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Books on the topic 'Victorian poet'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Royal Historical Society (Great Britain), ed. Gladstone and Dante: Victorian statesman, medieval poet. Boydell Press, 2006.

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2

Secret city: The emotional life of Victorian poet James Thomson (B.V.). University Press of America, 2001.

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3

Harold, Bloom. Victorian poets. Bloom's Literary Criticism, 2011.

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4

William Kennish: Manninagh Dooie ; Manx inventor, American pioneer, explorer, poet and forgotten genius : the life and career of a Victorian Royal Navy master carpenter. Lily, 2011.

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5

Noel, Roden Berkeley Wriothesley. The Victorian poet Roden Noel: A wide angle--letters, pictures, poems : including correspondence with Tennyson, Browning, Hardy, J.A. Symonds & others, plus reminiscences of Noel's son, Conrad, and the "rebel priest" of Thaxted. Edwin Mellen Press, 1997.

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6

Victorian poets and the changing Bible. University of Virginia Press, 2011.

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7

Cunningham, Valentine. Victorian poetry now: Poets, poems, poetics. Wiley-Blackwell, 2011.

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8

Leighton, Angela. Victorian women poets: Writing against the heart. Harvester Wheatsheaf, 1992.

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9

Leighton, Angela. Victorian women poets: Writing against the heart. Harvester Wheatsheaf, 1992.

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10

Victorian women poets: Writing against the heart. University Press of Virginia, 1992.

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11

Whittington-Egan, Richard. Lionel Johnson: Victorian dark angel. Capella Archive, 2012.

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12

Victorian poets and romantic poems: Intertextuality and ideology. University Press of Virginia, 1990.

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13

The pocket guide to Victorian writers and poets. Remember When, 2010.

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14

Pearce, Brian Louis. Varieties of fervour: Portraits of Victorian and Edwardian poets. University of Salzburg, 1996.

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15

Late Victorian poetry, 1880-1899: An annotated biobibliography. Mansell, 1994.

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16

Auditor-General, Victoria Office of the. Victorian Registration and Qualifications Authority. Victorian Government Printer, 2010.

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17

Politicians, poets & con men: Emotional history in late Victorian America. Archon, 1986.

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18

Victorian poets and the politics of culture: Discourse and ideology. University Press of Virginia, 1998.

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19

Bristow, Joseph. Victorian Poet: Poetics and Persona. Taylor & Francis Group, 2015.

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20

Bristow, Joseph. Victorian Poet: Poetics and Persona. Taylor & Francis Group, 2013.

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21

Bristow, Joseph. The Victorian Poet (Routledge Revivals). Routledge, 2014. http://dx.doi.org/10.4324/9781315815480.

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22

Joseph, Bristow, ed. The Victorian poet: Poetics and persona. Croom Helm, 1987.

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23

Bristow, Joseph. The Victorian Poet: Poetics and Persona (World & Word). Routledge, 1986.

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24

ANTI-MAUD BY POET OF PEOPLE (The Victorian Muse). Dissertations-G, 1986.

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25

Bristow, Joseph. The Victorian Poet: Poetics and Persona (World and Word Series). Routledge Kegan & Paul, 1986.

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26

Whitehead, James. Madness and the Romantic Poet. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198733706.001.0001.

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This book examines writing that has linked poetry and poets to madness, covering early literary criticism, biography, medical literature, and poetry itself, and moving between the late eighteenth and the twentieth century. More specifically, its purpose is to offer an account of the development and dissemination of the figure of the ‘Romantic mad poet’ in the nineteenth century, and to show how this figure interacted with coeval ideas about genius or creativity, and the varying fortunes in reception and reputation of Romantic poets, poetry, and conceptions of Romanticism generally. The opening sections address the currency of popular myths on the topic, and the relevance of modern psychological studies on mental illness and creativity. The greater part of the book focuses on reception, broadly conceived, discussing the Romantic conversation with classical and early modern ideas about poetic madness; attitudes towards the creative and literary mind in the psychiatric medicine of the period; contemporary reviews of Romantic poetry, and the hostile rhetoric of insanity they deployed; and life-writing, moving from early brief lives and popular anthologies of the ‘infirmities of genius’ to the larger narratives of irrationality in Victorian literary biography. Figures discussed include Wordsworth, Coleridge, Blake, Hazlitt, Byron, Lamb, Shelley, and Clare. The book reassesses how Romantic writers both contributed to and resisted the construction of the mad poet, or new and rediscovered mythologies of poetic madness. Finally, the Romantic mad poet is considered as an image of the artist in modernity, and the image’s long afterlife and importance are explained.

