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Journal articles on the topic 'Victorian women'

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Published: 4 June 2021
Last updated: 10 February 2022

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1

Galbraith, Gretchen R., and Joan Perkin. "Victorian Women." History of Education Quarterly 36, no. 3 (1996): 337. http://dx.doi.org/10.2307/369406.

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2

Temperley, Nicholas, and Derek Hyde. "Victorian Women." Musical Times 126, no. 1709 (July 1985): 408. http://dx.doi.org/10.2307/964352.

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3

Wells, Bobbie. "Two Victorian Women." Women: A Cultural Review 26, no. 4 (October 2, 2015): 480–83. http://dx.doi.org/10.1080/09574042.2015.1106260.

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4

Srebrnik, Patricia Thomas. "Victorian Women Poets." Victorian Review 22, no. 1 (1996): 71–78. http://dx.doi.org/10.1353/vcr.1996.0006.

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Harrington, Emily. "Victorian Women Poets." Victorian Poetry 56, no. 3 (2018): 369–75. http://dx.doi.org/10.1353/vp.2018.0025.

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Harrington, Emily. "Victorian Women Poets." Victorian Poetry 57, no. 3 (2019): 449–54. http://dx.doi.org/10.1353/vp.2019.0023.

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Witcher, Heather Bozant. "Victorian Women Poets." Victorian Poetry 58, no. 3 (2020): 390–98. http://dx.doi.org/10.1353/vp.2020.0026.

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8

Kusumaningrum, Ayu Fitri. "Symbolic Annihilation Terhadap Tiga Tipe Perempuan Era Victoria dalam Hetty Feather Karya Jacqueline Wilson." ATAVISME 23, no. 2 (December 18, 2020): 189–205. http://dx.doi.org/10.24257/atavisme.v23i2.641.189-205.

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Narasi perempuan dapat ditemukan dalam berbagai macam media sejak berabad-abad lamanya. Mulai dari yang dinarasikan oleh laki-laki sampai yang dituliskan oleh perempuan sendiri, media menampilkan bermacam-macam narasi perempuan. Novel anak, sebagai salah satu bentuk media, sebenarnya juga tak luput memotret narasi perempuan dan isu-isu yang berkaitan dengan gender lainnya, meski penelitian terhadap sastra anak masih terpinggirkan dalam kalangan komunitas sastra. Penelitian ini kemudian melihat adanya narasi perempuan yang dimusnahkan dalam novel anak Hetty Feather karya Jacqueline Wilson. Menggunakan teori symbolic annihilation yang digagas Gaye Tuchman dan beberapa konsep pendukung mengenai tipe-tipe perempuan era Victoria, penelitian ini bertujuan untuk mengidentifikasi bentuk-bentuk symbolic annihilation terhadap tiga tipe perempuan era Victoria. Penelitian ini kemudian menemukan adanya trivialization, omission, dan condemnation terhadap sosok angel in the house, fallen woman, dan new woman dalam Hetty Feather.Kata kunci:Era Victoria;narasiperempuan;media;sastraanak[The Symbolic Annihilation of Three Types of Victorian Women in Jacqueline Wilson’s Hetty Feather] Women’s narratives can be found in various types of media for centuries. Starting from one narrated by men to one written by women themselves, the media presents a variety of women’s narratives. Children’s novels, as one form of media, actually also capture women’s narratives and other gender-related issues, although research on children’s literature is still marginalized within the literary community. This research, then, examines the existence of the annihilation of women’s narratives in a children’s book Hetty Feather by Jacqueline Wilson. Using the theory of the symbolic annihilation proposed by Gaye Tuchman and some supporting concepts about types of Victorian women, this study aims to identify the forms of the symbolic annihilation of three types of Victorian women. This study, then, finds that there are trivialization, omission, and condemnation acts toward angel in the house, fallen woman, and new woman in Hetty Feather.
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9

Moghari, Shaghayegh. "Portrait of Women in Victorian Novels." International Journal of Language and Literary Studies 2, no. 4 (December 26, 2020): 167–76. http://dx.doi.org/10.36892/ijlls.v2i4.414.

