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Journal articles on the topic 'Victoria Magazine'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Gleadle, Kathryn. "Magazine Culture, Girlhood Communities, and Educational Reform in Late Victorian Britain*." English Historical Review 134, no. 570 (2019): 1169–95. http://dx.doi.org/10.1093/ehr/cez291.

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Abstract This article argues for the importance of restoring girls’ aspirations and self-education to narratives of Victorian educational reform. Studies typically focus upon the efforts of professionals, politicians and campaigners in plotting the pioneering changes to girls’ education in the second half of the nineteenth century. Here it is contended that the success of these developments depended upon a new generation of girls with the confidence and ambition to take advantage of the new opportunities to sit examinations and attend university. To do this, the article excavates the neglected

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2

Phimister, Ian, and Alfred Tembo. "A Zambian Town in Colonial Zimbabwe: The 1964 “Wangi Kolia” Strike." International Review of Social History 60, S1 (2015): 41–62. http://dx.doi.org/10.1017/s0020859015000358.

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AbstractIn March 1964 the entire African labour force at Wankie Colliery, “Wangi Kolia”, in Southern Rhodesia went on strike. Situated about eighty miles south-east of the Victoria Falls on the Zambezi River, central Africa’s only large coalmine played a pivotal role in the region’s political economy. Described byDrum, the famous South African magazine, as a “bitter underpaid place”, the colliery’s black labour force was largely drawn from outside colonial Zimbabwe. While some workers came from Angola, Tanganyika (Tanzania), and Nyasaland (Malawi), the great majority were from Northern Rhodesi

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3

Maidment, Brian. "The Draughtsman’s Contacts: Robert Seymour and the Humorous Periodical Press in the 1830s." Journal of European Periodical Studies 1, no. 1 (2016): 37. http://dx.doi.org/10.21825/jeps.v1i1.2576.

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Robert Seymour was celebrated enough in his day to become one of very few late Regency and early Victorian comic and satirical draughtsmen sufficiently visible to be traced through the magazines of the 1830s. His periodical contributions are, therefore, of considerable significance in trying to establish the patterns of work and maps of interconnected activity that were necessary to sustain the career of a jobbing draughtsman at this time. After contributing to <em>Bell’s Life</em> in London in the late 1820s, Seymour’s presence as a prolific magazine illustrator dates largely from

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4

Perkins, Pam. "‘She has her ladies too’: Women and Scottish Periodical Culture in Blackwood's Early Years." Romanticism 23, no. 3 (2017): 253–61. http://dx.doi.org/10.3366/rom.2017.0340.

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This essay looks at some of the women who were published in and reviewed by Blackwood's Magazine in its early years. While the important contributions of women to the Blackwood's of the Victorian period have always been recognised, the Romantic-era magazine is better remembered for a sometimes aggressively ‘masculine’ tone. Women appeared in Blackwood's from the beginning, however, even if only in small numbers. Focusing first on reviews of major women writers – including Madame de Staël and Mary Shelley – and then turning to Felicia Hemans and Anne Grant, both of whom had poems published in t

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5

Streppone, Victoria. "La critica de arte y la construcción del patrimonio cultural. Buenos Aires 1931." Imafronte, no. 26 (January 16, 2020): 125–48. http://dx.doi.org/10.6018/imafronte.400851.

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Este trabajo se centra en una “constelación” de intelectuales argentinos de horizontes inevitablemente eurocentricos que, mediante la propia contribución ofrecida en la revista Sur (1931-1992) a través de ensayos sobre crítica de arte, intentan comprender las dificultades del momento artístico local. Con el inicio de una secuencia de eventos, se propone una reflexión que entiende el cine y la arquitectura como un “espacio pedagógico”. Por medio del análisis y la interpretación del papel cultural de Victoria Ocampo (Buenos Aires 1890-1979) y la “herramienta-revista” Sur, se presentan una serie

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6

Turner, Mark W. "Review of Koenraad Claes, The Late-Victorian Little Magazine (2018)." Journal of European Periodical Studies 4, no. 1 (2019): 171–73. http://dx.doi.org/10.21825/jeps.v4i1.11800.

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7

Onslow, Barbara, and Deborah Wynne. "The Sensation Novel and the Victorian Family Magazine." Yearbook of English Studies 34 (2004): 309. http://dx.doi.org/10.2307/3509541.

