating to the 16–14th centuries BC, from Mycenae, Prosymna, Dendra, Routsi, and Pylos. Results of non-destructive X-ray fluorescence analysis point to great versatility in working with copper (or bronze)–gold–silver alloys. The black inlaid decoration is usually copper/bronze–gold alloy with small quantities of silver. Four of the objects were also examined by X-ra

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Neves, César. "Decorated or Undecorated: Analysis of the Early-Middle Neolithic Transition in Western Iberia Through the Ceramic’s Stylist Techniques and Decorative Motifs." Open Archaeology 7, no. 1 (2021): 848–67. http://dx.doi.org/10.1515/opar-2020-0171.

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Abstract In this article, we study the role played by pottery production in the transition from Early Neolithic to Middle Neolithic in Western Iberia (∼4500–3300 cal BC) based on a critical analysis of the available empirical data. We establish a chronological and cultural sequence for this period, regarding which the historical problematic is still poorly defined due to a lasting absence of scientific discussion about the long Neolithisation process. During the evolved Early Neolithic (∼5200–4500 cal BC), archeological record shows regional specificities and cultural identities in human group

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Taxel, Itamar, Ayala Lester, and Uzi ʿAd. "Two Rare Early Abbasid Paint-Decorated Ceramic Bowls from el-Khirba/Nes Ziyyona, Israel." Muqarnas Online 35, no. 1 (2018): 273–80. http://dx.doi.org/10.1163/22118993_03501p011.

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Abstract This article discusses two near-complete ceramic vessels—a deep, cup-shaped bowl and a shallow bowl/plate—found in recent excavations carried out at the rural site of el-Khirba/Nes Ziyyona in central Israel, in an early Abbasid context dated to the ninth century. The vessels bear unusual painted decorations on their exterior and interior. The decoration of the first bowl consists of alternating pairs of large black and white palm trees and large birds. The second bowl/plate is decorated with eight stylized trees emerging from a central circle, with small circles between them; these mo

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Soós, Bence, and Balázs Lukács. "Szalacska and the Hallstatt period metal vessels from Western Hungary." Communicationes Archaeologicae Hungariae 2022 (September 21, 2023): 103–28. http://dx.doi.org/10.54640/cah.2022.103.

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Conventionally, Nagyberki-Szalacska is thought to be one of the most significant Early Iron Age sites in Western Hungary. Its importance is underlined by a few metal sheet fragments unearthed in 1941 during the looting of a tumulus of the Szalacska cemetery. Their rich decoration and the traces of the manufacturing process as well as other marks suggest that the metal sheet was used as a cover for a vessel made of some organic material. The decoration of the metal sheet provides new information regarding the cultural contacts between Nagyberki-Szalacska and the EIA centres of power in southeas

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Spielmann, Katherine A., Jeannette L. Mobley-Tanaka, and James M. Potter. "Style and Resistance in the Seventeenth Century Salinas Province." American Antiquity 71, no. 4 (2006): 621–47. http://dx.doi.org/10.2307/40035882.

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This paper draws upon James Scott's insights concerning the “public” and “hidden” transcripts of subjugated peoples to investigate Pueblo responses to Spanish colonization in the seventeenth century. We focus on the marked changes that occurred in the decoration of two ceramic wares produced in the Salinas Pueblo region of central New Mexico, and suggest that these changes express one aspect of native resistance to Spanish missionary efforts to eradicate Pueblo religious practices. We document that differences in the impact of missionization between the northern and southern Salinas pueblos le

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Pashentsev, P. A. "Pottery of the Nabil Archaeological Culture from Sakhalin Island." Bulletin of the Irkutsk State University. Geoarchaeology, Ethnology, and Anthropology Series 35 (2021): 52–71. http://dx.doi.org/10.26516/2227-2380.2021.35.52.

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The article considers the results of multidisciplinary analysis of the Nabil archaeological culture pottery identified in 2005 by results of the archaeological researches in North Sakhalin. The Nabil archaeological culture includes the ceramics complex consisted of pointed shape pottery decorated by comb stamps. The sources of the study are the archaeological studies of the settlements (the collections and reports) organized by the research team of Sakhalin Archaeological and Ethnography Laboratory of IAET SB RAS and SakhGU in 2004–2015 and additional archaeological material from other collect

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Savenkova, M. M. "TEXTILE DECORATION AND PATTERNS ON THE ANDRONOVO VESSELS: POSSIBLE RECONSTRUCTIONS." Archaeology, Ethnology & Anthropology of Eurasia 46, no. 2 (2018): 43–51. http://dx.doi.org/10.17746/1563-0110.2018.46.2.043-051.

