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Dissertations / Theses on the topic 'Victoria Museum'

Author: Grafiati

Published: 24 June 2021

Last updated: 29 July 2025

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1

Kim, Seong Eun. "Artists' intervention in 'universal' museums as traced through the Victoria and Albert Museum, the British Museum and the Pitt Rivers Museum." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508580.

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2

Imparato, Alessandra <1990&gt. "L'abito per Eleonora Duse: la collezione del Victoria & Albert Museum." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/9359.

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Il presente lavoro di tesi nasce dal viaggio da me sostenuto presso il prestigioso Victoria & Albert Museum, ove ho potuto ammirare la collezione di abiti appartenuti alla grande Attrice Eleonora Duse. Il filo conduttore di questa trattazione, che parte da un lavoro filologico, è l’analisi di quindici capi custoditi al V&A, il cui studio non è ancora stato approfondito. Per avere conferma della paternità sartoriale e dell’appartenenza all’Attrice è stato svolto un inquadramento dei fenomeni storico-artistici tra Ottocento e Novecento e un’analisi delle principali sartorie, al fine di ipotizz

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3

陸慶邦 and Hing-pong Jimmy Luk. "Sports Hall of fame: a sports and museum complex on Victoria Park." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31984083.

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4

Luk, Hing-pong Jimmy. "Sports Hall of fame : a sports and museum complex on Victoria Park /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25956802.

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Thesis (M. Arch.)--University of Hong Kong, 1998.<br>Includes special report entitled: Lighting in sports museum : a question about when, where and how much. Includes bibliographical references (leaves.

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5

Adams, Ruth. "Gentlemen and players : the Victoria and Albert Museum : an institutional case study of the culture and society tradition." Thesis, Birkbeck (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429387.

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6

Bencatel, Diana Ornellas. "Gestão de risco de dano associado à luz solar : nova exposição de escultura no Victoria & Albert Museum." Master's thesis, Porto : [Edição do Autor], 2010. http://hdl.handle.net/10216/57335.

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O risco de dano eventualmente provocado pela luz natural, em objectos de diversas naturezas, é uma questão frequentemente levantada em instituições onde a conservação tem um papel de destaque. Contudo, são mais raros os casos em que se faz uma avaliação profunda deste tipo de risco, avaliação esta que, podendo ser complexa, pode contribuir para a definição de medidas de prevenção da ocorrência acelerada de um tipo de dano que se caracteriza por ser cumulativo e irreversível. No Victoria and Albert Museum, em Londres, encontra-se em processo de preparação o projecto de uma nova exposição perman

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7

Bencatel, Diana Ornellas. "Gestão de risco de dano associado à luz solar : nova exposição de escultura no Victoria & Albert Museum." Dissertação, Porto : [Edição do Autor], 2010. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000206829.

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O risco de dano eventualmente provocado pela luz natural, em objectos de diversas naturezas, é uma questão frequentemente levantada em instituições onde a conservação tem um papel de destaque. Contudo, são mais raros os casos em que se faz uma avaliação profunda deste tipo de risco, avaliação esta que, podendo ser complexa, pode contribuir para a definição de medidas de prevenção da ocorrência acelerada de um tipo de dano que se caracteriza por ser cumulativo e irreversível. No Victoria and Albert Museum, em Londres, encontra-se em processo de preparação o projecto de uma nova exposição perman

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8

Kjellström, Charlotta. "Museum Gustavianumssamling från utgrävningarna i Sedment : En efterforskning av de föremål som Museum Gustavianum förvärvade efter Petries och Bruntons utgrävningar i Sedment vintern 1920 - 1921." Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-446929.