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8

Moeller, Keelia Estrada. "The Late-Victorian Little Magazine by Koenraad Claes." Victorian Periodicals Review 52, no. 1 (2019): 212–14. http://dx.doi.org/10.1353/vpr.2019.0012.

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9

Morley, N. J. "Munro Fox and the public promotion of biology in the mid-twentieth century." Archives of Natural History 46, no. 1 (2019): 88–104. http://dx.doi.org/10.3366/anh.2019.0556.

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In Britain, a tradition of scientists actively communicating new developments in their fields with the general public has existed since the Victorian era. During the early twentieth century there were major developments in the nature of scientific communication with the rise of the mass media represented by popular magazines, newspapers and books, alongside the creation of a national radio broadcasting network. Many professional scientists took advantage of these changes to develop non-specialist careers through writing articles, books or radio talks for the enlightenment of the general public

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10

Hughes, Linda K. "The Sensation Novel and the Victorian Family Magazine (review)." Victorian Studies 45, no. 3 (2003): 545–46. http://dx.doi.org/10.1353/vic.2003.0127.

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11

MacKay, Carol Hanbery. "Serialization and the Victorian Novel in Mid-Victorian Magazines by Catherine Delafield." Victorian Periodicals Review 49, no. 3 (2016): 516–18. http://dx.doi.org/10.1353/vpr.2016.0031.

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12

Krebs, Paula M. "Folklore, Fear, and the Feminine: Ghosts and Old Wives' Tales in Wuthering Heights." Victorian Literature and Culture 26, no. 1 (1998): 41–52. http://dx.doi.org/10.1017/s1060150300002266.

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Wuthering heights is haunted, of course. But not only by the ghost of Catherine, who harries Heathcliff and terrifies Lockwood. Not only by the shades of Heathcliff and Catherine (or Laurence Olivier and Merle Oberon) who set off toward Penistone Crag. The ghosts in Wuthering Heights are not Gothic ghosts nor the ghosts from Victorian magazine ghost stories. They represent a different kind of haunting altogether — the haunting of the Victorian middle classes by fear of the people they designated as “the folk.”

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13

Brake, Laurel. "Serialization and the Novel in Mid-Victorian Magazines." English Studies 97, no. 6 (2016): 680–81. http://dx.doi.org/10.1080/0013838x.2016.1183964.

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14

Demoor, Marysa. "Andrew Lang versus W. D. Howells: a Late-Victorian Literary Duel." Journal of American Studies 21, no. 3 (1987): 416–22. http://dx.doi.org/10.1017/s002187580002291x.

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It was fate's infallible sense of the ironic which induced Andrew Lang to contact William Dean Howells as a potential contributor to the newly founded Longman's Magazine in October 1882. Ironic, that is, in the light of later events, for the two men barely knew one another at the time, Howells having been introduced to Lang two months previously, at one of Edmund Gosse's celebrated Sunday parties. Had Lang waited for Howells to show his colours, he would, no doubt, have refrained from hauling this Trojan horse into the Longman camp. Indeed, Howells's notorious disparagement of Dickens and Thac

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15

Mills, Victoria. "Charles Kingsley’s Hypatia, Visual Culture and Late-Victorian Gender Politics." Journal of Victorian Culture 25, no. 2 (2020): 240–63. http://dx.doi.org/10.1093/jvcult/vcz059.

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Abstract Charles Kingsley’s Hypatia or New Foes with an Old Face was first published in Fraser’s Magazine in 1852, but was reissued in numerous book editions in the late nineteenth century. Though often viewed as a novel depicting the religious controversies of the 1850s, Kingsley’s portrayal of the life and brutal death of a strong female figure from late antiquity also sheds light on the way in which the Victorians remodelled ancient histories to explore shifting gender roles at the fin de siècle. As the book gained in popularity towards the end of the century, it was reimagined in many diff

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16

King, D. Brett, Brittany L. Raymond, and Jennifer A. Simon-Thomas. "History of Sport Psychology in Cultural Magazines of the Victorian Era." Sport Psychologist 9, no. 4 (1995): 376–90. http://dx.doi.org/10.1123/tsp.9.4.376.