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Certain researchers believe that designs composed of oblique triangles, meander-shaped fi gures and comb imprints on the Andronovo vessels reproduce those on woven, embroidered, and appliqué textiles. The article compares the Andronovo designs on pottery with the decoration used in textile manufacture. To reconstruct the making of geometric compositions, textile interlacing schemes were designed to produce samples using the weaving technique on plaques. Such tools had been used for producing the earliest textiles manufacture with an interwoven warp since the Early Neolithic. The sequence of pa

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Wacławik, Maciej. "The Symbolic Meaning of the Acorn – a Possible Interpretation." Studies in Ancient Art and Civilisation 19 (December 30, 2015): 255–66. http://dx.doi.org/10.12797/saac.19.2015.19.12.

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The acorn is a very popular literary and decorative motif in Greek and Roman culture that was used by many ancient authors to symbolise fertility and the possibility of creating new life. It was used as a decoration with this significance on many everyday objects, such as vessels and jewellery. The acorn was also very popular as a shape for the counterweights of Roman balances. On this group of objects, it is possible that the acorn symbolised the gods, who ensured the fairness of transactions between sellers and their customers. The gods used may have been Zeus, Hermes or Athena, with the lat

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Savenkova, M. M. "Textile Decoration and Patterns on the Andronovo Vessels: Possible Reconstructions." Archaeology, Ethnology and Anthropology of Eurasia (Russian-language). 46, no. 2 (2018): 43–51. http://dx.doi.org/10.17746/1563-0102.2018.46.2.043-051.

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Brzeska-Zastawna, Agnieszka, Beata Grabowska, Tomasz Rodak, and Albert Zastawny. "Eneolithic grave with vessels of the so-called milk jug type from Zakrzowiec, site 7, Wieliczka district, Lesser Poland." Sprawozdania Archeologiczne 76, no. 2 (2024): 227–51. https://doi.org/10.23858/sa/76.2024.2.3770.

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In 2005, during rescue archaeological excavations preceding the building of the A-4 motorway, at site no. 7 in Zakrzowiec, Wieliczka district, an object interpreted as a grave of the Wyciąże-Złotniki group of the Lengyel-Polgár complex was discovered. A human skeleton has not been preserved. The grave furnishings consisted of two amphorae of the “milk jug” type (German term: milchtopf, Hungarian term: tejesköcsög). Vessels of this type belong to the basic taxonomic distinction of the Wyciąże-Złotniki group and are known from both graves and settlement sites. One of the vessels from the grave i

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Jernigan, E. W. "A Non-Hierarchical Approach to Ceramic Decoration Analysis: A Southwestern Example." American Antiquity 51, no. 1 (1986): 3–20. http://dx.doi.org/10.2307/280390.

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The element-motif-layout framework of design analysis, which has dominated the study of prehistoric Southwestern ceramic decoration since the late 1930s, is shown to be ambiguous as a means of understanding and comparing such decoration. A new analytical approach is presented involving the isolation of design units based on comparative study of how design configurations are used in a style corpus of whole vessels. Application of the method and its usefulness in comparative stylistic studies, as well as potential usefulness in ceramic dating, are discussed.

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Hofman, Corinne L., and Alistair J. Bright. "From Suazoid to folk pottery: pottery manufacturing traditions in a changing social and cultural environment on St. Lucia." New West Indian Guide / Nieuwe West-Indische Gids 78, no. 1-2 (2004): 73–104. http://dx.doi.org/10.1163/13822373-90002518.

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Overview of pottery manufacturing traditions in St Lucia, placed within the island's cultural history from pre-Columbian times up to present Afro-Caribbean folk pottery. Authors focus on manufacturing processes in different cultural traditions through history, looking at raw materials used, the shaping and finishing, decoration, and firing process. First, they sketch St Lucia's habitation history since the first Amerindian settlers in 200 AD, and evidence of pottery, which climaxed in the later Suazoid period pottery since about 1150 AD, and discuss how later European colonization and arrival

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Bahar, Awsam. "Statues and Votive Vessels from Tulūl al-Baqarāt." Zeitschrift für Assyriologie und vorderasiatische Archäologie 110, no. 2 (2020): 218–41. http://dx.doi.org/10.1515/za-2020-0022.

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AbstractThe site of Tulūl al-Baqarāt in the Wasit province, Iraq, consists of a series of tells, the most prominent being TB1. Iraqi and Italian archaeological expeditions have conducted excavations at TB1, revealing a number of exceptional architectural units and a large number of ancient objects. This paper deals with stone statuary and objects with relief decoration from these excavations and presents several fragments of human or animal statues and sculptured votive vessels.

