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Journal articles on the topic 'Victorian literature'

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1

Mattison, Laci, and Rachel Tait-Ripperdan. "Digital Archives and the Literature Classroom." Pedagogy 22, no. 2 (2022): 295–307. http://dx.doi.org/10.1215/15314200-9576485.

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Abstract This article describes the implementation of and assessment findings for a digital archival assignment in the 3000-level Victorian Literature and Culture course at Florida Gulf Coast University. The assignment utilized ProQuest's database, Queen Victoria's Journals, which comprises the extant journals of Queen Victoria, and demonstrated the value of primary historical research and digital archives in enhancing student content knowledge, information literacy, and critical thinking.
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Betensky, Carolyn. "Casual Racism in Victorian Literature." Victorian Literature and Culture 47, no. 4 (2019): 723–51. http://dx.doi.org/10.1017/s1060150319000202.

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The first time a casually racist reference crops up in the Victorian texts I teach, I tell my students that the presence of slurs and stereotypes in Victorian literature reflects the prevalence of racism in Victorian society. I give them some historical context for the racism whenever possible and smile stoically. Yes, I say, that expression in the novel I've made you purchase and that I'm encouraging you to find fascinatingisindeed racist. Let's talk about how racist it is and why! The second time an explicitly racist reference crops up, we refer to the previous conversation. The third time i
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3

Nnyagu, Uche, and Umeh Deborah. "Towards the Exploration of the Victorian Literature: The Historical Overview." South Asian Research Journal of Arts, Language and Literature 5, no. 05 (2023): 177–82. http://dx.doi.org/10.36346/sarjall.2023.v05i05.002.

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The Victorian Period is a remarkable period in the history of literature as a lot of transformations took place in this era. The Victorian Period spaned from 1837 to 1901 and it is a remarkable era that left an indelible mark on the fabric of society, art, and literature. This paper delves into the rich precepts of the Victorian era, exploring its distinctive characteristics, social dynamics, and artistic expressions. This study commences with an overview of the historical and socio-political context of the Victorian Period, highlighting the reign of Queen Victoria and the significant events t
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4

Humpherys, Anne. "KNOWING THE VICTORIAN CITY: WRITING AND REPRESENTATION." Victorian Literature and Culture 30, no. 2 (2002): 601–12. http://dx.doi.org/10.1017/s1060150302302110h.

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FROM THE BEGINNING OF the nineteenth century to the beginning of the twenty-first, the central issues in writing about the Victorian city have remained the same: how did the Victorians “see” the city? how do “we” see the Victorian city? and how do “we” see the Victorians seeing the city? Is the city knowable? What are the modes of representation of the Victorian city?
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Haider, Ali Jal. "Matthew Arnold’s “Dover Beach’’: A Depiction of Victorian Doubt and Faith." Galore International Journal of Applied Sciences and Humanities 5, no. 4 (2021): 12–14. http://dx.doi.org/10.52403/gijash.20211003.

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Dissatisfied with his age Arnold turned towards Greek Culture and literature. Victorian age was an age of doubt and faith. Religious faith were in melting pot. Darwin’s ‘Origin Of Species’ (1859) shook the Victorian faith. Darwin questioned the very basic statement of ‘The Holy Bible’. Arnold considered literature as a weapon to established the broken faith of Victorians. He took Greek literature as reference to write literature. Arnold keenly observed Greek art and culture and find solace in it. He used Greek Art and Culture as the tool of morality and it has the healing power to wounded Vict
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6

Harris, Margaret. "VICTORIANS LIVE: AUSTRALIA'S VICTORIAN VESTIGES." Victorian Literature and Culture 34, no. 1 (2006): 342–46. http://dx.doi.org/10.1017/s1060150306221193.

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ON 1 JANUARY 1901, at the beginning of a new century, the Commonwealth of Australia was proclaimed a political entity by the federation of six separate British colonies. Queen Victoria's formal assent to the necessary legislation of the Westminster Parliament was one of her last official acts; she died on 22 January. For all the tyranny of 20,000 kilometres distance, the impress of the monarch on her far-flung colony was evident. Two of the states of the Commonwealth, Victoria and Queensland, had been named for her. When the Port Phillip settlement separated from New South Wales in 1851, it be
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7

Ozment, Suzanne. "Victorian Literature and the Victorian Visual Imagination." Nineteenth Century Studies 10, no. 1 (1996): 138–40. http://dx.doi.org/10.2307/45196777.

