Academic literature on the topic 'Victorian home'

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Journal articles on the topic "Victorian home"

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Gaffney, Kate. "Hiding behind the past: Understanding historical abuse in out-of-home care." Children Australia 33, no. 4 (2008): 38–44. http://dx.doi.org/10.1017/s1035077200000444.

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This article addresses common misconceptions about the historic abuse of children in Victoria during the mid-twentieth century, including those contained in the 2006 official Victorian Government apology to state wards. The article has two aims – firstly, to consider allegations of abuse and some common reactions to, and explanations of those allegations; and, secondly, to test the abuse allegations against the 1954 and 1960 Victorian Children's Welfare Regulations concerning the use of corporal punishment in Children's Homes. The author contends that historical relativism and the notion that abuse allegations can be explained as a feature of changing attitudes towards children and discipline do not stand up to scrutiny and inhibit useful examination of the causes and consequences of abuse in out-of-home care.
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McMullen, Gabrielle L. "Noted colonial German scientists and their contexts." Proceedings of the Royal Society of Victoria 127, no. 1 (2015): 9. http://dx.doi.org/10.1071/rs15001.

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German scientists made substantial and notable contributions to colonial Victoria. They were involved in the establishment and/or development of some of the major public institutions, e.g. the Royal Society of Victoria, National Herbarium, the Royal Botanic Gardens, Museum Victoria, the Flagstaff Observatory for Geophysics, Magnetism and Nautical Science, the Pharmaceutical Society of Victoria and the Victorian College of Pharmacy. Further, they played a leading role not only in scientific and technological developments but also in exploration – Home has identified ‘science as a German export to nineteenth century Australia’ (Home 1995: 1). Significantly, an account of the 1860 annual dinner of the Royal Society of Victoria related the following comment from Dr John Macadam MP, Victorian Government Analytical Chemist: ‘Where would science be in Victoria without the Germans?’ (Melbourner Deutsche Zeitung 1860: 192). This paper considers key German scientists working in mid-nineteenth century Victoria and the nature and significance of their contributions to the colony.
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Maguire, H. "The Victorian Theatre as a Home from Home." Journal of Design History 13, no. 2 (2000): 107–21. http://dx.doi.org/10.1093/jdh/13.2.107.

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Sussman, Herbert. "INTRODUCTION." Victorian Literature and Culture 33, no. 1 (2005): 313. http://dx.doi.org/10.1017/s1060150305210860.

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WITH THESE ESSAYS, Victorian Literature and Culture begins a regular feature, “Victorians Live,” whose subject is how the Victorians still “live,” how they remain “live,” lively, alive. The focus is the intersection of the world of Victorian scholarship that the readers of VLC inhabit, with the larger world of representation. For, quite remarkably, in our globalized time, the Victorians remain “in”–from museum blockbusters to specialized exhibitions, from home decoration to popular fiction and graphic novels, from Masterpiece Theatre to Hollywood retellings of canonical novels. Rather than assuming an abyss between serious academic pursuits and the unserious non-academic world, Victorians Live seeks to chart the complex and ongoing dynamic wherein academic reinterpretations of the past, albeit in unexpected ways and with considerable time lags, shape the popular vision of the nineteenth century, and conversely, how contemporary social concerns as well as market demands on publishers and museums shape scholarship.
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LAMONT, PETER. "SPIRITUALISM AND A MID-VICTORIAN CRISIS OF EVIDENCE." Historical Journal 47, no. 4 (2004): 897–920. http://dx.doi.org/10.1017/s0018246x04004030.

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Historians writing on Victorian spiritualism have said little about the reported phenomena of the séance room, despite such events having been the primary reason given by spiritualists for their beliefs. Rather, such beliefs have been seen as a response to the so-called ‘crisis of faith’, and their expression as part of a broader scientific and cultural discourse. Yet the debate about séance phenomena was significantly problematic for the Victorians, in particular the reported phenomena associated with the best-known Victorian medium, Daniel Dunglas Home. In the attempt to provide a natural explanation for Home's phenomena, two groups of experts were appealed to – stage conjurors and scientists – yet it seems clear that the former were unable to explain the phenomena, while scientists who tested Home concluded his phenomena were real. The overwhelming rejection of supernatural agency, and the nature of the response from orthodox science, suggests that such reported phenomena were less the result of a crisis of faith than the cause of a crisis of evidence, the implications of which were deemed scientific rather than religious.
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Richter, David. "Home Economics: Domestic Fraud in Victorian England." Journal of Victorian Culture 15, no. 2 (2010): 303–7. http://dx.doi.org/10.1080/13555502.2010.491670.