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This article examines the representation of three female characters in three Victorian novels. These three novels are Bleak house, Ruth, and Lady Audley’s Secret. This work is, in fact, a study of how women were viewed in Victorian novels which actually depicted the Victorian society. The society of that time was male-dominated that tried to rule over women unfairly and made them as submissive as possible in order to handle them easily according to their selfish tastes. If women in Victorian society followed the expectations of men thoroughly, they were called angel-in-the-house; if not, they were labeled with negative labels like fallen-woman or mad-woman. This article tries to go through the characters of Esther Summerson, Ruth, and Lady Audley who appeared in the three aforementioned novels respectively in order to prove that the Victorian Society, which was represented in the novels of that period, was a harshly male-dominated society that ruled over women with bitter patriarchy.
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10

Devlin, Diana, and Kerry Powell. "Women and Victorian Theatre." Modern Language Review 95, no. 2 (April 2000): 476. http://dx.doi.org/10.2307/3736156.

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11

Harrington, Emily. "Victorian Women Poets (review)." Victorian Studies 47, no. 4 (2005): 617–19. http://dx.doi.org/10.1353/vic.2006.0012.

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12

Delafield, Catherine. "Shakespeare and Victorian Women." English Studies 91, no. 7 (November 2010): 800–801. http://dx.doi.org/10.1080/0013838x.2010.517063.

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13

Wilson, Anita. "Women in Victorian Fantasy." Children's Literature Association Quarterly 16, no. 1 (1991): 44–45. http://dx.doi.org/10.1353/chq.0.0859.

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14

Arildsen, Emilie. "Challenging or Conforming to the Norms of Victorian Society." Leviathan: Interdisciplinary Journal in English, no. 3 (August 30, 2018): 18–29. http://dx.doi.org/10.7146/lev.v0i3.107777.

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Queen Victoria represents a personality split between the values of the submissive contemporary woman and the values of a powerful monarch. She was head of her country, but a married woman too, and this combination entailed situations that were difficult to navigate while retaining the values of the ideal Victorian woman and simultaneously meeting her duties as queen. I claim that by combining her two roles and becoming the mother of the Empire, Queen Victoria ultimately bettered women’s social status by influencing the mindset of her contemporary women. Her influence is apparent in writings of both feminists such as Millicent Garrett Fawcett and conservative Sarah Stickney Ellis as well as in the lives of her own daughters.
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15

Langland, Elizabeth. "Victorian Women Writers and the Woman Question (review)." Victorian Studies 44, no. 2 (2002): 349–51. http://dx.doi.org/10.1353/vic.2002.0020.

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16

Maynes, Mary Jo, and Julia Swindells. "Victorian Writing and Working Women." Contemporary Sociology 16, no. 3 (May 1987): 393. http://dx.doi.org/10.2307/2070334.

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17

Dixon, Joy. "Victorian Women by Joan Perkin." Victorian Review 20, no. 2 (1994): 185–88. http://dx.doi.org/10.1353/vcr.1994.0019.

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18

Beatrice, Megan. "A problem-solving approach to criminalised women in the Australian context." Alternative Law Journal 46, no. 1 (January 24, 2021): 41–46. http://dx.doi.org/10.1177/1037969x20985104.

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The upward trend of incarceration rates persists among women in Victoria, with increasingly punitive sentencing and onerous new bail laws. At the same time, the complex needs of women in the criminal justice system are becoming the focus of greater study and documentation. This article presents the case for a specialist women’s list under the Magistrates’ Court of Victoria jurisdiction, based in principles of therapeutic jurisprudence and procedural justice. While the list aims to reduce offending by addressing criminogenic factors unique to women, the picture is far bigger; the Victorian Women’s Court ultimately promotes justice for women who commit crimes.
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19

Psomiades, Kathy Alexis. "Victorian Women. Joan PerkinNobody's Angels: Middle-Class Women and Domestic Ideology in Victorian Culture. Elizabeth LanglandConsuming Angels: Advertising and Victorian Women. Lori Anne Loeb." Signs: Journal of Women in Culture and Society 22, no. 3 (April 1997): 771–74. http://dx.doi.org/10.1086/495205.

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20

Saeed, Nadia, Muhammad Ali Shaikh, Stephen John, and Kamal Haider. "Thomas Hardy: A Torchbearer of Feminism Representing Sufferings of Victorian Era Women." International Journal of Applied Linguistics and English Literature 9, no. 3 (May 31, 2020): 55. http://dx.doi.org/10.7575/aiac.ijalel.v.9n.3p.55.