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The 19th century can be characterized as a time of avid public interest in team and spectator sports. As diverse and challenging new sports were developed and gained popularity, many articles on a rudimentary sport psychology began to appear in cultural magazines in the United States and Great Britain. Athletes, physicians, educators, journalists, and members of the public wrote on topics such as profiles and psychological studies of elite athletes, the importance of physical training, exercise and health, and the detrimental effects of professional sports to the role of age, gender, and cultu

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17

Korte, Barbara. "Between Fashion and Feminism: History in Mid-Victorian Women's Magazines." English Studies 96, no. 4 (2015): 424–43. http://dx.doi.org/10.1080/0013838x.2015.1011893.

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18

Flynn, Martin. "Illustrating the illustrators: the V&A Illustration Awards." Art Libraries Journal 35, no. 3 (2010): 45–50. http://dx.doi.org/10.1017/s0307472200016540.

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The Victoria and Albert Museum has been running an illustration awards competition for nearly 40 years. This aims to recognise and reward the best quality illustration in books, newspapers, magazines and comics. However, the awards have suffered from being extremely labour-intensive, had a very low level of awareness in the industry amongst publishers and artists and produced minimal permanent records of the quality and range of their annual output. Recently the museum has begun addressing these issues.

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19

Tweedale, Geoffrey. ""Days at the Factories": A Tour of Victorian Industry with the Penny Magazine." Technology and Culture 29, no. 4 (1988): 888. http://dx.doi.org/10.2307/3105049.

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20

Matthewson, Amy. "Satirising imperial anxiety in Victorian Britain: Representing Japan in Punch Magazine, 1852-1893." Contemporary Japan 33, no. 2 (2021): 201–24. http://dx.doi.org/10.1080/18692729.2021.1926410.

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21

Chavez, Julia McCord. "Serialization and the Novel in Mid-Victorian Magazines by Catherine Delafield." Studies in the Novel 48, no. 2 (2016): 246–48. http://dx.doi.org/10.1353/sdn.2016.0019.

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22

Knelman, Judith. "Trollope and the Magazines: Gendered Issues in Mid-Victorian Britain (review)." Victorian Studies 44, no. 1 (2001): 113–14. http://dx.doi.org/10.1353/vic.2001.0141.

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23

Mackenzie, Hazel. "Serialization and the Novel in Mid-Victorian Magazines by Catherine Delafield." Dickens Quarterly 32, no. 4 (2015): 344–46. http://dx.doi.org/10.1353/dqt.2015.0042.

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24

Cano-López, Marina. "The Outlandish Jane: Austen and Female Identity in Victorian Women’s Magazines." Victorian Periodicals Review 47, no. 2 (2014): 255–73. http://dx.doi.org/10.1353/vpr.2014.0025.

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25

Bock, Carol A. "AUTHORSHIP, THE BRONTËS, AND FRASER’S MAGAZINE: “COMING FORWARD” AS AN AUTHOR IN EARLY VICTORIAN ENGLAND." Victorian Literature and Culture 29, no. 2 (2001): 241–66. http://dx.doi.org/10.1017/s1060150301002017.

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UNDER THE DIRECTION OF ITS FIRST EDITOR, William Maginn, Fraser’s Magazine purveyed popular images of literary life in the 1830s through its Gallery of Illustrious Literary Characters — Daniel Maclise’s engravings of contemporary literary figures accompanied by Maginn’s irreverent textual commentary — and through humorous depictions of the supposed staff meetings of “The Fraserians” themselves (figure 1), whom Miriam Thrall described as “care-free scholars, who laughed so heartily, and drank so deeply, and wrote so vehemently around their famous editorial table” (16). Composed by Maginn in imi

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26

Bellows, Alyssa. "Dickens's Gamers: Social Thinking in Victorian Gaming and Social Systems." Victorian Literature and Culture 47, no. 2 (2019): 347–76. http://dx.doi.org/10.1017/s1060150318001559.

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In 1905 Lasker's Chess Magazine published a nostalgic reflection on “Charles Dickens as a Chess Player.” Dickens's “old time friend,” Miss Tregear, recalled often playing whist and chess with the competitive novelist: “He was always annoyed when she beat him, and invariably wanted to play another game.” One night, “at midnight,” they reached a draw and Miss Tregear remembers Dickens soliloquizing, “somewhat resignedly,” that the results were just: “Man and woman represent an equation after all. … Intellectual affection is the only lasting love. Love that has a game of chess in it can checkmate

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27

Broks, Peter. "Science, media and culture: British magazines, 1890-1914." Public Understanding of Science 2, no. 2 (1993): 123–39. http://dx.doi.org/10.1088/0963-6625/2/2/003.

