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Journal articles on the topic 'Vicki Baum'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 April 2022

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1

Simpson, Rose. "Packing up the Past: Vicki Baum’s Quest for Heimat." Postscriptum Polonistyczne 27, no. 1 (2021): 105–23. http://dx.doi.org/10.31261/https://doi.org/10.31261/ps_p.2021.27.06.

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The best-selling Austrian novelist Vicki Baum took ship alone for America in 1932 but emigration soon became exile for the Jewish author. The feeling of ‘Heimatlosigkeit’, or rootlessness, which oppressed Baum at that time was emotional and spiritual rather than physical. Child of a Jewish immigrant family in the anti Semitic society of nineteenth-century Vienna, Vicki Baum had long questioned the loci and the politics of Heimat, a German term whose significance far exceeds the simple definition of home or homeland. Cut loose from Heimat, she began her travels to far-away destinations, seeking
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2

King, Lynda J. "The Image of Fame: Vicki Baum in Weimar Germany." German Quarterly 58, no. 3 (1985): 375. http://dx.doi.org/10.2307/406569.

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3

Lawrence Rainey. "Die Karrieren der Vicki Baum: Eine Biographie (review)." Modernism/modernity 16, no. 3 (2009): 632–33. http://dx.doi.org/10.1353/mod.0.0128.

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4

Natter, Wolfgang, and Lynda King. "Best-Sellers by Design: Vicki Baum and the House of Ullstein." German Quarterly 65, no. 2 (1992): 252. http://dx.doi.org/10.2307/406508.

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5

Goessl, Ingeborg M., and Lynda J. King. "Best-Sellers by Design: Vicki Baum and the House of Ullstein." German Studies Review 13, no. 3 (1990): 562. http://dx.doi.org/10.2307/1430802.

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6

Stark, Gary D. "Best-sellers by design. Vicki Baum and the house of Ullstein." Book Research Quarterly 5, no. 2 (1989): 103–5. http://dx.doi.org/10.1007/bf02683706.

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7

Lynda J. King. "Vicki Baum and the "Making" of Popular Success: "Mass" Culture or "Popular" Culture?" Women in German Yearbook: Feminist Studies in German Literature & Culture 11, no. 1 (1995): 151–69. http://dx.doi.org/10.1353/wgy.1995.0004.

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8

Saletta, Ester. "Die Sprache der Mode in dem Roman »Menschen im Hotel« (1929) von Vicki Baum." Zeitschrift für Literaturwissenschaft und Linguistik 35, no. 1 (2005): 132–45. http://dx.doi.org/10.1007/bf03379416.

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9

Gulam, Sara. "Nezanesljivi pripovedovalec, fokalizacija in ironija v romanih Stud. chem. Helene Willfüer Vicki Baum in Eine Zierde für den Verein Marieluise Fleißer." Ars & Humanitas 13, no. 2 (2019): 317–30. http://dx.doi.org/10.4312/ars.13.2.317-330.

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V članku Nezanesljivi pripovedovalec, fokalizacija in ironija v romanih Stud. chem. Helene Willfüer Vicki Baum in Eine Zierde für den Verein Marieluise Fleißer sem raziskovala mehanizme pripovednega besedila, ki fokalizatorju omogočajo, da pride na površje in postane viden. Ukvarjala sem se z odnosom med pripovedovalcem in fokalizatorjem v omenjenih delih, ki sta nastali v času Weimarske republike. Obravnavam ju kot moderni besedili, v katerih sta pripovedovalec in fokalizator pretočni in sinkretični kategoriji. Po kratki sistematizaciji fokalizacije, ki jo je v naratologijo uvedel Gérard Gene
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10

Ford, J. F. "Shanghai '37. By Vicki Baum. Introduced by H. J. Lethbridge. [Oxford: Oxford University Press, 1987. £4·95.]." China Quarterly 115 (September 1988): 493–94. http://dx.doi.org/10.1017/s0305741000027740.

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11

Zitzlsperger, Ulrike. "Between Modernity and Nostalgia: The Meanings of Death in Hotels." Forum for Modern Language Studies 55, no. 4 (2019): 466–78. http://dx.doi.org/10.1093/fmls/cqz035.

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Abstract This article takes its cue from the public impact of the deaths of singers, artists and writers in hotels. Particular attention is paid to the murder of Nancy Spungen in New York’s Chelsea Hotel, in 1978. A long tradition of literary and filmic hotel deaths shows similarly strong links with contemporary cultures – illustrating political, social or cultural change and questioning the impact of modernity. However, as well as responding to change, death in the context of hotels is also linked with nostalgia for an irretrievable past. Such are the two poles of cultural criticism in the to
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12

Erdle, Birgit. "Die Masse der Dinge. Auftrittsformen des Objekts zwischen Literatur und Wissenschaft in der Moderne (von Vicki Baum und Georg Simmel)." Zeitschrift für Germanistik 22, no. 1 (2012): 89–100. http://dx.doi.org/10.3726/92135_89.

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13

Range, Regina. "The City of Angels through the Lens of Female Austrian-Jewish Exile Scriptwriters Vicki Baum, Salka Viertel, and Gina Kaus." Germanic Review: Literature, Culture, Theory 95, no. 1 (2020): 35–46. http://dx.doi.org/10.1080/00168890.2019.1696509.

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14

Hainz, Martin A. "Heterotopien in den Hotelromanen Vicki Baums by Maélys Vaillant." Journal of Austrian Studies 55, no. 1 (2022): 121–23. http://dx.doi.org/10.1353/oas.2022.0017.

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15

Asper, Von Helmut G. ",,Seit Pearl Harbor bin ich nirgends mehr zu Hause“ : Die europäischen Filmexilanten und der Krieg im Pazifik (1941–1945)." Jahrbuch für Internationale Germanistik 52, no. 2 (2020): 211–36. http://dx.doi.org/10.3726/ja522_211.

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Der Überfall der Japaner auf Pearl Harbor und die darauf folgende Kriegserklärung der USA an Japan, Deutschland und Italien waren für die deutschsprachigen Exilanten besonders an der Westküste der USA ein tiefer Einschnitt und haben ihr Leben nachhaltig verändert. Wie sehr der emotionale Schock dieses Ereignisses die Emigranten damals getroffen hat, zeigt der Ausruf Vicki Baums ,,Seit Pearl Harbor bin ich nirgends mehr zu Hause.“ in ihren Erinnerungen,1 die sie erst viel später, kurz vor ihrem Tod 1960 niedergeschrieben hat.
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