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8

Ozment, Suzanne. "Victorian Literature and the Victorian Visual Imagination." Nineteenth Century Studies 10, no. 1 (1996): 138–40. http://dx.doi.org/10.2307/ninecentstud.10.1996.0138.

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9

Kauffman, Linda, and Don Richard Cox. "Sexuality and Victorian Literature." South Atlantic Review 50, no. 2 (1985): 127. http://dx.doi.org/10.2307/3199249.

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10

Katz, Peter. "Victorian Literature and Science." Critical Survey 27, no. 2 (2015): 1–3. http://dx.doi.org/10.3167/cs.2015.270201.

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11

Brown, Alanna Kathleen, and Don Richard Cox. "Sexuality and Victorian Literature." Rocky Mountain Review of Language and Literature 41, no. 1/2 (1987): 92. http://dx.doi.org/10.2307/1347592.

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12

McKechnie, C. C. "Does Victorian Literature Matter?" Cambridge Quarterly 38, no. 2 (2009): 177–83. http://dx.doi.org/10.1093/camqtly/bfp005.

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13

Hunt, Aeron. "Victorian Literature and Finance." Journal of Victorian Culture 16, no. 2 (2011): 283–86. http://dx.doi.org/10.1080/13555502.2011.589687.

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14

Stiles, Anne. "Victorian Literature and Neuroscience." Literature Compass 15, no. 2 (2018): e12436. http://dx.doi.org/10.1111/lic3.12436.

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15

Eminli, Afag. "Women in Victorian literature." Filologiya məsələləri Journal of Philological Issues, no. 2 (2025): 288. https://doi.org/10.62837/2025.2.288.

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16

Kestner, Joseph A. "Victorian Art History." Victorian Literature and Culture 26, no. 1 (1998): 207–19. http://dx.doi.org/10.1017/s1060150300002357.

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There has been an intriguing range of material published concerning Victorian painting since Victorian Literature and Culture last offered an assessment of the field. These books, including exhibition catalogues, monographs, and collections of essays, represent new and important sources for research in Victorian art and its cultural contexts. Most striking of all during this interval has been the range of exhibitions, from focus on the Pre-Raphaelites to major installations of such Victorian High Olympians/High Renaissance painters as Frederic, Lord Leighton and Sir Lawrence Alma-Tadema. Inclu
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17

Lobdell, Nicole. "Drawing on the Victorians: the palimpsest of Victorian and neo-Victorian graphic texts." Nineteenth-Century Contexts 41, no. 2 (2019): 232–35. http://dx.doi.org/10.1080/08905495.2019.1569808.

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18

Sussman, Herbert. "VICTORIANS LIVE: Introduction." Victorian Literature and Culture 34, no. 1 (2006): 333. http://dx.doi.org/10.1017/s1060150306051187.

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For this issue, Victorians Live takes a global perspective on the afterlife of the Victorians. Using a fine nineteenth-century phrase, Margaret Harris writes of “Victorian Vestiges” in Australia. Carole Silver describes the mix of concealment and display in South Africa's dealing with its Victorian heritage. My essay on a recent American exhibition of the work of Morris & Co. shows the influence of this representative Victorian in California, as filtered through the collection of Henry Huntington for his Library in southern California and with additions for this show by contemporary Califo
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19

Sussman, Herbert. "VICTORIANS LIVE." Victorian Literature and Culture 36, no. 1 (2008): 255–67. http://dx.doi.org/10.1017/s1060150308080169.

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Victorians Live examines the afterlife of the Victorians, the ways that Victorian literature and culture remain alive, continue to live in our own day.“‘Modern Life’ – with a Vengeance”: William Powell Frith at the Guildhall Art GalleryTIMOTHY BARRINGERBirth of the BestsellerHERBERT SUSSMAN
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20

Sussman, Herbert. "HOW THE VICTORIANS BECAME SEXY: THE FLESHLY SCHOOL OF PAINTING." Victorian Literature and Culture 33, no. 1 (2005): 322–28. http://dx.doi.org/10.1017/s106015030524086x.

