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Relevant bibliographies by topics / Victorian poet

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Academic literature on the topic 'Victorian poet'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Victorian poet"

1

Farhana, Jannatul. "Revolutionary Poetic Voices of Victorian Period: A Comparative Study between Elizabeth Barrette Browning and Christina Rossetti." English Language and Literature Studies 6, no. 1 (2016): 69. http://dx.doi.org/10.5539/ells.v6n1p69.

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<p>This article is an attempt to provide a comparative study between Elizabeth Barrette Browning and Christina Rossetti, two famous authors in the Victorian period. As the first female poet Browning throws a challenge by dismantling and mingling the form of epic and novel in her famous creation <em>Aurora Leigh. </em>This epic structurally and thematically offers a new form that questions the contemporary prejudices about women. Being influenced and inspired by Browning, Rossetti shows her mastery on sonnets in <em>Monna Innominata: A Sonnet of Sonnets</em>. Diversity in the themes of her poem allows Rossetti to demonstrate her intellect and independent thinking, which represents the cultural dilemma of Victorian women. Though Browning is addressed as the ‘first female poet’ and the pioneer of revolutionary female poets, her <em>Aurora Leigh </em>recognizes and celebrates the success of a female poet in that period but at the same time acknowledges the importance of traditional romance as well as marriage union at the end of the poem. On the other hand, in <em>Mona Innominata, </em>Rossetti mingles the traditional idea of romance with High Anglican belief to establish and uphold the position of women in the society as an individual and self sufficient one. She is the first poet in Victorian period who boldly denies the dominance of men in a woman’s life by celebrating sisterhood in her another famous work <em>Goblin Market</em>. Though Browning and Rossetti belong to the same period, Rossetti is quite advanced than Browning in terms of experimenting with forms, themes and breaking the conventions of Victorian era.</p>

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Menke, Richard. "CULTURAL CAPITAL AND THE SCENE OF RIOTING: MALE WORKING-CLASS AUTHORSHIP IN ALTON LOCKE." Victorian Literature and Culture 28, no. 1 (2000): 87–108. http://dx.doi.org/10.1017/s1060150300281060.

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IN ITS VERY TITLE, Charles Kingsley’s 1850 novel Alton Locke, Tailor and Poet: An Autobiography hints at a set of questions that the novel itself never manages to answer in a very clear or convincing way: what is the relationship between manual and intellectual labor, between industrial and poetic production, between making a coat and writing a poem? How might the early Victorian imagination conceive of a working tailor who is also a working poet — especially in light of the various actual working-class poets who appeared on the literary scene in the first half of the nineteenth-century, complete with occupational epithets, such as Thomas Cooper, the “shoe-maker poet” (a figure who in many ways provided a model for Kingsley’s fictional protagonist)? And what if, like a fair number of urban artisans, including Cooper himself, the tailor-poet is also a Chartist — as Alton Locke indeed turns out to be? What is the relationship between the Chartist call for reform and for representation of disenfranchised men in the political realm, and the attempts of a fictional working-class man (since the novel’s treatment of gender, as I will argue, is crucial to its treatment of politics and culture) to enter the early Victorian field of literary production? Or why, in the first place, should a novel that treats the “social problem” of class in the hungry forties and the appalling working conditions of the clothes trade do so by way of the literary aspirations of its title character, that is, through a fictional construction of working-class authorship?

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Dwoskin, Beth. "‘Dos Lid funem Hemd’: A Yiddish Translation of a Classic Victorian Poem." Zutot 12, no. 1 (2015): 79–94. http://dx.doi.org/10.1163/18750214-12341273.

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Yiddish proletarian poet Morris Winchevsky translated ‘Song of the Shirt,’ a classic Victorian poem by Thomas Hood. This article examines Winchevsky’s Yiddish translation verse by verse, looking at Winchevsky’s choice of Yiddish words that convey, enhance, or alter Hood’s meaning. The article demonstrates Winchevsky’s facility in language and translation, and his ability to create a distinctly Yiddish version of a classic English poem.