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Eva, Phil. "Home Sweet Home? The ‘culture of exile’ in mid-Victorian popular song." Popular Music 16, no. 2 (1997): 131–50. http://dx.doi.org/10.1017/s0261143000000337.

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We all know the foreigner who survives with a tearful face turned towards the lost homeland. Melancholy lover of a vanished space, he cannot, in face, get over his having abandoned a period of time. The lost paradise is a mirage of the past that he will never be able to recover. (Kristeva 1991, p. 9)
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Samantrai, Ranu, and Susan Meyer. "Imperialism at Home: Race and Victorian Women's Fiction." Modern Language Review 93, no. 2 (1998): 482. http://dx.doi.org/10.2307/3735381.

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Dudden, Faye E., and Colleen McDannell. "The Christian Home in Victorian America, 1840-1900." History of Education Quarterly 27, no. 3 (1987): 413. http://dx.doi.org/10.2307/368643.

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Fishburn, Janet Forsythe, and Colleen McDannell. "The Christian Home in Victorian America, 1840-1900." American Historical Review 92, no. 3 (1987): 745. http://dx.doi.org/10.2307/1870061.

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Dissertations / Theses on the topic "Victorian home"

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McGowran, Katharine Margaret. "House and home in late Victorian women's poetry." Thesis, University of Hull, 1999. http://hydra.hull.ac.uk/resources/hull:3954.

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Any consideration of the theme of ‘house and home’ leads into discussion on three different levels of discourse. First of all, houses have biographical and historical significance; they are, after all, real places in which real lives are lived. Secondly, home is an ideologically loaded noun, a bastion of value which is inextricably entwined with the notion of the pure woman. Thirdly, in literature, houses are metaphorical places. This thesis is primarily a study of those metaphorical places. It explores representations of ‘house’ and ‘home’ in late Victorian women's poetry. However, it also takes account of the biographical, historical and ideological significance of the house, looking at factors which may have helped to shape each poet's representations of ‘house and home’. The house occupies an ambiguous position in the poetry of the later Victorian period. It is variously imagined as a haunted house, a ruin, an empty house of echoes, and a prison of isolation and despair. At times, the house is a recognisable domestic place (the private house), at others, it is turned into a place of art or poetry, a new aesthetic ‘home’ for the female imagination. In some poems the house is a focus for nostalgia and homesickness. Yet it is also often a place which must be left behind. What unites the poets I have studied is the fact that the houses they inhabit in their work are never entirely their own and they are rarely entirely at home in them. Home is less roomy as a concept. It tends to carry religious or ideological connotations and is usually represented as a place of duty and responsibility. It also comes to mean the final resting place: the grave. Thus house and home, which are not identical terms, are freighted with different meanings. It is the mismatch of these two terms, the tension between them, which I explore in this thesis.
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Lamont, Peter. "Magic and miracles in Victorian Britain : framing the phenomena of D.D. Home." Thesis, University of Edinburgh, 2003. http://hdl.handle.net/1842/24807.