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One aim of this essay is to conduct a thorough investigation into the origins of the objects inthe Victoria Museum, Gustavianum, collection VM 346–362 (the sequence expanded, later inthe project, also to include VM 346) and how they got there. This will be achieved byfollowing the paper trail back to the excavation in Egypt. The other is to describe how objectsfrom digs were spread between museums and different countries by W.M. Flinders Petrie.Questions have been raised about the perceived origins of the objects in the Gustavianumcollection VM 346–362. The collection has until recently been b

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9

Waite, Julia. "Under construction : national identity and the display of colonial history at the National Museum of Singapore and the Museum of New Zealand Te Papa Tongarewa : a thesis submitted to the Victoria University of Wellington in partial fulfilment of the requirements for the degree of Master of Museum and Heritage Studies /." ResearchArchive@Victoria e-Thesis, 2009. http://hdl.handle.net/10063/1039.

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Amsellem, Rebecca. "Les stratégies d'internationalisation des musées et les nouveaux modèles d'affaires." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01E037/document.

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L'internationalisation des musées est une tendance illustrant les stratégies de développement des activités ces institutions hors du marché national d'origine. Comment peut-on définir ce phénomène ? Une analyse des correspondances multiples d'une base de données, créée à partir d'une enquête réalisée dans le cadre de cette recherche, fait apparaître une typologie des musées : les «élites», les «entrepreneurs innovateurs», les «entrepreneurs conservateurs» et les «artisans». Les acteurs ont deux stratégies d'internationalisation complémentaires : la stratégie de rentabilité économique et la str

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11

Ariza, Mariana Guedes. "Democratização do acesso ao museu Victor Meirelles." Universidade do Estado de Santa Catarina, 2014. http://tede.udesc.br/handle/handle/113.

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Made available in DSpace on 2016-12-01T19:18:37Z (GMT). No. of bitstreams: 1 116137.pdf: 2231121 bytes, checksum: 5992854272beb34faa067c101cf7ad04 (MD5) Previous issue date: 2014-02-27<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The current work aims to create and select the best options according to the criteria of low cost and high impact as a way to make more democratic the visitation in the Victor Meirelles Museum, a federal museum located at the historical downtown of Florianópolis/SC. The theme is relevant because Victor Meirelles Museum, like many other small and

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Morrison, Barrs Eanna. "'Great British Fashion Is...' : An Institutional Analysis of Vogue and the V&A." Thesis, Stockholms universitet, Modevetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-184198.

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Both the fashion magazine and the fashion exhibition are powerful and authoritative sites for the representation, interpretation, and construction of fashion. Despite various intersections between the two, their relationship has remained relatively unstudied. This thesis aims to reveal and problematize the relationship between leading institutions in the United Kingdom: British Vogue and the Victoria and Albert Museum (V&A). An analysis of British Vogue’s content and the V&A’s fashion exhibitions of Vivienne Westwood: 34 Years in Fashion (2004) and Alexander McQueen: Savage Beauty (201

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13

Parsons, Thad. "Science collection, exhibition, and display in public museums in Britain from World War Two through the 1960s." Thesis, University of Oxford, 2009. http://ora.ox.ac.uk/objects/uuid:16cadaac-fb44-4edf-9063-d6ee6a9ffd09.

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Science and technology is regularly featured on radio, in newspapers, and on television, but most people only get ﬁrsthand exposure to ‘cutting-edge’ technologies in museums and other exhibitions. During this period, the Science Museum was the only permanent national presentation of science and technology. Thus, it is important to acknowledge the Museum’s history and the socio-political framework in which it operated. Understanding the delays in the Museum’s physical development is critical, as is understanding the gradual changes in the Museum’s educational provision, audience, and purpose. W

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Buenafe, Mistén Louise. "Sound - Sense - Space: Might sound affect our experience of a room?" Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21463.

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Syfte: Rapportens syfte är att kartlägga om upplevelsen av ett rum kan förändras beroende på om och vilka ljud som spelas upp i rummet.Metod: I samband med en ljudinstallation på Plattan vid Malmö Högskola har rörelsemönster och beteende för Plattans besökare observerats. Dessutom har flera besökare besvarat en enkät.Resultat: Inga eventuella förändringar i rörelsemönstret eller beteendet för Plattans besökare kan ses som en konsekvens av ljudinstallationen. Det finns inte heller någon skillnad i enkätsvaren beroende på installationen. Slutsats: Resultatet ses som en konsekvens av bristfälliga

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15

Knoell, Tiffany L. ""So You Want To Be A Retronaut?": History and Temporal Tourism." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1587590767297251.