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The purpose of this paper was to highlight the miserable plight of women during the Victorian era, the age of social reforms, political improvements, collective welfare, and material prosperity. During this age, Queen Victoria worked on various issues that had remained the cause of unrest among the people. Her efforts, in this regard, were indeed commendable, but she took no interest to resolve issues of women who had been suffering terribly under patriarchy. The subject of women remained ignored for many years, then some writers started to highlight the miserable state of these passive creatures who were the constant victims of social, political and economic injustices, inequalities, deprivations, and domestic violence. Of all the feminists, Thomas Hardy stood unique as he brought to light almost all areas of life where women were suffering awfully and their voices were suppressed under the male-dominated system. Hardy took serious note of the long-ignored subject of society and provided a vivid and realistic picture of Victorian society through his extraordinarily brilliant novels. Thomas Hardy’s famous masterpiece ‘Tess of the d’Urbervilles: A Pure Woman” is one of the best novels depicting women-related issues that shook the minds of the people to proceed towards this delicate matter. The contents or events described in the novel confirmed that women were the disadvantaged section of society who were deprived of their due rights and respect in society. They were objectified and preferred to a man in each sphere of life.
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21

Engelhardt, Carol Marie. "Mother Mary and Victorian Protestants." Studies in Church History 39 (2004): 298–307. http://dx.doi.org/10.1017/s0424208400015175.

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One of the defining characteristics of Victorian culture was its insistence that women were naturally maternal. Marriage and motherhood were assumed to be the twin goals of every young woman. Those who did not bear children were termed ‘redundant’ (perhaps most famously in W.R. Greg’s 1862 article, ‘Why are women redundant?’), yet were still assumed to have maternal instincts. Equally significant to Victorian culture was its Christianity. Notwithstanding the fact that only about half of the English and Welsh actually attended religious services, the presence of an established Church, the frequency with which political and religious questions coincided, and the certainty that England was (as one clergyman confidently expressed it) illuminated by the ‘very sun-shine of Protestantism’, combined to make Victorian culture Christian, and moreover, Protestant.
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22

Drachman, Virginia G. "“My ‘Partner’ in Law and Life”: Marriage in the Lives of Women Lawyers in Late 19th and Early 20th-Century America." Law & Social Inquiry 14, no. 02 (1989): 221–50. http://dx.doi.org/10.1111/j.1747-4469.1989.tb00061.x.

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This essay examines the ways in which women lawyers of two generation–the pioneer generation of the 1880s and the “new woman” generation of the 1910s–confronted the dilemma of marriage and career. Members of the Equity Club in the 1880s revealed three distinct sets of attitudes toward balancing marriage and career: the separatist approach that a professional woman must remain single; the Victorian attitude that a married woman must sacrifice her career; and the integrated approach that a woman could have both marriage and career. Women lawyers surveyed by the Bureau of Vocational Information in 1920 revealed that the “new woman” generation of women lawyers lived in an era of transition. While they shared the same separatist, Victorian, and integrated views toward marriage and law practice as did women lawyers in the 1880s, they also embraced the new values of the early 20th century which shaped both the contours of the legal profession and the parameters of women's lives. Set within the context of the new values of the era, the separatist, Victorian, and integrated approaches to resolving the dilemma of marriage and career, which were originally formulated by women lawyers in the late 19th century, assumed new meanings for women lawyers in the early 20th century.
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23

Owen, Alex, and Lori Anne Loeb. "Consuming Angels: Advertising and Victorian Women." American Historical Review 101, no. 2 (April 1996): 491. http://dx.doi.org/10.2307/2170461.

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24

Landale, Nancy S., and Avery M. Guest. "Ideology and Sexuality among Victorian Women." Social Science History 10, no. 2 (1986): 147. http://dx.doi.org/10.2307/1170861.

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Rappaport, Erika D., and Lori Anne Loeb. "Consuming Angels: Advertising and Victorian Women." Journal of Interdisciplinary History 27, no. 2 (1996): 305. http://dx.doi.org/10.2307/205178.

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26

John, Angela V. "Coalmining Women: Victorian Lives and Campaigns." Labour / Le Travail 18 (1986): 313. http://dx.doi.org/10.2307/25142740.

