Relevant bibliographies by topics / Victoria Printing Works

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Academic literature on the topic 'Victoria Printing Works'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Victoria Printing Works"

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Cherkashina, Daria. "Art and Technology Meet in St. Petersburg: An Interview with Five Female Artists of the CYLAND Media Art Laboratory." Digital Icons: Studies in Russian, Eurasian and Central European New Media, no. 19 (June 7, 2018): 129–42. https://doi.org/10.5281/zenodo.14710003.

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New media art is an extensive concept, which unites a number of different art forms made with the help of media technologies such as digital art, computer graphics, computer animation, virtual art, internet art, interactive art, video games, computer robotics, 3D printing, cyborg art and art as biotechnology. Media art has existed in Russia for more than twenty years and female artists were the core developers of media art in St. Petersburg. Taking the CYLAND media art laboratory as its vantage point, this interview with five artists aims to give an account of the history, key works, exhibitio
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Tagore, Pramantha. "Songs for the Empress: Queen Victoria in the Music History of Colonial Bengal." Victorian Literature and Culture 52, no. 1 (2024): 61–83. http://dx.doi.org/10.1017/s1060150323000827.

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In the final decades of the nineteenth century, music significantly occupied the cultural and social life of the Bengali people. As the epicenter of British political and economic influence in the subcontinent, Calcutta witnessed the emergence of schools offering instruction in Indian and Western art music. The flourishing city housed private and public printing presses, which ensured the circulation and distribution of large numbers of songbooks, manuals, and theoretical treatises on music. The city was also home to a diverse assortment of hereditary music practitioners and occupational speci
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Potapenko, Svitlana. "Between Biography and Propaganda: Mykhailo Kozachynsky’s «Journal or Description of the Years and the Glorious as well as Solemn Victories of the Blessed and Everlasting Memory Peter the Great, Pater Patriae, the First All-Russian Emperor» (1744)." Kyivan Academy, no. 19 (December 29, 2022): 37–77. http://dx.doi.org/10.18523/1995-025x.2022.19.37-77.

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The article focuses on a little-known literary work about Peter I which was composed by a Ukrainian poet, philosopher, and professor of the Kyivan Academy, Mykhailo Kozachynsky (1699–1755). This poetic biography was entitled «Journal or Description of the Years and the Glorious as well as Solemn Victories of the Blessed and Everlasting Memory Peter the Great, Pater Patriae, the First All-Russian Emperor». It was appended to a trilingual panegyric «Augustissimae ac Invictissimae Imperatrici» of the same authorship written in honor of the Empress Elizabeth’s of Russia visit to Kyiv in August-Sep
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Kennedy, Andrea. "The beauty of Victorian beasts: illustration in the Reverend J. G. Wood's Homes without hands (W. T. Stearn Prize 2012)." Archives of Natural History 40, no. 2 (2013): 193–212. http://dx.doi.org/10.3366/anh.2013.0168.

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The Reverend John George Wood (1827–1889) was a successful popularizer of natural history in the Victorian era. His Illustrated natural history (1853) and Common objects series (1857–1858) have been written about extensively. However, historians have largely ignored his most successful book, Homes without hands, in spite of its exquisite designs and profound connections with natural domesticity. In addition, little research has been conducted on the illustrations that appear across Wood's publications, despite their great popularity during his lifetime. This article examines the creation, popu
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Antanavičius, Darius. "The First Author of a Printed Book from Kaunas." Senoji Lietuvos literatūra 45 (June 25, 2018): 39–79. https://doi.org/10.51554/sll.2018.28816.

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Very little is known about the contribution of the burghers of the Grand Duchyof Lithuania to old Lithuanian literature. The burghers were always pushedinto shadow by the representatives of the nobility. In this respect, the sixteenthcentury is especially poor and each new fact that adds to our knowledge aboutthe intellectual and creative potential of the townspeople of the Grand Duchyof Lithuania in the sixteenth century is significant. The aim of this paper is tointroduce and analyse a work written and published by one burgher of the GrandDuchy of Lithuania in the mid-sixteenth century.The o
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Lyutov, S. N. "Memories of war and problems of forming defence consciousness by means of book business." Proceedings of SPSTL SB RAS, no. 3 (September 17, 2020): 41–48. http://dx.doi.org/10.20913/2618-7515-2020-3-41-48.

