Relevant bibliographies by topics / Victor de Vasarely

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Victor de Vasarely'

Author: Grafiati
Published: 12 December 2022
Last updated: 31 July 2025

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Journal articles on the topic "Victor de Vasarely"

1

Galaty, James. "Layers of Illusions: John Rea’s Hommage à Vasarely." Circuit 17, no. 2 (2007): 107–20. http://dx.doi.org/10.7202/016844ar.

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Can lines be heard? Curves? Trajectories? Shapes? These are the questions Canadian composer John Rea asks us in his Hommage à Vasarely (1976), inspired by the work of the Op-Art painter Victor Vasarely. Rea’s work attempts to transfer into sound the ‘optical kinetic’ illusions of movement, bending, and twisting that Vasarely projected onto two dimensions. The lines, shapes, and patterns embedded in the music are best illustrated through score excerpts, pitch-reduction examples and charts schematically displaying the use of the orchestra. Through an understanding of how Rea transfers these geom
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Taboada, Jorge. "Alta Densidad." Bitácora arquitectura, no. 38 (September 17, 2018): 68. http://dx.doi.org/10.22201/fa.14058901p.2018.38.67066.

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<p>En este proyecto rescato cuidadosamente del caos de la ciudad,<br />aquellos lugares que puedo ordenar. Selecciono los grandes<br />fraccionamientos nuevos de los municipios dormitorios, que por<br />su extensión y características físicas me proporcionan un placer<br />visual, como el de disfrutar de un cuadro de Victor Vasarely.</p>
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3

Begić Jarić, Majda, and Marta Budicin Munišević. "Susret s ocem op-arta Victorom Vasarelyjem, restauratorska i povijesno-umjetnička istraživanja te konzervatorsko-restauratorski radovi na kolažu Barson." Portal, no. 13 (December 30, 2022): 103–16. http://dx.doi.org/10.17018/portal.2022.6.

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Otac op-arta Victor Vasarely autor je kolaža od papira naziva Barson u vlasništvu Muzeja suvremene umjetnosti u Zagrebu što je jedini takav primjerak u hrvatskim javnim ustanovama u kulturi. Kolaž je nastao 1967. godine tehnikom sitotiska na papiru lijepljenom na papirnatu podlogu i potom na lesonit velikih dimenzija, a na njegov su nastanak utjecali onodobni vodeći objektivistički umjetnički i filozofski pravci i spoznaje pod čijim je utjecajem Vasarely stvarao svoja djela. Kolaž je zatečen vrlo prašnjav i s mnogim oštećenjima po cijeloj površini papirnatog nosioca, poput krakelira, rasušenih
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Almeida, Bernardo Pinto de. "Nadir ou a pintura como pura sugestão." Revista Visuais 4, no. 7 (2018): 14–23. http://dx.doi.org/10.20396/visuais.v4i2.12122.

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Na história da arte do século XX em Portugal, o nome de Nadir Afonso ascende, merecidamente, ao mais alto cume, e a passagem do tempo apenas o vem confirmando. Não apenas, e desde logo, por ter sido um dos pioneiros da arte abstracta feita entre nós, ao lado de Fernando Lanhas e de poucos mais, como sobretudo pela imensa originalidade do seu trabalho plástico. Ao que se deveria juntar também o reconhecimento internacional que, desde muito cedo, o seu trabalho mereceu, ao ser convidado a expor em Paris numa das galerias marcantes na divulgação das neo-vanguardas europeias da década de cinquenta
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5

Kim, Min-Hye, and Hye-Won Park. "A Study on the Travel Fashion Bag Design Using the Op-Art Textile Patterns -Applying the Artwork of Victor Vasarely-." Journal of the Korean Society of Clothing and Textiles 35, no. 3 (2011): 371–84. http://dx.doi.org/10.5850/jksct.2011.35.3.371.

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6

Ivanova, A. S., and D. Fink. "METHODS OF FORMATION OF VISUAL EFFECTS IN THE WORKS OF VICTOR VASARELY APPLIED TO THE DESIGN OF URBAN ENVIRONMENTS." Journal «Izvestiya vuzov. Investitsiyi. Stroyitelstvo. Nedvizhimost» 8, no. 4 (2018): 218–33. http://dx.doi.org/10.21285/2227-2917-2018-4-218-233.

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7

Komorowski, Wiktor. "Hard Ground-Soft Politics: The Biennial of Graphic Arts in Ljubljana and Biting of the Iron Curtain." Humanities 7, no. 4 (2018): 97. http://dx.doi.org/10.3390/h7040097.

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In 1955, the Ljubljana Biennial of Graphic Arts was founded. It was the first curatorial initiative that aimed to link graphic artists working around the world and with those divided by the Cold War. The Ljubljana Biennial became a major success and its model quickly spread worldwide, augmenting the international circulation of prints and exchanges of artistic concepts. Over the next twenty years similar exhibitions were established in Krakow, Tallinn, San Juan, Santiago de Chile, Cali, Tokyo, Cairo, Fredrikstad, Frechen, Sofia and Bradford. The Ljubljana Biennial of Graphic Arts offered an op
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8

Shapley, Robert, and Marianne Maertens. "Angle Alignment Evokes Perceived Depth and Illusory Surfaces." Perception 37, no. 10 (2008): 1471–87. http://dx.doi.org/10.1068/p5987.