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EXPOSED:THE VICTORIAN NUDE, an extensive exhibition initiated by and first shown at Tate Britain in 2002, andThe Crimson Petal and the Whiteby Michael Faber, a best-selling novel set in Victorian times and published in the same year, illustrate the interchange of the scholarly and the popular, more particularly how the recent rich work in Victorian sexuality, familiar to readers of this journal, informs and is transformed within blockbuster museum shows and popular fiction. Both exhibition and novel shed some light on the question of how the Victorians have become so sexy.
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21

Krombholc, Viktorija, and Bojana Vujin. "ABSENT MOTHERS AND GHOSTLY DOUBLES IN DIANE SETTERFIELD’S THE THIRTEENTH TALE." Годишњак Филозофског факултета у Новом Саду 49, no. 1 (2024): 191–202. https://doi.org/10.19090/gff.v49i1.2528.

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Neo-Victorian literature recontextualises popular Victorian tropes and re-examines fictional and historical Victoriana’s place within today’s larger culture. Contemporary neo-Victorian narratives often repurpose Gothic motifs, whose unsettling nature illustrates our own ambivalent attitudes towards the Victorians and the cultural heritage they left behind. This paper analyses Diane Setterfield’s debut novel The Thirteenth Tale (2006), positing it as a neo-Victorian Gothic text and paying special attention to the motifs of doubles and motherlessness, so as to examine the ideas of identity, orig
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22

Khan Kalmy, Muntaha Jahan, and Md Lutful Arafat. "Depression, a Major Theme of Modern Literature as the Culmination Point of the Degradation of Human Feelings Found in Victorian Literature." Alford Council of International English & Literature Journal 06, no. 03 (2023): 01–11. http://dx.doi.org/10.37854/acielj.2023.6301.

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This study aims to show how life is portrayed in the Victorian Age through Victorian literature and its effects on modern literature. The paper represents depression, considered to be the central theme of modern literature, also found available in modern society where degradation of human feelings found in Victorian society and literature that acted as the catalysts of depression. To make this paper more acceptable, a comparison of Victorian and modern writers' writing styles and techniques is shown. To show the writing styles of Victorian and modern novels, Victorian novels have been describe
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23

Jessup, Brad. "Trajectories of Environmental Justice: From Histories to Futures and the Victorian Environmental Justice Agenda." Victoria University Law and Justice Journal 7, no. 1 (2018): 48–65. http://dx.doi.org/10.15209/vulj.v7i1.1043.

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Before the last state election, the current Victorian government promised from opposition to develop an Environmental Justice Plan if elected. It acknowledged international best practice as a benchmark for such a plan, though it did not recognise the legacy of environmental justice activism and scholarship locally. With the plan still in progress, this article considers the global histories and future directions of environmental justice and a literature-based framework for curating a Victorian plan. It breaks with the common understanding, including that held by government bureaucrats in Victo
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24

Yue, Isaac. "MISSIONARIES (MIS-)REPRESENTING CHINA: ORIENTALISM, RELIGION, AND THE CONCEPTUALIZATION OF VICTORIAN CULTURAL IDENTITY." Victorian Literature and Culture 37, no. 1 (2009): 1–10. http://dx.doi.org/10.1017/s1060150309090019.

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In Sartor Resartus (1831), Thomas Carlyle wrote that “the loss of his religious Belief was the loss of everything” (129; bk. 2, ch. 7). At the time, this statement was no exaggeration because, as the nineteenth century dawned, Christianity was inarguably perceived by many as one of the most definitive components of Britishness; as Jane Austen's Henry Tilney says: “Remember that we are English, that we are Christians” (172, vol. 2, ch. 9). The sense of being a Christian represents a fundamentally important ideal to the conceptualization of Victorian cultural identity in that it not only dictate
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25

Sussman, Herbert. "VICTORIANS LIVE." Victorian Literature and Culture 37, no. 1 (2009): 287–310. http://dx.doi.org/10.1017/s1060150309090196.