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Windscheffel, R. C. "Gladstone and Dante: Victorian Statesman, Medieval Poet." English Historical Review CXXII, no. 498 (2007): 1101–3. http://dx.doi.org/10.1093/ehr/cem189.

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Manor, Gal. "Victorian Mages: Robert Browning’s “Pietro of Abano” as a Critical Corollary to Alfred Tennyson’s Merlin." Anglia 137, no. 3 (2019): 395–410. http://dx.doi.org/10.1515/ang-2019-0036.

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Abstract Against the backdrop of Victorian celebrity culture, Robert Browning and Alfred Tennyson conjure the literary trope of the magician in order to convey their poetic choices and to examine the relationship between the poet and his audience. Whereas Browning’s magician, “Pietro of Abano” of Dramatic Idyls (1880), is subversive, odd and persecuted, the Poet Laureate’s Merlin of the Idylls of the King (1859–1875) is acknowledged and well admired. This essay will explore Browning’s Pietro as a critical response to Tennyson’s Merlin, reflecting the complex personal relationship between the two poets, their stylistic differences and their dissimilar reception by their contemporaries.

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Armstrong, Isobel. "When Is a Victorian Poet Not a Victorian Poet? Poetry and the Politics of Subjectivity in the Long Nineteenth Century." Victorian Studies 43, no. 2 (2001): 279–92. http://dx.doi.org/10.1353/vic.2001.0001.

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Armstrong, Isobel. "When Is a Victorian Poet Not a Victorian Poet? Poetry and the Politics of Subjectivity in the Long Nineteenth Century." Victorian Studies 43, no. 2 (2001): 279–92. http://dx.doi.org/10.2979/vic.2001.43.2.279.

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David, Deirdre. "“Art's a Service”: Social Wound, Sexual Politics, and Aurora Leigh." Browning Institute Studies 13 (1985): 113–36. http://dx.doi.org/10.1017/s0092472500005393.

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Elizabeth Barrett Browning's Aurora Leigh has become a key text for feminist critics concerned with nineteenth-century women writers. For some, Aurora Leigh is a revolutionary poem, a passionate indictment of patriarchy that speaks the resentment of the Victorian woman poet through a language of eroticized female imagery. For others, the poem is less explosive, and Barrett Browning's liberal feminism is seen as compromised by Aurora Leigh's eventual dedication to a life governed by traditionally male directives. In my view, however, Aurora Leigh is neither revolutionary nor compromised: rather, it is a coherent expression of Barrett Browning's conservative sexual politics, and I shall argue that female imagery is employed to show that the “art” of the woman poet performs a “service” for a patriarchal vision of the apocalypse. In Aurora Leigh woman's art is made the servitor of male ideal.

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CRONIN, RICHARD. "Byron, Clough, and the Grounding of Victorian Poetry." Romanticism 14, no. 1 (2008): 13–24. http://dx.doi.org/10.3366/e1354991x08000068.