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There is a distinct visual process that triggers the perception of illusory surfaces and contours along the intersections of aligned, zigzag line patterns. Such illusory contours and surfaces are qualitatively different from illusory contours of the Kanizsa type. The illusory contours and surfaces in this case are not the product of occlusion and do not imply occlusion of one surface by another. Rather, the aligned angles in the patterns are combined by the visual system into the perception of a fold or a 3-D corner, as of stairs on a staircase or a wall ending on a floor. The depth impression
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Toribio, Jesús. "Hierarchical microstructure evolution in cold drawn pearlitic steels: In the conceptual frame of Fray Luis de León, Miguel de Cervantes, Victor Vasarely, Maurits Cornelis Escher & Johann Sebastian Bach." Procedia Structural Integrity 26 (2020): 348–53. http://dx.doi.org/10.1016/j.prostr.2020.06.044.

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10

الحربي, روان لافي فلاج, غيداء عبدالله إبراهيم القريش, لمى عبدالعزيز حسين الهذلول та رشا عباس محمد الجوهري. "معالجات تصميمية لملابس السهرة في ضوء القيم التشكيلية لأعمال الفنان فيكتور فازاريللي باستخدام فن الخلل الرقمي. Design Treatments for Evening wear in the Light of the Plastic Values of the works of the Artist Victor Vasarely Using the art of Digital Imbalance." المجلة العلمية لعلوم التربية النوعية 20, № 20 (2024): 1504–36. https://doi.org/10.21608/sjsep.2024.397213.

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Dissertations / Theses on the topic "Victor de Vasarely"

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Arabi, Mohamedasaad. "Vasarely et l'art musulman." Paris 1, 1987. http://www.theses.fr/1987PA010540.

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En raison de la méfiance existante a l'égard des matières écrites soit historiques soit critiques, nous insistons davantage dans la comparaison sur les phénomènes visuels : c'est à dire sur le "monde autonome" : ligne, forme, couleur, dans quel cas la convergence (ou la divergence) purement géométrique dépasse le sentiment et la sensation théorique ou philosophique du "monde nouménal". Bien que nous n'accordions aux écrits historiques, sociaux, psychologiques, moraux et critiques qu'une place marginale ; nous accordons une importance plus particulière aux artistes théoriciens tels que Kandinsk
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Yu, Tao-chi, and 郁道琦. "A Study and Experiment in the Visual Illusion of Shape and Color ─ Take the Work of VICTOR VASARELY as the Example." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/rmkymd.

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碩士<br>崑山科技大學<br>視覺傳達設計研究所<br>93<br>The study is an advanced research on the trends of the application of ‘shape’, ‘color’, and ‘applied cognitive psychology theory’ applied on the artifacts of Victor Vasarely (1908-1997), one of the progenitors of Optical Art. The study analyzed 720 artifacts of Victor Vasarely from year 1929 to 1992. The study analyzed the trends of the application on the artifacts of Victor Vasarely by literature survey method, cluster analysis method, and experiment method. The comparison of the sense of spatial visual illusion effect on shape and color was experimented a
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Books on the topic "Victor de Vasarely"

1

Vasarely, Victor. Victor Vasarely. Prestel, 1992.

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2

Martine, Soria, and Bilbao Bizkaia Kutxa, eds. Victor Vasarely. BBK, 2012.

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Victor, Vasarely. Victor Vasarely. Robert Sandelson, 2003.

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Vasarely, Victor. Victor Vasarely. Prestel, 1992.

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5

Isnardi, Cristiano. Victor Vasarely. Cambi, 2007.

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6

Vouland, Musée, Musée didactique de Gordes, and Fondation Vasarely, eds. Victor Vasarely: Multiplicité. Fage éditions, 2016.

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7

Victor, Vasarely. Victor Vasarely: Dipinti 1951-1989. Galleria d'arte Nuova Gissi, 1990.

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8

Bijutsukan, Hokkaidōritsu Kindai, and Mitsukoshi Bijutsukan, eds. Vikutoru Vazaruri ten: Victor Vasarely. Bijutsuakn Renraku Kyōgikai, 1993.

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9

(Firm), Robert Sandelson, ed. Victor Vasarely in black and white. Robert Sandelson, 2005.

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10

Victor, Vasarely. Victor Vasarely: Opere dal 1974 al 1989. Galleria San Carlo, 1991.

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Book chapters on the topic "Victor de Vasarely"

1

Pickover, Clifford A. "Fractal Checkers." In Wonders of Numbers. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195133424.003.0097.

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Abstract Dr. Googol loves a particular class of self-similar objects called fractal checkers, which can easily be constructed using checkerboards of different sizes. The idea of producing interesting patterns by repeatedly replacing copies of a pattern at different size scales dates back many decades and includes the work of mathematicians Helge von Koch, David Hilbert, and Giuseppe Peano. More recently work has been done by Benoit Mandelbrot and A. Lindenmeyer. Artists such as M.C. Escher, Victor Vasarely, Roger Shepard, and Scott Kim have also experimented with recursive patterns that deligh
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Conference papers on the topic "Victor de Vasarely"

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Lodo, Gabriela Cristina. "Jesús Rafael Soto nas IV, V e VII bienais de São Paulo." In Encontro de História da Arte. Universidade Estadual de Campinas, 2009. http://dx.doi.org/10.20396/eha.5.2009.4017.

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Jesús Rafael Soto nasce em 1923 em Cuidad Bolívar, na Venezuela, e após demonstrar interesse pela arte ainda na infância, ingressa, em 1942, na Escola de Artes Plásticas de Caracas, onde toma os primeiros contatos com a arte moderna. Porém, não é no seu país natal que Soto desenvolve sua produção. O artista deixa a Venezuela e estabelece-se em Paris no início da década de 1950, onde reside até sua morte. É na Europa que ele realiza pesquisas de cunho abstrato-geométrico, juntamente com outros artistas, na sua maioria estrangeiros, como o israelense Yaacov Agan, o suíço Jean Tinguely, o húngaro
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