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This thesis is a study of Victorian views about seance phenomena, focusing on the phenomena associated with D.D. Home, by far the best-known and most impressive of Victorian mediums. The study is based primarily on the debate within the periodical press from Home’s arrival in Britain in 1855 to the publication of his last book in 1877, and is in eight chapters. Chapter one locates Victorian views about seance phenomena within a broader Victorian worldview, by outlining how historians have discussed not only Victorian spiritualism but broader aspects of Victorian science and religion, and aspects of Orientalism. It then describes the sources to be used in the study, and discusses how they have been approached by the author. In the light of questions concerning historical methodology, and of certain non-historical literature on anomalous beliefs, it argues that the most appropriate question to ask is: How did Victorians <i>frame</i> Home’s phenomena? Chapter two provides background information on Home, his witnesses and critics, and the metropolitan environment within which discussion about his phenomena primarily took place. It then sets up the themes of the next four chapters by arguing that, from the beginning, Home’s phenomena were framed in relation to four questions: Were they the result of trickery?; Were the objectively real?; Were they the result of a new natural force?; and Were they due to supernatural agency? The next four chapters discuss these themes in depth, and in relation to broader Victorian concerns. In doing so, they stress the inadequacies of the arguments that framed Home’s phenomena either as trickery or as the result of purely subjective experiences, and argue that any contemporary considering the question would have been aware of these inadequacies. They also consider how seance phenomena that lacked an adequate alternative explanation challenged orthodox science, and had implications for debates about Biblical miracles. Chapter seven then considers the link between such phenomena and views of Indian magic. It outlines how Victorians viewed Indian magic, noting an increasing tendency from the 1870s to view it as something other than trickery, then argues such a shift is best explained by mid-Victorian comparisons between seance phenomena and Indian magic.
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Chadwick, Roger. "Bureaucratic mercy : the Home Office and the treatment of capital cases in Victorian Britain /." New York [u.a.] : Garland, 1992. http://www.gbv.de/dms/spk/sbb/recht/toc/277176468.pdf.

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Koivunen, Johanna. "Room for Thought: Privacy and the Private Home in Mrs Dalloway and To the Lighthouse." Thesis, Stockholms universitet, Engelska institutionen, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-113159.

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Modernism is often connected to the public sphere due to its associations with urbanity and technological changes. But interiority and private life was as important to modernity and, in particular, in Virginia Woolf’s writing. This essay explores the protagonists’ access to and experience of privacy in Woolf’s novels To the Lighthouse (1927) and Mrs Dalloway (1925), which both centre on women in a domestic environment. The reading combines modernist reactions against Victorian domesticity, which was structured on the private/public dichotomy and which limited women’s access to privacy, and combines it with modernist views of interiority, informed, more specifically, by Freud’s model of the unconscious and the spatial features of it. Privacy and interiority are imagined with spatial metaphors, but privacy is not necessarily connected to physical place and being alone, but rather having the ability to control the social situation and to choose what one reveals about oneself. Both novels re-imagine privacy and its ties to physical as well as mental space. This essay argues that To the Lighthouse is centred on a traditional Victorian home which reflects how its protagonist experiences interior privacy, and Mrs Dalloway explores a more modern domesticity that challenges Victorian organisation of the home and in turn, women’s access to privacy and solitude. With modernity public life was made available for women to a larger extent, but just as public life is coded by power relations, so is private life, which determines what sort of life could be lived by, for example, women.
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Blanch, Christina L. "Because of her Victorian upbringing : gender archaeology at the Moore-Youse House." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1337189.

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This study focuses on the Moore-Youse family in Muncie, Indiana, a medium size city in Delaware County, Indiana, as a microcosm of Victorian ideology and material culture using the methods of historical archaeology and social history. The following thesis examines material conditions among this middle-class, female-centered, lineal family during the Victorian period using gender theory. In this study, archaeological materials and historical documents are used to explore the priorities and choices that influenced Muncie's middle class in making material decisions during the Victorian period.The Victorian Period in America was marked by rapid social change, growing industrialization and the transformation of gender roles. These changes created an expanded middle-class in communities across America. For the middle class the home was a sanctuary and Victorian women were expected to devote themselves to the home and family. Thus began the "cult of domesticity". This thesis explores the influence of gender roles in 19th century Indiana.<br>Department of Anthropology
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Le, Huong Thu, and s3059921@student rmit edu au. "The relationship between special educators in the DEECD Victorian Metropolitan Regions and Vietnamese parents of children with a disability." RMIT University. Education, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20091110.115137.