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27

Usherwood, Paul, Clarissa Campbell Orr, Mary Lago, and Pamela Gerrish Nunn. "Women in the Victorian Art World." Woman's Art Journal 19, no. 1 (1998): 41. http://dx.doi.org/10.2307/1358654.

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28

Landale, Nancy S., and Avery M. Guest. "Ideology and Sexuality among Victorian Women." Social Science History 10, no. 2 (1986): 147–70. http://dx.doi.org/10.1017/s0145553200015376.

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In recent years, American society has engaged in what is frequently described as a “sexual revolution” involving significant changes in relationships between men and women. As a result of extensive social surveys, we know that both specific behaviors and the prevailing ideology regarding appropriate standards of behavior have been subject to rapid change. In the past two decades, rates of sexual intercourse and intimacy have increased (Hunt, 1974; Westoff, 1974), use of effective contraception has become widespread, and it is increasingly accepted that a physical and emotional attraction between members of the opposite sex might lead to a sexual relationship. In short, participation in sexual activity has come to be seen as a natural outgrowth of the enjoyment of sex.
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29

Birns, Nicholas. "Medical Women and Victorian Fiction (review)." Victorian Studies 47, no. 3 (2005): 481–83. http://dx.doi.org/10.1353/vic.2005.0087.

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30

Hughes, Linda K. "Medical Women and Victorian Fiction (review)." Victorian Periodicals Review 40, no. 3 (2007): 261–63. http://dx.doi.org/10.1353/vpr.2007.0039.

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31

Morantz-Sanchez, Regina Markell. "Medical Women and Victorian Fiction (review)." Bulletin of the History of Medicine 81, no. 2 (2007): 456–58. http://dx.doi.org/10.1353/bhm.2007.0044.

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32

Spongberg, Mary. "Medical Women and Victorian Fiction (review)." Journal of the History of Sexuality 15, no. 3 (2006): 517–21. http://dx.doi.org/10.1353/sex.2007.0022.

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33

Kontou, Tatiana. "Introduction: Women and the Victorian Occult." Women's Writing 15, no. 3 (November 19, 2008): 275–81. http://dx.doi.org/10.1080/09699080802444934.

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34

Hunt, Tom. "Women and Sport in Victorian Westmeath." Irish Economic and Social History 34, no. 1 (December 2007): 29–46. http://dx.doi.org/10.7227/iesh.34.2.

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35

Wolffe, John. "The End of Victorian Values? Women, Religion, and the Death of Queen Victoria." Studies in Church History 27 (1990): 481–503. http://dx.doi.org/10.1017/s0424208400012262.

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In the evening of Tuesday 22 January 1901 Queen Victoria died at Osborne House on the Isle of Wight. At the other end of England, the Mothers’ Union branch at Embleton, on the coast of north Northumberland, was listening to a magic-lantern lecture about ‘Mothers in Many Lands’. The report of that meeting provides a touching cameo of that last hour of the Victorian age:
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36

Still, Leonie V. "Women Managers in Advertising: An Exploratory Study." Media Information Australia 40, no. 1 (May 1986): 24–30. http://dx.doi.org/10.1177/1329878x8604000105.

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The growing interest in the status of women in the Australian workforce has prompted a related interest in the position of women in certain industries, occupations and professions. Several studies have begun to emerge which have explored women's employment position and status in law (Mathews, 1982; Bretos, 1984); chartered accountancy (Equal Opportunity Board, Victoria, 1983); retailing (Turner & Glare, 1982); and social work (Brown & Turner, 1985). The position of women managers in business has also been examined by the Victorian Office of Women's Affairs (1981) and Still (1985), while Sampson (1985) is currently investigating the status of women in the primary, secondary and technical areas of the teaching profession.
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37

Kirkwood, Deborah. "Female Perpetrated Homicide in Victoria Between 1985 and 1995." Australian & New Zealand Journal of Criminology 36, no. 2 (August 2003): 152–72. http://dx.doi.org/10.1375/acri.36.2.152.