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In Scene VI of Dipsychus, the Spirit wonders, as people on holiday often do, what he should do next: What now? The Lido shall it be? That none may say we didn't see The ground which Byron used to ride on, And do I don't know what beside on. (VI. 1–4)1 When Byron was living in Venice or nearby, for two years from 1817 to 1819, he had already, as he frequently complained, become one of the objects that English visitors to Venice liked to inspect. But he had only himself to blame, because it was Byron, even more powerfully than Scott, who had established the fashion for literary tourism. The thousands of British visitors who took a boat on Lake Leman or a guided tour of the dungeons of the castle of Chillon did so to honour Rousseau and the Swiss patriot Bonnivard, but also and more directly as witnesses to the fame of the poet of Childe Harold and The Prisoner of Chillon. It is no wonder that they were drawn in such numbers to the Lido when the poet himself rode on it, and continued to visit it when it summoned into presence not the poet himself but, perhaps still more potently, his memory. ‘Murray's faithful guide / Informs us’ (Dipsychus, V. 190–1) that the ‘shore of the Littorale, towards the Adriatic’ which ‘constitutes the Lido,’ is ‘now associated with the name of Byron, as the spot where he used to take his rides, and where he designed to have been buried.’2 There is then a double appropriateness in Clough's reference to Byron. Byron himself was, both in his own lifetime and after it, one of the prime tourist sites of Venice, and it was Byron who, more than any other poet, had set the fashion for tourist poetry of the kind that Clough himself wrote,3 not just in Dipsychus, but in The Bothie of Tober-na-Vuolich in which an Oxford reading party spends the long vacation in the Scottish Highlands, and in Amours de Voyage, in which an Oxford intellectual visits Rome in the Spring of 1849. Clough is, of course, a very different poet from Byron, but I want to begin by suggesting that one clue to their differences may be found in the different ways in which they thought about tourism and tourist poetry.

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Mitchell, Rebecca N. "Robert Herrick, Victorian Poet: Christina Rossetti, George Meredith, and the Victorian Recovery of Hesperides." Modern Philology 113, no. 1 (2015): 88–115. http://dx.doi.org/10.1086/681024.

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Dissertations / Theses on the topic "Victorian poet"

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Lodge, Sara. "Changing the literary note : parodies, puns and pence in the work of Thomas Hood." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325151.

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Rodriguez, Mia U. "Medea in Victorian Women's Poetry." University of Toledo Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1355934808.

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Pickles, Suzanne. "Post-authenticity : literary dialect and realism in Victorian and Neo-Victorian social novels." Thesis, University of Sheffield, 2018. http://etheses.whiterose.ac.uk/22690/.

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This thesis considers what a post-authenticity approach to literary dialect studies should be. Once we have departed from the idea of literary dialect studies being engaged in ascertaining whether or not the fictional representation of nonstandard speech varieties can be matched with those same varieties in the external world, how should we study the dialect we find in novels? I argue that literary dialect studies should be placed within critical work on the realist novel, since the representation of speech, like the broader field of realism, aims to reflect an external world, one with which the reader can identify. This, as yet, has not been done. My approach is to place greater emphasis on the role of the reader. I consider the ways in which writers use literary dialect to manage readers' responses to characters, and the nature of those responses. I give a close reading of Victorian and neo-Victorian novels to show that, whilst the subject matter of these works has changed over time to suit a modern readership, the dialect representation - its form and the attitudes to language usage it communicates - is conservative. Referring to recent surveys, and through my own research with real readers, I show that nonstandard speakers are still regarded as less well-educated and of a lower social class than those who speak Standard English. This, I argue, is why writers encode such attitudes into their works and are able to manipulate readers' responses to characters. I argue that it is the interplay of text, reader, and the broader cultural context in which the work is both written and read, that gives meaning to the literary dialect and brings it within the scope of studies of the realist novel.

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Riley, Susan. "A speaking monument : the Victorian sequence poem." Thesis, University of Liverpool, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.309948.

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Dawson, Clara Helen Mary. "Voice and reception in Tennyson, Browning, and other Victorian poets." Thesis, Durham University, 2012. http://etheses.dur.ac.uk/4932/.