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16

Allsop, Jessica Lauren. "Curious objects and Victorian collectors : men, markets, museums." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/14976.

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This thesis examines the portrayal of gentleman collectors in late-nineteenth and early-twentieth-century literature, arguing that they often find themselves challenged and destabilised by their collections. The collecting depicted contrasts revealingly with the Enlightenment practices of classification, taxonomy, and commodification, associated with the growth of both the public museum and the market economy. The dominance of such practices was bound up with the way they promoted subject-object relations that defined and empowered masculine identity. In the Dialectic of Enlightenment Theodor

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17

Phipps, Gareth. "Bringing our boy home : the Tomb of the Unknown Warrior, its visitors, and contemporary war remembrance in New Zealand : a thesis submitted to the Victoria University of Wellington in partial fulfilment of the requirements for the degree of Master of Museum and Heritage Studies /." ResearchArchive@Victoria e-Thesis, 2009. http://hdl.handle.net/10063/1300.

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18

Cooper, Ann. "For the public good : Henry Cole, his circle and the development of the South Kensington estate." Thesis, Open University, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317573.

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19

Mikasa, Princess Akiko of. "Collecting and displaying 'Japan' in Victorian Britain : the case of the British Museum." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669978.

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20

Bandy, Katherine A. "The National World War II Museum - Entertainment Department." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/aa_rpts/187.

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This report contains the details of internship completed at the National WWII Museum in New Orleans, Louisiana. It will discuss the structure and practices of the Museum’s Entertainment Department through a 480 hour internship. Alongside Victoria Reed, the Director of Entertainment, I assumed the role of Entertainment Production Assistant in June of 2015. I completed this internship with the purpose of earning an Arts Administration degree at the University of New Orleans. The Entertainment Department at the National WWII Museum is but a fraction of what makes this organization a successfu

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21

Haveric, Dzavid. "History of the Bosnian Muslim Community in Australia: Settlement Experience in Victoria." Thesis, full-text, 2009. https://vuir.vu.edu.au/2006/.

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This thesis examines the settlement experience of the Bosnian Muslims in Victoria. Overall this research exploration takes places against background of the history of the immigration to Australia. The study covers migration patterns of Bosnian Muslims from post World War 2 periods to more recent settlement. The thesis provides contemporary insights on Bosnian Muslims living in a Western society such as Australia. The thesis excavates key issues about Islam and the Muslim communities in Western nations and argues that successful settlement is possible, as demonstrated by the Bosnian Muslim comm

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Haveric, Dzavid. "History of the Bosnian Muslim Community in Australia: Settlement Experience in Victoria." full-text, 2009. http://eprints.vu.edu.au/2006/1/Dzavid_Haveric.pdf.

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This thesis examines the settlement experience of the Bosnian Muslims in Victoria. Overall this research exploration takes places against background of the history of the immigration to Australia. The study covers migration patterns of Bosnian Muslims from post World War 2 periods to more recent settlement. The thesis provides contemporary insights on Bosnian Muslims living in a Western society such as Australia. The thesis excavates key issues about Islam and the Muslim communities in Western nations and argues that successful settlement is possible, as demonstrated by the Bosnian Muslim comm

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23

Di, Laura Melloh Antonella. "Museo Metropolitano de Arte Contemporáneo en La Victoria." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2014. http://hdl.handle.net/10757/315371.

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El proyecto ha sido concebido como una serie de elementos individuales, que tienen un nivel común donde se establece la conexión de todo el proyecto, de la misma forma en que funciona la escultura “la plaza” de Giacometti. Además cada uno de los elementos individuales funciona sin la necesidad del otro, pero también puede actuar formando parte de todo el conjunto. El concepto fue reforzado por la colección del museo, que consta de 6 colecciones, que no tienen una relación cronológica por lo que funcionan bien individualmente.<br>Tesis

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Pita, Wu Julio Freddie. "Museo del traje y festividades del Perú en La Victoria." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2015. http://hdl.handle.net/10757/582131.

