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Books on the topic 'Vibration period'

Author: Grafiati

Published: 24 June 2021

Last updated: 29 July 2025

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1

United States. National Aeronautics and Space Administration, ed. Vibration and structureborne noise in space station: Progress report for NASA grant NAG-1-541 for the period January 1, 1986 - June 30, 1986. National Aeronautics and Space Administration, 1986.

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2

United States. National Aeronautics and Space Administration., ed. Vibration and structureborne noise in space station: Progress report for NASA grant NAG-1-541 for the period January 1, 1986 - June 30, 1986. National Aeronautics and Space Administration, 1986.

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3

Mei, C. Component mode synthesis and large deflection vibration of complex structures: Final report for the period ended January 31, 1987. National Aeronautics and Space Administration, 1987.

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4

Britcher, Colin P. Large angle magnetic suspension test fixture: Final report for the period ended October 31, 1995. Old Dominion University Research Foundation, 1995.

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5

United States. National Aeronautics and Space Administration., ed. Vibration isolation technology: Sensitivity of selected classes of experiments to residual accelerations : final report ... period of performance 7/1/88 - 6/30/91. Center for Microgravity and Materials Research, University of Alabama in Huntsville, 1991.

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6

Britcher, Colin P. Large angle magnetic suspension test fixture: Progress report for the period November 1, 1992 to May 31, 1993. Dept. of Mechanical Engineering & Mechanics, College of Engineering & Technology, Old Dominion University, 1993.

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7

Jen-Kuang, Huang, and Langley Research Center, eds. Large angle magnetic suspension test fixture: Final report for the period 11-1-95 thru 10-31-96. National Aeronautics and Space Administration, 1996.

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8

Britcher, Colin P. Large angle magnetic suspension test fixture: Final report for the period 11-1-95 thru 10-31-96. National Aeronautics and Space Administration, 1997.

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9

Britcher, Colin P. Large angle magnetic suspension test fixture: Progress report for the period November 1, 1995 through May 1, 1996. Dept. of Aerospace Engineering, Dept. of Mechanical Engineering, College of Engineering & Technology, Old Dominion University, 1996.

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10

Barbieri, Enrique. Momentum management in redundant manipulators for vibration suppression: Final report, NASA research grant NAG-1-1270 : report period June 1, 1992 - August 31, 1993. National Aeronautics and Space Administration, 1993.

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11

Meirovitch, Leonard. A progress report on identification and control of structures in space: NASA research grant NAG-1-225, covering the period July 1 - June 31, 1985. Virginia Pollytechnic Institute and State University , Engineering Science and Mechanics Dept., 1985.

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12

Meirovitch, Leonard. A progress report on identification and control of structures in space: NASA research grant NAG-1-225, covering the period January 1 - June 30, 1985. National Aeronautics and Space Administration?], 1985.

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13

Pierre, Christophe. Localized free and forced vibrations of nearly periodic disordered structures. American Institute of Aeronautics and Astronautics, 1987.

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14

Heinbockel, J. H. Nozzle flow with vibrational nonequilibrium: Final report for the period ended August 31, 1995. Old Dominion University Research Foundation, Dept. of Mathematics & Statistics, College of Sciences, 1995.

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15

G, Landry J., and United States. National Aeronautics and Space Administration., eds. Nozzle flow with vibrational nonequilibrium: Final report for the period ended August 31, 1995. Old Dominion University Research Foundation, Dept. of Mathematics & Statistics, College of Sciences, 1995.

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16

Townsend, John S. Dynamic characteristics of a vibrating beam with periodic variation in bending stiffness. National Aeronautics and Space Administration, Scientific and Technical Information Branch, 1987.

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17

Murphet, Julian, Helen Groth, and Penelope Hone, eds. Sounding Modernism. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474416368.001.0001.

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This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. By attending carefully to the dynamics and aesthetics of mediation, the essays in this collection explore the transformations of the rhythmic or metrical patterning of sound in a range of modern literary and cinematic forms produced from the 1890s through to the mid-twentieth century. The essays ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across

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18

Friddle, David. Sing Romantic Music Romantically. Rowman & Littlefield, 2022. https://doi.org/10.5040/9781978729179.

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There is a paucity of material regarding how choral music specifically was performed in the 1800s. The Historically Informed Performance (HIP) movement has made remarkable advancements in choral music of the Renaissance, Baroque, and Classical periods, with modest forays into the music of Beethoven, Schubert, Mendelssohn, and other early nineteenth-century composers; however, there are no sources with a comprehensive examination of how choral music was performed. Using more than one-hundred musical examples, illustrations, tables, and photographs and relying on influential, contemporaneous sou

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19

Smith, Matthew Wilson. The Nervous Stage. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190644086.001.0001.

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Theater and neuroscience: What could these two have in common? What could their historical developments tell us about modernity and the modern subject? The Nervous Stage argues that, to a significant degree, modern theater emerged out of a dialogue with the neurological sciences. Beyond this, the book demonstrates that an understanding of this dialogue sheds new light on the emergence of modern notions of embodiment and subjectivity. This wide-ranging study encompasses artists as diverse as Joanna Baillie, Percy Shelley, Georg Büchner, Charles Dickens, Richard Wagner, Émile Zola, August Strind

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20

Henriques, Julian. Sonic Bodies. The Continuum International Publishing Group, 2011. http://dx.doi.org/10.5040/9781501382895.

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The reggae sound system has exerted a major influence on music and popular culture. Out on the streets of inner city Kingston, Jamaica, every night, sound systems stage dancehall sessions for the crowd to share the immediate, intensive and immersive visceral pleasures of sonic dominance. Sonic Bodies concentrates on the skilled performance of the crewmembers responsible for this signature sound of Jamaican music: the audio engineers designing, building and fine-tuning the hugely powerful "sets" of equipment; the selectors choosing the music tracks to play; and MCs(DJs) on the mic hyping up the

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21

Almost Periodic Oscillations and waves. Springer, 2009.

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