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Books on the topic 'Victoria Magazine'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Turn your passion into profits: By Janet Allon and the editors of Victoria magazine. Hearst Books, 2001.

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2

Magazine, Forbes. Virtue rewarded: Victorian paintings from the Forbes Magazine Collection. JB Speed Art Museum, 1988.

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3

The sensation novel and the Victorian family magazine. Palgrave, 2001.

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4

Wynne, Deborah. The Sensation Novel and the Victorian Family Magazine. Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230596726.

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5

Christopher, Forbes, and Yale Center for British Art, eds. Victorian childhood: Paintings selected from the Forbes Magazine collection by Christopher Forbes. Abrams, 1986.

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6

Casteras, Susan P. The defining moment: Victorian narrative paintings from the Forbes Magazine Collection. Mint Museum of Art, 1999.

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7

Casteras, Susan P. The defining moment: Victorian narrative paintings from the Forbes Magazine Collection. Mint Museum of Art, 1999.

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8

Turner, Mark W. Trollope and the magazines: Gendered issues in mid-Victorian Britain. St. Martin's Press, 1999.

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9

Turner, Mark W. Trollope and the magazines: Gendered issues in mid-Victorian Britain. Macmillan Press, 2000.

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10

Beegan, Gerry. The mass image: A cultural history of photomechanical reproduction in Victorian London. Palgrave Macmillan, 2007.

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11

Beegan, Gerry. The mass image: A cultural history of photomechanical reproduction in Victorian London. Palgrave Macmillan, 2007.

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12

Palmegiano, E. M. Crime in Victorian Britain: An annotated bibliography from nineteenth-century British magazines. Greenwood Press, 1993.

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13

1842-1875, Pinwell George John, ed. George John Pinwell: A Victorian artist and illustrator, 1842-1875. P. Lang, 2001.

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14

Reading Victorian illustration, 1855-1875: Spoils of the lumber room. Ashgate, 2012.

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15

Educating the proper woman reader: Victorian family literary magazines and the cultural health of the nation. Ohio State University Press, 2004.

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16

Maidment, Brian. Into the 1830's: Some origins of Victorian illustrated journalism : cheap octavo magazines of the 1820s and their influence. Manchester Polytechnic Library, 1992.

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17

Faithfull, Emily. Victoria Magazine. HardPress, 2020.

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18

Faithfull, Emily. Victoria Magazine. HardPress, 2020.

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19

Victoria Romantic Window Style (Victoria Magazine). Hearst, 2005.

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20

Parsons, Alexandra. Victoria Romantic Window Style (Victoria Magazine). Hearst, 2004.

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21

Hackett, Kathleen. Wedding Cakes (Victoria Magazine). Hearst, 2003.

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22

Wedding Flowers (Victoria Magazine). Hearst, 2003.

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23

Victoria Intimate Home: Creating a Private World (Victoria Magazine). Hearst, 2004.

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24

Magazine, Victoria. Victoria (Magazine): Dear Friends: An Address Book. Hearst Communications, 1994.

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25

N. Y.) Victoria (New York. The Quiet Center: Women Reflecting on Life's Passages from the Pages of Victoria Magazine. Hearst Communications, 1997.

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26

Ball, Ross Katherine, ed. The quiet center: Women reflecting on life's passages from the pages of Victoria magazine. Hearst Books, 1997.

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27

Late-Victorian Little Magazine. Edinburgh University Press, 2018.

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28

Claes, Koenraad. Late-Victorian Little Magazine. Edinburgh University Press, 2020.

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29

Claes, Koenraad. The Late-Victorian Little Magazine. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474426213.001.0001.

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Fed up with the commercial and moral restrictions of the mainstream press of the late Victorian era, the diverse avant-garde groups of authors and artists of the Aesthetic Movement developed a new genre of periodicals in which to propagate their principles and circulate their work. Such periodicals are known as ‘little magazines’ for their small-scale production and their circulation among limited audiences, and during the late Victorian period they were often conceptualized as integrated design project or ‘Total Works of Art’ in order to visually and materially represent the ideals of their p

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30

1834-1914, Leonowens Anna Harriette, Hitchcock Ripley 1857-1918, Auchmuty Richard T, and Gilman Daniel Coit 1831-1908, eds. The Art movement in America: Three articles reprinted from The Century magazine for the benefit of the Victoria School of Art and Design of Halifax, N.S. Century Co., 1986.

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31

1919-, Beetham Margaret, and Boardman Kay, eds. Victorian women's magazines: An anthology. Manchester University Press, 2001.

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32

Boardman, Kay, and Margaret Beetham. Victorian Women's Magazines: An Anthology. Manchester University Press, 2001.

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33

Boardman, Kay, and Margaret Beetham. Victorian Women's Magazines: An Anthology. Manchester University Press, 2001.

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34

Wagner, Tamara S. The Victorian Baby in Print. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198858010.001.0001.