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The current thesis investigated the relationship between Vietnamese parents of children with a disability and special educators who worked with these parents in both mainstream and special schools in Melbourne Metropolitan Regions of the state of Victoria, Australia. The key objective of the study was to research the role of the parent-educator (interpersonal) relationship and its interrelatedness with the task: two major components of a home-school partnership. The research question that guided this study was 'How does the parent-educator relationship influence the operation of a family-centered home-school partnership?' With partnerships involving parents of diverse cultural backgrounds, investigating cultural influences on the partnership were an integral part of the research process. A qualitative interpretive approach was employed in searching for perceptions of involved parties about their home-school partnerships. The design selected was multiple embedded case studies with purposeful sampling. Influences on home-school partnership were investigated from a multidimensional perspective and were described and interpreted from the views of both parents and educators. The findings indicated that the relationship played a much more significant role than the task in the successfulness of an intercultural home-school partnership. Without a mutual understanding of home-school communication, the collaboration was far from productive or even did not work out. There was also evidence that a harmonious parent-educator interpersonal relationship did not seem to have any influence on the effectiveness of a home-school partnership without parent-educator mutual understanding and agreement in terms of goals and roles expectations. The need for the educators to be more appropriately equipped with cultural training and family-centered principles also arose from the study findings.
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Wright, Patria Isabel. "On Man, on Nature, and on Human Life: William Knight's Life of William Wordsworth and the Invention of "Home at Grasmere"." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/3975.

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Victorian scholar William Knight remains one of the most prolific Wordsworth scholars of the nineteenth century. His many publications helped establish Wordsworth's positive Victorian reputation that twentieth and twenty-first century scholars inherited. My particular focus is how Knight's 1889 inclusion of "Home at Grasmere" in his Life of William Wordsworth, rather than in his chronological sequencing of the poems, establishes a way to read the poem as a biographical artifact for his late-Victorian audience. Knight's detailed account of the poet's life, often told through letters and journal accounts, provides more contexts-including Dorothy's journal entries and correspondence of the early 1800s-to understand the poem than MacMillan's 1888 stand-alone edition of the poem (whose pre-emptive publication caused a small debate in 1888-89). Knight presents "Home at Grasmere" as a document of Wordsworth's personal experience and development as grounded in the Lake District. Analyzing the ways Knight's editorial decisions-both for his biography as a whole and his placement of "Home at Grasmere" within it-shape the initial reception of "Home at Grasmere" allows me to enrich the conversation about Wordsworth and the Victorian Age. Currently scholarship connecting Knight and Wordsworth remains sparser than other areas of Wordsworth commentary. However, several scholars have explored the connections between the two, and I augment their arguments by showing how Knight's invention of the poem creates an essential part of the "Home at Grasmere" archive-a term Jacques Derrida uses to describe a place or idea that houses important artifacts and determines the power of the knowledge it preserves. I argue this by showing that Knight's editorial decisions embody the characteristics of an archon-keeper or preserver of archival material-as he creates the way to read the poem as a biographical artifact while also responding to Wordsworth's own beliefs about the poetry and biographical theory. Knight's archival contribution allows Victorians to view the poem as a product of Wordsworth's developing poetic genius and helps establish Wordsworth as the great Romantic poet.
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Dasgupta, Ushashi. "House to house : Dickens and the properties of fiction." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:5105b20f-d521-4660-8b44-363170ca33c3.

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This thesis explores the idiosyncrasies of the nineteenth-century property market and the significance of rented spaces in the literary imagination, focusing on Charles Dickens's fiction and journalism. The traditional understanding of the Victorian home has been challenged in recent criticism that points to the permeability of the public and private spheres, complicates the ways in which gender mapped onto these spheres, and highlights the difference between home and house, freehold and leasehold. This thesis contributes to the discussion by showing that domestic space was a more fractured concept than the middle-class ideal suggests. Versions of 'home' could be found in a multitude of unlikely and unstable places: in inns, hotels, lodging-houses, boarding-houses, and private houses subdivided into apartments for income. Drawing particular attention to London, I reveal tenancy - the commodification of space - to be a governing force in everyday life in the period. The vast majority of the population had an immediate economic relationship with the rooms and houses they inhabited, and this basic fact had various social, psychological and imaginative corollaries. Dickens may have been read as an overwhelming proponent of domestic ideology, but as this thesis argues, rented spaces had an enduring hold upon him. Most significantly, for Dickens, to write about tenancy meant to write about writing. His tenancy narratives touch upon questions of genre, style, character, authorial self-consciousness and the literary marketplace - especially his dialogue with the writers working around him. I explain that the emerging prominence of rented spaces gave Dickens and his circle new narrative opportunities, offering them a tool with which to study the boundaries of different genres. Space, then, does not simply provide a backdrop for incident in the novel, but plays a direct part in determining which incidents take place. Accordingly, the chapters in this thesis are principally divided by genre. The introduction lays out the historical, theoretical and geographical coordinates of the argument. The first chapter identifies some of the key features of Dickens's emerging urban style, situates his early work within an influential farce tradition, and brings the figure of the landlady to life. The second discusses spatial metaphors in the Bildungsroman; it ends with an argument about the 1851 window-tax repeal and its implications for literary lodging-houses. Chapter 3 considers the sudden growth of the hospitality industry during the Great Exhibition and its corresponding narratives, from comedy to sensation fiction. This is followed by a short interlude on seaside lodgings, where Dickens and his contemporaries modernised the pastoral for the nineteenth century. After charting contemporary debates surrounding 'low' lodging-houses, Chapter 4 demonstrates how these writers used rented spaces to make major contributions to the rise of the detective story. The fifth chapter, on living alone and living together, is largely dedicated to the multi-authored Christmas numbers of Household Words and All the Year Round; these witty collections suggest that the dynamics of the lodging-house reflect the politics of Dickens's immediate circle. Finally, a coda contemplates the legacy of Dickens's tenancy narratives in the late nineteenth century and beyond.
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Ure, Kellyanne. "The Tractarian Penny Post's Early Years (1851–1852): An Upper-Class Effort "To Triumph in the Working Man's Home"." BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/2350.