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Actuality and significance of problems of forming social consciousness with its necessary defence component are conditioned by unremitting tension of inter-state relations, transiting into a certain degree of war confrontation. Experience of all wars testifies to the fact that all victories in war hostility are achieved not only by rivalry of military potentials and generals’ skills but also by firmness of spiritual bases and people moral strengths. War history many times has proved patriotic incite and the society unity to be important factors influencing the course and the result of wars. Si
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Topham, Jonathan R. "Reading the Book of Nature: How Eight Best Sellers Reconnected Christianity and the Sciences on the Eve of the Victorian Age." Perspectives on Science and Christian Faith 76, no. 2 (2024): 140–42. http://dx.doi.org/10.56315/pscf9-24topham.

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READING THE BOOK OF NATURE: How Eight Best Sellers Reconnected Christianity and the Sciences on the Eve of the Victorian Age by Jonathan R. Topham. Chicago, IL: University of Chicago Press, 2022. 544 pages. Hardcover; $47.50. ISBN: 9780226815763. *Jonathan R. Topham's Reading the Book of Nature examines the interplay between science and religion in nineteenth-century Britain, focusing on the Bridgewater Treatises--an influential collection of eight scientific works commissioned to explore the "Power, Wisdom, and Goodness of God, as manifested in the Creation." Armed with a rich array of primar
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Topham, Jonathan R. "Reading the Book of Nature: How Eight Best Sellers Reconnected Christianity and the Sciences on the Eve of the Victorian Age." Perspectives on Science and Christian Faith 76, no. 2 (2024): 140–42. http://dx.doi.org/10.56315/pscf09-24topham.

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READING THE BOOK OF NATURE: How Eight Best Sellers Reconnected Christianity and the Sciences on the Eve of the Victorian Age by Jonathan R. Topham. Chicago, IL: University of Chicago Press, 2022. 544 pages. Hardcover; $47.50. ISBN: 9780226815763. *Jonathan R. Topham's Reading the Book of Nature examines the interplay between science and religion in nineteenth-century Britain, focusing on the Bridgewater Treatises--an influential collection of eight scientific works commissioned to explore the "Power, Wisdom, and Goodness of God, as manifested in the Creation." Armed with a rich array of primar
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Mallan, Kerry Margaret, and Annette Patterson. "Present and Active: Digital Publishing in a Post-print Age." M/C Journal 11, no. 4 (2008). http://dx.doi.org/10.5204/mcj.40.

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At one point in Victor Hugo’s novel, The Hunchback of Notre Dame, the archdeacon, Claude Frollo, looked up from a book on his table to the edifice of the gothic cathedral, visible from his canon’s cell in the cloister of Notre Dame: “Alas!” he said, “this will kill that” (146). Frollo’s lament, that the book would destroy the edifice, captures the medieval cleric’s anxiety about the way in which Gutenberg’s print technology would become the new universal means for recording and communicating humanity’s ideas and artistic expression, replacing the grand monuments of architecture, human engineer
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Dean, Gabrielle. "Portrait of the Self." M/C Journal 5, no. 5 (2002). http://dx.doi.org/10.5204/mcj.1991.

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Let us work backwards from what we know, from personal experience: the photograph of which we have each been the subject. Roland Barthes says of this photograph that it transforms "the subject into object": one begins aping the mask one wants to assume, one begins, in other words, to make oneself conform in appearance to the disguise of an identity (Camera Lucida 11). A quick glance back at your most recent holiday gathering will no doubt confirm his diagnosis. Barthes gives to this subject-object the title of Spectrum in order to neatly join the idea of spectacle with the fearsome spectre, wh
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Books on the topic "Victoria Printing Works"

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Hoffman, A. Robin. Victorian Alphabet Books and the Education of the Eye. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198938163.001.0001.