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Diseñar un museo que muestre un tema con el cual la gran mayoría de limeños pueda identificarse. Que la edificación funcione como un espacio público urbano que al mismo tiempo proporcione espacios de esparcimiento para ‘comunicar’, tenga espacios interiores para ‘exhibir’ y ‘estudiar’ y proporcione el equipamiento necesario para que las personas a cargo puedan ‘adquirir y conservar’. Se plantea alcanzar estos objetivos con una sensibilidad hacia la tectónica y la elección de los materiales, proponer una arquitectura que permita crear espacios con distintas condiciones ambientales que se amolde

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Hunter, Aislinn Paige. "Evocative objects : a reading of resonant things and material encounters in Victorian writers' houses/museums." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/21021.

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This thesis is a study of resonant things in Victorian writers’ houses/museums – a reading of those material objects that seem especially fit to presence the writer to whom they once belonged. Through the study of a selection of autographic objects in the houses/museums of Victorian writers, this thesis considers the following questions: What is resonance? How do things presence the absent individual with whom they are associated? Why do some categories of things – objects seemingly ‘imbued with a lasting sediment of their owners’ (Pascoe 3) – seem especially fit for the task of presencing, an

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Addyman, Mary Elizabeth. "'All bundled together in endless confusion' : museums, collecting and material practices in late Victorian culture." Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/85908/.

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This thesis examines how collecting was constructed through print culture in the latter half of the nineteenth century. It suggests that private collecting deviated from the modes of selection, arrangement and display which an increasingly professionalised museum culture employed to render their collections ‘useful’; that is, to make and transmit meaning. It argues that when private collections strayed from these ideal conditions, they threatened rational methods and structures through which meaning was made, and so were derided and marginalised in Victorian literature and culture. From litera

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Rasmussen, Briley. "Pedagogy for the modern : Victor D'Amico and the Museum of Modern Art, 1929-1969." Thesis, University of Leicester, 2015. http://hdl.handle.net/2381/42851.

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This thesis explores the history of the educational mission and programs of the Museum of Modern Art, New York (MoMA) from 1929 to 1969, interrogating how education programs were critical to the museum’s presentation, definition, and dissemination of modern art in this period. It centers on the work of Victor D’Amico, the first director of education at MoMA, and follows the course of his tenure at MoMA from 1937 to his retirement in 1969. The first two chapters of this thesis address the philosophical roots of the museum and its education program. It begins with an examination of the progressi

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Parker, Angela. "The History and Educational Legacy of the Manchester Art Museum, 1886-1898." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/623.

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This thesis examines the history of the Manchester Art Museum (Manchester, England), which was founded by Thomas Coglan Horsfall (1841-1932) in 1886. It considers the museum’s permanent collections and its programming from 1886 to 1898 with brief notes on the later years of the institution. While, like previous work on the Manchester Art Museum, the thesis contextualizes the museum within Victorian arts and community institutions, it breaks new ground by highlighting the ways in which it diverged from these institutions. The analysis of the museum’s collections and programming emphasizes the c

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Weddell, Joanna. "Disseminating design : the post-war regional impact of the Victoria and Albert Museum's Circulation Department." Thesis, University of Brighton, 2018. https://research.brighton.ac.uk/en/studentTheses/48ad6ab0-ab30-434c-ad06-9d4bd35a843b.

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This thesis establishes the post-war regional impact of the Victoria and Albert Museum’s Circulation Department (Circ) which sent touring exhibitions to museums and art schools around the UK in the period 1947-1977, an area previously unexplored to any substantial depth. A simplistic stereotypical dyad of metropolitan authority and provincial deference is examined and evidence given for a more complex flow between Museum and regions. The Introduction outlines the thesis aims and the Department’s role in the dissemination of art and design. The thesis is structured around questions examining th

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Robles, Fanny. "Émergence littéraire et visuelle du muséum humain : les spectacles ethnologiques à Londres, 1853-1859." Thesis, Toulouse 2, 2014. http://www.theses.fr/2014TOU20038.