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Victorians Live examines the afterlife of the Victorians, the ways that Victorian literature and culture remain alive, continue to live in our own day.Twenty-First Century MillaisELIZABETH PRETTEJOHNThe Labor of PhotographyGEOFFREY BATCHENArt & Emancipation in Jamaica: Isaac Mendes Belisario and His WorldsHERBERT SUSSMANSondheim's Sweeney Todd on Stage and ScreenSHARON ARONOFSKY WELTMAN
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26

Desmarais, Jane. "Late-Victorian Decadent Song Literature." Victorian Literature and Culture 49, no. 4 (2021): 689–710. http://dx.doi.org/10.1017/s1060150320000224.

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This article considers the Victorian and Edwardian vogue for setting late-Victorian decadent poetry to music. It examines the particular appeal of Ernest Dowson's and Arthur Symons's verse to the composers Cyril Scott and Frederick Delius, whose Songs of Sunset (1911) was regarded as the “quintessential expression of the fin-de-siècle spirit,” and discusses the contribution of women composers and musicians—particularly that of the Irish composer and translator Adela Maddison (1866–1929)—to the cross-continental tradition of decadent song literature and the musical legacy of decadence in the la
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27

Kuduk, Stephanie. "Victorian Poetry as Victorian Studies." Victorian Poetry 41, no. 4 (2003): 513–18. http://dx.doi.org/10.1353/vp.2004.0010.

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28

Hargreaves, Tracy. "‘We Other Victorians’: Literary Victorian Afterlives." Journal of Victorian Culture 13, no. 2 (2008): 278–86. http://dx.doi.org/10.3366/e1355550208000350.

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29

Jing, Li. "Victorian Literature and Modern China." Chinese Studies 02, no. 01 (2013): 36–42. http://dx.doi.org/10.4236/chnstd.2013.21005.

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30

Zhang, Yuhao. "Ecofeminism in Victorian Female Literature." BCP Social Sciences & Humanities 19 (August 30, 2022): 120–24. http://dx.doi.org/10.54691/bcpssh.v19i.1562.

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Ecofeminism was formally proposed in the 1970s and widely applied to sociology, religion, and political science, and plenty of other disciplines. Indeed, some visionary female writers applied ecofeminism theory to literary writing as early as the Victorian period, with the awakening of female thought. Jane Eyre, a classic work of the period, explores the connection between nature and female consciousness and reveals the tragedy of men mutilating and oppressing women and nature in the 19th century. The novel depicts men's dominance and oppression of nature and women in a way that subverts binar
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31

Dillon, S. "The Archaeology of Victorian Literature." Modern Language Quarterly 54, no. 2 (1993): 237–61. http://dx.doi.org/10.1215/00267929-54-2-237.

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32

Kennedy, Valerie. "Victorian Literature and Postcolonial Studies." English Studies 93, no. 6 (2012): 741–42. http://dx.doi.org/10.1080/0013838x.2012.668801.

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33

Derus, David L. "Review: Sexuality and Victorian Literature." Christianity & Literature 35, no. 2 (1986): 40–41. http://dx.doi.org/10.1177/014833318603500210.

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34

Slinn, E. Warwick. "Romantic Irony and Victorian Literature." Victorian Literature and Culture 19 (March 1991): 329. http://dx.doi.org/10.1017/s1060150300003752.

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35

Petch, Simon. "LAW, LITERATURE, AND VICTORIAN STUDIES." Victorian Literature and Culture 35, no. 1 (2007): 361–84. http://dx.doi.org/10.1017/s1060150307261546.

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36

Primorac, Antonija. "VICTORIAN LITERATURE AND FILM ADAPTATION." Victorian Literature and Culture 45, no. 2 (2017): 451–59. http://dx.doi.org/10.1017/s1060150316000711.

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“The book was nothing likethe film,” complained one of my students about a week or so after the premiere of Tim Burton'sAlice in Wonderland(2010). Barely able to contain his disgust, he added: “I expected it to be as exciting as the film, but it turned out to be dull – and it appeared to be written for children!” Stunned with the virulence of his reaction, I thought how much his response to the book mirrored – as if through a looking glass – that most common of complaints voiced by many reviewers and overheard in book lovers’ discussions of film adaptations: “not as good as the book.” Both vie
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37

LaPorte, Charles. "Victorian Literature, Religion, and Secularization." Literature Compass 10, no. 3 (2013): 277–87. http://dx.doi.org/10.1111/lic3.12049.