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The thesis examines the relationship of Tennyson, Robert Browning, Matthew Arnold and Arthur Clough with their audiences. The intersection between readers conceived by addresses within poetic texts and historical readers who reviewed and commented on these works is, I argue, fundamental to an understanding of the literary climate of the nineteenth century. Using techniques associated with new formalism, the thesis seeks to expand our understanding of the relationship between aesthetic impulses and historical and social pressures. It examines the poetry’s self-consciousness towards its readers, and uses the responses of historical readers to situate patterns within Victorian poetry in a literary historical context. The introduction provides a background to the literary historical context within which my thesis operates, and sets out the content of each chapter. The first two chapters explore the early poetry of Tennyson and Robert Browning alongside their reviews and contemporary essays on poetic theory, arguing that their singular poetic voices develop through their conception and depiction of a readership. The next two chapters, on Tennyson’s In Memoriam and Browning’s Men and Women, continue to explore an often conflicted relationship between these two poets and their readership. A chapter on Arnold and Clough presents a counterpoint to Tennyson and Browning, focusing on the 1850s. I finish with two chapters on Tennyson’s Maud and Browning’s The Ring and the Book, exploring how Tennyson and Browning re-negotiate relationships with their readers through the dramatic medium. In my discussion of each poet, I examine the mixture of reciprocity and resistance towards their reviewers. The tension between the poets’ sense of responsibility towards their audience and their own aesthetic desires is a source of creativity: even through their resistance to the demands of their audience, their poetry is unavoidably shaped by those readers.

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Dodd, Alexandra Jane. "Secular séance: Post-Victorian embodiment in contemporary South African art." Doctoral thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/12814.

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Includes bibliographical references.<br>In this thesis I explore selected bodies of work by five contemporary South African artists that resuscitate nineteenth - century aesthetic tropes in ways that productively reimagine South Africa’s traumatic colonial inheritance. I investigate the aesthetic strategies and thematic concerns employed by Mary Sibande, Nicholas Hlobo, Mwenya Kabwe, Kathryn Smith and Santu Mofokeng, and argue that the common tactic of engagement is a focus on the body as the prime site of cognition and "the aesthetic as a form of embodiment, mode of being-in-the-world" (Merleau - Ponty). It is by means of the body that the divisive colonial fictions around race and gender were intimately inscribed and it is by means of the body, in all its performative and sensual capacities, that they are currently being symbolically undone and re-scripted. In my introduction, I develop a syncretic, interdisciplinary discourse to enable my close critical readings of these post - Victorian artworks. My question concerns the mode with which these artists have reached into the past to resurrect the nineteenth - century aesthetic trope or fragment, and what their acts of symbolic retrieval achieve in the public realm of the present. What is specific to these artists mode of "counter - archival" (Merewether ) engagement with the colonial past? I argue that these works perform a similar function to the nineteenth - century séance and to African ancestral rites and dialogue, putting viewers in touch with the most haunting aspects of our shared and separate histories as South Africans and as humans. In this sense, they might be understood both as recuperations of currently repressed forms of cultural hybridity and embodied visual conversations with the unfinished identity struggles of the artists’ ancestors. The excessive, uncanny or burlesque formal qualities of these works insist on the incapacity of mimetic, social documentary forms to contain the sustained ferocious absurdity of subjective experience in a "post - traumatic", "post - colonial", "post - apartheid" culture. The "post" in these terms does not denote a concession to sequential logic or linear temporality, but rather what Achille Mbembe terms an "interlocking of presents, pasts and futures". This "interlocking" is made manifest by the current transmission of these works, which visually, physically embody a sense of subjectivity as temporality. If the body and the senses are the means though which we not only apprehend the world in the present, but through which the past is objectively an d subjectively enshrined, then it is by means of the ossified archive of that same sensory body that the damage of the past can be released and knowledge/history re - imagined. Without erasing or denying South Africa’s well - documented history of violent categorisation, the hypothetical tenor of these works instantiates an alternate culture of love , intimacy, desire and inter - connectedness that once was and still can be.

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Rossiter, Ian. "Poetry and posies : the poetics of the family magazine 1840-1860." Thesis, University of Southampton, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340313.

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Moore, Natasha Lee. "The unpoetical age : modern life and the mid-Victorian long poem." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610158.

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Thain, Marion. "Michael Field, May Kendall, May Probyn, and A. Mary F. Robinson : late Victorian responses to a problem of poetic identity." Thesis, University of Birmingham, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343454.

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Koehler, Karin. "A modern Wessex of the 'penny post' : letters and the post in Thomas Hardy's novels." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6393.