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The development of a `critical' approach in media studies has shifted attention from media `effects' to problems of signification, meaning and consent. Drawing upon work within cultural and media studies this paper examines the science content of British family magazines at the turn of the century. By so doing it places due emphasis upon the cultural context within which popular science was constructed, and reverses the traditional perspective on popular science—that is, looking for science in what was popular rather than for popularity in what was science. A survey of magazines provides evide

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28

Clark, Lauren. "Gendering the Victorian Irish child reader as buyer." Journal of Historical Research in Marketing 6, no. 1 (2014): 8–28. http://dx.doi.org/10.1108/jhrm-07-2013-0036.

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Purpose – The aim of this paper is to examine the role of children in an emergent Irish consumer culture and advertising from 1848-1921. In particular, the significance of children's gender and reading materials in the process of consumption will be evaluated. Design/methodology/approach – An analysis of primary sources, literature and secondary sources substantiates this research. Findings – By evaluating advertisements, magazines, school textbooks and children's literature from the 1848-1921 period, this article argues that Irish children were encouraged to engage with an emergent consumer c

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29

McAllister, Annemarie. "Onward: How a Regional Temperance Magazine for Children Survived and Flourished in the Victorian Marketplace." Victorian Periodicals Review 48, no. 1 (2015): 42–66. http://dx.doi.org/10.1353/vpr.2015.0002.

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30

Liggins, Emma. "Twentieth-Century Victorian: Arthur Conan Doyle and the Strand Magazine, 1891–1930 by Jonathan Cranfield." Victorian Periodicals Review 51, no. 4 (2018): 752–54. http://dx.doi.org/10.1353/vpr.2018.0056.

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31

De Ridder, Jolein, and Marianne Van Remoortel. "From Fashion Colours to Spectrum Analysis: negotiating femininities in mid-Victorian women's magazines." Women's History Review 21, no. 1 (2012): 21–36. http://dx.doi.org/10.1080/09612025.2012.645671.

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32

Ledbetter, Kathryn. "Taking the Multitudes Abroad: Dinah Mulock Craik's Travel Narratives in Victorian Family Magazines." Victorian Periodicals Review 50, no. 2 (2017): 295–316. http://dx.doi.org/10.1353/vpr.2017.0023.

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33

Rossi, Stefano. "Female Onanism: Condemned Pleasures, Medical Probes, and Late-Victorian Pornography." Victoriographies 11, no. 2 (2021): 148–64. http://dx.doi.org/10.3366/vic.2021.0420.

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The more Victorian physicians deepened their research into female sexuality, the more a culture of lust infected the hypocritical façade of a nation strictly attached to social norms of order, formality, and bigotry. Lascivious sexual desire and carnal appetite – here embodied in female masturbation – were taboos that had to be forcibly silenced. Yet, late-Victorian pornography mocked medical discourses on female onanism, as well as fears related to female sexuality, and revealed ‘unspeakable’ secret domestic settings marred by ‘dangerous’ practices, scandalous carnality and deviant desires. F

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34

Wagner, Tamara S. "INTRODUCTION: THE NINETEENTH-CENTURY PACIFIC RIM: VICTORIAN TRANSOCEANIC STUDIES BEYOND THE POSTCOLONIAL MATRIX." Victorian Literature and Culture 43, no. 2 (2015): 223–34. http://dx.doi.org/10.1017/s1060150314000527.

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the Victorians’ driving interest in exploration and expansion is perhaps one of the best-known scholarly truisms about the age and its literature. While the British Empire was rapidly expanding and commercial competition began to stretch across the globe with a newly perceived urgency, Victorians at home throughout this expanding empire were at once fascinated and anxious in reading about the wider world. Armchair explorers might have confined themselves to a vicarious enjoyment of the gold-nuggets that seem to lay scattered throughout the expanding settler world, of adventures in an excitingl

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35

GLEADLE, KATHRYN. "CHARLOTTE ELIZABETH TONNA AND THE MOBILIZATION OF TORY WOMEN IN EARLY VICTORIAN ENGLAND." Historical Journal 50, no. 1 (2007): 97–117. http://dx.doi.org/10.1017/s0018246x06005930.