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The Victorian Baby in Print: Infancy, Infant Care, and Nineteenth-Century Popular Culture explores the representation of babyhood in Victorian Britain. The first study to focus exclusively on the baby in nineteenth-century literature and culture, this critical analysis discusses the changing roles of an iconic figure. A close look at the wide-ranging portrayal of infants and infant care not only reveals how divergent and often contradictory Victorian attitudes to infancy really were, but also prompts us to revise persistent clichés surrounding the literary baby that emerged or were consolidate

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35

Galleries, Leeds Art, ed. Virtue rewarded: Victorian paintings from the Forbes Magazine Collection. Leeds City Art Gallery, 1990.

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36

Casteras, Susan. Virtue Rewarded: Victorian Paintings from the Forbes Magazine Collection. Olympic Marketing Corp, 1988.

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37

Serialization and the Novel in Mid-Victorian Magazines. Taylor & Francis Group, 2015.

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38

Delafield, Catherine. Serialization and the Novel in Mid-Victorian Magazines. Routledge, 2016. http://dx.doi.org/10.4324/9781315608440.

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39

Nakajima, T. The Englishwoman's Domestic Magazine: The Mid-Victorian Ladies Journal, 1852-56. Routledge, 2006.

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40

The Mass Image: A Social History of Photomechanical Reproduction in Victorian London. Palgrave Macmillan, 2008.

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41

Ehnes, Caley. Victorian Poetry and the Poetics of the Literary Periodical. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474418348.001.0001.

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Victorian Poetry and the Poetics of the Literary Periodical considers the role of popular, commercial poetry in the development of mid-Victorian periodical culture and poetics. Focusing on the poetry of un-anthologized, unnamed, and underappreciated poets (alongside some canonical names), this monograph represents a direct response to Linda Hughes’s call for the study of periodical poetry over a decade ago in ‘What the Wellesley Index Left Out: Why Poetry Matters to Periodical Studies.’ It argues that periodical poems should matter to all those interested in Victorian poetry whether they care

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42

Twentieth-Century Victorian: Arthur Conan Doyle and the 'Strand Magazine', 1899-1930. Edinburgh University Press, 2016.

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43

Carlisle, Janice. Picturing Reform in Victorian Britain. University of Cambridge ESOL Examinations, 2015.

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44

Crystal, David. Punch as a satirical usage guide. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808206.003.0006.

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Punch magazine is a primary source for popular attitudes to language in the nineteenth century. This chapter presents the findings of a comprehensive search of the issues published in the Victorian era, between 1841 and 1901, to determine which linguistic topics provided the motivation for articles and cartoons. Particular attention is devoted to grammar (especially the ongoing influence of Lindley Murray) and pronunciation (especially the use and abuse of ‘letter H’), but a number of other themes also emerged, notably in relation to vocabulary, slang, orthography, and style. Languages other t

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45

Hartley, Jenny. Charles Dickens: A Very Short Introduction. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780198714996.001.0001.

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Charles Dickens is credited with creating some of the world’s best-known fictional characters, and is widely regarded as the greatest novelist of the Victorian age. Charles Dickens: A Very Short Introduction explores the key themes running through his corpus of works, and considers how they reflect his attitudes towards the harsh realities of 19th-century society and its institutions. It considers Dickens’s multiple lives and careers: as magazine editor for much of his working life, as travel writer and journalist, and his work on behalf of social causes. Finally, it discusses what is meant by

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46

Cranfield, Jonathan. Twentieth-Century Victorian: Arthur Conan Doyle and the <i>Strand Magazine</i>, 1891-1930. Edinburgh University Press, 2017.

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47

Adburgham, Alison. Women in Print: Writing Women and Women's Magazines from the Restoration to the Accession of Victoria. Faber & Faber, Limited, 2012.

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48

Easley, Alexis. New Media and the Rise of the Popular Woman Writer, 1832-1860. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474475921.001.0001.

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The idea of ‘new media’ is nothing new. Long before Twitter and Facebook, the rise of new periodical genres and formats provided opportunities for Victorian women writers and readers to participate in popular print culture as never before. This study illuminates the relationship between the rise of the popular woman writer the expansion and diversification of newspaper and periodical print media during a period of revolutionary change. It includes discussion of canonical women writers such as Felicia Hemans, Charlotte Brontë, and George Eliot, as well as lesser-known figures such as Eliza Cook

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49

Picturing Reform in Victorian England (Cambridge Studies in Nineteenth-century Literature & Culture). Cambridge University Press, 2008.

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50

Bentley, Nick. The Novel Sequence. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198749394.003.0017.

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This chapter examines the novel sequence. The novel sequence has been an important part of British and Irish literary output in the period since 1940, with examples in all the major genres and modes of fiction. The post-Second World War period represents a revival of the novel sequence as a particularly appropriate literary form to assimilate the processes of historical duration. It is, however, nothing new, and most of its practitioners in the post-war period can be linked to specific precursors. In addition, the Victorian three-decker novel and the serialization of fiction in the literary ma

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