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Journal articles on the topic 'Victory Garden'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Marion, Jeff Daniel. "Detroit: Victory Garden, 1945." Appalachian Heritage 29, no. 3 (2001): 33. http://dx.doi.org/10.1353/aph.2001.0037.

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2

Herrmann, M. M., and Esq. "The Modern Day “Victory Garden”." Procedia Engineering 118 (2015): 647–53. http://dx.doi.org/10.1016/j.proeng.2015.08.498.

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3

Flippen, J. B. "Cultivating Victory: The Women's Land Army and the Victory Garden Movement." Environmental History 19, no. 2 (2014): 368–70. http://dx.doi.org/10.1093/envhis/emu006.

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Sayer, Karen. "Cultivating Victory: the Women's Land Army and the victory garden movementCECILIA GOWDY-WYGANT." Women's History Review 23, no. 6 (2014): 1032–34. http://dx.doi.org/10.1080/09612025.2014.906227.

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5

Wolschke-Bulmahn, Joachim. "From the War-Garden to the Victory Garden: Political Aspects of Garden Culture in the United States during World War I." Landscape Journal 11, no. 1 (1992): 51–57. http://dx.doi.org/10.3368/lj.11.1.51.

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6

Selig, Robert L. "The Endless Reading of Fiction: Stuart Moulthrop's Hypertext Novel "Victory Garden"." Contemporary Literature 41, no. 4 (2000): 642. http://dx.doi.org/10.2307/1209006.

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7

Cannon, Emma, Chandler Mulvaney, Erin Harlow, et al. "Planting Seeds of Victory: Creating Shared Meaning while Gardening amidst a Pandemic." Journal of International Agricultural and Extension Education 28, no. 2 (2021): 14–23. http://dx.doi.org/10.5191/jiaee.2021.28202.

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The Victory2020 Garden Community Program was established by faculty members within the University of Florida (UF), Institute of Food and Agricultural Sciences (IFAS) in Marion and Columbia County Extension offices. In response to COVID-19, the purpose of the program was to provide online-mediated programs that could be completed at the desired pace of the participants, while promoting a self-reliant, science-based approach to learning about home food production through gardening. Due to food insecurity rates in both Marion (14.4%) and Columbia (15.2%) counties ranking above the statewide avera

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8

Gillett, Carly, Kathryn Fontenot, Edward Bush, Maud Walsh, and Charles Johnson. "Summer Camp Garden Project: An Opportunity to Grow the Next Generation of Horticulturists." HortTechnology 27, no. 1 (2017): 114–20. http://dx.doi.org/10.21273/horttech03572-16.

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Agriculture is fundamental to meeting Americans’ basic needs—clothing, housing, and food. As the average farmer’s age increases, there is a need to develop programs to encourage youth to pursue careers in agriculture and become the next generation of farmers. This study developed and implemented a horticultural curriculum focusing on vegetable production at a summer camp setting. Targeted participants were aged 9 to 12 years. Pre- and posttests were given to both the treatment group (campers participating in the victory garden track) and the control group (campers participating in a Wetlands t

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9

Ficociello, Robert. "Cultivating Victory: The Women's Land Army and the Victory Garden Movement CeciliaGowdy-Wygant. Pittsburgh: University of Pittsburgh Press, 2013." Journal of American Culture 37, no. 1 (2014): 81–82. http://dx.doi.org/10.1111/jacc.12116.

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10

Meglin, Joellen A. "Victory Garden: Ruth Page's Danced Poems in the Time of World War II." Dance Research 30, no. 1 (2012): 22–56. http://dx.doi.org/10.3366/drs.2012.0033.

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During the years 1943–1946, the Chicago choreographer and ballet director Ruth Page created a compact, innovative vehicle for touring, a concert she called Dances with Words and Music. The programme consisted of solo dances accompanied by the poems of Dorothy Parker, Ogden Nash, e. e. cummings, Federico García Lorca, Langston Hughes, Hilaire Belloc, Edna St. Vincent Millay, and others. Page performed her danced poems, speaking the words herself and dialoguing with them in dance, in New York and Chicago, and at Jacob's Pillow. She also toured extensively to smaller cities scattered throughout t

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11

Maltz, Alesia. "“Plant a victory garden: our food is fighting:” Lessons of food resilience from World War." Journal of Environmental Studies and Sciences 5, no. 3 (2015): 392–403. http://dx.doi.org/10.1007/s13412-015-0293-1.