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Azadi, Vahid, Karim Hajizadeh Bastani, and Habib Shahbazi Shiran. "Investigating the representation of the Lydian delegation in the reliefs of the eastern staircase of Apadana (case study: vessels and jewellery)." Cercetări Arheologice 30, no. 1 (2023): 45–60. http://dx.doi.org/10.46535/ca.30.1.03.

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The eastern staircase of Apadana – the Royal Achaemenid Audience Hall at Persepolis was decorated with numerous reliefs depicting various people subjected to the king’s rule, paying homage and bringing gifts. Among these, the Lydian group is one of the delegations carved in the lower part of the staircase. This group was led by one of the officers of the Achaemenid court. The participants carried amphorae, bowls and armlets and were also bringing horses and a chariot. The amphorae and arm rings were represented distinctly with beautiful and unique animal decorations. The purpose of the followi

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Atanassova, Victoria, Vani Tankova, Valentin Mihailov, and Angelina Pirovska. "Spectroscopic Study of White Pigments in the Decoration of Neolithic Pottery in the Region of the Thracian Valley, Bulgaria." Minerals 14, no. 2 (2024): 152. http://dx.doi.org/10.3390/min14020152.

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Throughout history, ceramics have been the most abundant artifacts in archaeological discoveries. Within the Neolithic period in present-day Bulgaria, skilled artisans applied additional materials to decorate their pottery, evolving in composition and application techniques such as painting or incrustation. This study is focused on the investigation of white pigments used in decorating Early and Late Neolithic pottery from Madzherito, Kaloyanovets, and Hadzhidimitrovo—archaeological sites located in the Thracian Valley, Central South Bulgaria, affiliated with the cultural groups of Karanovo I

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Solecki, Rafał. "Fragments of ceramic vessels with imprints of probable Teutonic Order bracteates from the settlement in Grabina, Ostróda county." Masuro-⁠Warmian Bulletin 301, no. 3 (2018): 546–56. http://dx.doi.org/10.51974/kmw-134882.

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The article presents the characteristics of three fragments of ceramic vessels that were found during the investigations of the medieval stronghold in Grabin, within Ostróda county. Their uniqueness stems from their decoration, which was made using a stamp technique (ceramics decorated with a stamp decoration are called StempelverzierteKeramik), probably with a bracteate type coin. In order to be able to present these artefacts as fully as possible, it is also necessary to present the context of their discovery, the history of the site as well as an attempt at interpretation.

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Baghaturia-Kner, Eliso. "Late Antique glass vessels in life context of population of eastern black sea littoral – Colchis (NW Georgia): performance, function and trendy." Pro Georgia 33, no. 1 (2023): 169–88. http://dx.doi.org/10.61097/12301604/pg33/2023/169-188.

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This article presents typological repertoire of late antique-early byzantine glass vessels from archeological sites of NW Georgia (mainly of historical Apsilia). They show how regional industries responded to the needs of their community in the Black Sea littoral. However, this way I made visible an ideological interaction of regional markets of Pontic areas. While the vessel forms, decoration and impact of new technologies made possible to discuss why they are eventually distinguishable from other parts of the Black Sea region. But my approach to these vessels has been influenced generally by

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McClary, Richard Piran. "Rare and Complex Wares: A Study of Vessels and Sherds Decorated with Both Mīnāʾī and Lustre Techniques". Journal of Material Cultures in the Muslim World 3, № 2 (2023): 235–66. http://dx.doi.org/10.1163/26666286-12340035.

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Abstract The two most prestigious and technically challenging types of ceramic decoration used in the Islamic world during the sixth–seventh/twelfth–thirteenth centuries were mīnāʾī and lustre. By far the rarest type of mediaeval ceramic wares are the pieces featuring both types of overglaze decoration on the same vessel. This article examines the corpus of twenty-two sherds, including repaired and several previously unpublished examples. They are studied together to show the two main types of wares and their connection to other categories of mīnāʾī ware.

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Yang, Yuan, and Wenxuan Tao. "Social Thought and Bronze Art in the Western Zhou Dynasty." Art Frontier 1, no. 2 (2023): 95–101. https://doi.org/10.64212/ccny5202.

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During the Western Zhou Dynasty, based on the Yin rituals, the Zhou people made moderate adjustments to social ideology by introducing the idea of honoring virtues, reorganizing the ritual orders, and adjusting the sacrificial rites, thereby formulating the social thought of “revering the ancestors and respecting virtue” and “respecting heaven and protecting the people”. This social ideology influenced the modelling and decoration of bronze wares. The shape of the bronze focuses more on practical function and formal beauty, the combination of utensils pays more attention to the combination of

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Brezoi, Dragos-Viorel, Adrian Iordache, Anca Irina Gheboianu, Ana Ilie, and Sofia Slămnoiu-Teodorescu. "Archaeometric Research of Boian Pottery Decoration from the Settlement of Hârșova-Tell." Heritage 7, no. 12 (2024): 6806–24. https://doi.org/10.3390/heritage7120315.