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38

Soccio, Anna Enrichetta. "Legal Perspectives in Victorian Literature." Pólemos 13, no. 2 (2019): 215–17. http://dx.doi.org/10.1515/pol-2019-0017.

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39

Gilbert, Pamela K. "Teaching “Victorian” Literature: A Reflection." Victorian Review 49, no. 1 (2023): 43–48. http://dx.doi.org/10.1353/vcr.2023.a925217.

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40

Moore, Kevin Z. "Viewing the Victorians: Recent Research on Victorian Visuality." Victorian Literature and Culture 25, no. 2 (1997): 367–85. http://dx.doi.org/10.1017/s106015030000485x.

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Since carol christ's pioneering research in 1975 on the “finer optic” of Victorian poetry, the optic has become even finer in all senses of the word: refined, particular, precise, scientific, and, most importantly, thoroughly historical and material. The optical is no longer a metaphor, but a reality: a device, apparatus, or gadget whose lens-crafted appearance on the scene of vision enhances and alters “visuality,” a recently coined term for “how we moderns see seeing.” Terms which once stood solely upon metaphorical ground, as in W. D. Shaw's “The Optical Metaphor: Victorian Poetics and the
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41

Sussman, Herbert. "INTRODUCTION." Victorian Literature and Culture 33, no. 1 (2005): 313. http://dx.doi.org/10.1017/s1060150305210860.

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WITH THESE ESSAYS, Victorian Literature and Culture begins a regular feature, “Victorians Live,” whose subject is how the Victorians still “live,” how they remain “live,” lively, alive. The focus is the intersection of the world of Victorian scholarship that the readers of VLC inhabit, with the larger world of representation. For, quite remarkably, in our globalized time, the Victorians remain “in”–from museum blockbusters to specialized exhibitions, from home decoration to popular fiction and graphic novels, from Masterpiece Theatre to Hollywood retellings of canonical novels. Rather than ass
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42

More, J. G. "The Evolution of the Gothic Tradition in Victorian Literature." International Journal of Arts, Social Sciences and Humanities 01, no. 01 (2023): 01–05. https://doi.org/10.5281/zenodo.8210845.

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This research paper explores the evolution of the Gothic tradition in Victorian literature. The paper begins by examining the origins of the Gothic genre in literature and the influence of the Romantic movement on Gothic literature. It then discusses the characteristics, themes, and motifs of Victorian Gothic literature and its popularity in popular culture and media. The paper also examines the impact of social, cultural, and historical changes on Victorian Gothic literature and the role of women writers in shaping the Victorian Gothic tradition. The paper provides examples of Victorian Gothi
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43

Allen, Michelle. "FROM CESSPOOL TO SEWER: SANITARY REFORM AND THE RHETORIC OF RESISTANCE, 1848–1880." Victorian Literature and Culture 30, no. 2 (2002): 383–402. http://dx.doi.org/10.1017/s1060150302302018h.

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IN 1855, THE REVEREND GIRDLESTONE zealously promoted sanitary reform in Britain, claiming that the movement was “pregnant with the most important advantages to the human race, in every point of view — social, moral, and religious” (29). Girdlestone’s claim provides a useful starting point for considering representations of reform, as this view of the redemptive powers of cleanliness has been accepted by many historians as a characteristic Victorian attitude.1 But while it is true that many Victorians believed that sweeping public health reforms could fuel the physical and moral regeneration of
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44

Jones, Amanda. "Madness, Monks and Mutiny: Neo-Victorianism in the Work of Victoria Holt." Neo-Victorian Studies 12, no. 1 (2019): 1–27. https://doi.org/10.5281/zenodo.3470919.

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Despite authoring almost thirty Victorian-set novels between 1960 and 1993, Victoria Holt (a pseudonym of Eleanor Hibbert) has received little critical attention. This article examines four of Holt&rsquo;s novels and reveals key ways in which she &lsquo;talks back&rsquo; to Victorian literature, specifically to <em>Jane Eyre</em> (1847), <em>The Moonstone</em> (1868), <em>The Woman in White</em> (1860) and &lsquo;The Children&rsquo;s Hour&rsquo; (1860). In particular, it investigates Holt&rsquo;s neo-Victorian use of the asylum in her second novel, <em>Kirkland Revels </em>(1962), which highli
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Jones, Anna Maria. "CONSERVATION OF ENERGY, INDIVIDUAL AGENCY, AND GOTHIC TERROR IN RICHARD MARSH'STHE BEETLE, OR, WHAT'S SCARIER THAN AN ANCIENT, EVIL, SHAPE-SHIFTING BUG?" Victorian Literature and Culture 39, no. 1 (2010): 65–85. http://dx.doi.org/10.1017/s1060150310000276.