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Verdon, Nicola. "Cecilia Gowdy-Wygant, Cultivating History: The Women's Land Army and the Victory Garden Movement." Environment and History 21, no. 1 (2015): 168–70. http://dx.doi.org/10.3197/096734015x14183179970023.

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13

Usakiewicz, Krzysztof. "Not Just For Kicks." Colloquia Humanistica, no. 5 (December 17, 2016): 200–213. http://dx.doi.org/10.11649/ch.2016.014.

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Not Just For KicksThe match-up between Makabi and Inter did not attract many spectators. The weather was likely the only factor at play, since that Saturday in November was extremely nasty. That was because the game was held not in Haifa or even Milan, but in the Warsaw district of Mokotów. To be precise, on a small but well-kept field lined with artificial turf in the so-called Jordan’s Garden. The game, lasting fifty minutes including the break, was not especially fierce, and ended with Inter’s confident victory 5–1. Esej, który uzyskał wyróżnienie (drugie miejsce) w europejskim konkursie mł

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Kyselov, V. M., and G. V. Kyselovа. "HISTORICAL PARKS OF UKRAINE. FROM HISTORY TO MODERNITY." Bulletin of Odessa State Academy of Civil Engineering and Architecture, no. 81 (December 7, 2020): 18–25. http://dx.doi.org/10.31650/2415-377x-2020-81-18-25.

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Abstract. The article explores the issues of the emergence and development of historical parks in Ukraine. There are four periods of formation and development of historical parks in Ukraine: the first ‒ from the times of Kievan Rus to the middle of the 17th century (the origin of park building), the second ‒ from the middle of the 17th century before the revolution of 1917 (construction of mainly private palaces and park ensembles), the third ‒ from 1918 to 1991 (soviet period), the fourth ‒ from 1991 to the present (the period of independence of Ukraine). The definition of the concept «histor

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15

Samorukova, Antonina G. "“In that blocade years”: memories of T. A. Kozupeeva." Transaction Kola Science Centre 11, no. 1-2020 (2020): 162–73. http://dx.doi.org/10.37614/2307-5252.2020.1.18.011.

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The author of the memoirs «In thatblockade years» candidate of agricultural Sciences, Director of the Polar-Alpine Botanical garden of the Institute in 1962–1986 Tatyana Alekseevna Kozupeeva. She worked in the Kola branch of the USSR Academy of Sciencesfrom 1953 to 1986. In her memoirs, she tells about the Leningrad blockade, which she endured from the beginning to the end and was among those who endured all the horrors of hunger, bombing and shelling. Through the eyes of a young girl, a tragic period of her life is viewed with its difficulties, losses and belief in victory. She describes the

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Hawkins, C. D. B., M. J. Aston, and M. I. Whitecross. "Aphid-induced changes in growth indices of three leguminous plants: unrestricted infestation." Canadian Journal of Botany 63, no. 12 (1985): 2454–59. http://dx.doi.org/10.1139/b85-351.

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The effects of various densities of cowpea aphids (Aphis craccivora Koch) and pea aphids (Acyrthosiphon pisum Harris), both Homoptera: Aphididae, on the growth of cowpea (Vigna unguiculata (L.) Walp. cv. Caloona), broad bean (Vicia faba L. cv. Aquadulce), and garden pea (Pisum sativum L. cv. Victory Freezer) seedlings were investigated. Within 10 days of infestation, aphid feeding significantly reduced plant dry weights and mean relative growth rates for the six plant–aphid combinations. In all cases except one, the mean unit leaf or net assimilation rate was also significantly reduced within

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17

Hawkins, C. D. B., M. I. Whitecross, and M. J. Aston. "Interactions between aphid infestation and plant growth and uptake of nitrogen and phosphorus by three leguminous host plants." Canadian Journal of Botany 64, no. 10 (1986): 2362–67. http://dx.doi.org/10.1139/b86-311.

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The effects of cowpea aphids (Aphis craccivora Koch) and pea aphids (Acyrthosiphon pisum (Harris)), both Homptera: Aphididae, on nitrogen (N) and phosphorus (P) uptake by and growth of cowpea (Vigna unguiculata (L.) Walp. cv. Caloona), broad bean (Vicia faba L. cv. Aquadulce), and garden pea (Pisum sativum L. cv. Victory Freezer) seedlings were investigated. After 10 days of aphid infestation, all leaf areas were significantly lower in infested plants, and plant dry weight, mean relative growth rate, and unit leaf rate were significantly lower in all plant–aphid combinations except for pea – p

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Hawkins, C. D. B., M. I. Whitecross, and M. J. Aston. "The effect of short-term aphid feeding on the partitioning of 14CO2 photoassimilate in three legume species." Canadian Journal of Botany 65, no. 4 (1987): 666–72. http://dx.doi.org/10.1139/b87-089.