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This article presents findings of research on women who kill. All cases in which a woman was investigated by police as a perpetrator in a homicide in Victoria,Australia,between 1985 and 1995 were examined.The aim was to investigate the range of circumstances in which women kill. Seventy-seven cases were identified.The primary source of data was the Victorian Coroner 's office.Initially it was expected that most women would have killed a partner as a result of the experience of long-term violence. However,the findings of the study show that the situation with respect to women and those they kill is more complex.Three primary relationship categories were identified:women who kill their partners,women who kill their children and women who kill non-intimates.The third category primar- ily involved women who killed friends and acquaintances.This paper will argue that the homicide literature fails to provide a conceptual framework for understanding women who kill and hence contributes to the cultural stigmatising of violent women as “mad” or “bad”.
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38

Grimshaw, Patricia. "“That we may obtain our religious liberty…”: Aboriginal Women, Faith and Rights in Early Twentieth Century Victoria, Australia*." Journal of the Canadian Historical Association 19, no. 2 (July 23, 2009): 24–42. http://dx.doi.org/10.7202/037747ar.

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Abstract The paper, focused on a few years at the end of the First World War, explores the request of a group of Aborigines in the Australian state of Victoria for freedom of religion. Given that the colony and now state of Victoria had been a stronghold of liberalism, the need for Indigenous Victorians to petition for the removal of outside restrictions on their religious beliefs or practices might seem surprising indeed. But with a Pentecostal revival in train on the mission stations to which many Aborigines were confined, members of the government agency, the Board for the Protection of the Aborigines, preferred the decorum of mainstream Protestant church services to potentially unsettling expressions of charismatic and experiential spirituality. The circumstances surrounding the revivalists’ resistance to the restriction of Aboriginal Christians’ choice of religious expression offer insight into the intersections of faith and gender within the historically created relations of power in this colonial site. Though the revival was extinguished, it stood as a notable instance of Indigenous Victorian women deploying the language of Christian human rights to assert the claims to just treatment and social justice that would characterize later successful Indigenous activism.
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39

Green, Laura. "Rethinking Inadequacy: Constance Maynard and Victorian Autobiography." Victorian Literature and Culture 47, no. 3 (2019): 487–509. http://dx.doi.org/10.1017/s1060150319000111.

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In 1881 two women who were to become part of the history of Victorian feminism met: Constance Maynard (1849–1935), graduate of one of the first cohorts of women to enter Girton College and founder in 1882 of Westfield College for Women, and Bessie Rayner Parkes Belloc (1829–1925), friend of Barbara Leigh Smith Bodichon and the “Langham Place” group of feminists, and former editor of the feminist English Women's Journal. In 1873 Maynard became the first woman in England to receive a degree in “moral sciences,” from Girton, and subsequently worked for six years as a headmistress and schoolmistress at two groundbreaking girls' schools, Cheltenham Ladies' College and the new St. Leonard's School in Scotland. When she met Belloc, she was living in London with her brother, taking art classes at the Slade School, and beginning discussions that would lead to the foundation of Westfield College, formed as an explicitly Evangelical-identified parallel to ecumenical Girton and also as the first college to prepare women for the examinations and degrees offered by the University of London.
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40

Shires, Linda. "VICTORIAN WOMAN’S POETRY." Victorian Literature and Culture 27, no. 2 (September 1999): 601–9. http://dx.doi.org/10.1017/s1060150399272245.

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PART OF THE EXCITEMENT of reading Victorian woman’s poetry lies in its manifold refusals to adopt wholesale the codes and conventions of the male poetic tradition. Such refusal may manifest itself in the bold rewriting of forms (as in Elizabeth Barrett Browning’s Sonnets from the Portuguese), or in the unhinging of domestic or romantic pieties through irony and other doubling strategies (as in Dora Greenwell’s “Scherzo” or Christina Rossetti’s “Winter: My Secret”). Both the rewriting of male forms and the attack on conventional ideologies opened up new subject positions for women. For example, women’s responses to poetic tradition and to each other’s work initially made use of expressive theory to explore sexual and religious passions simultaneously (as in the poetry of the Brontës), while towards the end of the century, when religion and sexuality were not so inextricably intertwined, women could openly celebrate non-hierarchical sexualities (as in the lesbian poems of Michael Field).
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41

ABDULRAZZAQ, Dulfqar Mhaibes, and Mohammed Mahmood ABBAS. "CRISIS OF FEMININE IDENTITY: A CRITICAL STUDY OF OSCAR WILDE’S LADY WINDERMERE’S FAN FROM FEMINIST PERSPECTIVE." Volume 5, Issue 3 5, no. 3 (July 31, 2020): 325–30. http://dx.doi.org/10.26809/joa.5.024.