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This paper presents the results of archaeometric research on the white and red materials used to decorate some ceramic vessels belonging to the Boian culture, the Vidra and Spanţov phases from the 5th millennium BC, discovered at Hârşova-Tell, on the right bank of the Danube, Romania. Digital microscopy, wavelength-dispersive X-ray fluorescence spectroscopy, X-ray diffraction, and Fourier transform infrared spectroscopy were used to identify the morphology, the crystalline phases, chemical formula, and percentage content of each crystalline phase in the white decoration materials and what type

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Południkiewicz, Anna. "Painted decoration of water jars from Byzantine Athribis in the Egyptian Delta." Polish Archaeology in the Mediterranean 25 (May 15, 2017): 781–98. http://dx.doi.org/10.5604/01.3001.0010.3015.

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Water jars are easily recognizable as a type owing to the strainer fitted into the neck of these vessels. This form was distinguished in the assemblage coming from the Polish excavations around Kom Sidi Youssuf in Tell Atrib, the site of ancient Athribis in the Nile Delta. The discussed vessels were made of Nile silt and richly painted on the surface. The article focuses on the decoration of these water containers, presenting a catalogue of motifs: geometrical, vegetal, zoomorphic, human and others. The set is dated to the 6th–7th century AD based on the excavation context and comparative stud

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Svilar, Marija. "Things we lost in the fire: The case of the “beautiful” vessel." Starinar, no. 68 (2018): 7–18. http://dx.doi.org/10.2298/sta1868007s.

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From the earliest excavations on the territory of the central Balkans and up to today, Late Neolithic pottery assemblages have remained one of the most important contributors to our knowledge of the past. To a certain extent, the burned Late Neolithic horizons left a great number of the architectural details preserved in the archaeological record, along with various artefacts, of which pottery makes up the largest part. However, due to the fact that the majority of pottery vessels and sherds were subjected to temperatures that were higher than those they were initially fired in the manufacturi

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Popov, A. N., J. G. Marcos, I. S. Zhushchikhovskaya, et al. "Revisiting the Correlation Between the Valdivia and San Pedro Ceramic Complexes (Based on Technological Characteristics)." Archaeology, Ethnology & Anthropology of Eurasia 52, no. 2 (2024): 37–46. http://dx.doi.org/10.17746/1563-0110.2024.52.2.037-046.

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This article presents the results of a study of ceramics associated with the Valdivia and San Pedro complexes at the Real Alto site, southwestern Ecuador. The test sample, studied in 2022, includes fragments of vessels from two morphological and functional groups, relating to the first two phases of the Valdivia culture (bowls and pots) and those representing the San Pedro complex (vessels with necks and a bowl). A comparative analysis was based on identified technological indicators marking various stages of pottery manufacture. Certain differences are seen in the composition of paste and in

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Ratko, Marina Valerievna. "Pura Luhur Uluwatu Temple Complex (Bali Island): features of composition and decoration." Культура и искусство, no. 5 (May 2023): 33–49. http://dx.doi.org/10.7256/2454-0625.2023.5.40737.

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This article is devoted to the study of the ancient Balinese temple Pura Luhur Uluwatu, which belongs to the circle of the six most revered sanctuaries of the island (Sad Kahyangan). The purpose of the article is to analyze the features of the spatial organization of the temple complex, the main types of structures on its territory, the motives of sculptural decoration. Based on the methodology of the regional approach, the author pays special attention to the study of the identity of this architectural ensemble as an example of the pura public temples of South Bali. In the course of the resea

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Egorova, Tatyana, and Sergey Olkhovskiy. "Black-Glazed Pottery with Stamped and Incised Decoration from Underwater Research near Ak-Burun Cape." Stratum plus. Archaeology and Cultural Anthropology, no. 3 (June 20, 2023): 267–87. http://dx.doi.org/10.55086/sp233267287.

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Unbroken and fragmented black-glazed vessels were one of the most informative categories of pottery found during underwater excavations by the expedition of the Institute of Archeology of the Russian Academy of Sciences in the area of the port of Panticapaeum near Ak-Burun cape (about 480 in total). Items decorated with stamped and incised ornaments, brought to the Bosporus from Attica, Asia Minor and Corinth, accounted for a significant percentage. They date back from the last quarter of the 5th — the second half of the 2nd century BC. The set of shapes and combinations of decorative elements

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Cristescu, Cătălin. "Tradition and infl uence in the Dacian pottery discovered at Sarmizegetusa Regia." CaieteARA. Arhitectură. Restaurare. Arheologie, no. 5 (2014): 37–53. http://dx.doi.org/10.47950/caieteara.2014.5.03.