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There is a familiar critical narrativeabout the fin de siècle, into which gothic fiction fits very neatly. It is the story of the gradual decay of Victorian values, especially their faith in progress and in the empire. The self-satisfied (middle-class) builders of empire were superseded by the doubters and decadents. As Patrick Brantlinger writes, “After the mid-Victorian years the British found it increasingly difficult to think of themselves as inevitably progressive; they began worrying instead about the degeneration of their institutions, their culture, their racial ‘stock’” (230). And thi
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46

Sussman, Herbert. "VICTORIANS LIVE." Victorian Literature and Culture 38, no. 1 (2010): 287–318. http://dx.doi.org/10.1017/s1060150309990465.

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Victorians Live examines the afterlife of the Victorians, the ways that Victorian literature and culture remain alive, continue to live in our own day.It Was the Worst of Times: A Visit to Dickens WorldMARTY GOULD AND REBECCA MITCHELLTurner in AmericaJASON ROSENFELDHolman Hunt at TorontoHERBERT SUSSMANThe Afterlives of Aestheticism and Decadence in the Twenty-First CenturyMARGARET D. STETZDarwin at YaleMARGARET HOMANS
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47

Demirel, Özlem. "Cox, Jessica. Neo-Victorianism and Sensation Fiction. Cham: Palgrave Macmillan, 2019. 251 pp. ISBN: 978-3-030-2989-8." FOCUS: Papers in English Literary and Cultural Studies 13, no. 1 (2022): 123–26. https://doi.org/10.15170/focus.13.2022.1.123-126.

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Sensation fiction was irresistibly popular yet problematic during the nineteenth century, often because it attempted to subvert nineteenth-century values and social norms and scandalized Victorian society. Its contestable position and the intricate relationship with the historical period that created the genre itself made sensation fiction a distinctive genre in both academic and popular interest in Victorian literary studies. Its enormous influence on twentieth- and twenty-first-century literature and the apt for reading Victorians from a contemporary and postmodern perspective show the ackno
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48

MacHann, Clinton. "Gender Politics and the Study of Nineteenth-Century Autobiography." Journal of Men’s Studies 6, no. 3 (1998): 307–18. http://dx.doi.org/10.1177/106082659800600304.

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This article discusses ideologically-slanted reactions to the study of British Victorian autobiography, a “male-dominated” literary genre, as an example of the “social agendas” currently operative in the study of the humanities. It focuses on the publication and reception of the book The Genre of Autobiography in Victorian Literature (1994a). Literary autobiography for the Victorians was a referential, nonfiction genre, which, with conventional pressures applied through historicity and verifiability, required the conflation of mental or spiritual (inner) development and the (outer) development
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49

Gates, Barbara T. "SOUND AND SCENTS." Victorian Literature and Culture 34, no. 1 (2006): 385–87. http://dx.doi.org/10.1017/s1060150306051229.

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AFTER MORE THAN A DECADEscrutinizing the importance of sight in the nineteenth century, Victorian scholars are training their own sights on other senses. Books like Jonathan Crary'sTechniques of the Observer(MIT 1990), James Krasner'sEntangled Eye(Oxford 1992), and Kate Flint'sThe Victorians and the Visual Imagination(Cambridge 2000)–studies that revolutionized our understanding of why and how sight mattered in Victorian culture–have recently been complemented by books like the two under review here. Janice Carlisle'sCommon Scents: Comparative Encounters in High-Victorian Fictionand John M. Pi
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50

Montz, Amy L. "Unbinding the Victorian Girl: Corsetry and Neo-Victorian Young Adult Literature." Children's Literature Association Quarterly 44, no. 1 (2019): 88–101. http://dx.doi.org/10.1353/chq.2019.0005.

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