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Les spectacles ethnologiques victoriens mettent en scène des milliers de colonisés dans des zoos, cabarets, appartements privés et institutions scientifiques. Cette thèse se penche sur deux spectacles sud-Africains en particulier : les « Zulu Kafirs » et les « Earthmen », montés à Londres dans les années 1850. Prenant pour point de départ « The Noble Savage » de Charles Dickens, écrit après qu’il a vu les « Zulus », ce travail porte sur le fantasme victorien d’un « muséum humain ». Après une étude des concepts de « race » et de « sauvagerie » aux XVIIIe et XIXe siècles, nous abordons l’évoluti

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Harris, Kathryn Leann. "Innocent Victors| Atomic Identity at the American Museum of Science and Energy in Oak Ridge, Tennessee." Thesis, University of Massachusetts Boston, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13420363.

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<p> In 2009, the American Museum of Science and Energy (AMSE) in Oak Ridge, Tennessee debuted an updated history exhibit about the town’s role as one of three secret cities in the Manhattan Project. The exhibit presented a celebratory tone in honor of the innocent people who unknowingly and victoriously participated in the construction of the atomic bomb that aided the Allies in their successful end of WWII. The exhibit omitted the larger national, political nuclear discussion that took place over the following sixty-five years, cementing a long-held victory culture identity. In a 2009 w

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Murphy, Lynne M. "Muslim family life in the Middle East as depicted by Victorian women residents." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65957.

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Troufflard, Joanna. "Testemunhos funerários da Ilha de Marajó no Museu Dr. Santos Rocha e no Museu Nacional de Etnologia. Interpretação arqueológica." Master's thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2010. http://hdl.handle.net/10362/5570.

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Dissertação de Mestrado em Arqueologia<br>Esta investigação baseia-se no estudo de dois conjuntos de vestígios arqueológicos recolhidos em contextos funerários na ilha do Marajó (Brasil, Pará) existentes em Portugal. Os oito fragmentos presentes hoje no Museu Dr. Santos Rocha provêem do sítio do Pacoval na região do lago Arari e foram depositados na instituição no final do século XIX. O contexto da sua recolha é desconhecido e pertence a um período em que foi realizada uma série de expedições à ilha, com o objectivo de reconhecer vestígios da cerâmica policromática marajoara. A história

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Mtotha, Comfort Tamanda. "The cox collection, the museums of Malawi and the politics of repatriation, 1892-2016." University of the Western Cape, 2016. http://hdl.handle.net/11394/5543.

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Magister Artium - MA<br>A wide range of scholarly inquiries have engaged with how museums all over the world deal with societal issues and the way the public interacts with the museum as a space of transaction and knowledge production. In Malawi, only a small proportion of literature deals with the museums and their relationship to the wider understanding of the country's history and the question of nationalism. However, as modern museums are transforming and reconfiguring themselves in dealing with histories of collection and calls for repatriation of ethnographic objects and human remains fr

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Borey, Erica. "Reichenbachia, Imperial Edition: Rediscovering Frederick Sander’s Late-Victorian Masterpiece of Botanical Art." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3292.

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This thesis project examines the history, provenance, and contemporary treatment of a rare Imperial Edition of Frederick Sander’s print collection Reichenbachia, Orchids Illustrated and Described, a high-quality orchid compendium dating to the late-nineteenth century. A local philanthropist loaned the Imperial Edition Reichenbachia, number 86 of 100 to Lewis Ginter Botanical Garden in 2011 on a long-term basis as a promised donation. Research into the origins of this collection involves several disparate historical topics, including the Victorian period of “orchid mania,” imperialist business

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Neumann, Sabine [Verfasser], Birgit [Akademischer Betreuer] Mersmann, Marion [Akademischer Betreuer] Müller, and Victoria [Akademischer Betreuer] Szabo. "Art Museums online - New visual challenges of Modern and Contemporary Art Collections / Sabine Neumann. Betreuer: Birgit Mersmann. Gutachter: Birgit Mersmann ; Marion Müller ; Victoria Szabo." Bremen : IRC-Library, Information Resource Center der Jacobs University Bremen, 2016. http://d-nb.info/1098532848/34.