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This thesis examines the use and representation of letters (and other written messages) in Thomas Hardy's novels, and it considers how Hardy's writing engages with Victorian communication technologies. The 1895 Preface to Far from the Madding Crowd describes Hardy's fictional setting as a ‘a modern Wessex of railways, the penny post, mowing and reaping machines, union workhouses, lucifer matches, labourers who could read and write, and National school children'. The penny post, a communication revolution with an enormous social, economic, and cultural impact, was introduced on 10 January 1840, just a few months before Hardy was born. This thesis aims to demonstrate how a consideration of the material, technological and cultural conditions of communication in Victorian England might reshape our understanding of Hardy's novels, especially of the countless letters, notes, and telegrams which permeate his texts. The written messages in Hardy's novels serve as a means for exploring the process of human communication, and the way this process shapes individual identity, interpersonal relationships, and social interactions alike. Chapter I of this thesis relates Hardy's portrayal of letters to the historical transition from oral tradition to written culture. Chapter II enquires into the relationship between letter writing and notions of privacy and publicity in Hardy's novels. Chapters III and IV argue that Hardy uses letters so as to give a strikingly modern complexity to his representation of human subjectivity and intersubjectivity. The two final chapters investigate how the modalities and technological conditions of written communication influence the construction of Hardy's narratives, the design of his plots. Taken together, the six chapters examine Hardy's perception of one of the most fundamental human activities: communication.

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Books on the topic "Victorian poet"

1

Royal Historical Society (Great Britain), ed. Gladstone and Dante: Victorian statesman, medieval poet. Boydell Press, 2006.

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Secret city: The emotional life of Victorian poet James Thomson (B.V.). University Press of America, 2001.

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Harold, Bloom. Victorian poets. Bloom's Literary Criticism, 2011.

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William Kennish: Manninagh Dooie ; Manx inventor, American pioneer, explorer, poet and forgotten genius : the life and career of a Victorian Royal Navy master carpenter. Lily, 2011.

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Noel, Roden Berkeley Wriothesley. The Victorian poet Roden Noel: A wide angle--letters, pictures, poems : including correspondence with Tennyson, Browning, Hardy, J.A. Symonds & others, plus reminiscences of Noel's son, Conrad, and the "rebel priest" of Thaxted. Edwin Mellen Press, 1997.

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Victorian poets and the changing Bible. University of Virginia Press, 2011.

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Cunningham, Valentine. Victorian poetry now: Poets, poems, poetics. Wiley-Blackwell, 2011.

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Leighton, Angela. Victorian women poets: Writing against the heart. Harvester Wheatsheaf, 1992.

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Leighton, Angela. Victorian women poets: Writing against the heart. Harvester Wheatsheaf, 1992.

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Victorian women poets: Writing against the heart. University Press of Virginia, 1992.

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Book chapters on the topic "Victorian poet"

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Feldman, Paula R. "The Poet and the Profits." In Women’s Poetry, Late Romantic to Late Victorian. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27021-7_4.

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Hickok, Kathleen. "Why is this Woman Still Missing? Emily Pfeiffer, Victorian Poet." In Women’s Poetry, Late Romantic to Late Victorian. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27021-7_18.

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King, J. E. "Victoria Chick." In Conversations with Post Keynesians. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1057/9780230378827_7.

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Ledbetter, Kathryn. "Editors and Magazine Poets." In British Victorian Women's Periodicals. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230620186_5.

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Rooney, Paul Raphael. "Victorian Readers and Reading Post-1870." In Railway Reading and Late-Victorian Literary Series. Routledge, 2018. http://dx.doi.org/10.4324/9781315265032-2.

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Groth, Helen. "Victorian Women Poets and Scientific Narratives." In Women’s Poetry, Late Romantic to Late Victorian. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27021-7_16.

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Moore, Natasha. "The Long Narrative Poem." In Victorian Poetry and Modern Life. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137537805_3.