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This article addresses the historiographical neglect of tory women in the early Victorian period. The existence of a vibrant culture of female conservative letters, combined with the widespread participation of women in ultra-Protestant pressure-group politics, is suggestive of the neglected contribution women made to the revival of grass-roots toryism during these years. In particular, it is suggested that a consideration of the distinctive features of premillenarian Evangelicalism enables a more discriminating approach to the impact of Evangelicalism upon contemporary women. By focusing upon

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36

Korte, Barbara. "On Heroes and Hero Worship: Regimes of Emotional Investment in Mid-Victorian Popular Magazines." Victorian Periodicals Review 49, no. 2 (2016): 181–201. http://dx.doi.org/10.1353/vpr.2016.0012.

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37

Dronova, Nataliya V. "On the political technology of Victorian England: the concept of “jingo” in the publishing practice of “Punch” magazine (1878–1879)." Tambov University Review. Series: Humanities, no. 190 (2021): 223–34. http://dx.doi.org/10.20310/1810-0201-2021-26-190-223-234.

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We explore the logic and techniques of using the concept of “jingo” in the publishing practice of “Punch” magazine as a tool of political technologies aimed at shaping public opinion on key issues of foreign policy and electoral behavior in Britain in 1878–1879. The urgency of the problem being analyzed is due to the importance of a comprehensive understanding of the pheno-menon of jingoism as one of the significant manifestations of the political history and culture of Victorian England. The study adopted a cross-disciplinary approach, which involves politically and linguistically indirect an

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38

Boardman, Kay. "‘A material girl in a material world’: the fashionable female body in Victorian women's magazines." Journal of Victorian Culture 3, no. 1 (1998): 93–110. http://dx.doi.org/10.1080/13555509809505913.

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39

Wagner, Tamara Silvia. "THE SENSATIONAL VICTORIAN NURSERY: MRS HENRY WOOD'S PARENTING ADVICE." Victorian Literature and Culture 45, no. 4 (2017): 801–19. http://dx.doi.org/10.1017/s1060150317000225.

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Parenting advice has becomea booming industry as well as probably one of the most contested discourses. Its proliferation and continued diversification are often considered a particularly contemporary problem, yet the virulent marketing of “expert” advice on childrearing has its roots as much in the nineteenth-century publishing industry as in the overlapping Victorian cults of domesticity, maternity, and childhood. The nineteenth century saw an explosion of advice literature on the physical, moral, and intellectual education of infants and young children. Childrearing, or parenting, rapidly c

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40

Cohn, Elisha. "Dickens's Talking Dogs: Allegories of Animal Voice in the Victorian Novel." Victorian Literature and Culture 47, no. 3 (2019): 541–74. http://dx.doi.org/10.1017/s1060150319000135.

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How does the category of the “animal” contribute to the Victorian novel? In the 1840s and 1850s, magazines offered endless short tales of “animal sagacity” that most commonly featured dogs, demonstrating the virtues of the species. An 1858 article in Household Words, “Old Dog Tray,” observes, “Alas! not a day will pass but we can descry human qualities in the brute, and brute qualities in the human being; and, alas again, how often we find a balance of love, fidelity, truth, generosity, on the side of the brute!” In the 1850s and 1860s, the analogies between human and animal behavior upon whic

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41

Virdis, Daniela Francesca. "Sexualised landscapes and gentry masculinity in Victorian scenery: An ecostylistic examination of a pornographic novel from the magazine The Pearl." Journal of Literary Semantics 48, no. 2 (2019): 109–28. http://dx.doi.org/10.1515/jls-2019-2013.

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Abstract This article is an ecostylistic examination of Sub-Umbra, one of the six serialised novels in the Victorian pornographic magazine The Pearl (1879–1881). It explores the stylistic strategies utilised to depict landscapes and masculinity – stylistic choices at word- and phrase-level, collocation and compounding, semantic crescendo, humour and point of view – applying an ecostylistic approach. The investigation reveals that the unfolding of the licentious narrative develops from the description of the setting, more precisely the landscape and natural scenery, as feminised and sexualised

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42

Li, Sumiao. "FASHION, FASHIONABLE INTELLIGENCE, AND THE VICTORIAN NOVEL: THE VERSATILE CASE OFBLEAK HOUSE." Victorian Literature and Culture 46, no. 1 (2018): 23–55. http://dx.doi.org/10.1017/s1060150317000316.