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Khattak, Shaheen Kuli Khan. "Images of Islam : a study of the differences between Islamic and Victorian conceptions of certain Muslim practices and beliefs." Thesis, King's College London (University of London), 1999. https://kclpure.kcl.ac.uk/portal/en/theses/images-of-islam--a-study-of-the-differences-between-islamic-and-victorian-conceptions-of-certain-muslim-practices-and-beliefs(7aefb186-bd3d-4899-aa46-6d4830240702).html.

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Williams, Erin Colleen. "A History Revealed: The Inventions of Minnie Eureka Young." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd_retro/99.

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With my thesis work I question the evidence of history and how this evidence is read. I examine the theory of fractured history and alternate history, two examples of how perception of the past is completely altered when the science of reality is merged with imagination and mystery. As a vehicle for this examination, I use my own family history, something I am familiar with on many levels but also completely foreign to. As a curator of the story of my own history, I ask, "How can we know what is real?" and "If I say it is real, does that make it so?"

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Oliveira, Emerson Dionisio Gomes de. "Analise historica, critica e simbolica de duas obras de Victor Brauner : arquitetura pentacular e taça da duvida." [s.n.], 1998. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280780.

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Orientador: Jorge Sidney Coli Jr<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-07-24T08:49:55Z (GMT). No. of bitstreams: 1 Oliveira_EmersonDionisioGomesde_M.pdf: 3506731 bytes, checksum: b8eb400813298f5528919a4a5af10d5f (MD5) Previous issue date: 1998<br>Resumo: Não informado<br>Abstract: Not informed<br>Mestrado<br>Mestre em História

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Almeida, Rosana Garcete Miranda Fernandes de. "A morte no cinzel de Victor Brecheret: Musa Impassível." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-27012016-125937/.

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À frente de seu tempo e com dons excepcionais, Victor Brecheret trilhou um árduo caminho de sucesso. Mesmo com poucos recursos, nunca desanimou ou deixou de tentar, tendo estudado em diversas escolas de arte, inclusive em Paris, como bolsista. Nascido na Itália, veio para o Brasil quando ainda era criança, e cresceu entre os grandes e renomados nomes da arte. Morou em Roma, onde abriu seu primeiro atelier, mas foi em Paris que elevou e firmou seu estilo. Sua temporada parisiense é recheada pelo aprendizado das três fontes: ênfase ao volume geométrico das esculturas cubistas, ao tratamento sint

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Ayres, Sara Craig. "Hidden histories and multiple meanings : the Richard Dennett collection at the Royal Albert Memorial Museum, Exeter." Thesis, University of Plymouth, 2012. http://hdl.handle.net/10026.1/1039.

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Ethnographic collections in western museums such as the Royal Albert Memorial Museum (RAMM) carry many meanings, but by definition, they represent an intercultural encounter. This history of this encounter is often lost, overlooked, or obscured, and yet it has bearing on how the objects in the collection have been interpreted and understood. This thesis uncovers the hidden history of one particular collection in the RAMM and examines the multiple meanings that have been attributed to the objects in the collection over time. The Richard Dennett Collection was made in Africa in the years when Eu

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Henderson, Ashley S. Hafertepe Kenneth C. ""The ace of clubs" a social and architectural history of the Draughon-Moore House, Texarkana, Texas, 1885-1985 /." Waco, Tex. : Baylor University, 2008. http://hdl.handle.net/2104/5246.