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This study explores the play Lady Windermere’s Fan by Oscar Wilde, and the feminist figures in the play and their role, to illustrate the dominant control of men in the Victorian period. And the discrimination towards women as a human being base on gender. This paper shows a piece of brief information about the author for what it has to do with Lady Windermere’s fan events. And demonstrates the feminism meaning and its impact on the events of the play, besides a short summary of the play. This paper focuses on the role of the fallen woman and how the author gradually transforms the audience's thinking about the fallen woman and contradicts the conventional view of it. And illustrate the inferiority view of women in the Victorian era and how the woman only meant to be part of domestic life. In addition to the motherhood and how a fallen woman acts with that in Victorian society according to Wilde’s point of view.
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42

Brookman, Helen. "Shakespeare and Victorian Women/Women Writers and Nineteenth-Century Medievalism." Journal of Victorian Culture 15, no. 3 (December 2010): 402–6. http://dx.doi.org/10.1080/13555502.2010.519540.

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43

Brotherton, Julia M. L., Leonard S. Piers, and Loretta Vaughan. "Estimating human papillomavirus vaccination coverage among young women in Victoria and reasons for non-vaccination." Sexual Health 13, no. 2 (2016): 190. http://dx.doi.org/10.1071/sh15131.

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Background Adult Australian women aged 18 to 26 years were offered human papillomavirus (HPV) vaccine in a mass catch up campaign between 2007 and 2009. Not all doses administered were notified to Australia’s HPV vaccine register and not all young women commenced or completed the vaccine course. Methods: We surveyed vaccine age-eligible women as part of the Victorian Population Health Survey 2011–2012, a population based telephone survey, to ascertain self-reported vaccine uptake and reasons for non-vaccination or non-completion of vaccination among young women resident in the state of Victoria, Australia. Results: Among 956 women surveyed, 62.3 per cent (57.8–66.6%) had been vaccinated against HPV and coverage with three doses was estimated at 53.7 per cent (49.1–58.2%). These estimates are higher than register-based estimates for the same cohort, which were 57.8 per cent and 37.2 per cent respectively. A lack of awareness about needing three doses and simply forgetting, rather than fear or experience of side effects, were the most common reasons for failure to complete all three doses. Among women who were not vaccinated, the most frequent reasons were not knowing the vaccine was available, perceiving they were too old to benefit, or not being resident in Australia at the time. Conclusions: It is likely that at least half of Victoria’s young women were vaccinated during the catch-up program. This high level of coverage is likely to explain the marked reductions in HPV infection, genital warts and cervical disease already observed in young women in Victoria.
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44

Maxwell, Catherine, Angela Leighton, Caroline Franklin, and Laura Claridge. "Victorian Women Poets: Writing against the Heart." Modern Language Review 89, no. 3 (July 1994): 734. http://dx.doi.org/10.2307/3735153.

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45

Walker, Pamela J., and Lucia Zedner. "Women, Crime, and Custody in Victorian England." Journal of Interdisciplinary History 24, no. 4 (1994): 711. http://dx.doi.org/10.2307/205646.

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46

Samantrai, Ranu, and Deirdre David. "Rule Britannia: Women, Empire, and Victorian Writing." Modern Language Review 92, no. 4 (October 1997): 958. http://dx.doi.org/10.2307/3734236.

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47

James, Sibyl, and Pamela Gerrish Nunn. "Canvassing: Recollections by Six Victorian Women Artists." Woman's Art Journal 9, no. 1 (1988): 51. http://dx.doi.org/10.2307/1358369.

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48

Beddoe, Deidre. "Women, crime and custody in victorian England." Women's History Review 2, no. 2 (June 1, 1993): 279–91. http://dx.doi.org/10.1080/09612029300200052.

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49

Watts, Ruth. "Revealing New Worlds: three Victorian women naturalists." Women's History Review 12, no. 3 (September 1, 2003): 499–520. http://dx.doi.org/10.1080/09612020100200701.

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50

Prasch, Thomas. "Victorian Women and the Gendering of Culture." Journal of Women's History 9, no. 1 (1997): 192–202. http://dx.doi.org/10.1353/jowh.2010.0251.

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