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Dacians, Sarmizegetusa Regia, painted pottery, stamped decoration, cooking ware. Abstract: This paper aims to identify the Mediterranean and Celtic influences in the Dacian pottery from Sarmizegetusa Regia. The imitated or influenced vessels correspond mainly to tableware and storage jars, while cooking ware tends to belong to a local cultural layer, in regards to morphology and technology. Late Hellenistic and Roman technical influences used by the Dacian craftsmen are: slip, painting and stamped decoration. Laboratory analyses showed that both in the cases of tableware and kitchen pottery, t

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Vassi, Olga. "An unglazed ware pottery workshop in twelfth-century Lakonia." Annual of the British School at Athens 88 (November 1993): 287–93. http://dx.doi.org/10.1017/s0068245400015987.

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During a rescue excavation in the village of Magoula near Sparta, a pit was revealed which contained a heap of fragments of large and small vessels, the products of an unglazed ware pottery workshop. This paper presents the distinctive features of the workshop; the characteristic incised decoration on the strap-handle is considered its ‘trade mark’. The operation of the workshop is dated to the first half or the middle of the 12th cent., and its production is identified in large closed vessels (stamnia) and small jugs for everyday use.

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Dmitrenko, Liubov. "Technological study of the “La Paya” ceramic collection from Peter the Great Museum of Anthropology and Ethnography (Kunstkamera, Russia)." Arqueología 29, no. 3 (2023): 11565. http://dx.doi.org/10.34096/arqueologia.t29.n3.11565.

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The Calchaquí Valley archaeological complex presents numerous Santamariana-Calchaquí ceramics of varied production techniques, shapes, and painted decoration. The most frequent ceramic containers are bowls, so widely spread that they were used for manufacturing complex shapes (burial urns, asymmetric pots, and libation vessels). The technological analysis of La Paya vessels and their replication through experimentation allowed us to identify traditional technologies specific to the Calchaquí Valley pottery production, such as the usage of molds. According to ethnographic collections, South and

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Günel, Sevinç. "Mycenaean cultural impact on the Çine (Marsyas) plain, southwest Anatolia: the evidence from Çine-Tepecik." Anatolian Studies 60 (December 2010): 25–49. http://dx.doi.org/10.1017/s0066154600001009.

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AbstractTepecik is situated in the province of Aydın, on the edge of the Çine valley that forms the southern branch of the Maeander river system. It is located on a mountain pass extending towards the south, as well as on a natural passageway through the mountain range on the western side of the Çine plain. Its location on a number of natural routes is reflected in the material culture of the site, which displays both local (western Anatolian) and Aegean elements. The Late Bronze Age cultural remains from Çine-Tepecik include a group of Mycenaean pottery, presented and assessed in this study,

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Butskyi, I. M., A. V. Yurchenko, and A. V. Korokhina. "Balka Kantserka: technological aspects of pottery production." Arheologia, no. 3 (September 7, 2023): 123–38. http://dx.doi.org/10.15407/arheologia2023.03.123.

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In the paper, the technological aspects of the pottery production at the Balka Kantserka settlement are considered. In particular, the reconstruction of the process of manufacturing of three-handed gray-ware jars which were mass-produced at the settlement is carried out. They were constructed from separately manufactured parts: body, neck, handles and spout. At the same time, in some cases, handles and knob-shaped decorative elements were attached to already dried and even decorated vessels. The presence of different types of the same structural parts, decorative elements and their technical s

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Sanders, G. D. R. "Excavations at Sparta: the Roman stoa, 1988–91 Preliminary report, Part 1: (c) Medieval pottery." Annual of the British School at Athens 88 (November 1993): 251–86. http://dx.doi.org/10.1017/s0068245400015975.

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Contexts recently excavated by the BSA in the Roman stoa at Sparta contain pottery dating from the 12th to early 14th centuries. The bulk of the material dates to the first half of the 13th cent., and demonstrates that certain styles of pottery decoration, once considered to be mainly 12th-cent. in date, continue in currency much longer. These contexts show that Champlevé (Morgan's ‘Incised ware’) decorated with animal motives in the tondo are companion pieces of Glaze Painted (Morgan's ‘Green and Brown Painted group V’) and late Slip Painted wares. The descriptively (but confusingly) named ‘P

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