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The Penny Post (1851–1896), a religious working-class magazine, was published following a critical time for the Oxford Movement, a High Church movement in the Church of England. The Oxford Movement's ideas were leaving the academic atmosphere of Oxford and traveling throughout the local parishes, where the ideals of Tractarian teachings met the harsh realities of practice and the motivations and beliefs of the working-class parishioners. The upper-class paternalistic ideologies of the Oxford Movement were not reflected in the parishes, and the working-classes felt distanced from their place in religious worship. The Penny Post was published and written by Tractarian clergymen and followers to "triumph in the Working Man's Home," attempting to convince a working-class audience that the upper-class Tractarian clergymen and parishioners both understood and wanted to help the poorer peoples of society. However, an analysis of the Penny Post reveals that its creators had more complex motives and were targeting a more diverse audience than they claimed. Because of these complexities, the Penny Post's creators could not reconcile the discrepancies between working-class ideologies and upper-class ideologies; the Penny Post, in the end, undermined its own intended purposes. The elements of the magazine that attempted to address working-class concerns were overshadowed by other elements that, while appearing to address working-class concerns, directly targeted an upper-class audience. This dichotomy of purpose—simultaneously addressing different classes with different, often contradictory, beliefs—reveals the multifaceted nature of the Penny Post's efforts to reach their audiences. The Penny Post is a magazine that simultaneously addresses an upper-class audience and a working-class audience, a duality that creates ideological contradictions and tensions throughout the magazine. These tensions reflect the class issues within Victorian society and the ways religious movements dealt with those tensions in periodicals like the Penny Post. The Penny Post provides an important look into how the Oxford Movement, a movement not known for its understanding of and interest in the working classes, did attempt to reach and understand the working classes through periodical literature.
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O'Hanlon, Seamus. "Home together, home apart : boarding house, hostel and flat life in Melbourne, c1900-1940." Monash University, Dept. of History, 1999. http://arrow.monash.edu.au/hdl/1959.1/8568.

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Books on the topic "Victorian home"

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ill, Bedell Barbara, ed. The Victorian home. Crabtree Pub. Co., 1997.

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Victorian designs for the home. V&A Publications, 1999.

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Clemmensen, Tove. The Victorian home at the National Museum. National Museum of Denmark, 1990.

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The Victorian home: The grandeur and comforts of the Victorian Era, in households past and present. Running Press, 1995.

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The Victorian home in cross stitch. David & Charles, 1996.

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Lasdun, Susan. Victorians at home. Weidenfeld and Nicolson, 1985.

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Prittie, Joni. The victorian home: Over 75 beginner projects. Mark Pub., 1990.

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Inside the Victorian home: A portrait of domestic life in Victorian England. W.W. Norton, 2006.

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Adam, Hook, ed. A Victorian house. Wayland, 2007.

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Berriedale-Johnson, Michelle. The Victorian cookbook. Interlink Books, 1989.