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27

Isba, Anne. Gladstone and Dante: Victorian Statesman, Medieval Poet (Royal Historical Society Studies in History New Series). Royal Historical Society, 2006.

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28

Tennyson, Alfred Tennyson, Baron, 1809-1892., Browning Elizabeth Barrett 1806-1861, Browning Robert 1812-1889, and Ogborn Jane, eds. Three Victorian poets. Cambridge University Press, 1998.

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29

Lane, Kit. Michigan's victorian poets. Pavilion Press, 1993.

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30

Victorian Women Poets. Palgrave Macmillan, 1995.

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31

Tess, Cosslett, ed. Victorian women poets. Longman, 1996.

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32

1970-, Chapman Alison, and English Association, eds. Victorian women poets. D.S. Brewer, 2003.

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33

The Victorian Poets. Harvard University Press, 2014.

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34

Cosslett, Tess. Victorian Women Poets. Taylor & Francis Group, 2017.

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35

Leighton, Angela. Victorian Women Poets. Root, Edward Everett, 2018.

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36

Blain, Virginia. Victorian Women Poets. Routledge, 2014. http://dx.doi.org/10.4324/9781315833798.

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37

Cosslett, Tess. Victorian Women Poets. Edited by Tess Cosslett. Routledge, 2017. http://dx.doi.org/10.4324/9781315293738.

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38

Thesing, William B. Victorian Women Poets. Thomson Gale, 1998.

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39

Leighton, Angela. Victorian Women Poets. Root, Edward Everett, 2018.

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40

B, Thesing William, ed. Victorian women poets. Gale Research, 1999.

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41

Williams, James. Edward Lear. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9780746312216.001.0001.

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Edward Lear wrote a well-known autobiographical poem that begins “How pleasant to know Mr Lear!” But how well do we really know him? On the one hand he is, in John Ashbery’s words, “one of the most popular poets who ever lived”; on the other hand he has often been overlooked or marginalized by scholars and in literary histories. This book, the first full length critical study of the poet since the 1980s, sets out to re-introduce Lear and to accord him his proper place: as a major Victorian figure of continuing appeal and relevance, and especially as a poet of beauty, comedy, and profound ingenuity. It approaches Lear’s work thematically, tracing some of its most fundamental subjects and situations. Grounded in attentive close readings, it connects Lear’s nonsense poetry with his various other creative endeavours: as a zoological illustrator and landscape painter, a travel writer, and a prolific diarist and correspondent.

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42

1928-, Fredeman William E., and Nadel Ira Bruce, eds. Victorian poets after 1850. Gale Research Co., 1985.

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43

Armstrong, Isobel. Major Victorian Poets: Reconsiderations. Taylor & Francis Group, 2013.

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44

1928-, Fredeman William E., ed. Victorian poets after 1850. Gale Research Company, 1985.

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45

Victorian poets: Critical heritage. Routledge, 1995.

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46

Walker, Hugh. The Greater Victorian Poets. Adamant Media Corporation, 2001.

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47

VICTORIAN POETS ALPHA 3VLS. Dissertations-G, 1986.

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48

Armstrong, Isobel. Major Victorian Poets: Reconsiderations. Taylor & Francis Group, 2013.

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49

Armstrong, Isobel. Major Victorian Poets: Reconsiderations. Taylor & Francis Group, 2013.

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50

Armstrong, Isobel. Major Victorian Poets: Reconsiderations. Taylor & Francis Group, 2013.

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