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That an advertisement onfashionable clothing should reference a novel which ostensibly satirizes the world of fashion is not as striking as it seems. It points toward the affinity between clothes/body making and novel/book production, an affinity widely attested to in contemporary literature. An 1836Court Magazinepiece, for instance, puts it like this:FASHION in books may now be said to fluctuate as frequently as fashion in bonnets, and a monthly commentary on the changes in literarymodes, might just as well be circulated as a periodical magazine of fashion in dress. We might express ourselves

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43

Cohn, Jan. "The Business Ethic for Boys: The Saturday Evening Post and the Post Boys." Business History Review 61, no. 2 (1987): 185–215. http://dx.doi.org/10.2307/3115809.

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George Horace Lorimer, editor of The Saturday Evening Post from 1899 to 1937, dedicated his magazine to business, businessmen, and business values. As part of an early campaign to increase the Post's circulation, the Curtis Company extended their interest to the businessmen of the future. The Circulation Bureau devised a plan of recruiting middle-class boys, training them in selling techniques, and educating them in business values. Victor Pelz, a boy agent recruited in Seattle, soared to selling stardom between 1902 and 1905. During those years the Post wrote him hundreds of letters, exhortin

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44

Slinn, E. Warwick. "BROWNING’S BISHOP CONCEIVES A TOMB: CULTURAL ORDERING AS CULTURAL CRITIQUE." Victorian Literature and Culture 27, no. 1 (1999): 251–67. http://dx.doi.org/10.1017/s1060150399271148.

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ON FEBRUARY 18, 1845, Robert Browning sent a poem entitled “The Tomb at Saint Praxed’s” to the acting editor of Hood’s Magazine. He writes: “I pick it out as being a pet of mine, and just the thing for the time — what with the Oxford business, and Camden society and other embroilments” (DeVane and Knickerbocker 35–36). Because of this letter, the immediate historical context for the poem has commonly been taken as the Oxford (Tractarian) movement and Newman’s retraction in 1843. The Cambridge Camden Society (not the London antiquarian society of the same name, which is sometimes thought to be

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45

Casey, Janet G. "Histories for the Many: The Victorian Family Magazine and Popular Representations of the Past: The Leisure Hour, 1852–1870." Nineteenth-Century Contexts 40, no. 1 (2017): 109–11. http://dx.doi.org/10.1080/08905495.2018.1395843.

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46

Lakomy, Miron. "“One of the Two Good Outcomes”: Turning Defeats into Victories in the Islamic State’s Flagship Magazine Rumiyah." Terrorism and Political Violence 32, no. 8 (2018): 1712–30. http://dx.doi.org/10.1080/09546553.2018.1506335.

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47

Belchem, John. "The Neglected “Unstamped”: The Manx Pauper Press of the 1840s." Albion 24, no. 4 (1992): 605–16. http://dx.doi.org/10.2307/4050669.

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By using Manx taxation and postal privileges, radicals and other activists were able to avoid the “taxes on knowledge,” to continue the campaign for a cheap press that mainland publishers, veterans of the “war of the unstamped,” had been forced to abandon in 1836. Free of stamp duty, paper duty, and advertizement tax, papers published on the Isle of Man were entitled to free postage throughout mainland Britain, a privilege extended to include re-postage in 1840. Taking advantage of these Manx facilities, publishers were able to defy commercial pressures to re-launch the “unstamped,” briefly re

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48

Beetham, Margaret. "Educating the Proper Woman Reader: Victorian Family Literary Magazines and the Cultural Health of the Nation (review)." Victorian Studies 47, no. 4 (2005): 615–17. http://dx.doi.org/10.1353/vic.2006.0002.

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49

Burke, Lois. "“Meantime, it is quite well to write”: Adolescent Writing and Victorian Literary Culture in Girls’ Manuscript Magazines." Victorian Periodicals Review 52, no. 4 (2019): 719–48. http://dx.doi.org/10.1353/vpr.2019.0052.

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50

Hughes, Linda K. "BOOK REVIEW: Deborah Wynne.THE SENSATION NOVEL AND THE VICTORIAN FAMILY MAGAZINE. pp. x + 202. Basingstoke and New York: Palgrave, 2001." Victorian Studies 45, no. 3 (2003): 545–46. http://dx.doi.org/10.2979/vic.2003.45.3.545.

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