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Stack, David. "Poet." In Lives of Victorian Political Figures II. Routledge, 2021. http://dx.doi.org/10.4324/9781003192329-15.

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Morrison, Kevin A. "Pet and Poet." In Victorian Pets and Poetry. Routledge, 2021. http://dx.doi.org/10.4324/9781003168782-101.

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"Victorian Lucretius: Tennyson and Arnold." In Lucretius Poet and Philosopher. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110673487-017.

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Conference papers on the topic "Victorian poet"

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"Practical application of climate-induced projected changes in water availability to underpin the water planning process in Victoria, Australia." In 19th International Congress on Modelling and Simulation. Modelling and Simulation Society of Australia and New Zealand (MSSANZ), Inc., 2011. http://dx.doi.org/10.36334/modsim.2011.i6.post.

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Connoley, Rob. "Will It Work? An Initial Examination of the Processes and Outcomes of Converting Course Materials to CD-ROMs." In InSITE 2006: Informing Science + IT Education Conference. Informing Science Institute, 2006. http://dx.doi.org/10.28945/3020.

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The Faculty of Business and Law at Deakin University (Victoria, Australia) decided to dispense of all printed post-graduate learning materials and replace them with CD-ROMs from the commencement of the 2006 academic year. In addition, CD-ROMs were developed for a limited number of undergraduate units as part of a future delivery plan for this cohort of students. The following paper describes this project, the reasons underpinning it, and the processes the Faculty adopted to implement the project. The project is ongoing and part of a broader agenda for change that will see an even greater application of electronic technology to teaching and learning within the Faculty. Although only initial findings and observations are possible at this stage, the project provides a basis for longitudinal reporting and, potentially, a guide for other institutions who may be considering such a move. The paper reports on these observations and on those in the educational development arena and suggests that the Faculty will need to learn from these initial experiences and evaluate the project in greater depth to guarantee a smooth transition for all stakeholders.

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Whitby, Greg, Maura Manning, and Gavin Hays. "Leading system transformation: A work in progress." In Research Conference 2021: Excellent progress for every student. Australian Council for Educational Research, 2021. http://dx.doi.org/10.37517/978-1-74286-638-3_11.

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Internationally, the COVID-19 pandemic has profoundly disrupted the education sector. While NSW has avoided the longer periods of remote learning that our colleagues in Victoria and other countries have experienced, we have nonetheless been provoked to reflect on the nature of schooling and the systemic support we provide to transform the learning of each student and enrich the professional lives of staff within our Catholic learning community. At Catholic Education Diocese of Parramatta (CEDP), a key pillar of our approach is to create conditions that enable everyone to be a leader. Following the initial lockdown period in 2020 when students learned remotely, we undertook an informal teacher voice piece with the purpose of engaging teachers and leaders from across our 80 schools in Greater Western Sydney to reflect on and capture key learnings. This project revealed teachers and leaders reported very high feelings of self-efficacy, motivation and confidence in their capacity to learn and lead in the volatile pandemic landscape. These findings raised the question: how do we enable this self-efficacy, motivation and confidence in an ongoing way? This paper documents the systematic reflection process undertaken by CEDP to understand the enabling conditions a system can provide to activate everyone to be a leader in the post-pandemic future and the key learnings emerging from this process.

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Reports on the topic "Victorian poet"

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Daniel, R. F. Carbon Dioxide Seal Capacity Study, CRC-1 , Port Campbell, Otway Basin, Victoria. Cooperative Research Centre for Greenhouse Gas Technologies, 2007. http://dx.doi.org/10.5341/rpt07-0629.

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Chabot, Benjamin, Eric Ghysels, and Ravi Jagannathan. Momentum Cycles and Limits to Arbitrage Evidence from Victorian England and Post-Depression US Stock Markets. National Bureau of Economic Research, 2009. http://dx.doi.org/10.3386/w15591.

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