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Moore, Gillian Lizbeth. "From head to tale : the circulation, display and representation of big-game material culture, c. 1870-1920." Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/32476.

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Artefacts created from big game material proliferated during the period between 1870 and 1920 and, through their physical and metaphorical circulation as trophies, mementos, furnishings, garments, and personal accoutrements, became increasingly visible as they percolated from their predominantly elite genesis, into a multiplicity of public, domestic and civic spaces. This study seeks to discern the effect of their dissemination, showing how it impacted on the museum displays, domestic decor, fashionable dress and commodity culture of the era. It reflects the extensive representation of big gam

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Hook, Sarah. "Reading the gallery : portraits and texts in the mid- to late nineteenth century." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:87ad5989-055a-4777-9418-5f636afd6f96.

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The Victorians saw more portraits than any generation before them. While the eighteenth century has been named 'the age of portraiture', portraits pervaded nineteenth-century society like never before. With the invention of photography, coupled with technological advancements in low-cost printing methods, the medium in which faces could be recorded was revolutionised, the classes of society that could afford to be immortalised expanded, and the spaces in which portraits were seen proliferated. These spaces included the public gallery, photography studio shop windows, and personal photograph al

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POLIZZI, Francesco Gabriele. "Splendori di Sicilia al Victoria and Albert Museum. Relazioni tra collezionismo anglosassonee arti decorative siciliane attraverso le raccolte del Department of Metalwork." Doctoral thesis, 2012. http://hdl.handle.net/10447/100825.

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Meiers, Sarah. "The Green Dining Room: The Experience of an Arts and Crafts Interior." Thesis, 2008. http://hdl.handle.net/1974/1742.

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Commissioned in 1865 for London’s South Kensington Museum (now the V&A), the Green Dining Room was conceived during an exciting period in Victorian Britain, when idealistic artists and architects elevated the status of the decorative arts in fine art circles, promoted the ideal of joy in labour, and sought beauty in the everyday. The Green Dining Room is considered a quintessential example of an early decorative scheme by Morris, Marshall, Faulkner & Co., a collective of artists who helped to inspire Britain’s Arts and Crafts movement through their products and their principles of art manufac

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Murphy, Tracey. "Disrupting colonialism: weaving indigeneity into the gallery in schools project of the Art Gallery of Greater Victoria." Thesis, 2019. https://dspace.library.uvic.ca//handle/1828/10515.

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In 2015, the Truth and Reconciliation Commission made their final recommendations for Canadian society to address cultural genocide: by affirming stories of survivors, taking personal and professional inventory of their practices and making concrete steps to meet the Calls to Action. In particular, the TRC recognized damage done by museums and art galleries to perpetuate colonialism and yet, believed that these institutions could be sites of justice, particularly in relation to arts and artists The Art Gallery of Greater Victoria, an institution steeped in colonialism and under pressure to cr

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Krautwurst, Miriam [Verfasser]. "Reinhold Vasters - ein niederrheinischer Goldschmied des 19. Jahrhunderts in der Tradition alter Meister : sein Zeichnungskonvolut im Victoria & Albert Museum, London / vorgelegt von Miriam Krautwurst." 2006. http://d-nb.info/979226732/34.

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Yanni, Carla. "Building natural history constructions of nature in British Victorian architecture and architectural theory /." 1994. http://books.google.com/books?id=sDBUAAAAMAAJ.

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Burland, Daniel Alton. "The persistence of military honor in a culture without victory." 2011. https://scholarworks.umass.edu/dissertations/AAI3482590.

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The military has a long tradition of distributing honors to its soldiers in a calculated and uneven way, all to reinforce internal hierarchies it finds necessary. For example, officers have nicer uniforms, are shown more respect, and are awarded medals at a higher rate than the soldiers they command. “Normal” soldiers used to be similarly privileged over their auxiliary “colored” counterparts. In the 20th Century a new line of demarcation was created between front-line combatants (infantrymen, artillerymen, and so on) on the one hand, and rear-echelon support soldiers (supply clerks, cooks, an

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