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Abstract Victorian Alphabet Books and the Education of the Eye shows how the familiar genre went beyond mere reading instruction to offer nineteenth-century British writers, illustrators, and publishers a site for reflecting on literacy itself. This interdisciplinary study traces the ways that individuals throughout the Victorian era deployed alphabet books to promote visual literacy or oral culture as a vital complement to textual literacy. Their strategies ranged from puns and political allusions to elaborate designs that addressed adult audiences alongside or even instead of children. Georg
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Finkelstein, David. Movable Types. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198826026.001.0001.

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This is an interdisciplinary study of the typographical web that underpinned and enabled skilled print trade networks across the anglophone world in the nineteenth and early twentieth centuries. It is a cultural history, the first study of its kind on international Victorian print networks. Morality, mobility, mobilization, and solidarity were central to how compositors and print trade workers defined themselves during this period. These themes are addressed in case studies on roving printers, striking printers, and creative printers, drawing on a range of unique primary and secondary sources
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Curtis, Gerard. Visual Words: Art and the Material Book in Victorian England. Taylor & Francis Group, 2019.

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Curtis, Gerard. Visual Words: Art and the Material Book in Victorian England. Taylor & Francis Group, 2019.

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Curtis, Gerard. Visual Words: Art and the Material Book in Victorian England. Taylor & Francis Group, 2019.

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Visual Words: Art and the Material Book in Victorian England. Taylor & Francis Group, 2019.

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Visual words: Art and the material book in Victorian England. Ashgate, 2002.

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Kemeny, P. C. The Origins of the New England Society for the Suppression of Vice. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190844394.003.0002.

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This chapter first traces the gradual and growing challenges to late nineteenth-century Victorian standards in American public and private morality, specifically the increased printing and consumption of salacious literature. The chapter then examines the work of Anthony Comstock, the formation of the New York Society for the Suppression of Vice, and the 1873 passage of the Comstock Act, which limited the availability of obscene literature. In response to Comstock, an articulate and militant opposition emerged. This opposition came not from obscenity dealers but from proponents of liberal radi
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Book chapters on the topic "Victoria Printing Works"

1

Thomas, Julia. "Introduction." In The Victorian Mind's Eye. Oxford University PressOxford, 2025. https://doi.org/10.1093/oso/9780198914600.003.0001.

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Abstract The Introduction describes the Victorian period as an age of illustration, which was characterized by the development of printing methods and the exponential growth of illustrated material. The revolution in illustration necessitated and generated a mode of reading that moved between pictures and the words. This reading process is outlined in an analysis of a Victorian illustrated edition of Washington Irving’s story ‘Rip Van Winkle’. The analysis suggests that the mechanics of reading an illustrated text, the mental processes and experiences that it involved, were inherently differen
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Finkelstein, David. "Afterword." In Movable Types. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198826026.003.0005.

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This section offers final thoughts on how key themes were addressed across the book’s three chapters. The printing world sketched out in the preceding pages maps onto a ‘print economy’ based on a moral community of compositors and printers, bound together by a shared trade identity. The print economies and print diasporas of the Victorian world were expansive in nature, encompassing links and activity across an English-speaking world that drew together Australasia, the British Isles, North America, and South Africa. In arguing this, the work has approached the issues in interdisciplinary fashi
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Chapman, Alison. "Nineteenth-Century Illustrated Poetry: Mise-en-Page and the Visual Rhythms of Seriality." In The Edinburgh Companion to Romanticism and the Arts. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474484176.003.0025.

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This chapter focuses on the materiality of print, and especially the mise-en-page of illustrated poetry, in the ‘golden age’ of illustration and in some key Romantic precursors: illustrated periodicals and poetry volumes, and the multiple editions of Samuel Rogers’ Italy, which establish patterns of material format that evolve into mid-Victorian middle-class illustrated magazines, especially Once a Week (1859-1880) and Good Words (1860-1911). With the industrialization of printing, and the mass expansion in illustrative reading material, repeated mise-en-page patterns in Victorian periodical p
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