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1

Vasarely, Victor. Victor Vasarely. Prestel, 1992.

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2

Martine, Soria, and Bilbao Bizkaia Kutxa, eds. Victor Vasarely. BBK, 2012.

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3

Victor, Vasarely. Victor Vasarely. Robert Sandelson, 2003.

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4

Vasarely, Victor. Victor Vasarely. Prestel, 1992.

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5

Isnardi, Cristiano. Victor Vasarely. Cambi, 2007.

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6

Vouland, Musée, Musée didactique de Gordes, and Fondation Vasarely, eds. Victor Vasarely: Multiplicité. Fage éditions, 2016.

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7

Victor, Vasarely. Victor Vasarely: Dipinti 1951-1989. Galleria d'arte Nuova Gissi, 1990.

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8

Bijutsukan, Hokkaidōritsu Kindai, and Mitsukoshi Bijutsukan, eds. Vikutoru Vazaruri ten: Victor Vasarely. Bijutsuakn Renraku Kyōgikai, 1993.

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9

(Firm), Robert Sandelson, ed. Victor Vasarely in black and white. Robert Sandelson, 2005.

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10

Victor, Vasarely. Victor Vasarely: Opere dal 1974 al 1989. Galleria San Carlo, 1991.

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11

Vasarely, Victor. Victor Vasarely: Opere dal 1974 al 1989. Galleria San Carlo, 1991.

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12

Thyssen-Bornemisza, Museo, ed. Victor Vasarely: The birth of op art. Fundación Colección Thyssen-Bornemisza, 2018.

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13

Kensington, Ltd Christie's South. Twentieth century prints and prints by Victor Vasarely. Christie's, 2003.

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14

Jean-Paul, Ameline, and Fondation Vasarely, eds. Victor Vasarely: De l'oeuvre peint à l'oeuvre architecturé. Hermann, 2013.

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15

Ug, Philippe. Vasarely: Pop-up op-art. Prestel Verlag, 2014.

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16

Vasarely, Victor. Victor Vasarely: 50 ans de création = 50 years of creation. International Olympic Committee, 1995.

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17

Folkwang, Museum, ed. Rupprecht Geiger, Victor Vasarely, Max Bill: Farbe zu Fläche zu Raum. Museum Folkwang, 2008.

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18

Victor Vasarely. Hermann, 2013. http://dx.doi.org/10.14375/np.9782705687038.

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19

Ova, Ali. Victor Vasarely. Yapi Kredi, 2001.

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20

Egrl, Maria. Victor Vasarely. Te Neues Pub Group, 1992.

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21

Taschen Publishing. Victor Vasarely (Portfolio). Taschen, 2006.

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22

Vasarely. Taschen Deutschland GmbH+, 2018.

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23

CONTEMPORARY, Omer Tiroche. Victor Vasarely: Pour un Manifeste. Blurb, 2016.

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24

Victor Vasarely: In the Labyrinth of Modernism. Vfmk, 2019.

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25

Imre, Gyorgyi. Victor Vasarely. El nacimiento del Op Art. Fundación Colección-Thyssen Bornemisza, 2018.

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26

Vasarely: 1906-1997 (Basic Art). Taschen, 2005.

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27

L'affaire Vasarely: Art, mensonges et manipulations. Éditions du Moment, 2016.

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28

Victor Vasarely: Rétrospective 1947-1986, journal: notes brutes 1946-1967. Centre culturel Noroit, 1992.

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29

Martinez-Conde, Susana, and Stephen L. Macknik. Vasarely’s Nested Squares and the Alternating Brightness Star Illusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0054.

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Abstract:
The arts sometimes precede the sciences in the discovery of fundamental visual principles. Victor Vasarely’s “Nested Squares” show an illusory effect in which corners look brighter and more salient than straight edges, despite having equivalent luminance. This chapter summarizes recent research, originally based on Victor Vasarely’s Nested Squares illusion, to discover the related perceptual and underlying physiological principles. The results offer significant insights into how corners, angles, curves, and line endings affect the appearance of brightness, shape, salience, depth, and color in
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