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Book chapters on the topic "Victorian home"

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Newey, Katherine. "Home and Nation." In Women’s Theatre Writing in Victorian Britain. Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230554900_6.

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Trodd, Anthea. "Introduction: the Guilty Home." In Domestic Crime in the Victorian Novel. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19638-8_1.

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Waters, Catherine. "Home News." In Special Correspondence and the Newspaper Press in Victorian Print Culture, 1850–1886. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03861-8_5.

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Agnew, Éadaoin. "There’s No Place Like Home: Homes and Gardens in Victorian India." In Imperial Women Writers in Victorian India. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33195-9_2.

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Gänzl, Kurt. "YORKE [JONES], Josephine (b Cincinnati, 7 March 1850; d Home of the Little Sisters of the Poor, Chicago, 2 March 1931)." In Victorian Vocalists. Routledge, 2017. http://dx.doi.org/10.4324/9781315102962-100.

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Sutphin, Christine. "Victorian Childhood. Reading Beyond the ‘Innocent Title’: Home Thoughts and Home Scenes." In Children's Literature. Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230523777_3.

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Peck, John. "The Army at Home: from Disraeli to Hardy." In War, the Army and Victorian Literature. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230378803_5.

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Penner, Louise. "Defending Home and Country: Florence Nightingale’s Training of Domestic Detectives." In Victorian Medicine and Social Reform. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230106598_2.

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Traver, Teresa Huffman. "Introduction: “A Home for the Lonely”." In Victorian Cosmopolitanism and English Catholicity in the Mid-Century Novel. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-31347-0_1.

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Traver, Teresa Huffman. "“Home by Michaelmas”: Yonge’s Tractarian Domestic." In Victorian Cosmopolitanism and English Catholicity in the Mid-Century Novel. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-31347-0_5.

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Conference papers on the topic "Victorian home"

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Ganguly, Piyali, Akhtar Kalam, and Aladin Zayegh. "Optimum standalone hybrid renewable energy system design using HOMER for a small community of Portland, Victoria." In 2017 Australasian Universities Power Engineering Conference (AUPEC). IEEE, 2017. http://dx.doi.org/10.1109/aupec.2017.8282486.

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Mahmoodi*, Omid, and Richard Smith. "Clustering of down-hole physical properties measurement to characterize rock units at the Victoria Cu-Ni property." In SEG Technical Program Expanded Abstracts 2014. Society of Exploration Geophysicists, 2014. http://dx.doi.org/10.1190/segam2014-0190.1.

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Brown, Jolene, Laurie Fortunato, Charlotte Woollaston, Kalyani Snell, Hilary Tedd, and Alice Fitzpatrick. "70 A review of end of life care of patients on high flow nasal cannula at the royal victoria infirmary, newcastle upon Tyne." In Accepted Oral and Poster Abstract Submissions, The Palliative Care Congress 1 Specialty: 3 Settings – home, hospice, hospital 25 – 26 March 2021 | A virtual event, hosted by Make it Edinburgh Live, the Edinburgh International Conference Centre’s hybrid event platform. British Medical Journal Publishing Group, 2021. http://dx.doi.org/10.1136/spcare-2021-pcc.88.

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Reports on the topic "Victorian home"

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War Service Homes Scheme, Victoria - finished home, Ormond. Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_pn-002095.

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War Service Homes Scheme, Victoria - framework for a concrete home in Melbourne. Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_pn-002094.

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War Service Homes Scheme, Victoria - Laying of the foundation stone of the first War Service Home in Victoria - 25 July 1919 (copy b). Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_pn-002089.

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War Service Homes Scheme, Victoria - Laying of the foundation stone of the first War Service Home in Victoria - 25 July 1919 (copy a). Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_pn-002088.

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War Service Homes Scheme, Victoria - The ceremony of the laying of the foundation stone for the first home - 25 July 1919. Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_pn-002090.

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War Service Homes Scheme, Victoria - House nearing completion, Ivanhoe - 1919. Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_pn-002093.

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War Service Homes Scheme, Victoria - house construction at various stages. Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_pn-002096.

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War Service Homes Scheme, Victoria - House nearing completion, Coburg - 1919. Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_pn-002092.

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War Service Homes Scheme, Victoria - House nearing completion, Eskdale Road Caulfield - 1919. Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_pn-002091.

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