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The short-term effects of the feeding of cowpea aphids (Aphis craccivora Koch) and pea aphids (Acyrthosiphon pisum (Harris)), both Homoptera: Aphididae, on 14C translocation and plant growth of broadbean (Vicia faba L. cv. Aquadulce), cowpea (Vigna unguiculata (L.) Walp. cv. Caloona), and garden pea (Pisum sativum L. cv. Victory Freezer) seedlings were investigated, but not all plant–aphid combinations were utilized. Within 10 days of infestation, aphid feeding reduced the flux of translocate to the roots, changed the assimilate partitioning pattern in affected shoots, and apparently induced a

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19

Shelestyuk, E. V. "THE STUDY OF CONCEPTUAL COMPOSITION OF SOVIET POETRY DEVOTED TO THE GREAT PATRIOTIC WAR." Bulletin of Kemerovo State University, no. 1 (March 20, 2017): 208–16. http://dx.doi.org/10.21603/2078-8975-2017-1-208-216.

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The article describes the conceptual structure of the body of Soviet poetry, dedicated to the Great Patriotic War, identified by the automatic semantic analysis, cluster analysis and contextual interpretation of semantic core. We specify the central lexis (the semantic weight ≥20), the near peripheral lexis (19-6) and the far peripheral lexis (5-2) and hence the nuclear, auxiliary and peripheral concepts. We also determine the ratio of generalized or abstract concepts and concrete, basic-level concepts; the former somewhat prevail over the latter. The abstract concepts include "intellective" (

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20

Linton, Otha. "Victory gardens." Academic Radiology 12, no. 11 (2005): 1483–84. http://dx.doi.org/10.1016/j.acra.2005.08.002.

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21

Hawkins, C. D. B., M. I. Whitecross, and M. J. Aston. "Similarities between the effects of aphid infestation and cytokinin application on dark respiration and plant growth of legumes." Canadian Journal of Botany 66, no. 9 (1988): 1896–900. http://dx.doi.org/10.1139/b88-259.

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Cowpea (Vigna unguiculata (L.) Walp. cv. Caloona), broad bean (Vicia faba L. cv. Aquadulce), and garden pea (Pisum sativum L. cv. Victory Freezer) seedlings were infested with cowpea aphids (Aphis craccivora Koch) or pea aphids (Acyrthosiphon pisum (Harris)), both Homoptera: Aphididae, for 10 days and then infested host plant tissue was examined for foreign substances injected by the aphids. No foreign compound was detected in any of the aphid-infested plant tissues. Both aphid species were also assayed for plant growth substances, utilizing the epinastic response of tomato (Lycopersicon escul

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22

Amosova, Alisa A., and Tat’iana M. Konysheva. "“The Object ‘Pavilion’”: The re-exposure in the bunker in Smolny in honor of the 75th anniversary of the victory in the Great Patriotic War." Issues of Museology 11, no. 2 (2020): 219–38. http://dx.doi.org/10.21638/11701/spbu27.2020.207.

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The article is devoted to the analysis of the updated museum exposition entitled “The Object ‘Pavilion’”, implemented in a bomb shelter under the building of the St. Petersburg administration for the anniversary of the Victory in the Great Patriotic War, by May 9, 2020. The authors study history of The Smolny Museum, as well as its current expositions and memorial spaces available for visitors within the walls of the government building: the exposition “From the history of women’s education in Russia. Smolny Institute for Noble Maidens” and “December, 1. Shot in Smolny”; V. I. Lenin’s study an

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23

Fogel, Joshua A. "“Shanghai-Japan”: The Japanese Residents' Association of Shanghai." Journal of Asian Studies 59, no. 4 (2000): 927–50. http://dx.doi.org/10.2307/2659217.

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At noon on december 3, 1937, a Japanese military parade—perhaps in ironic imitation of other processions by foreigners in Shanghai—began marching down Nanjing Road through the foreign concessions in Shanghai and along the Bund. In the lead was a military police (kenpeitai) car escorted by mounted troops bearing sabers at the hilt. They were followed by a large infantry detachment, machine-gunners, and finally by artillerymen. Japanese aircraft flew by overhead, and Japanese civilians lined the route along the way and shouted out choruses of banzai. When they arrived at Jessfield Park, they wer

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24

Cohen, Laurie. "Cecilia Gowdy-Wygant, Cultivating Victory: The Women’s Land Army & the Victory Garden Movement, Pittsburgh: University of Pittsburgh Press 2013, viii + 230 pp., ca. EUR 33,–, ISBN 978-0-8229-4425-6 and Rose Hayden-Smith, Sowing the Seeds of Victory: AmericanGardening Programs of World War I, Jefferson, NC: McFarland & Co. 2014, xi + 252 pp., ca. EUR 38,–, ISBN 978-0-7864-7020-4." L'Homme 27, no. 2 (2016): 156–60. http://dx.doi.org/10.14220/lhom.2016.27.2.156.

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25

Kadurina, A. O. "SYMBOLISM OF ROSES IN LANDSCAPE ART OF DIFFERENT HISTORICAL ERAS." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 148–57. http://dx.doi.org/10.31650/2519-4208-2020-20-148-157.

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Background.Rosa, as the "Queen of Flowers" has always occupied a special place in the garden. The emergence of rose gardens is rooted in antiquity. Rose is a kind of “tuning fork” of eras. We can see how the symbolism of the flower was transformed, depending on the philosophy and cultural values of society. And this contributed to the various functions and aesthetic delivery of roses in gardens and parks of different eras. Despite the large number of works on roses, today there are no studies that can combine philosophy, cultural aspects of the era, the history of gardens and parks with symbol

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26

Edquist, Harriet. "The Architect as Garden Designer. The Gardens of Harold Desbrowe-Annear in Victoria 1901–33." Studies in the History of Gardens & Designed Landscapes 21, no. 1 (2001): 54–65. http://dx.doi.org/10.1080/14601176.2001.10436272.

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27

Gillbank, Linden. "University Botany in Colonial Victoria: Frederick McCoy's Botanical Classes and Collections at the University of Melbourne." Historical Records of Australian Science 19, no. 1 (2008): 53. http://dx.doi.org/10.1071/hr08002.

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Botany was part of the broad intellectual territory of one of the University of Melbourne's four foundation chairs. From his appointment in 1854 until his death in 1899, Frederick McCoy was the Professor of Natural Science and, for most of that time, also honorary Director of the Colony of Victoria's National Museum. McCoy gained ideas about botany and botanic gardens and museums while studying and working at the University of Cambridge, where he attended Professor John Stevens Henslow's botany lectures in 1847. With help from Henslow and Victoria's Government Botanist, Ferdinand Mueller, McCo

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28

Andreatta, Susan L. "Through the Generations: Victory Gardens for Tomorrow's Tables." Culture, Agriculture, Food and Environment 37, no. 1 (2015): 38–46. http://dx.doi.org/10.1111/cuag.12046.

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Ngo, Phuong Linh. "THE METHANE UPTAKE CAPACITY OF SOIL GARDEN." Vietnam Journal of Science and Technology 55, no. 4C (2018): 122. http://dx.doi.org/10.15625/2525-2518/55/4c/12140.

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Aerobic CH4 oxidation through methanotrophic bacteria is the only terrestrial sink and the only sink that can be altered directly or indirectly by human so far. However, the capacity of this sink is highly variable in different ecosystems depending on four key factors which are soil diffusivity, soil temperature, soil nitrogen status and soil moisture. While many studies in Australia experience the significant inverse correlation between soil moisture and CH4 flux magnitude in temperate forests in Victoria and New South Wales, there is a lack of research about the methane uptake capacity of ga

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30

Postma, Regan L. "Luis Alfaro’s Mojada Premieres at Victory Gardens Theater, Chicago." Latin American Theatre Review 47, no. 2 (2014): 187–90. http://dx.doi.org/10.1353/ltr.2014.0040.

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31

Music, Janet, Erica Finch, Pallavi Gone, Sandra Toze, Sylvain Charlebois, and Lisa Mullins. "Pandemic Victory Gardens: Potential for local land use policies." Land Use Policy 109 (October 2021): 105600. http://dx.doi.org/10.1016/j.landusepol.2021.105600.

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32

Hulett, Rebecca L. "Butchart Gardens, Victoria, British Columbia." American Journal of Roentgenology 179, no. 3 (2002): 774. http://dx.doi.org/10.2214/ajr.179.3.1790774.

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33

Forêt, Philippe. "A Paradise Lost: The Imperial Garden Yuanming Yuan. By Young-tsu Wong. [Honolulu: University of Hawai‘i Press, 2001. 226 pp. Hard cover $60.00, ISBN 0-8248-2226-9; paperback ISBN 0-8248-2328-1.]." China Quarterly 170 (June 2002): 477–502. http://dx.doi.org/10.1017/s0009443902360285.

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Yuanming Yuan has become the most famous garden of imperial China thanks to its well-documented and tragic history. The nationalism of Chinese historians and the enthusiastic endorsement of Westerners – Victor Hugo used to compare Yuamming Yuan to the Parthenon – have combined to turn the ruins of the Yuanming Yuan into a major tourist attraction today. At the very beginning of the 18th century the Kangxi emperor (r. 1662–1722) supervised the simultaneous construction of two new garden complexes, the court's principal residence of Yuanming Yuan in Haidian (Beijing) and the summer residence of

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34

Clifford, Pat. "The Cultivation of Victoria amazonica Sowerby in Northern Latitudes." Sibbaldia: the International Journal of Botanic Garden Horticulture, no. 3 (October 31, 2005): 59–65. http://dx.doi.org/10.24823/sibbaldia.2005.113.

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Victoria amazonica Sowerby has been cultivated in Britain since the 1830s. In this paper the cultivation of this species at the Royal Botanic Garden Edinburgh is outlined with reference to its native environment, including propagation, planting out, general maintenance, flowering and pollination.

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35

de la Motte, P. R. "Therapeutic garden designs in special needs facilities in Victoria, Australia." Acta Horticulturae, no. 1121 (July 2016): 47–50. http://dx.doi.org/10.17660/actahortic.2016.1121.8.

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36

Cărăbaş, Irina. "Representing Bodies. Victor Brauner’s Hybrids, Fragments and Mechanisms." Nordlit 11, no. 1 (2007): 229. http://dx.doi.org/10.7557/13.1762.

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The Romanian avant-garde looked for inspiration in two principal places where artists from all-over Europe gathered, confronted and discussed their ideas of a new art. While Berlin nourished the constructivist orientation of the Romanian avantgarde, Paris stimulated its interest in surrealism. Although Berlin was by far more significant as a stimulus for the synthesis of all arts and all modern movements toward which the Romanian avant-garde strove, Paris had the advantage of anemotional attachment. The French culture had been set long ago as a model for the entire Romanian modern culture and

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37

Symes, Peter, and Clare Hart. "The Climate Change Alliance: botanic garden horticulturists as agents for change." Sibbaldia: the International Journal of Botanic Garden Horticulture, no. 20 (June 4, 2021): 95–122. http://dx.doi.org/10.24823/sibbaldia.2021.352.

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In 2016, the publication of the pioneering Landscape Succession Strategy heralded a horticultural response by Royal Botanic Gardens Victoria to climate change risks faced by their living collections. This initiative led to the botanical world’s first Climate Change Summit in 2018 and the subsequent establishment of the Climate Change Alliance for Botanic Gardens. This article describes some of the anticipated climatic changes facing the Melbourne Gardens site, the strategic management of collections when considering these challenges, and how other botanical organisations can benefit from this

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38

Ehrlich, Linda C. "Interior Gardens: Victor Erice's "Dream of Light" and the "Bodegon" Tradition." Cinema Journal 34, no. 2 (1995): 22. http://dx.doi.org/10.2307/1225834.

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Wimmer, Clemens Alexander. "Victoria, the Empress Gardener, or the Anglo-Prussian Garden War, 1858-88." Garden History 26, no. 2 (1998): 192. http://dx.doi.org/10.2307/1587203.

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40

Höstman, Anna. "‘MY GARDEN IS NOT PRISTINE’: AN INTERVIEW WITH LINDA CATLIN SMITH." Tempo 71, no. 280 (2017): 8–20. http://dx.doi.org/10.1017/s0040298217000055.

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ABSTRACTLinda Catlin Smith was born in 1957 and grew up in New York. She studied composition in New York and at the University of Victoria, before settling in Toronto in 1981. Linda has received Canada's prestigious Jules Léger prize for her work Garland (2005). She was the Artistic Director of Toronto's contemporary ensemble Arraymusic (1988–93), and a founding member of the interdisciplinary collective Urge (1992–2006). She currently teaches composition at Wilfrid Laurier University. I sat down with Linda in the summer of 2016 at her home in the Trinity Bellwoods neighbourhood of Toronto to

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41

McMullen, Gabrielle L. "Noted colonial German scientists and their contexts." Proceedings of the Royal Society of Victoria 127, no. 1 (2015): 9. http://dx.doi.org/10.1071/rs15001.

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German scientists made substantial and notable contributions to colonial Victoria. They were involved in the establishment and/or development of some of the major public institutions, e.g. the Royal Society of Victoria, National Herbarium, the Royal Botanic Gardens, Museum Victoria, the Flagstaff Observatory for Geophysics, Magnetism and Nautical Science, the Pharmaceutical Society of Victoria and the Victorian College of Pharmacy. Further, they played a leading role not only in scientific and technological developments but also in exploration – Home has identified ‘science as a German export

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42

Entwisle, Timothy J., Chris Cole, and Peter Symes. "Adapting the botanical landscape of Melbourne Gardens (Royal Botanic Gardens Victoria) in response to climate change." Plant Diversity 39, no. 6 (2017): 338–47. http://dx.doi.org/10.1016/j.pld.2017.11.001.

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43

Miller, Char. "In the Sweat of Our Brow: Citizenship in American Domestic Practice During WWII-Victory Gardens." Journal of American Culture 26, no. 3 (2003): 395–409. http://dx.doi.org/10.1111/1542-734x.00100.

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44

Laurence, Becca. "Sonic Postcards." Leonardo Music Journal 16 (December 2006): 75. http://dx.doi.org/10.1162/lmj.2006.16.75a.

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Sonic Postcard 1: From Chelsea Children's Hospital School, London, created by the pupils from the Collingham Gardens site, facilitated by Jo Lucas. Sonic Postcard 2: From Ashcott Primary School, Somerset, created by Sophie Hunt-Davison and Victoria Langford, facilitated by Tony Whitehead. Sonic Postcard 3: From Market Place Primary School, Aberdeenshire, created by class P6, facilitated by Pippa Murphy.

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Batey, Mavis, and Peter Hayden. "The Victoria County History. New Volumes Oxfordshire XI and Staffordshire XX Containing Garden History." Garden History 13, no. 1 (1985): 75. http://dx.doi.org/10.2307/1586759.

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46

Berard, Ewa. "The ‘First Exhibition of Russian Art’ in Berlin: The Transnational Origins of Bolshevik Cultural Diplomacy, 1921–1922." Contemporary European History 30, no. 2 (2021): 164–80. http://dx.doi.org/10.1017/s0960777320000661.

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The emergence of a Soviet cultural diplomacy in the 1920s was hardly predictable. Bolsheviks’ propaganda for ‘world revolution’ reduced the image of Soviet Russia to one of Leninist-proletarian victory, while the rejection of diplomatic tradition and a distrust of artists and intellectuals precluded any commitment to cultural action abroad. This article explores how, when and why a Soviet cultural diplomacy developed. It focuses on two episodes related to the famine of 1921, including, based on new archival evidence, the First Exhibition of Russian Art in Berlin in October 1922. The exhibition

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47

Szanto, David. "The Heirloom Tomato: From Garden to Table, Amy Goldman and Victor Schrager (photog.), Bloomsbury, 2008, 272 pages." Cuizine 2, no. 1 (2010): 0. http://dx.doi.org/10.7202/039521ar.

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48

Atkinson, Maddy. "Keeping the land clean: an creation historical archaeology of landscape and garden at Murrungowar, Victoria." Studies in the History of Gardens & Designed Landscapes 21, no. 1 (2001): 19–26. http://dx.doi.org/10.1080/14601176.2001.10436268.

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49

Piekut, Benjamin. "Indeterminacy, Free Improvisation, and the Mixed Avant-Garde:." Journal of the American Musicological Society 67, no. 3 (2014): 769–824. http://dx.doi.org/10.1525/jams.2014.67.3.769.

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John Cage's brand of experimentalism underwent a transformation when it was imported into the UK in the 1960s. There, in contradiction to the American's well-known preferences, indeterminacy became twisted up with jazz-derived free improvisation, owing to discourse that stressed performer freedom and creativity while downplaying notions of non-intention and discipline. The authors of these commentaries created the discursive conditions for a mingling of avant-garde traditions, but the material conditions owed more to the efforts of Victor Schonfield, whose nonprofit organization, Music Now, ac

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Richard Hernandez, Marie-Thérèse. "Nationalisme et avant-garde dans une oeuvre frontière : la Gitane Tropicale de Victor Manuel." America 13, no. 1 (1993): 71–79. http://dx.doi.org/10.3406/ameri.1993.1135.

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